Welcome to Hip Hop Movie Club, the show
that harmonizes the rhythm of hip hop with
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the magic of movies.
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Today we're discussing the movie
adaptation of Lin -Manuel Miranda's In the
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Heights.
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We are three old heads who put their old
heads together to vibe on these films for
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you.
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I'm DynoWright Wright, podcaster,
filmmaker, longtime hip hop fan.
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And the last thing I got digging in the
crates this week is a copy of Rappin'
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Rodney, a rap song by Rodney Dangerfield
recorded in 1983.
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I get no respect.
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Nice one.
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I'm JB, 80s and 90s nostalgia junkie, long
time hip hop fan.
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I'm already jonesing right now for a
rematch in NBA Jam versus Boogie, who just
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beat me with his Denver Nuggets squad
against my Seattle Supersonics.
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It was all Mahmoud Abdul-Rauf
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I'm Boogie, a DJ, long time hip hop fan,
and I'm feeling pretty energized.
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Coming off of our HHMC retreat this past
weekend.
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Yeah.
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In this episode, we'll answer the
question, which elements of hip hop
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culture are on display in In the Heights?
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And we'll give you five key takeaways to
make you a smarter hip hop movie fan.
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In the Heights is the story of a young
bodega owner, Usnavi Navi, and his
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suenito, little dream, of moving back to
his homeland of the Dominican Republic and
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restoring his late father's business.
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We also see the story of his very tight
-knit community of friends and extended
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family trying to achieve their own
suenitos, such as Kevin Rosario and his
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daughter Nina, Benny, Vanessa, Sonny,
Abuela, and others.
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Washington Heights is alive with the pride
of Latin culture in this film.
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There are five things you need to know
about In the Heights.
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Number one, there are multiple elements of
hip hop culture present in the film and
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the rapping is on point.
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Number two, several Latin cultures are
represented showing the diversity of
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Washington Heights.
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Number three, the vocal talent is top
notch and the dancing and choreography
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sizzle.
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Number four, the film weaves in serious
elements that give the light and bright
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storytelling some drama and weight.
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And number five,
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There are multiple storylines all tied
towards the common theme of realizing
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dreams.
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Right on.
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Boogie, why don't you kick us off and talk
about the multiple elements of hip hop
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culture that were present in In The
Heights.
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Yeah, so In the Heights the predominant
element that we see on display in this
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movie is emceeing.
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There's various songs throughout
the film in which we see Usnavi Sonny, and
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a couple other characters.
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They're just emceeing different things
that are going on throughout the film.
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And it's not just the typical rap that we
see, like something on the radio, they're
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actually rapping through
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what's going on at the moment.
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Kind of very similar to Hamilton as, you
know, this was by the same person who did
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Hamilton, Lin -Manuel Miranda.
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So it's a very similar style to how
Hamilton was as far as each character
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having the ability to pretty much rock a
mic, if you will, throughout the film.
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There's also graffiti is present
throughout the film as well.
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There's a character, Graffiti Pete, he's
introduced
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pretty early in the film, we see him
tagging, Usnavi's bodega, and Usnavi
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chasing him away, because he's trying to
steal something.
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But then you see him throughout the film
tagging murals and things like that.
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And he also ends up in the end of the
movie, having a pretty impactful part of
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the movie.
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I'm not going to give too much away with
that, but just keep in mind that he's a
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very important character in the end of the
movie.
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We also see
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breakdancing, not a whole lot of it, but I
did catch there was a blackout that does
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occur in the movie because it's one of the
hottest times of the year in New York
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City.
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And what happens when it's hot in New York
City?
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We get a blackout.
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And during the blackout, several of the
members of the community gather fireworks
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to light the area up to illuminate and
make it safe and beautiful so that people
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can kind of calm down and focus on the
fireworks instead of the lack of
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electricity.
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And during that montage, we do see several
characters, background characters break
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dancing throughout the film.
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The one element that we were struggling to
find was the DJ, which, you know, I'm used
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to it, so it doesn't bother me much.
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The DJ never gets any play.
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The DJ never gets any play, but I mean,
they were in a club, so I mean, it had to
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be a DJ playing at some point, but we
don't see him.
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That's true.
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Good point.
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so those are the elements that we see
throughout the film.
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I think you nailed it.
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DynoWright, right, anything else that you
picked up on in terms of the hip hop
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elements?
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Boogie really covered it.
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I think at one point the manhole cover, he
sort of scratched, does he scratch it or
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something?
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There's something with it and so
there's...
