Mendel Skulski:

Hey, this is Mendel, and you're listening to

Mendel Skulski:

part two of an audio series we're featuring from the UBC

Mendel Skulski:

Centre for Climate Justice called "The Right to Feel." I'll

Mendel Skulski:

pass it over to producer Judee Burr to tell you more.

Judee Burr:

Hi, it's Judee. This is the second and final episode

Judee Burr:

of a two part series of writings that grapple with the

Judee Burr:

emotionality of climate change. These essays and stories were

Judee Burr:

written in the graduate class Ecological Affect, taught in

Judee Burr:

2021 and 2022 at the University of British Columbia, on the

Judee Burr:

unceded territory of the Musqueam people. It was taught

Judee Burr:

by Naomi Klein and assisted by Kendra Jewell. I was a student

Judee Burr:

in that class. If you're joining us for the first time, I

Judee Burr:

recommend going back and starting with Episode One,

Judee Burr:

"Climate Feelings."

Judee Burr:

The excerpts you'll hear in the second episode are works of

Judee Burr:

fiction. In this class, we were assigned to write a eulogy for

Judee Burr:

something that could be threatened by climate change,

Judee Burr:

and then to imagine a different future, and to write a

Judee Burr:

speculative fiction piece about how that loss might be avoided

Judee Burr:

or mitigated. You'll hear excerpts of five of those pieces

Judee Burr:

in this episode, eulogies merged with speculative futures. We

Judee Burr:

begin with Annika Ord, who stories threats to tiny

Judee Burr:

pteropods in the North Pacific. Next, my story imagines a future

Judee Burr:

in which a small organic farm is pressured to shut down. Third,

Judee Burr:

Niki's eulogy for wolves is a story of how wolves avoided

Judee Burr:

extinction when human communities relearned to center

Judee Burr:

ecological interdependence. Fourth, Sadie Rittman's story

Judee Burr:

considers the loss of Icelandic understandings of enchantment,

Judee Burr:

and how one researcher manages to carve out a space to see

Judee Burr:

differently. Finally, the episode ends with Rhonda

Judee Burr:

Thygesen considering the plight of bees through the eyes of an

Judee Burr:

aging scientist. Now let's listen.

Annika Ord:

Hi, my name is Annika Ord. I'm from Southeast

Annika Ord:

Alaska, and I study what place-based knowledges can teach

Annika Ord:

us of climate change, glacier retreat, and climate resilience

Annika Ord:

in Lingít Aaní, or Southeast Alaska. This is an excerpt from

Annika Ord:

my fictional story Clione.

Annika Ord:

Dissolution of fine bodies, soft and translucent. Slivers of

Annika Ord:

light propelled by small wings like large ears, rowing in

Annika Ord:

figure 8’s. A red center and soft ears like owls.

Annika Ord:

Pteropods are zooplankton, they belong to a group of

Annika Ord:

free-floating mollusks which include sea angels and sea

Annika Ord:

butterflies. Mostly, they live in the top 10m of the sea and

Annika Ord:

are less than 1 cm long. They are found in all major oceans

Annika Ord:

and at all latitudes and are an important food for species such

Annika Ord:

as salmon, herring, and whales. For pink salmon and chum salmon,

Annika Ord:

pteropods make up an essential food source. Pteropod swarming

Annika Ord:

behavior allows salmon to efficiently feed on large

Annika Ord:

schools without having to work too hard for their food. In some

Annika Ord:

years, these small, winged zooplankton make up 60% of

Annika Ord:

juvenile pink salmon’s food and there seems to be a clear

Annika Ord:

correlation between pteropod abundance and pink salmon

Annika Ord:

populations. Both the sea angel and the sea butterfly rely on a

Annika Ord:

calcium carbonate shells, however sea angels shed theirs

Annika Ord:

shortly after hatching. When pteropods and shelled

Annika Ord:

zooplankton die, they sink to the ocean floor and their shells

Annika Ord:

are slowly turned into sediment, storing the carbon, which came

Annika Ord:

from the atmosphere, in the seafloor. Millions of tiny

Annika Ord:

bodies cooling the planet, removing carbon from the sea

Annika Ord:

that came from the air that we put there. As oceans absorb more

Annika Ord:

and more carbon dioxide they acidify, and the shells of these

Annika Ord:

tiny and essential creatures are slowly eaten away. They’ve been

Annika Ord:

around for 133 million years, evolving in the early

Annika Ord:

Cretaceous, and have survived several bouts with ocean

Annika Ord:

acidification since then. However, in the past 200 years,

Annika Ord:

oceans have become 30% more acidic, increasing at a level

Annika Ord:

not observed for over 50 million years. They are dissolving in

Annika Ord:

the current onslaught.

Annika Ord:

It was the little ones who left first. Barely noticed by the

Annika Ord:

relentless drone of memes and media, take out dinners and

Annika Ord:

seductive silver devices mining attention, rains that never came

Annika Ord:

and the drama of political stalemate. In fact, they gained

Annika Ord:

more attention as ghosts than they did in life. After all,

Annika Ord:

there’s not much glory in sea slugs. Of course, not everyone

Annika Ord:

was lulled by the seductive static, the steady tread upwards

Annika Ord:

and outwards, the promise of infinite convenience, luxury.

Annika Ord:

Dragon fruit in Alaska; migrants turned away at the border. But

Annika Ord:

yes, on the whole, we slept. We began to notice when the salmon

Annika Ord:

stopped coming back. Salmon after all, along the Pacific

Annika Ord:

Coast of North America, are like the quarterback in football,

Annika Ord:

sail to a dingy, berries to my pie. Without them, there’s not

Annika Ord:

much action. We like to be focused; we pick our mascots. So

Annika Ord:

much energy went into measuring the incremental changes,

Annika Ord:

confirming the confirmed and then confirming it again. We

Annika Ord:

marked the losses and walked on. We thought, maybe next time this

Annika Ord:

rigorous document of science will tip the scales. We believed

Annika Ord:

that with the right science, the right argument, policy and

Annika Ord:

politics would follow, corporations would fall in line.

Annika Ord:

But money and power had broken that agreement a long time ago.

Annika Ord:

We knew the truth. Governments knew the truth, but the Dream

Annika Ord:

held fast. A Dream that Ta-Nehisi Coates identifies as

Annika Ord:

resting on the exploitation and violence against black and brown

Annika Ord:

people.

