Scott:

Alright, so Jen, I have another joke for you.

Scott:

Oh gosh.

Scott:

Okay.

Scott:

What do you call a happy cowboy?

Jenn:

A happy cowboy.

Jenn:

Um.

Jenn:

Not a cowboy anymore.

Jenn:

A

Scott:

jolly

Jenn:

rancher.

Jenn:

I

Scott:

figure I'll keep those going for a road trip series.

Scott:

Welcome to Top of History.

Scott:

I'm your host, Scott, here with my wife and historian, Jen.

Scott:

Hello.

Scott:

On this podcast, we give you insights to our history inspired, world travels,

Scott:

YouTube channel journey and examine history through deeper conversations

Scott:

with the curious, the explorers, and the history lovers out there.

Scott:

Before we get into the main topic that I know you guys are anxious to kind of hear

Scott:

about, um, I do want to call out another, uh, It looks like an updated review from a

Scott:

friend of ours, uh, Doug McLiberty, great podcast on the Lincoln Conspiracy Trial.

Scott:

He was a big fan of this, that episode, our episode a couple,

Scott:

a couple of podcasts ago.

Scott:

He said, thank you for another great episode.

Scott:

You can always teach me something new.

Scott:

I want the, I watched the 2010 movie Conspirator and it was wonderful.

Scott:

Never would have known about it without your podcast.

Scott:

So we, if folks remember and they had listened to us talk about Grant Hall.

Scott:

We talk about the movie conspirator.

Scott:

You, you talk about it.

Scott:

I haven't seen it, but you've seen it and you kind of spoke highly of it.

Scott:

And there's a couple of people even on Instagram that said it was pretty good.

Jenn:

Yeah.

Jenn:

It really centers on Mary Surratt.

Jenn:

Uh, Robin Wright Penn plays her.

Jenn:

Robin Wright plays her.

Jenn:

And, uh, yeah, it's directed by Robert Redford.

Jenn:

It's a good

Scott:

movie.

Scott:

Yeah.

Scott:

Yeah.

Scott:

So that was, that's fun.

Scott:

It's always fun to hear, uh, from.

Scott:

Folks who are listening to the podcast, we love getting those reviews

Scott:

because that's kind of the best form of feedback that we can get.

Scott:

And it really does help us grow.

Scott:

Like one day I hope to get that podcast featured on some new and upcoming,

Scott:

you know, Apple podcast section.

Scott:

It's very difficult to do, but podcasts really do help that.

Scott:

So if you listen, we really do appreciate, um, the reviews either

Scott:

here or on Spotify, it's just stars.

Scott:

There's no real comments, but thank you for the reviews out there.

Scott:

Thank you so much.

Scott:

Buffalo Bill Cody.

Scott:

was a legendary American frontiersman, a showman and entrepreneur who became famous

Scott:

for his Wild West shows showcasing the romanticized image of the American West.

Scott:

His larger than life persona and captivating performances made him a

Scott:

cultural icon of the late 19th century, leaving a lasting legacy as an emblem.

Scott:

of American Frontier Spirit.

Scott:

And while many of us only remember Cody for his Traveling Wild West

Scott:

show that entertained crowds all over the world, don't forget that Buffalo

Scott:

Bill Cody was also the real deal.

Scott:

So Jen, let's talk a little bit about this legendary Western

Scott:

frontiersman Buffalo Bill Cody.

Scott:

So where are we starting with him today?

Jenn:

Well, we went to visit his museum.

Jenn:

And Grave outside of Denver, Colorado in Golden, Colorado, and, uh,

Jenn:

he's on Lookout Mountain and the address is Lookout Mountain Road.

Jenn:

And we went out there because Buffalo Bill Cody, if you're a fan of any Westerns,

Jenn:

even today, if you like 1883, if you like Yellowstone, if you like Longmire

Jenn:

or anything that even like centers around the, uh, the, the Western, it might

Jenn:

even Mandalorian might even be a good, yeah, because it's like a modern day.

Jenn:

Yeah.

Jenn:

Western.

Jenn:

Very much so.

Jenn:

You have Buffalo Bill Cody to thank for this.

Jenn:

And you might be like, well, why?

Jenn:

It's because he made this transition from the real West to entertaining

Jenn:

people about stories of the West.

Jenn:

Yeah.

Scott:

And when you say the real West and in the video that we made

Scott:

and we put out, and it's, it's doing decently because people are

Scott:

interested in that Western history.

Scott:

I mean, he, he was out there doing it.

Scott:

The pony express shooting Buffalo and, and scouting and also like.

Jenn:

This transitional time of the West.

Jenn:

That's right.

Jenn:

So basically this territorial Western expansion this whole

Jenn:

people settling homesteading He's pinnacle in this entire time.

