Alright, so Jen, I have another joke for you.
Scott:Oh gosh.
Scott:Okay.
Scott:What do you call a happy cowboy?
Jenn:A happy cowboy.
Jenn:Um.
Jenn:Not a cowboy anymore.
Jenn:A
Scott:jolly
Jenn:rancher.
Jenn:I
Scott:figure I'll keep those going for a road trip series.
Scott:Welcome to Top of History.
Scott:I'm your host, Scott, here with my wife and historian, Jen.
Scott:Hello.
Scott:On this podcast, we give you insights to our history inspired, world travels,
Scott:YouTube channel journey and examine history through deeper conversations
Scott:with the curious, the explorers, and the history lovers out there.
Scott:Before we get into the main topic that I know you guys are anxious to kind of hear
Scott:about, um, I do want to call out another, uh, It looks like an updated review from a
Scott:friend of ours, uh, Doug McLiberty, great podcast on the Lincoln Conspiracy Trial.
Scott:He was a big fan of this, that episode, our episode a couple,
Scott:a couple of podcasts ago.
Scott:He said, thank you for another great episode.
Scott:You can always teach me something new.
Scott:I want the, I watched the 2010 movie Conspirator and it was wonderful.
Scott:Never would have known about it without your podcast.
Scott:So we, if folks remember and they had listened to us talk about Grant Hall.
Scott:We talk about the movie conspirator.
Scott:You, you talk about it.
Scott:I haven't seen it, but you've seen it and you kind of spoke highly of it.
Scott:And there's a couple of people even on Instagram that said it was pretty good.
Jenn:Yeah.
Jenn:It really centers on Mary Surratt.
Jenn:Uh, Robin Wright Penn plays her.
Jenn:Robin Wright plays her.
Jenn:And, uh, yeah, it's directed by Robert Redford.
Jenn:It's a good
Scott:movie.
Scott:Yeah.
Scott:Yeah.
Scott:So that was, that's fun.
Scott:It's always fun to hear, uh, from.
Scott:Folks who are listening to the podcast, we love getting those reviews
Scott:because that's kind of the best form of feedback that we can get.
Scott:And it really does help us grow.
Scott:Like one day I hope to get that podcast featured on some new and upcoming,
Scott:you know, Apple podcast section.
Scott:It's very difficult to do, but podcasts really do help that.
Scott:So if you listen, we really do appreciate, um, the reviews either
Scott:here or on Spotify, it's just stars.
Scott:There's no real comments, but thank you for the reviews out there.
Scott:Thank you so much.
Scott:Buffalo Bill Cody.
Scott:was a legendary American frontiersman, a showman and entrepreneur who became famous
Scott:for his Wild West shows showcasing the romanticized image of the American West.
Scott:His larger than life persona and captivating performances made him a
Scott:cultural icon of the late 19th century, leaving a lasting legacy as an emblem.
Scott:of American Frontier Spirit.
Scott:And while many of us only remember Cody for his Traveling Wild West
Scott:show that entertained crowds all over the world, don't forget that Buffalo
Scott:Bill Cody was also the real deal.
Scott:So Jen, let's talk a little bit about this legendary Western
Scott:frontiersman Buffalo Bill Cody.
Scott:So where are we starting with him today?
Jenn:Well, we went to visit his museum.
Jenn:And Grave outside of Denver, Colorado in Golden, Colorado, and, uh,
Jenn:he's on Lookout Mountain and the address is Lookout Mountain Road.
Jenn:And we went out there because Buffalo Bill Cody, if you're a fan of any Westerns,
Jenn:even today, if you like 1883, if you like Yellowstone, if you like Longmire
Jenn:or anything that even like centers around the, uh, the, the Western, it might
Jenn:even Mandalorian might even be a good, yeah, because it's like a modern day.
Jenn:Yeah.
Jenn:Western.
Jenn:Very much so.
Jenn:You have Buffalo Bill Cody to thank for this.
Jenn:And you might be like, well, why?
Jenn:It's because he made this transition from the real West to entertaining
Jenn:people about stories of the West.
Jenn:Yeah.
Scott:And when you say the real West and in the video that we made
Scott:and we put out, and it's, it's doing decently because people are
Scott:interested in that Western history.
Scott:I mean, he, he was out there doing it.
Scott:The pony express shooting Buffalo and, and scouting and also like.
Jenn:This transitional time of the West.
Jenn:That's right.
Jenn:So basically this territorial Western expansion this whole
Jenn:people settling homesteading He's pinnacle in this entire time.