He writes:

"The forgetting is habit, is yet another necessary

He writes:

component of the Dream. They have forgotten the scale of

He writes:

theft that enriched them in slavery; the terror that allowed

He writes:

them, for a century, to pilfer the vote; the segregationist

He writes:

policy that gave them their suburbs. They have forgotten,

He writes:

because to remember would tumble them out of the beautiful Dream

He writes:

and force them to live down here with us, down here in the world.

He writes:

I would not have you descend into your own dream. I would

He writes:

have you be a conscious citizen of this terrible and beautiful

He writes:

world." That's an excerpt from Ta-Nehisi Coates' "Between the

He writes:

World and Me."

He writes:

The change we needed would not come from measurements, at least

He writes:

not those of climate science. The measurement needed was of

He writes:

the system. The system that funded the American military

He writes:

complex and the prison-industrial complex,

He writes:

sanctioned the stealing of Indigenous lands and children,

He writes:

policed black and brown bodies while privileging white,

He writes:

encouraged the indiscriminate extraction of fossil fuels,

He writes:

forests, fish, etc. by capitalist revered corporations

He writes:

the world round. What had remained peripheral to the

He writes:

nearsighted vision of colonial, capitalist gaze all this time is

He writes:

that nothing, I mean nothing, exists by itself. I feel bad

He writes:

saying it, but it helped to lose some of our mascots. In the

He writes:

North Pacific, when the salmon left, the party began to grind

He writes:

to a desperate stop. Bears, boats, legislation, wolves,

He writes:

trees, trout, mines, fishing families, fishing nations. What

He writes:

we, predominately Western white majorities, had failed to see

He writes:

was the coordination and relationality of all life and

He writes:

systems on earth . Brick by brick we were removing the

He writes:

foundation that held up the increasingly gaudy and top heavy

He writes:

house of the West.

He writes:

Enter Clione. The mist hangs low over the hazy blue islands. Over

He writes:

the overlapping blue mountains. Rain falls softly and

He writes:

constantly, except for the times when it pummels. I work in the

He writes:

kelp forests. We pull on our wetsuits and slip into the

He writes:

water. It’s time to check on the kelp forests and their

He writes:

inhabitants - sea stars, mollusks, kelp crabs and kelp

He writes:

fishes, abalone along the cliffs. We tend to this forest,

He writes:

using old labs and classrooms as seaweed nurseries, helping to

He writes:

rear the young and offset the deaths. We visit each forest and

He writes:

farm along the coastline, caring for the kelp which cares for the

He writes:

fish. We harvest when its ready and reseed when we must.

He writes:

Today, I swim out to the reef. The bottom pulls away. The world

He writes:

is a soft deepening green. Cold spring water trickles between my

He writes:

suit and skin, it always enters through the neck. I pause,

He writes:

looking at the space just beyond my nose. Particles of algae,

He writes:

diatoms, and a few ejected barnacle fronds float by. That’s

He writes:

when I see her. Rowing wings drawing slow figure-8s through

He writes:

her watery sky. Red heart and owl ears barely visible against

He writes:

the clear skin of her body. Clione. She is the 32nd I’ve

He writes:

seen since I started working in the kelp.

He writes:

When everything began to collapse, when the sea angels

He writes:

and salmon, cedar trees and songbirds, and so many others

He writes:

started dropping, falling, disappearing, our human systems

He writes:

too began to stutter, surge, collapse. We didn’t fall softly.

He writes:

The neoliberal machine has never been one for downsizing with

He writes:

grace. But, while systems of extraction and power rumbled on

He writes:

with terrible momentum, people were waking up. I won’t gloss,

He writes:

it got a lot worse before the tide began to turn. We learned

He writes:

from communities who had always been fighting the system. People

He writes:

rallied around Indigenous Nations and communities of

He writes:

color. Just transition and just housing, racial justice and

He writes:

gender equality, land back and clean water movements coalesced.

He writes:

We recognized that fighting climate change was fighting

He writes:

racism, was fighting dispossession of land, was

He writes:

fighting for clean water. The lines of separation that

He writes:

capitalism had worked so hard to draw, blurred.

He writes:

Later, I peel off the cold black neoprene skin from my shivering

He writes:

body. I wrap myself in a thick wool blanket and sit down with a

He writes:

strip of smoked salmon and Labrador tea to write to Ellie.

He writes:

It will take about a month to get to her. Things take more

He writes:

time now; we are learning patience. It seems incredible,

He writes:

almost inconceivable, that our patchwork of responses has made

He writes:

a difference. That restoration, local trade and production

He writes:

networks, carefully managed carbon drawdown and enhanced

He writes:

coastal weathering, sustainable harvests and green energy

He writes:

together have reduced acidification, slowed the

He writes:

warming. I’ve come to have more faith in humanity lately. And in

He writes:

the persistence of life. I draw the outlines of her small,

He writes:

determined body, red heart, owl ears, delicate transparent

He writes:

wings. I write, Ellie, they’re coming back.

Judee Burr:

Hi again, it's Judee. This is an excerpt from

Judee Burr:

my fictional story “The Abundance Will Be Forever.” This

Judee Burr:

title is a quote from Indigenous Fire Keeper, writer, and

Judee Burr:

filmmaker Victor Steffensen from an interview he did about caring

Judee Burr:

for country with fire on the Good Fire Podcast.

Part One:

The Eulogy. From the Globe, February 20 2044. Page

Part One:

four headline — "Local Farm Closes After 60 Years; Farmer

Part One:

Confesses ‘It Just Stopped Making Sense To Grow Food."

Part One:

Solace Knoll Farm closed its doors last week after 60 years

Part One:

in business. The farm was started in 1984 and passed down

Part One:

in the Carden family. It has been run by Martina Carden for

Part One:

the past 23 years, despite the questionable economics of

Part One:

producing food in our Northeast region. Food security experts

Part One:

attest that dry summers and heavy precipitation events in

Part One:

the region have encouraged shifts in the local food

Part One:

economy. Martina Carden acknowledged the

Part One:

impracticalities of running a local farm business. “You can’t

Part One:

compete against the corporations,” she told a small

Part One:

crowd at the farm’s closing gathering. “With the latest rise

Part One:

in water prices and the refusal of state regulators to help

Part One:

local, sustainable businesses like ours pay, we needed to shut

Part One:

down.” Martina continued, “It just stopped making sense to

Part One:

grow food here.” The 30-acre Solace Knoll Farm began as an

Part One:

organic farm, but it lost its organic status in 2035 along

Part One:

with a number of other farms in the region due to issues with

Part One:

pollution. Farmers continue to blame local water system

Part One:

management for exacerbating this pollution crisis, but water

Part One:

officials say that farms have been unrealistic in depending on

Part One:

a communal system already sapped by more essential uses. Many

Part One:

farms have closed in the last decade. Neighboring residents

Part One:

have some fond memories of the farm, but most see the closing

Part One:

as a natural evolution of the food system. Neighbors to the

Part One:

farm have complained that it is taking up valuable space that

Part One:

could be used for housing development. “It was nice to

Part One:

walk by with the kids and see the animals and the vegetables,”

Part One:

said Marion, a 44 year-old dental assistant and mother of

Part One:

two children who lives down the street from the farm. “But it’s

Part One:

just seems more sanitary to get food from the grocery store

Part One:

after all those pollution problems we’ve been having.” “We

Part One:

used to talk about local food, back in my hippie days,” said

Part One:

Greg Kim, a 60 year-old town resident and local businessman.