Jenn:

So Cody is born in 1846 in Iowa and His father is from Canada.

Jenn:

His mother is a Quaker and they don't believe that he was raised that way,

Jenn:

but he's the only boy in their family, his four sisters, and they moved to

Jenn:

Kansas when he's seven years old.

Jenn:

Again, his father has very much of this entrepreneur kind of

Jenn:

spirit, the settler kind of spirit.

Jenn:

And in Kansas, it's a area at the time when you think he's moving there

Jenn:

in the 1850s where Kansas is under turmoil of whether it's going to be

Jenn:

a free state or in a slave state.

Jenn:

That's right

Scott:

You talked a little bit about bleeding

Jenn:

Kansas.

Jenn:

Bleeding Kansas is this fight in the state because there are some people

Jenn:

who want it to be a slave state so they can have free labor and start farming.

Jenn:

There's free labor and there's some people who want it to be a free state because

Jenn:

enslavement is wrong and you can pay your, your laborers, which are usually,

Jenn:

you know, your poor whites, you can pay them instead of using enslaved labor.

Jenn:

And so, Cody's father is on the side of anti slavery, and he goes to a rally

Jenn:

where he basically insults people who are pro slavery and somebody is in the crowd

Jenn:

with a bowie knife and stabs him twice.

Jenn:

Now, he doesn't die at that moment, but he will succumb to

Jenn:

those injuries later in life.

Jenn:

So, he, uh, Cody becomes the man of the house when he's 11 years old.

Jenn:

So his father will die when he's 11.

Jenn:

And so what does Cody do?

Jenn:

I mean, he's in Kansas.

Jenn:

He has a mother and four sisters.

Jenn:

He does what his father did.

Jenn:

He helps with this expansion.

Jenn:

And so people who usually took an Oregon trail or would trail runners.

Jenn:

You know, across America needed protection.

Jenn:

They needed horses.

Jenn:

They just needed help.

Jenn:

They needed help.

Jenn:

So he has 11 years old.

Jenn:

He became what they call like a horse runner, which not only are you getting

Jenn:

horses, but you're running messages from the person in the very front

Jenn:

of the wagon train to the person at the very back of the wagon train.

Jenn:

And you're kind of helping the people who this is their.

Jenn:

business of getting these wagon trains out there.

Scott:

So, and think about it, like, I mean, for that kind of role,

Scott:

what, what better role for, you know, an 11, 12, 13 year old kid,

Scott:

you know, with all this energy,

Jenn:

becoming a young man.

Jenn:

Yeah.

Jenn:

And early on, he's proven to be a very accurate shooter.

Jenn:

Uh, he's very accurate, accurate with his rifle.

Jenn:

So they notice this about him from a young age that he can shoot game and,

Jenn:

uh, he can help feed people and he doesn't take a lot of waste bullets.

Jenn:

And so it's not long before they also see his advantage at about 15,

Jenn:

16, he becomes a pony express rider.

Jenn:

So again, the same kind of business model, the same kind of

Jenn:

men are trying to run messages.

Jenn:

Right?

Jenn:

Same thing, the male, and they're, and here's someone who's proven themselves

Jenn:

on the wagon train to run messages.

Scott:

Yeah, an experienced rider can take care of himself.

Jenn:

And accurate with a rifle, and so they use him.

Jenn:

It's kind of a precursor to the Pony Express.

Jenn:

He does some trails along the Pony Express, but even before the Pony Express.

Jenn:

So he's one of those very like front runners, right?

Jenn:

So the real deal, we talked about this.

Jenn:

And um, and so This is 1860 when he's really working for the Pony Express.

Jenn:

He's 16 years old.

Jenn:

So, when you think the Civil War is about to start, he's too young

Jenn:

to really join the Civil War.

Jenn:

So, you don't really see him in the Civil War until 1863.

Jenn:

Yeah.

Jenn:

Until later.

Jenn:

When he's 18, 19 years old.

Jenn:

And he becomes a scout.

Jenn:

Yep.

Jenn:

Just like, um, what he will do later in life, a scout.

Jenn:

Go out in front, scout out the area where's the enemy.

Jenn:

He can get in, get out.

Jenn:

He's very, he lives off the land.

Jenn:

He's a frontiersman.

Jenn:

He's very good at, like, hiding his track.

Scott:

Yeah.

Scott:

And, I mean, if you think about it, for, for any general or.

Scott:

You know, unit that is kind of looking for someone like that.

Scott:

He's plug and play, right?

Scott:

That he comes in, he's like, I'm going to, he fought for the union side, right?

Scott:

So it comes into this unit and they're like, Oh, you're, you do this at any

Scott:

other, it's like, yeah, I can be a scout.

Scott:

Great.

Scott:

Go, you know.