Jenn:So Cody is born in 1846 in Iowa and His father is from Canada.
Jenn:His mother is a Quaker and they don't believe that he was raised that way,
Jenn:but he's the only boy in their family, his four sisters, and they moved to
Jenn:Kansas when he's seven years old.
Jenn:Again, his father has very much of this entrepreneur kind of
Jenn:spirit, the settler kind of spirit.
Jenn:And in Kansas, it's a area at the time when you think he's moving there
Jenn:in the 1850s where Kansas is under turmoil of whether it's going to be
Jenn:a free state or in a slave state.
Jenn:That's right
Scott:You talked a little bit about bleeding
Jenn:Kansas.
Jenn:Bleeding Kansas is this fight in the state because there are some people
Jenn:who want it to be a slave state so they can have free labor and start farming.
Jenn:There's free labor and there's some people who want it to be a free state because
Jenn:enslavement is wrong and you can pay your, your laborers, which are usually,
Jenn:you know, your poor whites, you can pay them instead of using enslaved labor.
Jenn:And so, Cody's father is on the side of anti slavery, and he goes to a rally
Jenn:where he basically insults people who are pro slavery and somebody is in the crowd
Jenn:with a bowie knife and stabs him twice.
Jenn:Now, he doesn't die at that moment, but he will succumb to
Jenn:those injuries later in life.
Jenn:So, he, uh, Cody becomes the man of the house when he's 11 years old.
Jenn:So his father will die when he's 11.
Jenn:And so what does Cody do?
Jenn:I mean, he's in Kansas.
Jenn:He has a mother and four sisters.
Jenn:He does what his father did.
Jenn:He helps with this expansion.
Jenn:And so people who usually took an Oregon trail or would trail runners.
Jenn:You know, across America needed protection.
Jenn:They needed horses.
Jenn:They just needed help.
Jenn:They needed help.
Jenn:So he has 11 years old.
Jenn:He became what they call like a horse runner, which not only are you getting
Jenn:horses, but you're running messages from the person in the very front
Jenn:of the wagon train to the person at the very back of the wagon train.
Jenn:And you're kind of helping the people who this is their.
Jenn:business of getting these wagon trains out there.
Scott:So, and think about it, like, I mean, for that kind of role,
Scott:what, what better role for, you know, an 11, 12, 13 year old kid,
Scott:you know, with all this energy,
Jenn:becoming a young man.
Jenn:Yeah.
Jenn:And early on, he's proven to be a very accurate shooter.
Jenn:Uh, he's very accurate, accurate with his rifle.
Jenn:So they notice this about him from a young age that he can shoot game and,
Jenn:uh, he can help feed people and he doesn't take a lot of waste bullets.
Jenn:And so it's not long before they also see his advantage at about 15,
Jenn:16, he becomes a pony express rider.
Jenn:So again, the same kind of business model, the same kind of
Jenn:men are trying to run messages.
Jenn:Right?
Jenn:Same thing, the male, and they're, and here's someone who's proven themselves
Jenn:on the wagon train to run messages.
Scott:Yeah, an experienced rider can take care of himself.
Jenn:And accurate with a rifle, and so they use him.
Jenn:It's kind of a precursor to the Pony Express.
Jenn:He does some trails along the Pony Express, but even before the Pony Express.
Jenn:So he's one of those very like front runners, right?
Jenn:So the real deal, we talked about this.
Jenn:And um, and so This is 1860 when he's really working for the Pony Express.
Jenn:He's 16 years old.
Jenn:So, when you think the Civil War is about to start, he's too young
Jenn:to really join the Civil War.
Jenn:So, you don't really see him in the Civil War until 1863.
Jenn:Yeah.
Jenn:Until later.
Jenn:When he's 18, 19 years old.
Jenn:And he becomes a scout.
Jenn:Yep.
Jenn:Just like, um, what he will do later in life, a scout.
Jenn:Go out in front, scout out the area where's the enemy.
Jenn:He can get in, get out.
Jenn:He's very, he lives off the land.
Jenn:He's a frontiersman.
Jenn:He's very good at, like, hiding his track.
Scott:Yeah.
Scott:And, I mean, if you think about it, for, for any general or.
Scott:You know, unit that is kind of looking for someone like that.
Scott:He's plug and play, right?
Scott:That he comes in, he's like, I'm going to, he fought for the union side, right?
Scott:So it comes into this unit and they're like, Oh, you're, you do this at any
Scott:other, it's like, yeah, I can be a scout.
Scott:Great.
Scott:Go, you know.