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stuck in gum and he's telling the story to
the little ones in the beginning and it
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kind of swivels and makes a record scratch
sound.
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That's sort of there.
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Yeah.
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I mean, I just want to expand a little bit
about the genius that Lin -Manuel Miranda
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is.
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I'm a Lin -Manuel Miranda stan.
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I'm an In the Heights stan, so that's
going to kind of spoiler alert for my
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review.
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But these songs were so well crafted.
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As you know, Lin -Manuel Miranda does his
homework as he does with Hamilton.
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He takes elements from other well -known
rappers and he weaves them in.
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A couple of songs I wanted to point out,
which I implore you listeners to go out
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and listen on Spotify or look at the
videos on YouTube, but Benny on the
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Dispatch, you have Corey Hawkins playing
the role of Benny.
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He works at Kevin Rosario's.
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taxi company and he's a dispatch.
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And the way he gives the traffic report
and he's gyrating, dancing, and you can't
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help but smile and get into it.
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It's just a couple of lyrics.
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It's like, okay, we got traffic on the
west side, get off at 79th and take the
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left side, riverside.
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He's talking about Big Papi in town for
the weekend.
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He weaves in something about the Jacob
Javits Center.
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He's giving all these landmarks within the
city and he's making it lively and fun.
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And at that point,
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At one point within that, towards the end
of it, Nina comes in and she takes over
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and she bellows out a great hello and gets
on the mic like she used to do when she
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was younger for her father.
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That was awesome.
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I love that so much.
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And then the other song with a lot of hip
hop that I really enjoy was 96 ,000 when
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they're talking about someone had won the
lottery, a lottery ticket, a winning
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ticket was sold at their store.
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And I won't get into, you know, where that
ends up and everything, but
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That song with the back and forth with the
characters, Usnavi and Benny and even
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Graffiti Pete is in that and they're going
back and forth talking about braggadocio
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and other pop culture references.
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I absolutely love the way they did that.
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Other than that, I think you covered all
the elements there very nicely, Boogie, so
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thank you for that.
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Benny was like the Weather Adam atom of
cab dispatchers.
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You know who Weather Adam is on Instagram.
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That's right.
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Weather Adam.
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That's good.
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The second takeaway is that, and it's
obvious throughout that Lin -Manuel
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Miranda had this as a mission to represent
multiple Latin cultures.
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So there were several Latin cultures that
were represented and it shows the
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diversity of Washington Heights.
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DynoWright, you wanna talk a little bit
about a couple of the cultures
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represented?
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Sure.
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We have at least Puerto Rico and the
Dominican and Cuba represented here.
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Most of the characters.
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Usnavi is Dominican and Abuela is Cuban.
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And I think the Rosarios are from Puerto
Rico.
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Is that?
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Yeah, right.
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So I'm sure I'm missing other ones, but
there's other in there.
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Vanessa is a mix, I think, of a few
different cultures.
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Yeah, those were all represented.
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And when they have the song about raising
the flag, I think it's in the Barrio,
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Carnival de Barrio, and they're talking
about raise the flag of Puerto Rico, in
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Spanish, they're saying raise the flag of
Cuba, raise the flag of Dominican.
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It's pretty powerful the way they do that.
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Yeah, they're all living together in this
town and weave together and they get
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together for festive meals and you can see
again, LMM as I call him, he does his
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homework.
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And he has
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Beautiful.
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There's stitching that you see.
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They came from Cuba.
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There's the food and all the elements of
the various cultures.
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There's the food and all the elements of
the various cultures.
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Boogie, anything to expand upon the Latin
cultures as they're represented here?
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I mean, there definitely are other
cultures in there blended in because some
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Washington Heights in the movie has become
a melting pot.
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So even though there's certain, there's
others that probably weren't mentioned,
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the influence is definitely there.
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I mean, you can see it in the food, in the
music, the song selection, the way they
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carry themselves, even the family
orientedness of them.
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gathering together, even though they
weren't all related by blood.
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That's a deep, a deep rooted Latin thing
I've noticed, you know, from several
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friends, they stick together.
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But yeah, I think it was very well done in
that aspect of showing just how all of the
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cultures, even with the differences, you
see the similarities, because they're all
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blending together really well.
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Yeah, I will add that LMM did get some
criticism for not having enough or any
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darker skinned Afro -Latino actors, which
he owned up to actually and took
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responsibility and promised to do better
next time.
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Yeah.