Scott:

Scout over here and tell us what you see and does it no issues, right?

Scott:

Yeah, and if you're successful that then leadership is like perfect.

Scott:

This is all you're gonna do

Jenn:

Yes And you know he doesn't wear the uniform because he's wearing

Jenn:

is like Right, you know He's rawhide like he's wearing his like skins and

Jenn:

stuff because he's just a man of the land And this is where he meets Hickok

Jenn:

for the first time Oh, he meets him

Jenn:

in

Scott:

the yeah in the army in

Jenn:

the army And the Hickok's nine years older than him and Hickok is also a scout.

Jenn:

So Hickok is also very good at this again frontiersman Good at living

Jenn:

off the land, you know, hunting people, knowing where people are.

Jenn:

And so they become friends.

Jenn:

And it's during this time right after the Civil War that he is hired by

Jenn:

the Kansas Pacific Railroad in 1866 to hunt buffalo for the railroad.

Jenn:

So he becomes a military scout on the side as they venture out into the West.

Jenn:

Think of Custer and everyone who's kind of venturing out after the Civil

Jenn:

War and he helps feed the railroad.

Jenn:

So they're trying to build a railroad across the United States to connect.

Jenn:

And this is, this

Scott:

is where he earns his name because he's so good at what

Jenn:

he does.

Jenn:

Yes, between 1867 and 1868 he kills over 4, 000 buffalo.

Jenn:

That's crazy.

Jenn:

And he's actually, um, he's, Somebody challenges him to see who can kill more

Jenn:

buffalo, and he beats that person by 10.

Jenn:

And the reason why is because a lot of people hunted buffalo

Jenn:

from the back of the herd.

Jenn:

Scare in the herd and then whoever the, the, the low, you know, the

Jenn:

slower ones is the one that we kill.

Jenn:

Cody goes out in front and hits the herd from the front and then it kind

Jenn:

of pushes them to the side where he can just shoot alongside of them.

Jenn:

As they're walking, as they're running by.

Jenn:

So he can hit them and he just goes back and gets them.

Jenn:

That seems

Scott:

like a much more dangerous way to hunt buffalo.

Scott:

It's a

Jenn:

very dangerous way to hunt buffalo.

Jenn:

And if you see in our video, first of all, we stand by a stuffed buffalo.

Jenn:

You can see how big they are.

Jenn:

They're huge.

Jenn:

Plus buffalo, They're just like bulls.

Jenn:

So when you think of a bull, it's going to charge you with their horns.

Jenn:

A buffalo will charge you when they're scared.

Jenn:

Listen up, Yellowstone

Scott:

visitors.

Scott:

What do all the teachers say?

Scott:

Don't pet

Jenn:

the fluffy cows.

Jenn:

Don't pet the fluffy cows.

Jenn:

Buffaloes charge.

Jenn:

And so, um, so he has to ride basically alongside of them and shoot them.

Jenn:

And again, he's accurate.

Jenn:

You have to get close to get through a buffalo hide.

Jenn:

And it's basically like shooting a deer under the, under the shoulder.

Jenn:

Um, but he's so accurate.

Jenn:

And he also favors I read instead of like a quick action kind of weapon.

Jenn:

He favors like a bigger barreled weapon.

Jenn:

So he does want the, the get

Scott:

it, get him with the one shot rather than needing to

Jenn:

or something like that.

Jenn:

He's very accurate.

Jenn:

Yeah.

Jenn:

So, uh, so And again, he's, he's so good.

Jenn:

He gets paid a lot of money for this.

Jenn:

He's able to support his family this whole time.

Jenn:

He does become man of the house and takes care of his family.

Jenn:

And, um, and he's paid a lot of money to kill these buffalo

Jenn:

to feed the railroad workers.

Jenn:

And he's very good about taking care of people who work for him.

Jenn:

So anyone who's helping him, he's also, um,

Scott:

compensating them.

Scott:

And, and now I think he even said in the video a little bit later in

Scott:

life, he actually said, This expresses regret for killing so many buffalo.

Jenn:

He does, because I mean, at the time there was a lot of buffalo on the

Jenn:

plains, but in these years from the 1860s to the 1880s to the 1890s, you're

Jenn:

going to pretty much decimate the buffalo bison population and almost extinction.

Jenn:

That's crazy.

Jenn:

In just

Scott:

a couple of

Jenn:

years.

Jenn:

Yeah, and so and there's this twofold There's a lot of thoughts about that.

Jenn:

The military did it on purpose to wipe out the food source for the American Indians

Jenn:

Hmm, and so they would just kill Buffalo, but Cody Ate the Buffalo and so he felt

Jenn:

bad in the when it eventually came to the point where they do You know, you're down

Jenn:

to a couple hundred Buffalo left and thank God, you know, there were these People

Jenn:

who protected them and they now today, you know, even the herds are reestablished

Jenn:

But he did feel bad about that because he did appreciate You know, what the

Scott:

buffalo was.