Scott:Scout over here and tell us what you see and does it no issues, right?
Scott:Yeah, and if you're successful that then leadership is like perfect.
Scott:This is all you're gonna do
Jenn:Yes And you know he doesn't wear the uniform because he's wearing
Jenn:is like Right, you know He's rawhide like he's wearing his like skins and
Jenn:stuff because he's just a man of the land And this is where he meets Hickok
Jenn:for the first time Oh, he meets him
Jenn:in
Scott:the yeah in the army in
Jenn:the army And the Hickok's nine years older than him and Hickok is also a scout.
Jenn:So Hickok is also very good at this again frontiersman Good at living
Jenn:off the land, you know, hunting people, knowing where people are.
Jenn:And so they become friends.
Jenn:And it's during this time right after the Civil War that he is hired by
Jenn:the Kansas Pacific Railroad in 1866 to hunt buffalo for the railroad.
Jenn:So he becomes a military scout on the side as they venture out into the West.
Jenn:Think of Custer and everyone who's kind of venturing out after the Civil
Jenn:War and he helps feed the railroad.
Jenn:So they're trying to build a railroad across the United States to connect.
Jenn:And this is, this
Scott:is where he earns his name because he's so good at what
Jenn:he does.
Jenn:Yes, between 1867 and 1868 he kills over 4, 000 buffalo.
Jenn:That's crazy.
Jenn:And he's actually, um, he's, Somebody challenges him to see who can kill more
Jenn:buffalo, and he beats that person by 10.
Jenn:And the reason why is because a lot of people hunted buffalo
Jenn:from the back of the herd.
Jenn:Scare in the herd and then whoever the, the, the low, you know, the
Jenn:slower ones is the one that we kill.
Jenn:Cody goes out in front and hits the herd from the front and then it kind
Jenn:of pushes them to the side where he can just shoot alongside of them.
Jenn:As they're walking, as they're running by.
Jenn:So he can hit them and he just goes back and gets them.
Jenn:That seems
Scott:like a much more dangerous way to hunt buffalo.
Scott:It's a
Jenn:very dangerous way to hunt buffalo.
Jenn:And if you see in our video, first of all, we stand by a stuffed buffalo.
Jenn:You can see how big they are.
Jenn:They're huge.
Jenn:Plus buffalo, They're just like bulls.
Jenn:So when you think of a bull, it's going to charge you with their horns.
Jenn:A buffalo will charge you when they're scared.
Jenn:Listen up, Yellowstone
Scott:visitors.
Scott:What do all the teachers say?
Scott:Don't pet
Jenn:the fluffy cows.
Jenn:Don't pet the fluffy cows.
Jenn:Buffaloes charge.
Jenn:And so, um, so he has to ride basically alongside of them and shoot them.
Jenn:And again, he's accurate.
Jenn:You have to get close to get through a buffalo hide.
Jenn:And it's basically like shooting a deer under the, under the shoulder.
Jenn:Um, but he's so accurate.
Jenn:And he also favors I read instead of like a quick action kind of weapon.
Jenn:He favors like a bigger barreled weapon.
Jenn:So he does want the, the get
Scott:it, get him with the one shot rather than needing to
Jenn:or something like that.
Jenn:He's very accurate.
Jenn:Yeah.
Jenn:So, uh, so And again, he's, he's so good.
Jenn:He gets paid a lot of money for this.
Jenn:He's able to support his family this whole time.
Jenn:He does become man of the house and takes care of his family.
Jenn:And, um, and he's paid a lot of money to kill these buffalo
Jenn:to feed the railroad workers.
Jenn:And he's very good about taking care of people who work for him.
Jenn:So anyone who's helping him, he's also, um,
Scott:compensating them.
Scott:And, and now I think he even said in the video a little bit later in
Scott:life, he actually said, This expresses regret for killing so many buffalo.
Jenn:He does, because I mean, at the time there was a lot of buffalo on the
Jenn:plains, but in these years from the 1860s to the 1880s to the 1890s, you're
Jenn:going to pretty much decimate the buffalo bison population and almost extinction.
Jenn:That's crazy.
Jenn:In just
Scott:a couple of
Jenn:years.
Jenn:Yeah, and so and there's this twofold There's a lot of thoughts about that.
Jenn:The military did it on purpose to wipe out the food source for the American Indians
Jenn:Hmm, and so they would just kill Buffalo, but Cody Ate the Buffalo and so he felt
Jenn:bad in the when it eventually came to the point where they do You know, you're down
Jenn:to a couple hundred Buffalo left and thank God, you know, there were these People
Jenn:who protected them and they now today, you know, even the herds are reestablished
Jenn:But he did feel bad about that because he did appreciate You know, what the
Scott:buffalo was.