Part One:

“You can’t do it anymore. We need that water for residents

Part One:

and the industries that keep money flowing into town.” A

Part One:

footnote to this article reads "Some quotes have been edited

Part One:

for clarity. This paper is supported in part by Amber

Part One:

Corporation and Devon Corporation.”

Part One:

From Mirage Magazine, front page headline February 20 2044 —

Part One:

“Beloved Solace Knoll Farm Closes: Activist and Farmer

Part One:

Martina Carden Speaks Out Against Water Diversions for

Part One:

Toxic Corporate Extractivism and Local Inaction on Ecological

Part One:

Crises”.

Part One:

The article reads — Martina Cardin took over Solace Knoll

Part One:

Farm from her grandmother more than two decades ago. Now the

Part One:

community has to say goodbye to this precious source of locally

Part One:

grown food. Martina's family has collaborated with leaders from

Part One:

the Pokanoket, Wampanoag, and Narragansett Tribes, and with

Part One:

the local community to sustain this place as a beacon in the

Part One:

local, organic food movement these last 60 years. But

Part One:

government officials continue to see regional fracking as a more

Part One:

important water use than local farming, and PFAS pollution

Part One:

rates have skyrocketed. National and international food

Part One:

conglomerates have tightened their hold on food markets. The

Part One:

cost of land has been at a premium in the Northeastern

Part One:

United States for the past few decades, and it has become

Part One:

unaffordable to most farmers who want to grow food at a communal

Part One:

scale. The most significant tipping point for the farm,

Part One:

Martina says, was the water shortages and PFAS pollution

Part One:

crisis in 2034. She blames the rise of industry in the area,

Part One:

and the lack of any precautionary action to regulate

Part One:

what businesses were dumping into the water. Martina shared a

Part One:

short eulogy for the farm which we have printed in full below.

Part One:

“I remember the abundance that made me fall in love with this

Part One:

place. Grandma kept the edges of the fields wild, which kept the

Part One:

bees coming and gave local animals a refuge from the

Part One:

pavement, cars, and commercial noise just a few streets away.

Part One:

Wild animal diversity isn’t in the standard farmer playbook,

Part One:

but, I admit, I loved seeing the deer and the fawns eating grass

Part One:

in the first dewy light of morning. Grandma talked about

Part One:

the farm like that – like a more-than-human community. We

Part One:

had so many birds – scarlet tanagers, black-and-white

Part One:

warblers, and pileated woodpeckers. These are only the

Part One:

English names. We are on Indigenous land where traditions

Part One:

of care so much older than these processes of destruction

Part One:

continue to exist and be practiced. Our grandchildren

Part One:

deserve an inheritance of abundance. It has been a gift to

Part One:

try and offer that to the land and people I love. I don’t know

Part One:

whether this spot will be a farm or an apartment complex in the

Part One:

years to come. But our work does not end. Our community does not

Part One:

end. The existence of this place has been a form of resistance

Part One:

against the extractive world too many see as the only possible

Part One:

future. Writer and lawyer Julian Aguon said, “I cannot think of

Part One:

anything more terrifying than children who do not believe this

Part One:

world can be changed.” Children, friends – the world can be

Part One:

changed. We must continue to fight, and continue to foster

Part One:

liberatory spaces elsewhere. Let this place remind us of what is

Part One:

possible, and what is at risk of being lost.”

Part Two:

The Farm — Alternative Timeline, 10 years earlier, 2034.

Part Two:

Carson. “Get in the truck – hey! Grab three more crates!” Carson

Part Two:

was already sweating. The farm was supposed to be a reprieve

Part Two:

from the stifling monotony of desk work, but this crashing

Part Two:

into tables, dropping the parsley into the compost pile,

Part Two:

almost getting trampled by a cow – this was something else. She

Part Two:

clumsily pushed three crates into the truck bed. Her arms,

Part Two:

thin and pale from desk work, were sporting lines of red

Part Two:

scratches and bruises blossoming from the lifting and setting

Part Two:

down, the act of trying to keep up, like careening through a

Part Two:

video game she hadn’t grasped the mechanics of. Except Solace

Part Two:

Knoll Farm was very real. It was unusual to see a clearing of

Part Two:

land between the residential lots. A large apartment complex

Part Two:

had gone in on one edge, and the fields seemed to shape

Part Two:

themselves around its shadow. It was green in squares of beet

Part Two:

greens and lettuces, and there were shrubs and trees around the

Part Two:

edges. The chickens clucked rhythmically by the barn. It was

Part Two:

already getting warm in the hazy pale dew of the early October

Part Two:

morning. “Gotta hustle out here my friend,” Linda said, once

Part Two:

Carson had jumped up and was crouched tensely in the truck

Part Two:

bed with eight other people. “Not like that sweet office job

Part Two:

you’ve got.” She grinned cheekily, revealing two cracked

Part Two:

teeth. Carson nodded tersely and looked away. I don’t have to

Part Two:

come back next week, she reminded herself, feeling a

Part Two:

flash of anger at the indignity of it. She glanced over at

Part Two:

another worker with two nose rings and a neck tattoo who was

Part Two:

bobbing his head to some music; Carson could just make out a few

Part Two:

sounds from the near invisible ear pieces. “15 bunches each!”

Part Two:

Linda called out, as they filed out of the truck at the field of

Part Two:

kale and cabbage. “We have a bulk order.” They filed through

Part Two:

the field. Carson followed nose ring guy, copying his movements,

Part Two:

trying not to pick too many of the bug eaten leaves. Was it

Part Two:

worth it, not using pesticides, she wondered. She should

Part Two:

calculate the efficiency savings. She might be able to

Part Two:

really help these people. After 15 minutes, most everyone was

Part Two:

done picking, but Carson was swatting at the plants, feeling

Part Two:

a bit panicked, still 7 short. Nose Ring grabbed her arm. “I

Part Two:

picked some extra for you, Amber Corp.” Carson was too grateful

Part Two:

to protest. They filed back after the group, heading toward

Part Two:

the carrots. “What are you listening to?” Carson asked Nose

Part Two:

Ring, whose name was actually Blythe. “You wouldn’t know

Part Two:

them,” he said, looking bored. “Cli-pop stuff. The Weather

Part Two:

Station.” He gave Carson an earpiece though, and she

Part Two:

continued to follow him as they picked kale together.