Scott:

Yeah.

Scott:

And the, the museum we visited, visited, right.

Scott:

And that's, that's kind of what this video is kind of predicated on.

Scott:

We were up there, you know, in Denver visiting friends, went up to Golden,

Scott:

which is just outside of Denver, up and up in the hills of Lookout Mountain.

Scott:

We went up to the, to the museum and the museum does a really good

Scott:

job of taking you through his life and through these different stages

Scott:

of his life, really showcasing, you know, how he was, you know, where he

Scott:

came from, how he was the real deal.

Scott:

And then what he did.

Scott:

Transitioning into kind of the show business.

Jenn:

Yes.

Jenn:

It was great.

Jenn:

And I think, you know, so, the museum is, starts in 1921.

Jenn:

So, Cody dies in 1917.

Jenn:

So, when you really think the museum starts four years after his death.

Jenn:

Oh, wow.

Jenn:

I don't think I realized that.

Jenn:

It's very accurate, then, in a patrol, because they get a

Jenn:

lot of artifacts right away.

Jenn:

As you know, the, his, uh, His show coat is there.

Jenn:

They got peace pipe, some sitting bowl.

Jenn:

They have a headdress from sitting bowl there.

Jenn:

He was living

Scott:

there.

Scott:

He was, I mean that's the area

Jenn:

where he was living at.

Jenn:

Yeah.

Jenn:

They have his medal of honor there.

Jenn:

So the story is pretty seamless after he passes to tell the story.

Jenn:

But I think that the museum does a good job of is showing you that

Jenn:

Buffalo Bill Cody is not just a story, he's not just a character he is.

Jenn:

This person who did do these things during this time in American history of the West

Jenn:

and then transition to the show of it.

Jenn:

Yeah,

Scott:

and kind of telling his story numerous times, which when you

Scott:

tell a story enough times, even I.

Scott:

You know, you and I embellish stories at time after time after time after time

Scott:

and someone like that, when that's your business for many years after getting

Scott:

out of the business of being a scout and, you know, hunting buffalo and all

Scott:

that stuff, like things are, you know, will tend to get a little bit more

Jenn:

grandiose.

Jenn:

Sure.

Jenn:

I mean, you can imagine Sitting Bull wore his headdress for every show, right?

Jenn:

A chief is not going to wear his headdress.

Jenn:

Right.

Jenn:

Every day, all day, right?

Jenn:

But he's gonna wear it for every show, cause it's a very, it's a, it's a piece.

Jenn:

Like, it's a very flamboyant, uh, piece of their costume.

Jenn:

But, um, In 1868, he goes back into the military, so he's, he's taking a piece,

Jenn:

he's shooting for the Buffalo, he goes back into the military in 1868, because

Jenn:

this is when they start scouting out for the Indian reservations, this is when

Jenn:

they start the Indian War, so if you think of the Fort Laramie Treaty of 1868,

Jenn:

this is the time when Cody's coming back into military service, and this is when

Jenn:

he actually gets his Medal of Honor, and he gets his Medal of Honor because this

Jenn:

is the time when there is a lot of You know, uproar, instability between the

Jenn:

white settlers and the American Indians who are being pushed off their land.

Jenn:

Plus the American Indians of tribes are being pushed together

Jenn:

that don't want to be together.

Jenn:

And this is what happens in Bighorn.

Jenn:

And so the Indian tribes want their own spaces as well.

Jenn:

They want to be their own autonomous groups.

Jenn:

And so you get a lot of this back and forth, you know,

Jenn:

massacring this settlement, massacring this American Indian.

Jenn:

Uh, I'm going to try massacring this settlement.

Jenn:

So Cody is brought in to help stop some of that.

Jenn:

And again, to scout that out.

Jenn:

And he ends up killing some American Indians who were there to kill him.

Jenn:

And he ends up, and I think he takes out 12.

Jenn:

He's with two other men.

Jenn:

They take out 12.

Jenn:

And so he gets the medal of honor for this.

Jenn:

Now.

Jenn:

The Medal of Honor was taken away because of this.

Jenn:

And then it was reinstated in the late nineties because I think

Scott:

what I read when I was putting the video together was

Scott:

because he, because he was a scout.

Scott:

So technically a civilian, they reviewed these medal of honors, I think.

Scott:

You know, I don't know, 10, 20 years after the facts or something like that.

Scott:

And so there was a few scouts that actually had their there was

Scott:

there's a couple others like him They had middle medals of honor.

Scott:

They were removed and then what was it 19?

Scott:

It was when reagan?