Scott:Yeah.
Scott:And the, the museum we visited, visited, right.
Scott:And that's, that's kind of what this video is kind of predicated on.
Scott:We were up there, you know, in Denver visiting friends, went up to Golden,
Scott:which is just outside of Denver, up and up in the hills of Lookout Mountain.
Scott:We went up to the, to the museum and the museum does a really good
Scott:job of taking you through his life and through these different stages
Scott:of his life, really showcasing, you know, how he was, you know, where he
Scott:came from, how he was the real deal.
Scott:And then what he did.
Scott:Transitioning into kind of the show business.
Jenn:Yes.
Jenn:It was great.
Jenn:And I think, you know, so, the museum is, starts in 1921.
Jenn:So, Cody dies in 1917.
Jenn:So, when you really think the museum starts four years after his death.
Jenn:Oh, wow.
Jenn:I don't think I realized that.
Jenn:It's very accurate, then, in a patrol, because they get a
Jenn:lot of artifacts right away.
Jenn:As you know, the, his, uh, His show coat is there.
Jenn:They got peace pipe, some sitting bowl.
Jenn:They have a headdress from sitting bowl there.
Jenn:He was living
Scott:there.
Scott:He was, I mean that's the area
Jenn:where he was living at.
Jenn:Yeah.
Jenn:They have his medal of honor there.
Jenn:So the story is pretty seamless after he passes to tell the story.
Jenn:But I think that the museum does a good job of is showing you that
Jenn:Buffalo Bill Cody is not just a story, he's not just a character he is.
Jenn:This person who did do these things during this time in American history of the West
Jenn:and then transition to the show of it.
Jenn:Yeah,
Scott:and kind of telling his story numerous times, which when you
Scott:tell a story enough times, even I.
Scott:You know, you and I embellish stories at time after time after time after time
Scott:and someone like that, when that's your business for many years after getting
Scott:out of the business of being a scout and, you know, hunting buffalo and all
Scott:that stuff, like things are, you know, will tend to get a little bit more
Jenn:grandiose.
Jenn:Sure.
Jenn:I mean, you can imagine Sitting Bull wore his headdress for every show, right?
Jenn:A chief is not going to wear his headdress.
Jenn:Right.
Jenn:Every day, all day, right?
Jenn:But he's gonna wear it for every show, cause it's a very, it's a, it's a piece.
Jenn:Like, it's a very flamboyant, uh, piece of their costume.
Jenn:But, um, In 1868, he goes back into the military, so he's, he's taking a piece,
Jenn:he's shooting for the Buffalo, he goes back into the military in 1868, because
Jenn:this is when they start scouting out for the Indian reservations, this is when
Jenn:they start the Indian War, so if you think of the Fort Laramie Treaty of 1868,
Jenn:this is the time when Cody's coming back into military service, and this is when
Jenn:he actually gets his Medal of Honor, and he gets his Medal of Honor because this
Jenn:is the time when there is a lot of You know, uproar, instability between the
Jenn:white settlers and the American Indians who are being pushed off their land.
Jenn:Plus the American Indians of tribes are being pushed together
Jenn:that don't want to be together.
Jenn:And this is what happens in Bighorn.
Jenn:And so the Indian tribes want their own spaces as well.
Jenn:They want to be their own autonomous groups.
Jenn:And so you get a lot of this back and forth, you know,
Jenn:massacring this settlement, massacring this American Indian.
Jenn:Uh, I'm going to try massacring this settlement.
Jenn:So Cody is brought in to help stop some of that.
Jenn:And again, to scout that out.
Jenn:And he ends up killing some American Indians who were there to kill him.
Jenn:And he ends up, and I think he takes out 12.
Jenn:He's with two other men.
Jenn:They take out 12.
Jenn:And so he gets the medal of honor for this.
Jenn:Now.
Jenn:The Medal of Honor was taken away because of this.
Jenn:And then it was reinstated in the late nineties because I think
Scott:what I read when I was putting the video together was
Scott:because he, because he was a scout.
Scott:So technically a civilian, they reviewed these medal of honors, I think.
Scott:You know, I don't know, 10, 20 years after the facts or something like that.
Scott:And so there was a few scouts that actually had their there was
Scott:there's a couple others like him They had middle medals of honor.
Scott:They were removed and then what was it 19?
Scott:It was when reagan?