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LMM himself is Puerto Rican in case folks
didn't know, but he also has some traces
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of Mexican and African American ancestry
as well.
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So his background is primarily Puerto
Rican, just as a background for listeners
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here.
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Okay.
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Yeah, I can see why he took a little bit
of heat on that.
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I think there was one part that I
remember, I can't remember the name of the
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song, but they were talking about, they
mentioned the Tainos.
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For our listeners, the Tainos are the
Native Americans that were in that area of
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the Caribbean when the explorers were
coming over to the new world.
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There were Taino.
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Native Americans there.
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And also to expand a little further,
slavery didn't just exist in the United
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States.
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It also existed throughout the Caribbean.
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So they were influxing large numbers of
Africans to that area as well.
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And then you have the Spanish speaking
Europeans who were in that area.
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So you get a mix.
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You get a mix of the cultures together and
that's
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what gives Puerto Rico its flavor and also
Cuba and the Dominican Republic, which
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actually is split between on one island is
Haiti is on the other side of the island.
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So they're very similar in how they carry
themselves in appearance as well from, you
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know, the lightest light to the darkest
dark and everything in between.
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Right.
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The third takeaway we had is about the
vocal talent and the dance and
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choreography.
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So the vocal talent is top -notch.
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The dancing and choreography sizzle on the
screen here.
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Boogie, you want to talk a little bit
about that as well?
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Well, yeah, the songs were amazing.
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First of all, I didn't realize that
Melissa Barrera could sing.
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I mean, I love her.
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I mean, I've seen her in a bunch of stuff.
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And I was like, she can sing?
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But it was good, though.
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And I think the songs were amazing.
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I mean, the vocal talent was definitely
top notch.
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And it was good to see that
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there was a nice compliment to the MCing.
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So you see there's rapping going on.
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And it's good to have that counterbalance
of
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the good, strong vocal talent.
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So, but yeah, it was good.
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I enjoyed it.
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And also the dancing and choreography, you
know, I enjoyed that club scene, that
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Latin club scene.
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It took me back to the 90s and the early
2000s when I used to be over in New York
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and it was just amazing.
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And I was like kind of like moving along
with it as they were dancing because I
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00:13:16,458 --> 00:13:19,541
really love to dance to those.
234
00:13:19,541 --> 00:13:20,541
to that music.
235
00:13:20,541 --> 00:13:23,083
So it was good that they had that in there
as well.
236
00:13:23,083 --> 00:13:27,541
And we mentioned the break dancing as
well, you know, briefly, but yeah, I think
237
00:13:27,541 --> 00:13:33,208
even this ensemble as the characters were
singing the songs and as you know, the
238
00:13:33,208 --> 00:13:37,166
ensemble cast in the background, the
choreography was very tight.
239
00:13:37,166 --> 00:13:40,625
I mean, it was almost like...
240
00:13:40,625 --> 00:13:43,750
granted, it was based off of the Broadway
play, but it was almost like watching a
241
00:13:43,750 --> 00:13:47,250
Broadway play in the live action realm,
because you could see the tight Broadway
242
00:13:47,250 --> 00:13:48,875
style choreography throughout the film.
243
00:13:48,875 --> 00:13:51,583
Yeah, Melissa Barrera's song, she played
the role of Vanessa.
244
00:13:51,583 --> 00:13:55,458
The song, It Won't Be Long Now, that
really struck a chord with me.
245
00:13:55,458 --> 00:13:59,791
She's talking about the elevator train and
her apartment and the guys in the street
246
00:13:59,791 --> 00:14:01,458
whistling at her.
247
00:14:01,583 --> 00:14:07,416
And what I really love about this play is,
well, right from the beginning, it drew me
248
00:14:07,416 --> 00:14:08,750
in with the hip hop and the rap.
249
00:14:08,750 --> 00:14:12,166
And there's a lot of character development
that occurs right away through that.
250
00:14:12,166 --> 00:14:15,750
You know, this is Abuela, it's not really
their Abuela, you know, the block is her
251
00:14:15,750 --> 00:14:16,333
Escuela.
252
00:14:16,333 --> 00:14:20,416
And this is Sonny, my cousin, and I was
like, man, I'm drawn right in.
253
00:14:20,416 --> 00:14:21,458
I'm like, this is awesome.
254
00:14:21,458 --> 00:14:22,583
I'm enjoying the music.
255
00:14:22,583 --> 00:14:23,875
I'm learning about the characters.
256
00:14:23,875 --> 00:14:24,625
Let's go.