Jenn:

Yeah, I think it was cody's like great grandson or someone who knew

Jenn:

who's who made a petition to a senator in wyoming The senator in wyoming went

Jenn:

to the white house the white house.

Jenn:

I mean it probably was reagan i'm, pretty sure

Scott:

it was reagan because it was like And he was like, give him back.

Scott:

And of course Reagan would be like, yeah, give him the medals of honor back.

Scott:

But they actually, they did kind of re award them, um, to them.

Scott:

So that was kind of neat.

Jenn:

So I say this because it's in 1869 at 23 years old that

Jenn:

he's going to meet Ned Buntline.

Jenn:

So this is pretty significant.

Jenn:

Ned Buntline is the writer, is the reporter who sees these great Western

Jenn:

stories and wants to put them in.

Jenn:

Um, the Chicago Weekly News, he wants to put them in the New York Weekly.

Jenn:

He, he wants to write these stories and...

Jenn:

The dime novels.

Jenn:

The dime novels.

Jenn:

And Cody is the perfect, uh, character.

Jenn:

He's the perfect person to write...

Jenn:

Almost unbelievable.

Jenn:

Yes.

Jenn:

To write these...

Jenn:

What, what he's done.

Jenn:

These stories about.

Jenn:

And so he writes this really good, uh, book called Buffalo

Jenn:

Bill, King of the Bordermen.

Jenn:

So, you know, like the border, and so, and he writes this book and what's

Jenn:

great about Cody is the same year in December of 1872, he is, um, goes to

Jenn:

Chicago and performs this on the stage.

Jenn:

Tells the story.

Jenn:

He's able to sit and read the story and then, like you said, he

Jenn:

probably embellishes or stands up.

Jenn:

Sure, you read the story enough times, you don't need to read it anymore.

Jenn:

And then he kind of knows, and so people love this theatric of

Jenn:

learning about the Wild West from a man who really did these things

Scott:

in the Wild West.

Scott:

And I think it was Ned Butlein who technically like gave him...

Scott:

kind of cemented his name is Buffalo Bill.

Jenn:

Yes.

Jenn:

Yes.

Jenn:

I mean, because it was a good nickname.

Scott:

Yes, it was kind of perfect.

Scott:

You know, mnemonic.

Scott:

Yeah, easy to remember.

Scott:

And so from there, I think if I remember right, Ned Buntline wrote a

Scott:

few of these, you know, kind of wrote some more because they got popular.

Scott:

And then that's when that was the early stages of kind of this transition.

Jenn:

So this is like the 1870s and he's going to invite Hickok to join him.

Jenn:

He wants to invite a lot of his friends to join him because it helps tell the story.

Jenn:

Plus he's like, look at what we can do.

Jenn:

The West is getting settled and there's now, you know,

Jenn:

that's, let's see if we can.

Jenn:

Um, not only educate people about the West, but maybe we can use what we've

Jenn:

learned and make some money off of it.

Jenn:

But Hickok hates it.

Jenn:

Hick Hock hates standing in front of people.

Jenn:

He hides behind the scenery.

Jenn:

He actually shot a Spotlight that was on him he shot it

Jenn:

and so Cody sees right away.

Jenn:

Okay, maybe this isn't for you.

Scott:

Yeah, and like That that's funny.

Scott:

I hadn't heard that that bit about you know, shooting the spotlight

Scott:

that's on him, but You know, there's a lot of these men who were living

Scott:

out in the west for such a long time.

Scott:

I mean true frontiersmen just kind of out on their own or maybe with friends

Scott:

or you know Riding with a wagon train or something like that Being in a situation

Scott:

like that where all of a sudden now you're transported into Constant crowds.

Scott:

I can see how that would just be overwhelming for someone who is never

Jenn:

used to that around so many people.

Jenn:

Exactly.

Jenn:

And you have a lot of freedom to act how you wanna act and now you kind of

Jenn:

have to have a little more decorum.

Jenn:

Um, yeah.

Jenn:

And

Scott:

this is where Buffalo Bill Cody really stands

Jenn:

out.

Jenn:

Stands out.

Jenn:

So this is 1880 and 1883, he's gonna found the Buffalo Bell Wild West Show.

Jenn:

And this, think of this as like a circus.

Jenn:

Think of this like a circus, but with.

Jenn:

The West as the story, and that's when he's going to hire

Jenn:

Annie Oakley and Sitting Bull.

Jenn:

And he does this, um, a couple years later, he'll do this Wild West and the

Jenn:

Congress of Rough Riders of the World.

Jenn:

So he, he wants to showcase cowboys of the world and, and who are these rough riders?

Jenn:

Who are these, these lawmen or anti lawmen?

Jenn:

Of a, of a, you know, all across the globe.

Scott:

It was really neat in the museum, you know, that was up on Looking

Scott:

Mountain, just outside of Golden.