Jenn:Yeah, I think it was cody's like great grandson or someone who knew
Jenn:who's who made a petition to a senator in wyoming The senator in wyoming went
Jenn:to the white house the white house.
Jenn:I mean it probably was reagan i'm, pretty sure
Scott:it was reagan because it was like And he was like, give him back.
Scott:And of course Reagan would be like, yeah, give him the medals of honor back.
Scott:But they actually, they did kind of re award them, um, to them.
Scott:So that was kind of neat.
Jenn:So I say this because it's in 1869 at 23 years old that
Jenn:he's going to meet Ned Buntline.
Jenn:So this is pretty significant.
Jenn:Ned Buntline is the writer, is the reporter who sees these great Western
Jenn:stories and wants to put them in.
Jenn:Um, the Chicago Weekly News, he wants to put them in the New York Weekly.
Jenn:He, he wants to write these stories and...
Jenn:The dime novels.
Jenn:The dime novels.
Jenn:And Cody is the perfect, uh, character.
Jenn:He's the perfect person to write...
Jenn:Almost unbelievable.
Jenn:Yes.
Jenn:To write these...
Jenn:What, what he's done.
Jenn:These stories about.
Jenn:And so he writes this really good, uh, book called Buffalo
Jenn:Bill, King of the Bordermen.
Jenn:So, you know, like the border, and so, and he writes this book and what's
Jenn:great about Cody is the same year in December of 1872, he is, um, goes to
Jenn:Chicago and performs this on the stage.
Jenn:Tells the story.
Jenn:He's able to sit and read the story and then, like you said, he
Jenn:probably embellishes or stands up.
Jenn:Sure, you read the story enough times, you don't need to read it anymore.
Jenn:And then he kind of knows, and so people love this theatric of
Jenn:learning about the Wild West from a man who really did these things
Scott:in the Wild West.
Scott:And I think it was Ned Butlein who technically like gave him...
Scott:kind of cemented his name is Buffalo Bill.
Jenn:Yes.
Jenn:Yes.
Jenn:I mean, because it was a good nickname.
Scott:Yes, it was kind of perfect.
Scott:You know, mnemonic.
Scott:Yeah, easy to remember.
Scott:And so from there, I think if I remember right, Ned Buntline wrote a
Scott:few of these, you know, kind of wrote some more because they got popular.
Scott:And then that's when that was the early stages of kind of this transition.
Jenn:So this is like the 1870s and he's going to invite Hickok to join him.
Jenn:He wants to invite a lot of his friends to join him because it helps tell the story.
Jenn:Plus he's like, look at what we can do.
Jenn:The West is getting settled and there's now, you know,
Jenn:that's, let's see if we can.
Jenn:Um, not only educate people about the West, but maybe we can use what we've
Jenn:learned and make some money off of it.
Jenn:But Hickok hates it.
Jenn:Hick Hock hates standing in front of people.
Jenn:He hides behind the scenery.
Jenn:He actually shot a Spotlight that was on him he shot it
Jenn:and so Cody sees right away.
Jenn:Okay, maybe this isn't for you.
Scott:Yeah, and like That that's funny.
Scott:I hadn't heard that that bit about you know, shooting the spotlight
Scott:that's on him, but You know, there's a lot of these men who were living
Scott:out in the west for such a long time.
Scott:I mean true frontiersmen just kind of out on their own or maybe with friends
Scott:or you know Riding with a wagon train or something like that Being in a situation
Scott:like that where all of a sudden now you're transported into Constant crowds.
Scott:I can see how that would just be overwhelming for someone who is never
Jenn:used to that around so many people.
Jenn:Exactly.
Jenn:And you have a lot of freedom to act how you wanna act and now you kind of
Jenn:have to have a little more decorum.
Jenn:Um, yeah.
Jenn:And
Scott:this is where Buffalo Bill Cody really stands
Jenn:out.
Jenn:Stands out.
Jenn:So this is 1880 and 1883, he's gonna found the Buffalo Bell Wild West Show.
Jenn:And this, think of this as like a circus.
Jenn:Think of this like a circus, but with.
Jenn:The West as the story, and that's when he's going to hire
Jenn:Annie Oakley and Sitting Bull.
Jenn:And he does this, um, a couple years later, he'll do this Wild West and the
Jenn:Congress of Rough Riders of the World.
Jenn:So he, he wants to showcase cowboys of the world and, and who are these rough riders?
Jenn:Who are these, these lawmen or anti lawmen?
Jenn:Of a, of a, you know, all across the globe.