Part Two:

The office plants had pushed Carson over the edge. Most of

Part Two:

the plants in the office were fake – the fancy kind that were

Part Two:

designed to clean the air – “They’re just like plants!” the

Part Two:

ads said – but were really just bots. Something about the

Part Two:

inability to tell what was a real plant from what was a fake

Part Two:

plant left Carson cold. Her grandma had a big fig tree down

Part Two:

by the river in the 2000s. She’d planted it in the 80s in her

Part Two:

yard. The tree died more than a decade ago, a couple years after

Part Two:

Grandma did. But the rich figs still shimmered in Carson’s

Part Two:

memory – plump and fat. So that’s how the farm happened.

Part Two:

Carson felt that she had to jump into something boldly. She had

Part Two:

no experience of easy transitions. She knew about

Part Two:

Solace Knoll farm from Amber Corp Grocery’s audits of the

Part Two:

regional food industry; it was an object of ridicule. The

Part Two:

organic farm movements a few decades ago turned out to be

Part Two:

just a bunch of privileged kids acting out. They only stayed in

Part Two:

it a few years before giving up on a needlessly difficult life

Part Two:

in the dirt when it turned out to be all cows and no vacation.

Part Two:

At Amber Corporation Grocery, they were feeding the masses.

Part Two:

Who could argue with that math?

Part Two:

Yet, here she was on a truck for some reason, heading toward a

Part Two:

patch of dirt in the back the farmers called “Fern Gully”

Part Two:

where the salad mixes were grown. She noticed Linda was

Part Two:

eyeing her over along with the other newcomers as the truck

Part Two:

bounded over the rutted road. Blythe started having a loud

Part Two:

conversation with Linda about Amber Corporation workers and

Part Two:

the psychology of “exceptionalists deregulating

Part Two:

their mind from care.” Was this hazing? She felt another flash

Part Two:

of annoyance. They still drive a truck, Carson thought. The

Part Two:

hypocrites.

Niki:

Hi, my name is Niki. I research wolf-caribou dynamics

Niki:

using mathematical models and spatial analyses. This is an

Niki:

excerpt from my story, "A Eulogy for Wolves," that begins with a

Niki:

eulogy and then turns to another possible future.

Niki:

They did not pass away gently, rather they ripped a page from

Niki:

Mr. Thomas’s book until they were overcome with our

Niki:

relentlessness. Wolves were the first major predator species to

Niki:

be driven to extinction, and given the current rate of

Niki:

extraction and hubris towards the ability to control natural

Niki:

systems, most large predator species are expected to follow.

Niki:

Wolves and their ancestors have been dancing with caribou and

Niki:

their ancestors on this landscape since time immemorial,

Niki:

and only recently have our institutions of power attempted

Niki:

to change the tune, and what clumsy dancers they are.

Niki:

Wolves were found in many diverse ecosystems across the

Niki:

globe harboring close relationships with their

Niki:

ungulate neighbors. Though the specific step or name of the

Niki:

dance partners shifted over time and space, wolves were always

Niki:

incredibly attentive to the mood swings of their partners, often

Niki:

mirroring the leaps and dips they witnessed. In their early

Niki:

days, wolves were able to listen and quickly adapt to changes in

Niki:

the rhythm of the dance; they were intricately connected to

Niki:

the delicate strides of their prey and understood the

Niki:

fragility of the partnership. As time went on, however, our

Niki:

institutions of power requested that more and more of our own

Niki:

music be played and the unfamiliar cadence reverberated

Niki:

over the natural rhythms of the original song.

Niki:

Wolves weren’t originally our opponents, but rather

Niki:

competitors in a friendly game of survival. Dreams developed in

Niki:

manifest destinies brought us into increasing contact with our

Niki:

cheeky rivals, and they certainly kept their competitive

Niki:

edge. Like all storybook rivals, the competition was rooted in a

Niki:

healthy respect for the opponent, that is until

Niki:

technology allowed us to shift from the values that encouraged

Niki:

coexistence. Wolves held fast to their instinct for reciprocity

Niki:

within their communities, while institutions praised

Niki:

individuality. No man should be tied down by unseen forces of

Niki:

nature, apparently just the invisible hand of the market.

Niki:

Wolves laughed at our antics, and tried to continue the dance.

Niki:

Wolves are survived by their family, their neighbors and

Niki:

communities. They will be particularly missed by their

Niki:

close friend, caribou, who is left to fend for themselves in

Niki:

the front line of the confusing rhythms we step to. We lead the

Niki:

dance in a rigid and forceful fashion; our vice grip on their

Niki:

upper arm is the only way caribou can follow our misguided

Niki:

steps. They are now forced into a fraction of the original

Niki:

dancefloor while we slice across and unearth the floorboards,

Niki:

creating wounds that won’t heal for hundreds of years, yet are

Niki:

impatient when caribou can’t leap across the chasms we’ve

Niki:

created. Caribou had a complicated relationship with

Niki:

wolves that was based more on structural necessity rather than

Niki:

warm, fuzzy feelings, but they felt stable and secure in their

Niki:

future, which is more than they can say with us in the lead.

Niki:

As the people that are left to remember, we ask how many

Niki:

martyrs must die for our sins, how many extinguishes of a flame

Niki:

in the name of suppressing freak wildfires before we admit we are

Niki:

the ones holding the matches. In lieu of thought and prayers, we

Niki:

are asked by close relatives of wolves to reflect on what we are

Niki:

connected to, what depends on us and what we depend on, and

Niki:

whether we are honestly honoring that call-and-response or just

Niki:

turning a deaf ear to the entire song.

Niki:

Niki, 2060, looking back.

Niki:

The world was sending distress signals long before the 2020s

Niki:

but only then did the institutions of wealthy nations

Niki:

that catapulted us into this mess, feel the cracks in their

Niki:

technologically advanced armor. Dreams of rich geniuses lifting

Niki:

our helpless bodies out of the toxic quagmire, with

Niki:

geoengineering silverlined clouds, quickly dissipated as

Niki:

the seasons became waves of pandemics interspersed with heat

Niki:

domes, floods, and freak cold snaps. No Messiah arrived.