Scott:

In the museum, they have a bunch of those old posters, right?

Scott:

And they, one of the things they said in there was that at certain points

Scott:

throughout his kind of showmanship career, Buffalo Bill Cody was so famous that

Scott:

all the posters said was, I am coming.

Scott:

Mm hmm.

Scott:

And that's it.

Scott:

And people knew what he looked like and they knew what that meant.

Scott:

That's how, that's how famous his show was.

Scott:

And one of the things that I really enjoyed and you pointed it out well,

Scott:

when you start talking a little bit about diversity and, and kind of, you

Scott:

know, he wants a quality for all the people in his show and everything like

Scott:

that was all these posters are not just a bunch of white cowboys, right?

Scott:

It's.

Scott:

Gauchos down from Mexico and Arabic writers and women

Jenn:

in India, Mongols, like people from

Scott:

Mongolia.

Scott:

Really neat.

Scott:

So I can, I can only imagine and they do have.

Scott:

Very late footage I show in the video.

Scott:

They're like 1908 type footage.

Scott:

I mean they have like elephants

Jenn:

in the show Yeah, so this is people's taste of the world, right?

Jenn:

like so we talked about the circus before on one of our episodes we talked about

Jenn:

Dan Rice and how this is how People of America before radio, before television,

Jenn:

get a taste of what's out there.

Jenn:

And here he is bringing it to you.

Jenn:

He's bringing not only the West of America, but he's bringing all these

Jenn:

different kind of cowboys of the world.

Jenn:

So you get a taste of elephants, you get a taste of seeing

Jenn:

people from different countries.

Jenn:

And Cody, it's important to Cody, again, from a young age to share.

Jenn:

the wealth.

Jenn:

So he makes sure people are paid equally.

Jenn:

Women are paid equally.

Jenn:

People of color are paid equally.

Jenn:

And I know someone had commented, well, Cody doesn't care about diversity.

Jenn:

That's a today thing.

Jenn:

It's, it's, it's before that.

Jenn:

This is a precursor that he's not interested in diversity.

Jenn:

He's interested in people and

Scott:

quality.

Scott:

Yeah.

Scott:

I mean, they may not have called it that, but he would have said like, Hey,

Scott:

you know, these people are in my show.

Scott:

I'm not going to not pay people.

Scott:

Right.

Scott:

Just because they're different than me or because Sitting Bull was a Native

Scott:

American or something like that.

Jenn:

So, and I also think this is also a smart businessman because you're

Jenn:

going to get a good performance out of people if people are being paid.

Jenn:

Absolutely.

Jenn:

And they have job satisfaction, right?

Jenn:

We talk about this all the time.

Jenn:

You have job satisfaction, you're going to put on a good show.

Jenn:

And that's the most important thing.

Jenn:

And what this museum has that I love are these colorful Posters these

Jenn:

propaganda posters just like the circus that would come into town before

Jenn:

you would come into town and they're larger than life and Cody traveled

Scott:

the world.

Scott:

Yeah, I mean, legitimately the world.

Scott:

Didn't he like, didn't he perform like in the Coliseum

Jenn:

in Rome?

Jenn:

Yes, and he performed for Queen Victoria.

Jenn:

That's crazy.

Jenn:

He, it was amazing.

Jenn:

He would go, he went over to Europe.

Jenn:

He performed for Queen Victoria.

Jenn:

Queen Victoria gave him a desk.

Jenn:

Like Mark Twain.

Jenn:

was jealous of how much popularity Buffalo Bill Cody had.

Jenn:

And you can think of Mark Twain, who was well known.

Jenn:

Cody was known by everybody.

Jenn:

And he brought the show everywhere.

Jenn:

He traveled, there's a book there at the museum, and you

Jenn:

can look to see if your town

Scott:

is...

Scott:

I didn't get a chance to

Jenn:

look through it.

Jenn:

But he came to every town we've been in with the military.

Jenn:

He has been there.

Jenn:

Wow.

Jenn:

And that was pretty interesting.

Jenn:

Now there are some states that aren't states at the time, but you

Jenn:

can look and see if he came to like the territory, maybe where you live.

Jenn:

But Cody, and I'm not talking just once to these cities, like

Jenn:

he's been there a couple times.

Jenn:

So this show was a consistent traveling show and pretty much like

Jenn:

a circus probably doing two days, moving on two days, moving on.

Jenn:

And the, and it would kind of travel before you, before, you

Jenn:

know, everybody who was the show, the showcases would get there.

Jenn:

So, uh, Yeah, he was very, very popular and again, um, just

Jenn:

really making a name for himself all over and traveling all over.

Jenn:

And then, you know, as he gets a little later in life, that's

Jenn:

when you start to see the movie

Scott:

films.