257
00:14:24,625 --> 00:14:30,916
But the vocal talent, Melissa Barrera,
Corey Hawkins, as I mentioned, with the
258
00:14:30,916 --> 00:14:32,750
dispatch, he weaves in both
259
00:14:32,750 --> 00:14:34,250
the rapping
and the singing.
260
00:14:34,250 --> 00:14:35,541
He shows his vocal range.
261
00:14:35,541 --> 00:14:38,958
He has such infectious energy.
262
00:14:39,416 --> 00:14:42,708
As you mentioned, the club scene.
263
00:14:42,708 --> 00:14:47,291
But also what I thought was a feast for
the eyes in terms of the dancing
264
00:14:47,291 --> 00:14:51,250
choreography was the pool sequence when
they're doing the 96 ,000 song.
265
00:14:51,250 --> 00:14:53,708
There are people people and swimming in
unison.
266
00:14:53,708 --> 00:14:55,166
And there's a lot of colors.
267
00:14:55,166 --> 00:14:56,666
Yeah, I really enjoyed that.
268
00:14:56,666 --> 00:15:02,750
And then the carnival, del barrio, when
it's just so hot out.
269
00:15:02,750 --> 00:15:06,041
And I think it's Daniela who had owned the
salon, was like, what's wrong with you
270
00:15:06,041 --> 00:15:06,916
people?
271
00:15:07,208 --> 00:15:09,708
When does the heat bother Latins?
272
00:15:09,708 --> 00:15:13,833
get out there and she drums up everybody,
everybody goes nuts and then they start
273
00:15:13,833 --> 00:15:19,666
representing their different countries and
celebrating despite the brutal heat.
274
00:15:19,708 --> 00:15:22,333
DynoWright, anything else on that.
275
00:15:22,333 --> 00:15:23,958
Vocal talent and choreography and dancing.
276
00:15:23,958 --> 00:15:24,958
Yes
277
00:15:24,958 --> 00:15:28,583
Yes, so the choreography was from
Christopher Scott from So You Think You
278
00:15:28,583 --> 00:15:29,625
Can Dance.
279
00:15:29,958 --> 00:15:32,291
So I think they brought in big guns for
that.
280
00:15:32,291 --> 00:15:35,500
And you talk about the 96 ,000 sequence,
which is very Busby Berkeley.
281
00:15:35,500 --> 00:15:37,416
very Busby Berkeley.
282
00:15:37,416 --> 00:15:41,750
So listeners, viewers who don't know who
that is, look him up.
283
00:15:41,750 --> 00:15:44,833
It's very highly choreographed like a
284
00:15:44,833 --> 00:15:48,750
cast of thousands and it's amazing how
they pulled this off in a pool and reading
285
00:15:48,750 --> 00:15:54,333
some of the interviews about the
production of it and that's a it's already
286
00:15:54,333 --> 00:15:59,791
hard to put together a big dance number
like that but to also do it in a pool
287
00:15:59,791 --> 00:16:04,458
where there's also like safety issues like
don't be drowning you know when there's a
288
00:16:04,458 --> 00:16:09,625
thousand people in a pool so very
impressive that they pulled this off and
289
00:16:09,625 --> 00:16:13,166
They weren't allowed to use drones because
of New York City regulations, so you had
290
00:16:13,166 --> 00:16:18,333
to do this kind of old school and it would
be so easy to have a drone shot or even
291
00:16:18,333 --> 00:16:20,750
just a crane shot to get above.
292
00:16:21,000 --> 00:16:26,416
But yeah, they had to improvise that at
least and it looks fantastic.
293
00:16:26,875 --> 00:16:28,416
yeah, I love that scene.
294
00:16:29,208 --> 00:16:35,375
Okay, one thing that made me laugh at the
96 ,000 scene was when Vanessa's turn to
295
00:16:35,375 --> 00:16:42,166
sing and she sings with her lovely voice,
if I won the lottery, you'll never see me
296
00:16:42,166 --> 00:16:42,541
again.
297
00:16:42,541 --> 00:16:45,083
And she's like, I'm not gonna try to sing
it.
298
00:16:45,083 --> 00:16:49,083
And then Usnavi's like, I was joking, stay
broke then.
299
00:16:49,083 --> 00:16:52,750
I just call it, it just tickled my funny
bone there.
300
00:16:52,750 --> 00:16:54,208
Yeah, just awesome.
301
00:16:54,208 --> 00:16:55,250
A feast for the eyes.