Niki:

As a biologist in the 2030s, it was a terrifying and intriguing

Niki:

time to study the natural world. Nothing was constant,so the

Niki:

traditional methods like “before-after-control-impact”

Niki:

became impossible to enact as a study design because every

Niki:

living being was either leaving or arriving in attempts to track

Niki:

their natural climate. The idea of “invasive species” became

Niki:

useless as every year ushered in a new world record in

Niki:

temperature, storm or earthquake intensity, and with it brought a

Niki:

continuous upheaval of species dispersal and birth of novel

Niki:

ecosystems. It was like a gambler down on their luck

Niki:

shaking the dice of biodiversity every year, desperately hoping

Niki:

for a winning combination.

Niki:

I graduated with my PhD and worked as a wildlife consultant

Niki:

in northern Canada, focusing on a rapidly declining barren

Niki:

ground caribou herd. I felt a bit sheepish being so involved

Niki:

with caribou; so much money was poured into the conservation of

Niki:

this species while others fluttered and extinguished

Niki:

silently without so much as a coin flipped towards their

Niki:

salvation. It’s not that I didn’t think caribou weren’t

Niki:

important or didn’t understand the cultural and ecological

Niki:

significance they held, but I saw the circus act of federal

Niki:

and provincial governments talking out both sides of their

Niki:

mouths.

Niki:

Hundreds of thousands of federal and provincial dollars were

Niki:

funneled towards caribou decline while several orders of

Niki:

magnitude more dollars were spent in subsidies towards the

Niki:

very industries that were the direct cause of their demise. I

Niki:

grew weary of the narrative presented - proximate causes of

Niki:

decline like wolf and moose populations - had to be enacted

Niki:

in the short-term in order for all of us to organize and

Niki:

painstakingly monitor the gruelingly slow long-term

Niki:

solutions of habitat restoration. We all had to

Niki:

accept the necessary evils of wildlife management if we wanted

Niki:

to save caribou from certain extinction. I, meanwhile,

Niki:

seriously considered removing myself from the narrative and

Niki:

dreamed about teaching music instead, and reconnecting with

Niki:

nature in a mindset completely apart from p-values and

Niki:

assessment impacts.

Niki:

Southern Mountain Caribou, a subspecies of Woodland Caribou,

Niki:

went extinct at the beginning of the 2030s, despite intense

Niki:

culling programs across British Columbia. Small cries of

Niki:

exasperation and indignation grew in volume across the

Niki:

country. Then, British Columbia's resident Orca whales

Niki:

went extinct soon after a particularly hot year warmed the

Niki:

hatching tributaries of Chinook salmon enough to essentially

Niki:

cook the eggs. Suddenly, all the individual voices sounding alarm

Niki:

bells about dwindling local species, impacts to community

Niki:

health, food security, and more, united in a resounding and

Niki:

demanding cry for immediate change. A wave of biologists,

Niki:

Indigenous rights activists, medical professionals, and many

Niki:

more, emerged from individual marches to question the

Niki:

structure of Canadian Wildlife Management Systems and beyond.

Niki:

In public debates, biologists cited numerous studies that

Niki:

showed the highest levels of biodiversity were consistently

Niki:

found in areas under Indigenous sovereignty. Academic and

Niki:

government biologists, myself included, started leaving our

Niki:

positions to join movements organized around Land Back,

Niki:

which fundamentally fought for legally and holistically

Niki:

reuniting Indigenous peoples with the land they were forced

Niki:

off centuries ago. As more species and systems faced a very

Niki:

public demise, the validity of federal and provincial systems

Niki:

of wildlife management crumbled. Networks of local and regional

Niki:

wildlife management committees were founded on the fundamental

Niki:

understanding of connectedness. Hindsight might be 20-20, but

Niki:

this was a novel concept, not in theory, but definitely in

Niki:

practice. An abnormal observation in a community would

Niki:

be investigated as a symptom of a larger issue without the

Niki:

dreams of historical baselines clouding our judgment, or acting

Niki:

as an impetus for entirely suppressing a partner in that

Niki:

broken link. The consequences of climate change were still

Niki:

raining down on the world. But with the start of restructuring

Niki:

systems, communities could weather the storms together.

Niki:

Many people were still forced to flee their homes in response to

Niki:

climate change, but they were no longer described as immigrants

Niki:

with the same connotation that the word was used in the early

Niki:

2000s. The idea of illegal aliens was not only considered

Niki:

horribly cruel, but asinine. Because who could be illegal on

Niki:

land that was stolen to begin with?

Sadie Rittman:

Hi, my name is Sadie Rittman. I research

Sadie Rittman:

re-enchantment and spiritual and ontological implications of

Sadie Rittman:

climate crisis. This is an excerpt from my story "Return of

Sadie Rittman:

the Hidden Worlds."

Sadie Rittman:

Eulogy. The world was once an enchanted place. Humans

Sadie Rittman:

coexisted with various “hidden beings” - elves, trolls, fairies

Sadie Rittman:

and more - inhabiting dimensions alongside ours. Every culture

Sadie Rittman:

had its stories. There were the Huldufólk of Icelandic lava

Sadie Rittman:

fields; the Aos Sí of ancient Ireland; Patupaiarehe of

Sadie Rittman:

Aotearoa/New Zealand’s misty forests; Hawaiian Menehune in

Sadie Rittman:

hidden valleys; Cree Mannegishi between rapids and rocks;

Sadie Rittman:

shape-shifting Arabic Jinn. All were liminal, mystical mediators

Sadie Rittman:

of our relations in the more-than-human world. In our

Sadie Rittman:

interactions with the land and its creatures, we had to

Sadie Rittman:

consider and respect these beings of the hidden world, or

Sadie Rittman:

else suffer their punishment, or loss. Icelanders considered

Sadie Rittman:

Huldufólk inhabitants before detonating large stones to build

Sadie Rittman:

roads; Hawaiians thought of the Menehune that might seek revenge

Sadie Rittman:

should they kill birds too fast to harvest feathers; and Irish

Sadie Rittman:

farmers appeased the Aos Sí who in turn ensured the health of

Sadie Rittman:

their crops. In the world shared with those hidden, there could

Sadie Rittman:

be no “natural resource.”

Sadie Rittman:

But in an age where “seeing is believing,” “the unseen” by

Sadie Rittman:

definition can’t be believed, much less known. Now we have

Sadie Rittman:

only what science proves. Charles Eisenstein writes that

Sadie Rittman:

“so deeply embedded it is in our understanding of what is real

Sadie Rittman:

and how the world works,” that “science in our culture is more

Sadie Rittman:

than a system of knowledge production or a method of

Sadie Rittman:

inquiry.” Moreover, “when someone demands we be realistic,

Sadie Rittman:

often they are referring either to money, or to scientifically

Sadie Rittman:

verifiable fact.”