Scott:

Yes.

Scott:

That was fun.

Scott:

And because, and I actually wasn't expecting to be able to find that, but

Scott:

when we were in the museum, they actually have some stuff playing on a loop.

Scott:

Um, because if you think about it was some of our other videos, we

Scott:

talk about the world's fairs, right?

Scott:

And so that's the very early 1900s, 1901, two, three, four, right?

Scott:

When they have, you know, photographs are becoming more used.

Scott:

And then all of a sudden they start figuring out basic, basic video film.

Scott:

Sure.

Scott:

And so they start

Jenn:

filming some of the shows.

Jenn:

It's a Edison studios invited Buffalo Bill and his show to be filmed in the

Jenn:

early Senate film called Buffalo Bill.

Jenn:

And that's actually

Scott:

when I, where I found the clips.

Scott:

It was, it's labeled as such.

Scott:

Yes.

Jenn:

And, you know, he was part of the World's Fair in Chicago.

Jenn:

He meets the Pope.

Jenn:

He made, he met Queen Victoria.

Jenn:

Mark Twain commented, it's often said on the other side of the water that none of

Jenn:

the exhibitions which we send to England.

Jenn:

are purely and distinctly American.

Jenn:

If you will take the Wild West show over there, you can remove that reproach.

Jenn:

That's what he said.

Jenn:

Interesting.

Jenn:

So the Wild West brought a foreign, exotic foreign world to

Jenn:

life for its European audiences.

Jenn:

It gave them a glimpse of the fading American frontier.

Jenn:

And That's interesting because what you're going to get in return at the

Jenn:

time is you get Dickens who wants to come to the West and you get Oscar Wilde

Jenn:

who wants to come to the West because this is a fading American frontier, but

Jenn:

they're learning about it from Cody.

Jenn:

So Cody is bringing it to all these places around the world.

Jenn:

Like this is what America is basically overcoming the wildness of it.

Jenn:

And, uh, and people want to see it before it goes away.

Jenn:

Yeah, and, and

Scott:

one of the things that I found interesting kind of as, as Buffalo

Scott:

Bill Cody, I mean, he had his show for quite some time and made tons of money,

Scott:

but he was not the best businessman.

Scott:

He kept trying to invest his money afterwards and just not being successful.

Scott:

He tried to retire once or twice.

Jenn:

Yeah, so he tried to buy a ranch in...

Jenn:

Nebraska that was unsuccessful.

Jenn:

He took Cody, Wyoming.

Jenn:

Okay.

Jenn:

Right.

Jenn:

So he establishes Cody, Wyoming, and he tries to bring water up

Jenn:

there and he tries to, you know, just establish a life up there.

Jenn:

And again, then he starts to see it being exploited.

Jenn:

He starts to see the people coming in and taking the coal and things like that.

Jenn:

So one thing for Cody, I think he sees is he starts to really see.

Jenn:

uh, appreciation for the Western culture, but he sees it change dramatically.

Jenn:

During his life.

Jenn:

Yeah.

Jenn:

So he, he sees the West one way he's lives the West one way and then it

Jenn:

completely changes during his lifetime.

Jenn:

I mean,

Scott:

that really is a massive shifting point for the country, right?

Scott:

Think about he lived through the Civil War.

Scott:

Yeah.

Scott:

And then he lived through, you know, the turn of the century.

Scott:

And that's, that, the turn of the century really is kind of that, that newer

Scott:

industrial revolution for, for the U.

Scott:

S., you know, and he passes away just before World War I.

Jenn:

Yeah, his show is basically sold off.

Jenn:

Uh, he, he, again, it's It's a circus.

Jenn:

It's a, and so you're basically, I would think you're basically just breaking even.

Jenn:

'cause you're paying people, you're moving things, you're kind of keeping

Jenn:

up with the times and then just, you know, it's hard to make a profit.

Jenn:

And so his show is sold off.

Jenn:

He goes bankrupt, he's sold off, he has to perform in some shows

Jenn:

as part of his, uh, contract.

Jenn:

And then he just gets sick.

Jenn:

And it's just This is later in life.

Jenn:

Later in life, yeah.

Jenn:

And so in 1917, he.

Jenn:

He's told at the beginning of the year, he's told he has two weeks

Jenn:

to live and he's in Colorado.

Jenn:

So he makes it to his sister's house in Denver, Colorado.

Jenn:

And there's an Instagram of me going to the house.

Jenn:

It's at 2932 Lafayette Street in Denver.

Jenn:

It's still there.

Jenn:

And he makes it to his sister's house when he dies.

Jenn:

January 10th of 1917 and he gets, uh, baptized the day before he

Jenn:

dies and, uh, he's with his wife.

Scott:

And it was like, there was a massive crowd that came to his

Jenn:

funeral.