Scott:It was really neat in the museum, you know, that was up on Looking
Scott:Mountain, just outside of Golden.
Scott:In the museum, they have a bunch of those old posters, right?
Scott:And they, one of the things they said in there was that at certain points
Scott:throughout his kind of showmanship career, Buffalo Bill Cody was so famous that
Scott:all the posters said was, I am coming.
Scott:Mm hmm.
Scott:And that's it.
Scott:And people knew what he looked like and they knew what that meant.
Scott:That's how, that's how famous his show was.
Scott:And one of the things that I really enjoyed and you pointed it out well,
Scott:when you start talking a little bit about diversity and, and kind of, you
Scott:know, he wants a quality for all the people in his show and everything like
Scott:that was all these posters are not just a bunch of white cowboys, right?
Scott:It's.
Scott:Gauchos down from Mexico and Arabic writers and women
Jenn:in India, Mongols, like people from
Scott:Mongolia.
Scott:Really neat.
Scott:So I can, I can only imagine and they do have.
Scott:Very late footage I show in the video.
Scott:They're like 1908 type footage.
Scott:I mean they have like elephants
Jenn:in the show Yeah, so this is people's taste of the world, right?
Jenn:like so we talked about the circus before on one of our episodes we talked about
Jenn:Dan Rice and how this is how People of America before radio, before television,
Jenn:get a taste of what's out there.
Jenn:And here he is bringing it to you.
Jenn:He's bringing not only the West of America, but he's bringing all these
Jenn:different kind of cowboys of the world.
Jenn:So you get a taste of elephants, you get a taste of seeing
Jenn:people from different countries.
Jenn:And Cody, it's important to Cody, again, from a young age to share.
Jenn:the wealth.
Jenn:So he makes sure people are paid equally.
Jenn:Women are paid equally.
Jenn:People of color are paid equally.
Jenn:And I know someone had commented, well, Cody doesn't care about diversity.
Jenn:That's a today thing.
Jenn:It's, it's, it's before that.
Jenn:This is a precursor that he's not interested in diversity.
Jenn:He's interested in people and
Scott:quality.
Scott:Yeah.
Scott:I mean, they may not have called it that, but he would have said like, Hey,
Scott:you know, these people are in my show.
Scott:I'm not going to not pay people.
Scott:Right.
Scott:Just because they're different than me or because Sitting Bull was a Native
Scott:American or something like that.
Jenn:So, and I also think this is also a smart businessman because you're
Jenn:going to get a good performance out of people if people are being paid.
Jenn:Absolutely.
Jenn:And they have job satisfaction, right?
Jenn:We talk about this all the time.
Jenn:You have job satisfaction, you're going to put on a good show.
Jenn:And that's the most important thing.
Jenn:And what this museum has that I love are these colorful Posters these
Jenn:propaganda posters just like the circus that would come into town before
Jenn:you would come into town and they're larger than life and Cody traveled
Scott:the world.
Scott:Yeah, I mean, legitimately the world.
Scott:Didn't he like, didn't he perform like in the Coliseum
Jenn:in Rome?
Jenn:Yes, and he performed for Queen Victoria.
Jenn:That's crazy.
Jenn:He, it was amazing.
Jenn:He would go, he went over to Europe.
Jenn:He performed for Queen Victoria.
Jenn:Queen Victoria gave him a desk.
Jenn:Like Mark Twain.
Jenn:was jealous of how much popularity Buffalo Bill Cody had.
Jenn:And you can think of Mark Twain, who was well known.
Jenn:Cody was known by everybody.
Jenn:And he brought the show everywhere.
Jenn:He traveled, there's a book there at the museum, and you
Jenn:can look to see if your town
Scott:is...
Scott:I didn't get a chance to
Jenn:look through it.
Jenn:But he came to every town we've been in with the military.
Jenn:He has been there.
Jenn:Wow.
Jenn:And that was pretty interesting.
Jenn:Now there are some states that aren't states at the time, but you
Jenn:can look and see if he came to like the territory, maybe where you live.
Jenn:But Cody, and I'm not talking just once to these cities, like
Jenn:he's been there a couple times.
Jenn:So this show was a consistent traveling show and pretty much like
Jenn:a circus probably doing two days, moving on two days, moving on.
Jenn:And the, and it would kind of travel before you, before, you
Jenn:know, everybody who was the show, the showcases would get there.
Jenn:So, uh, Yeah, he was very, very popular and again, um, just
Jenn:really making a name for himself all over and traveling all over.
Jenn:And then, you know, as he gets a little later in life, that's
Jenn:when you start to see the movie
Scott:films.