Sadie Rittman:

This connection between money, science, and the bounds of

Sadie Rittman:

reality is not accidental. The world as we’ve “known” it rests

Sadie Rittman:

on a configuration for reality, and corresponding science, that

Sadie Rittman:

serves the interest of capital. Anthropologist Frédérique

Sadie Rittman:

Apffel-Marglin explores how with “the first conceptualization of

Sadie Rittman:

the market economy in the seventeenth century,” “the

Sadie Rittman:

disentanglement of the individual from a web of

Sadie Rittman:

community and spiritual obligations gave rise to the

Sadie Rittman:

individual subject acting on the basis of his perceived

Sadie Rittman:

self-interest.” This produced concomitantly “the individual

Sadie Rittman:

subject” and land as “economic resource.” In turn, this

Sadie Rittman:

separation could only be enabled by the Cartesian split between,

Sadie Rittman:

as anthropologist Susan Greenwood wrote, “the thinking

Sadie Rittman:

mind, which had a soul, from mechanistic soulless matter.”

Sadie Rittman:

On my first research trip to Iceland as a 20 year old student

Sadie Rittman:

from New York, I was mystified by how a “modern,” “developed”

Sadie Rittman:

European country could purportedly believe in elves. I

Sadie Rittman:

came away with a few linked factors towards an answer: the

Sadie Rittman:

“aliveness” of nature, the nearness of “the past,” the

Sadie Rittman:

landscape cultured by stories rather than capitalism, and a

Sadie Rittman:

cosmopolitical attitude in which stories did not necessarily have

Sadie Rittman:

to be “believed” to be real. As so many of my informants so

Sadie Rittman:

patiently put it: “In Iceland we live so close to nature. And

Sadie Rittman:

here, nature is alive. Because of this, the elves live here,

Sadie Rittman:

and we can see and feel their energy.” Far, far away from the

Sadie Rittman:

“objective world,” in Iceland with its howling wind, bubbling

Sadie Rittman:

hot springs, flowing lava and northern lights, Icelandic

Sadie Rittman:

writers May and Hallberg Hallmundsson wrote: “the land

Sadie Rittman:

was never an accumulation of inanimate matter… but a living

Sadie Rittman:

entity by itself. Each feature of the landscape had a character

Sadie Rittman:

of its own, revered or feared as the case might be, and such an

Sadie Rittman:

attitude was not a far cry from the belief that it was actually

Sadie Rittman:

alive, or, at the very least, full of life.” Icelanders were

Sadie Rittman:

overpowered by more-than-human life, and they expressed to me

Sadie Rittman:

themselves that this “aliveness” was the condition in which elves

Sadie Rittman:

could live, or be believed in.

Sadie Rittman:

I regret to report that the juxtaposition between landing in

Sadie Rittman:

JFK and Keflavik is no longer so stark. Increasingly, Iceland is

Sadie Rittman:

also cluttering with the architecture of capitalism. I've

Sadie Rittman:

been told that what’s pivotal is the rapidly melting

Sadie Rittman:

Snaefellsjokull glacier, once an “energy center” for the elves.

Sadie Rittman:

It might be fully melted by 2050, and is already the build

Sadie Rittman:

site of another luxury resort. Grandparents no longer grew up

Sadie Rittman:

in turf houses; they are urbanites who’ve had their TVs,

Sadie Rittman:

internet and smartphones to mediate their lands with stories

Sadie Rittman:

of elsewhere. The popular TV show Game of Thrones shot scenes

Sadie Rittman:

“north of the wall” in the Icelandic highlands, layering

Sadie Rittman:

the landscape with new meanings, which tourists would flock to

Sadie Rittman:

for photographs. Also layered are more highways, shopping

Sadie Rittman:

malls, fast food chains, and the infrastructure for the new Dreki

Sadie Rittman:

pipeline. Grandparents no longer point out the “hidden worlds”

Sadie Rittman:

alongside the highways, now smothered with Wendy’s and

Sadie Rittman:

Burger King. Even if they did, their grandchildren’s attention

Sadie Rittman:

is algorithmically stripped by surveillance capitalism, sucked

Sadie Rittman:

down into smartphones which also mediate the landscape. What

Sadie Rittman:

interest may be left for the old stories in the passing landscape

Sadie Rittman:

does not extend to consider anything capitalism doesn’t deem

Sadie Rittman:

“real.” I’m afraid my obituary only repeats a long-told story.

Sadie Rittman:

As one elderly Icelander summarized back on my first

Sadie Rittman:

research trip, “the elves leave with electricity.” Yes. The same

Sadie Rittman:

knowledge paradigm that drills for energy to light up the earth

Sadie Rittman:

- “Enlightenment” - is also that which has driven out the hidden

Sadie Rittman:

worlds. Amidst environmental pollution, industry, rationalism

Sadie Rittman:

and capitalism, we find ourselves alone in a human

Sadie Rittman:

world. Capitalism must cover everything, and so the fairies

Sadie Rittman:

retreat."

Sadie Rittman:

20 years later. For my retirement address at the Centre

Sadie Rittman:

for Cosmopolitical Collaboration and Research, I’ve been asked to

Sadie Rittman:

dig up this old obituary from back when nobody read my work,

Sadie Rittman:

and explain how we brought back the “hidden.” Regrettably, we

Sadie Rittman:

learned the hard way that one worldview, one sociocultural

Sadie Rittman:

context, one “reality,” was never meant to overtake and

Sadie Rittman:

strangle the whole planet. Just as a monocrop perishes while

Sadie Rittman:

biodiversity flourishes, a system and corresponding

Sadie Rittman:

“reality” so totalizing and invasive as capitalism could not

Sadie Rittman:

allow human survival. In our delusions of separation,

Sadie Rittman:

superiority and corresponding objectivity, spread so

Sadie Rittman:

aggressively across the planet, we very nearly went extinct. In

Sadie Rittman:

looking at how the “hidden” returned from the banishment of

Sadie Rittman:

“unreality,” I’ll start with instructions from an elf

Sadie Rittman:

himself, Fróði, in his book How to See an Elf, co-written with

Sadie Rittman:

seer Ragga Jonsdottir. They wrote: “Find a rock you feel

Sadie Rittman:

drawn to. Sit down and be comfortable. Maybe you find it

Sadie Rittman:

amusing to sit down and talk to an elf. But that is alright,

Sadie Rittman:

because it is through joy that we can make a positive

Sadie Rittman:

connection between worlds. Examine the rock, the texture of

Sadie Rittman:

the stone, colors of the flowers and the moss, and watch the

Sadie Rittman:

straws dance softly in the breeze. Maybe you notice

Sadie Rittman:

something special, something especially beautiful, or

Sadie Rittman:

amusing, something that catches your attention. Now we practice

Sadie Rittman:

and find the joy in trying to regain this long awaited

Sadie Rittman:

friendship.” “Listen beyond and through these beautiful sounds

Sadie Rittman:

of nature. There is silence… Perhaps you hear something else,

Sadie Rittman:

maybe a soft song, or the light sound of voices, that seem to

Sadie Rittman:

come from afar, even from inside the rock. With your eyes half

Sadie Rittman:

closed, or completely closed, you might even see a pointy hat

Sadie Rittman:

behind a rock, hear a soft sound of bells or see small twinkling

Sadie Rittman:

eyes looking at you.”

Sadie Rittman:

“Did it work? Did you see me? If not, it’s also fine, it was a

Sadie Rittman:

beautiful moment, wasn’t it? I am sure that the colors around

Sadie Rittman:

you seem brighter now, the sounds of nature stronger and

Sadie Rittman:

you even feel more joy within. A peaceful moment in nature can

Sadie Rittman:

strengthen the bond between us, elves and humans.” As we find in

Sadie Rittman:

Fróði’s instructions, elves and other “hidden worlds” always

Sadie Rittman:

belonged to the realm of connection.

Sadie Rittman:

At my retirement, we now live in a world resembling Ragga’s old

Sadie Rittman:

image of “the many worlds of the stone”. One world, many

Sadie Rittman:

realities — a pluriverse. As the Zapatista's had it in their

Sadie Rittman:

“Pluriverse Principle,” we “walk” worlds into being “in a

Sadie Rittman:

world in which many worlds fit”. With decolonizing processes of

Sadie Rittman:

Land Back, there is space for this. With our release from

Sadie Rittman:

capitalism’s stronghold, there is also time. Time no longer

Sadie Rittman:

money, economic contributions no longer identity markers,

Sadie Rittman:

partaking in financial exchange no longer a matter of partaking

Sadie Rittman:

in “life”, our bounds for reality have widened beyond just

Sadie Rittman:

“money” and “science.” No longer fully extrapolated within a

Sadie Rittman:

totalizing capitalist logic, we’ve been released into a wider

Sadie Rittman:

world.

Rhonda Thygesen:

Hi, my name is Rhonda Thygesen. I research the

Rhonda Thygesen:

proteome of honeybees, and I'm a student in the Department of

Rhonda Thygesen:

Biochemistry and Molecular Biology. This is an excerpt from

Rhonda Thygesen:

my story "Eulogy for the Bees."

Rhonda Thygesen:

Eulogy. My love story with pollinators started when I was

Rhonda Thygesen:

young and living in rural Alberta. I grew up on a farm

Rhonda Thygesen:

with fields decorated in canola seed, known as Brassica napus,

Rhonda Thygesen:

which bees tended to regularly. I watched them come in June and

Rhonda Thygesen:

leave in July. This timing of pollination for the blooming

Rhonda Thygesen:

crop was decently regular since the 1980’s. In my naivety I

Rhonda Thygesen:

thought that the bees and canola plant were just friends and

Rhonda Thygesen:

wanted to say hello to each other. When I was doing my

Rhonda Thygesen:

undergrad in biology, I applied to work with Alberta’s

Rhonda Thygesen:

apiculture team for research experience. Through that job I

Rhonda Thygesen:

learned that the hello I thought bees were giving to canola

Rhonda Thygesen:

flowers was a serious work visit. I got hooked on studying

Rhonda Thygesen:

pollinators after that. I was surprised that there was a

Rhonda Thygesen:

developed field of researchers trying to help pollinators live

Rhonda Thygesen:

better against the stressors in their environment. I didn’t make

Rhonda Thygesen:

the link as a young researcher that these stressors were

Rhonda Thygesen:

correlated with climate change. Nor did I feel brave enough to

Rhonda Thygesen:

share my realization that those trying to research the effects

Rhonda Thygesen:

of agrochemicals and disease on bee populations were trying to

Rhonda Thygesen:

also please the industry instead of changing it. It would have

Rhonda Thygesen:

been brave of me to show up to research meetings as the youth

Rhonda Thygesen:

who called out each of us for being a part of the problem and

Rhonda Thygesen:

not the solution. I felt a lot of anger in those days, and I

Rhonda Thygesen:

swore to never be naïve to their important work and silent

Rhonda Thygesen:

suffering in health and population. This could be why I

Rhonda Thygesen:

am writing this eulogy to the bees today.

Rhonda Thygesen:

It was Albert Einstein that said “if the bee disappeared off the

Rhonda Thygesen:

surface of the globe, then man would have only four years of

Rhonda Thygesen:

life left. No more bees, no more pollination, no more plants, no

Rhonda Thygesen:

more animals, no more man.” Einstein maybe wasn’t factually

Rhonda Thygesen:

correct in his timeline, but he is honest in the important bond

Rhonda Thygesen:

between bees and humans. There was indeed no other species on

Rhonda Thygesen:

planet earth that was such a force of nature nor one that

Rhonda Thygesen:

gave us so many gifts. The worker bee is a very literal

Rhonda Thygesen:

term, working hard to upkeep the ecosystems it participates in to

Rhonda Thygesen:

keep the animals of this planet healthy. Our mouths were the

Rhonda Thygesen:

receivers of their labour. Almonds, apples, blueberries,

Rhonda Thygesen:

coffee, dairy, cereals, and cotton will not see the future

Rhonda Thygesen:

without them, and we will cherish those things while we

Rhonda Thygesen:

still have them. We will never be able to taste warm honey comb

Rhonda Thygesen:

fresh from a hive on a July afternoon. Our plates will look

Rhonda Thygesen:

less vibrant without you here, in fact, they will look almost

Rhonda Thygesen:

bare. Our tastebuds will miss the diversity. Our clothing will

Rhonda Thygesen:

surely not be as extensive. You were the true gods of the

Rhonda Thygesen:

farmland.

Rhonda Thygesen:

Future. My grandson Ethan and I had taken up a new Saturday

Rhonda Thygesen:

ritual of sitting nearby different garden beds, crops,

Rhonda Thygesen:

and greenhouses to watch for bees. We’d set up our seats now

Rhonda Thygesen:

in a canola field in southern Alberta and it was April.