Jenn:

Sure.

Jenn:

Yeah.

Jenn:

Well, he, um, again, this is January.

Jenn:

So he goes into the rotunda at the Capitol.

Jenn:

He's friends with the governor of Colorado and the, you know, people have really

Jenn:

appreciated what he meant to the West.

Jenn:

And so 25, 000 people will visit him laying in state in the rotunda.

Jenn:

And then of course, they're going to wait to bury him because it.

Jenn:

Winter.

Jenn:

Yeah, the ground's frozen.

Jenn:

In Colorado.

Jenn:

But on his deathbed, he tells his wife that he wants to be

Jenn:

buried at Overlook Mountain.

Jenn:

Uh, most people thought he was going to be buried in Cody, Wyoming, his namesake.

Jenn:

But uh, he, he says to her he wants that and other people heard him say it too.

Jenn:

And because of that, when she buries him on June 3rd, 1917, she will open

Jenn:

his coffin because people will be complaining, why is he being buried here?

Jenn:

I thought it was supposed to be Cody.

Jenn:

And she goes, this is what he wanted.

Jenn:

These were his last wishes.

Jenn:

His sister will pick out the plot area and look out mountain.

Jenn:

And then he's buried there and his, um, his wife will join

Jenn:

him four years later in 1921.

Jenn:

So they're buried side by side and it's after she's buried there.

Jenn:

that this whole controversy around Cody, Wyoming really picks up.

Jenn:

Oh, just because she's gone.

Jenn:

And she's gone and no one can really confirm what he said.

Jenn:

And then his daughter chooses to be buried in Cody, Wyoming.

Jenn:

And she's a real proponent of my dad wanted to be buried in Cody, Wyoming.

Jenn:

So Cody, Wyoming plays these games of, uh, we'll pay anybody 10, 000.

Jenn:

and bring it back to Cody, Wyoming, and there's claims that somebody did do it

Jenn:

and he's buried on the mountain there in Cody, Wyoming, but if you go to the grave

Jenn:

and lookout mountain, he's buried under concrete and he's buried around a fence.

Jenn:

So there is no reason to believe that his body isn't still there in, um, at lookout

Scott:

mountain.

Scott:

But again, that just speaks to the popularity of.

Scott:

Of how popular was he even at the time he was such a massive

Scott:

draw and so publicly well known.

Scott:

Yeah.

Jenn:

I mean, this argument is to say that he was the most famous person

Jenn:

in the turn of the 20th century.

Jenn:

Yeah.

Jenn:

Um, so there's a 80, 000 visitors will visit the Buffalo Bill Museum

Jenn:

and grave in golden Colorado.

Jenn:

I will say that, um, the kids loved it.

Jenn:

Oh,

Scott:

it was, it was such a good museum.

Scott:

If you're in that area, you, you need to go up there.

Scott:

It's not far outside

Jenn:

of Golden.

Jenn:

You don't even know you're really outside of Denver.

Jenn:

And you have a beautiful lookout, a great picture, uh, spot,

Jenn:

great picturesque location.

Scott:

I kept finding like engagement photos online.

Scott:

Every time I was trying to look for, for photos, I kept finding

Scott:

there's all these couples

Jenn:

that get engaged.

Jenn:

It's so beautiful.

Jenn:

And the kids, so they have like.

Jenn:

Fake horses that the kids can ride and they have cowboy hats that you can put

Jenn:

on and wear And so the kids really had a great time and I don't know if they

Jenn:

quite appreciated who Buffalo Bill Cody was But they appreciated being able to

Jenn:

play with all those things in the museum.

Jenn:

So that's really great for

Scott:

kids.

Scott:

Yeah Yeah, they did a really good job.

Scott:

It was it was very fun to do And I so enjoyed going out there, not just because

Scott:

we were West and closer to kind of, you know, where my roots are, um, but

Scott:

also because we really were seeing this kind of larger than life character and

Scott:

in his own museum and kind of learning about him was, was just fascinating.

Scott:

For, for folks nowadays, if you ever kind of played Cowboys and Indians

Scott:

when you were growing up, some piece of you is thinking, is doing that

Scott:

because of what Buffalo Bill Cody

Jenn:

did.

Jenn:

I think the biggest message you should get from Buffalo Bill Cody, and I hope

Jenn:

we explained in this podcast, is he really went from adversary to advocate.

Jenn:

He really went from a person who was part of this Western expansion and saw the

Jenn:

American Indians as an adversary and then really learned to become an advocate.

Jenn:

for all of those people who helped to make the American West what

Jenn:

it was and what it is today.

Jenn:

Well, again,

Scott:

thank you for everyone who's listening to the

Scott:

talk with history podcast.

Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

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Scott:

We'll talk to you next time.

Scott:

Thank