Scott:Yes.
Scott:That was fun.
Scott:And because, and I actually wasn't expecting to be able to find that, but
Scott:when we were in the museum, they actually have some stuff playing on a loop.
Scott:Um, because if you think about it was some of our other videos, we
Scott:talk about the world's fairs, right?
Scott:And so that's the very early 1900s, 1901, two, three, four, right?
Scott:When they have, you know, photographs are becoming more used.
Scott:And then all of a sudden they start figuring out basic, basic video film.
Scott:Sure.
Scott:And so they start
Jenn:filming some of the shows.
Jenn:It's a Edison studios invited Buffalo Bill and his show to be filmed in the
Jenn:early Senate film called Buffalo Bill.
Jenn:And that's actually
Scott:when I, where I found the clips.
Scott:It was, it's labeled as such.
Scott:Yes.
Jenn:And, you know, he was part of the World's Fair in Chicago.
Jenn:He meets the Pope.
Jenn:He made, he met Queen Victoria.
Jenn:Mark Twain commented, it's often said on the other side of the water that none of
Jenn:the exhibitions which we send to England.
Jenn:are purely and distinctly American.
Jenn:If you will take the Wild West show over there, you can remove that reproach.
Jenn:That's what he said.
Jenn:Interesting.
Jenn:So the Wild West brought a foreign, exotic foreign world to
Jenn:life for its European audiences.
Jenn:It gave them a glimpse of the fading American frontier.
Jenn:And That's interesting because what you're going to get in return at the
Jenn:time is you get Dickens who wants to come to the West and you get Oscar Wilde
Jenn:who wants to come to the West because this is a fading American frontier, but
Jenn:they're learning about it from Cody.
Jenn:So Cody is bringing it to all these places around the world.
Jenn:Like this is what America is basically overcoming the wildness of it.
Jenn:And, uh, and people want to see it before it goes away.
Jenn:Yeah, and, and
Scott:one of the things that I found interesting kind of as, as Buffalo
Scott:Bill Cody, I mean, he had his show for quite some time and made tons of money,
Scott:but he was not the best businessman.
Scott:He kept trying to invest his money afterwards and just not being successful.
Scott:He tried to retire once or twice.
Jenn:Yeah, so he tried to buy a ranch in...
Jenn:Nebraska that was unsuccessful.
Jenn:He took Cody, Wyoming.
Jenn:Okay.
Jenn:Right.
Jenn:So he establishes Cody, Wyoming, and he tries to bring water up
Jenn:there and he tries to, you know, just establish a life up there.
Jenn:And again, then he starts to see it being exploited.
Jenn:He starts to see the people coming in and taking the coal and things like that.
Jenn:So one thing for Cody, I think he sees is he starts to really see.
Jenn:uh, appreciation for the Western culture, but he sees it change dramatically.
Jenn:During his life.
Jenn:Yeah.
Jenn:So he, he sees the West one way he's lives the West one way and then it
Jenn:completely changes during his lifetime.
Jenn:I mean,
Scott:that really is a massive shifting point for the country, right?
Scott:Think about he lived through the Civil War.
Scott:Yeah.
Scott:And then he lived through, you know, the turn of the century.
Scott:And that's, that, the turn of the century really is kind of that, that newer
Scott:industrial revolution for, for the U.
Scott:S., you know, and he passes away just before World War I.
Jenn:Yeah, his show is basically sold off.
Jenn:Uh, he, he, again, it's It's a circus.
Jenn:It's a, and so you're basically, I would think you're basically just breaking even.
Jenn:'cause you're paying people, you're moving things, you're kind of keeping
Jenn:up with the times and then just, you know, it's hard to make a profit.
Jenn:And so his show is sold off.
Jenn:He goes bankrupt, he's sold off, he has to perform in some shows
Jenn:as part of his, uh, contract.
Jenn:And then he just gets sick.
Jenn:And it's just This is later in life.
Jenn:Later in life, yeah.
Jenn:And so in 1917, he.
Jenn:He's told at the beginning of the year, he's told he has two weeks
Jenn:to live and he's in Colorado.
Jenn:So he makes it to his sister's house in Denver, Colorado.
Jenn:And there's an Instagram of me going to the house.
Jenn:It's at 2932 Lafayette Street in Denver.
Jenn:It's still there.
Jenn:And he makes it to his sister's house when he dies.
Jenn:January 10th of 1917 and he gets, uh, baptized the day before he
Jenn:dies and, uh, he's with his wife.
Scott:And it was like, there was a massive crowd that came to his
Jenn:funeral.