Rhonda Thygesen:

Patches of the yellow plant were hard to come by and my childhood

Rhonda Thygesen:

intuition told me inside that we were sure to see a fuzzy honey

Rhonda Thygesen:

bee on of the flowers we sat in front of. We waited patiently to

Rhonda Thygesen:

hear a buzz.

Rhonda Thygesen:

“But we might never find them?”

Rhonda Thygesen:

“Exactly right,” I said. “We might never find them.”

Rhonda Thygesen:

I always tried to tell him the truth, if I knew the answer. He

Rhonda Thygesen:

could tell if I lied. Maybe they’re too far away. Too much

Rhonda Thygesen:

empty space or something. What if they can’t smell the canola

Rhonda Thygesen:

flowers any more? What if they don’t recognize it’s bright

Rhonda Thygesen:

yellow colour? It had become a lot more difficult to spot

Rhonda Thygesen:

pollinators as the world has seen massive insect decline

Rhonda Thygesen:

amongst the impacts of climate change. Floods and droughts or

Rhonda Thygesen:

water disasters and wildfires were of immediate danger to

Rhonda Thygesen:

people, but other species were suffering too. Only certain

Rhonda Thygesen:

parts of my home province were able to still grow canola seed

Rhonda Thygesen:

as the plant couldn’t survive in areas with too much drought or

Rhonda Thygesen:

intense heat. I’m 66 years old now and have witnessed canola

Rhonda Thygesen:

seed barely survive in the country that laboured it. The

Rhonda Thygesen:

yellow fields used to signify summertime and now time and

Rhonda Thygesen:

climate have become so unfamiliar that canola basically

Rhonda Thygesen:

grows in what should be our early spring. An Indigenous

Rhonda Thygesen:

friend of mine tells me horror stories of how her people know

Rhonda Thygesen:

that Earth’s signs have changed. They used to use snow drifts and

Rhonda Thygesen:

star patterns to guide themselves in the Canadian

Rhonda Thygesen:

winter to and from hunting. It’s been a long time since you could

Rhonda Thygesen:

take the signs of mother nature as truthful, she says.

Rhonda Thygesen:

We saw the effects of climate change on our in our daily life

Rhonda Thygesen:

which we called the “long goodbye”. Droughts often

Rhonda Thygesen:

impacted our resources for cooking and dishes and baths. We

Rhonda Thygesen:

grew food that was able to survive on our land between

Rhonda Thygesen:

Edmonton and Calgary. Some heat waves ruined our small harvests.

Rhonda Thygesen:

Some days we didn’t go outside because of the air quality. On

Rhonda Thygesen:

many occasions we lost friends to natural disasters and didn’t

Rhonda Thygesen:

travel much to see family. Aspyn’s friends told her stories

Rhonda Thygesen:

from their old homes. I became friends with parents, and we

Rhonda Thygesen:

silently suffered with the costs of living. Despite climate doom

Rhonda Thygesen:

being perpetuated by corporations and the government

Rhonda Thygesen:

there was no assistance. The public was restless, and it was

Rhonda Thygesen:

common for angry mobs to form protesting the little action

Rhonda Thygesen:

that was happening. Those working with pollinators and

Rhonda Thygesen:

fighting for them were also getting agitated. Much reform

Rhonda Thygesen:

has occurred since then. We always understood that change

Rhonda Thygesen:

was never going to be an overnight process. We weren’t

Rhonda Thygesen:

going to be able to quit everything we’ve been doing to

Rhonda Thygesen:

harm the environment for decades all at once. We were too deep in

Rhonda Thygesen:

our ways to ever have that be a reality. But big moments of

Rhonda Thygesen:

change did happen. The public never gave up. Each artist,

Rhonda Thygesen:

scientist, and activist continued to work hard to lobby

Rhonda Thygesen:

global leaders to do better. As disaster struck closer to

Rhonda Thygesen:

people’s homes they could no longer be ignorant to the issues

Rhonda Thygesen:

at hand. We were losing the planet we knew and we were going

Rhonda Thygesen:

to be next. It has been decades of this since I was young in the

Rhonda Thygesen:

2000’s and climate activism started way before that. We have

Rhonda Thygesen:

been at war with the climate for too long.

Rhonda Thygesen:

"She’s here! She’s here! She’s here!" Ethan said. A small

Rhonda Thygesen:

foraging honey bee was trying to descend on one of the canola

Rhonda Thygesen:

flowers. I took a breath and tried to calm my own happiness.

Rhonda Thygesen:

This always reminds me of when I was a little girl growing up in

Rhonda Thygesen:

seas of canola bees. Hives were never far away. “She’s here,” I

Rhonda Thygesen:

said as I opened my eyes.

Rhonda Thygesen:

Ethan and I are watching the bees in their hive. We see them

Rhonda Thygesen:

leave and return home. There are nurse bees poking their heads

Rhonda Thygesen:

into cells to clean larvae and feed them. We see the notorious

Rhonda Thygesen:

figure-eight bee dance to communicate to others where the

Rhonda Thygesen:

good flowers are for food. Resin is being built onto the frames

Rhonda Thygesen:

by worker bees as an antimicrobial product to protect

Rhonda Thygesen:

the hive from disease. The queen is in the hive laying eggs in

Rhonda Thygesen:

empty cells with her long and skinny abdomen. My favourite

Rhonda Thygesen:

lesson from bees is that each of them has a unique role. And that

Rhonda Thygesen:

role is important. Without a worker, nurse, forager, drone,

Rhonda Thygesen:

or queen, the whole hive would be unable to function. That’s a

Rhonda Thygesen:

lot of power for one individual. It’s crucial that they work

Rhonda Thygesen:

together for survival. They never give up on each other and

Rhonda Thygesen:

they haven’t proven to give up on Earth yet either.

Judee Burr:

We’d like to thank all of the students who

Judee Burr:

contributed their work to this episode, and everyone in the

Judee Burr:

Ecological Affect class whose thoughtful ideas fostered such

Judee Burr:

generative discussion and meaningful writing. Thanks to

Judee Burr:

Kendra Jewell, Audrey Irvine-Broque, Lorah Steichen,

Judee Burr:

and Maggie O’Donnell for reviewing drafts of this audio

Judee Burr:

story. Finally, we’d like to thank the University of British

Judee Burr:

Columbia’s Hampton Grant program for funding work on this

Judee Burr:

project. For my part, it was a gift to be part of this class

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and to curate this gathering of our writing. Thanks to all of

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you for listening to this series.