Jenn:Sure.
Jenn:Yeah.
Jenn:Well, he, um, again, this is January.
Jenn:So he goes into the rotunda at the Capitol.
Jenn:He's friends with the governor of Colorado and the, you know, people have really
Jenn:appreciated what he meant to the West.
Jenn:And so 25, 000 people will visit him laying in state in the rotunda.
Jenn:And then of course, they're going to wait to bury him because it.
Jenn:Winter.
Jenn:Yeah, the ground's frozen.
Jenn:In Colorado.
Jenn:But on his deathbed, he tells his wife that he wants to be
Jenn:buried at Overlook Mountain.
Jenn:Uh, most people thought he was going to be buried in Cody, Wyoming, his namesake.
Jenn:But uh, he, he says to her he wants that and other people heard him say it too.
Jenn:And because of that, when she buries him on June 3rd, 1917, she will open
Jenn:his coffin because people will be complaining, why is he being buried here?
Jenn:I thought it was supposed to be Cody.
Jenn:And she goes, this is what he wanted.
Jenn:These were his last wishes.
Jenn:His sister will pick out the plot area and look out mountain.
Jenn:And then he's buried there and his, um, his wife will join
Jenn:him four years later in 1921.
Jenn:So they're buried side by side and it's after she's buried there.
Jenn:that this whole controversy around Cody, Wyoming really picks up.
Jenn:Oh, just because she's gone.
Jenn:And she's gone and no one can really confirm what he said.
Jenn:And then his daughter chooses to be buried in Cody, Wyoming.
Jenn:And she's a real proponent of my dad wanted to be buried in Cody, Wyoming.
Jenn:So Cody, Wyoming plays these games of, uh, we'll pay anybody 10, 000.
Jenn:and bring it back to Cody, Wyoming, and there's claims that somebody did do it
Jenn:and he's buried on the mountain there in Cody, Wyoming, but if you go to the grave
Jenn:and lookout mountain, he's buried under concrete and he's buried around a fence.
Jenn:So there is no reason to believe that his body isn't still there in, um, at lookout
Scott:mountain.
Scott:But again, that just speaks to the popularity of.
Scott:Of how popular was he even at the time he was such a massive
Scott:draw and so publicly well known.
Scott:Yeah.
Jenn:I mean, this argument is to say that he was the most famous person
Jenn:in the turn of the 20th century.
Jenn:Yeah.
Jenn:Um, so there's a 80, 000 visitors will visit the Buffalo Bill Museum
Jenn:and grave in golden Colorado.
Jenn:I will say that, um, the kids loved it.
Jenn:Oh,
Scott:it was, it was such a good museum.
Scott:If you're in that area, you, you need to go up there.
Scott:It's not far outside
Jenn:of Golden.
Jenn:You don't even know you're really outside of Denver.
Jenn:And you have a beautiful lookout, a great picture, uh, spot,
Jenn:great picturesque location.
Scott:I kept finding like engagement photos online.
Scott:Every time I was trying to look for, for photos, I kept finding
Scott:there's all these couples
Jenn:that get engaged.
Jenn:It's so beautiful.
Jenn:And the kids, so they have like.
Jenn:Fake horses that the kids can ride and they have cowboy hats that you can put
Jenn:on and wear And so the kids really had a great time and I don't know if they
Jenn:quite appreciated who Buffalo Bill Cody was But they appreciated being able to
Jenn:play with all those things in the museum.
Jenn:So that's really great for
Scott:kids.
Scott:Yeah Yeah, they did a really good job.
Scott:It was it was very fun to do And I so enjoyed going out there, not just because
Scott:we were West and closer to kind of, you know, where my roots are, um, but
Scott:also because we really were seeing this kind of larger than life character and
Scott:in his own museum and kind of learning about him was, was just fascinating.
Scott:For, for folks nowadays, if you ever kind of played Cowboys and Indians
Scott:when you were growing up, some piece of you is thinking, is doing that
Scott:because of what Buffalo Bill Cody
Jenn:did.
Jenn:I think the biggest message you should get from Buffalo Bill Cody, and I hope
Jenn:we explained in this podcast, is he really went from adversary to advocate.
Jenn:He really went from a person who was part of this Western expansion and saw the
Jenn:American Indians as an adversary and then really learned to become an advocate.
Jenn:for all of those people who helped to make the American West what
Jenn:it was and what it is today.
Jenn:Well, again,
Scott:thank you for everyone who's listening to the
Scott:talk with history podcast.
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Scott:Thank