302
00:16:55,250 --> 00:17:00,083
And a fourth takeaway was the film also
weaved in serious elements that give the
303
00:17:00,083 --> 00:17:03,750
light and bright storytelling some drama
and weight.
304
00:17:03,958 --> 00:17:07,583
And I know DynoWright, you did a bit of a
deeper dive
305
00:17:07,583 --> 00:17:09,333
some of those types of
306
00:17:09,333 --> 00:17:10,208
heavy issues.
307
00:17:10,208 --> 00:17:13,041
Do you want to give us a little rundown of
some of those?
308
00:17:14,291 --> 00:17:14,500
sure.
309
00:17:14,500 --> 00:17:19,708
First of all, there's some racism and
discrimination that Nina experiences off
310
00:17:19,708 --> 00:17:22,875
camera, you know, as part of the
backstory.
311
00:17:22,875 --> 00:17:29,375
She goes off to Stanford, which is
portrayed as white dominant and her Latin
312
00:17:29,875 --> 00:17:35,458
background does not mesh with this
supposed white dominant.
313
00:17:35,458 --> 00:17:41,375
situation at Stanford in California and
Abuela experiences some discrimination in
314
00:17:41,375 --> 00:17:44,166
her backstory as well coming from Cuba.
315
00:17:44,291 --> 00:17:46,291
We have the element of DACA.
316
00:17:46,291 --> 00:17:50,958
So DACA is the Deferred Action for
Childhood Arrivals legislation that
317
00:17:50,958 --> 00:17:56,875
provides some backstory to Sonny He turns
out to be undocumented and realizes that
318
00:17:56,875 --> 00:17:59,250
he can't go to college if he's
undocumented.
319
00:17:59,250 --> 00:18:03,500
And so the support for DACA is put in the
320
00:18:03,500 --> 00:18:05,833
as part of the themes that's weaved in.
321
00:18:05,833 --> 00:18:07,625
It's also economic hardship.
322
00:18:07,666 --> 00:18:13,375
Daniela has to move her salon further
uptown to the Bronx from where they are in
323
00:18:13,375 --> 00:18:14,375
Washington Heights.
324
00:18:14,375 --> 00:18:19,416
And Vanessa's issues renting an apartment
downtown.
325
00:18:19,541 --> 00:18:24,916
She can't, she's not rented to, she has to
get a co -signer for the lease.
326
00:18:25,708 --> 00:18:29,375
And so all of that's weaved in.
327
00:18:29,791 --> 00:18:36,208
It was good of Miranda to do this to give
it a little bit of heft to the story.
328
00:18:36,208 --> 00:18:40,416
There's no, there's got to be some
conflict in any good story, so that was
329
00:18:40,416 --> 00:18:41,333
really good.
330
00:18:41,333 --> 00:18:47,125
And one thing to take away from this part
of it is, Abuela, her advice is to assert
331
00:18:47,125 --> 00:18:53,625
your dignity in small ways, and so that's
good advice for anyone, because we all
332
00:18:53,625 --> 00:18:55,375
experience some kind of
333
00:18:55,875 --> 00:19:01,833
some kind of hardship in the workplace or
wherever and bring your full selves to it
334
00:19:01,833 --> 00:19:05,583
and asserting your dignity in small ways
is certainly something to take away from
335
00:19:05,583 --> 00:19:06,458
the film.
336
00:19:06,625 --> 00:19:09,083
Nice rundown.
337
00:19:09,125 --> 00:19:12,416
Boogie anything about the issues there?
338
00:19:12,833 --> 00:19:14,083
actually.
339
00:19:14,083 --> 00:19:20,916
I don't know if I have much to add to it.
340
00:19:21,000 --> 00:19:22,750
But yeah it was
341
00:19:22,916 --> 00:19:25,541
I do think it was good
342
00:19:25,541 --> 00:19:31,875
to not glamorize everything and make it sound like everything is happy and
343
00:19:31,875 --> 00:19:34,875
You know, he got real with it and
344
00:19:35,458 --> 00:19:41,208
showed various issues that occur throughout the Latin American community
345
00:19:41,916 --> 00:19:45,833
especially, you know, not necessarily at
Stanford.
346
00:19:45,833 --> 00:19:49,625
I mean, that was just the school she
happened to go to, but, you know, being a
347
00:19:49,625 --> 00:19:58,125
first generation college student and the
awkwardness of trying everyone, everyone
348
00:19:58,125 --> 00:20:02,000
relying on you being the one, you're the
one who made it and the pressure that
349
00:20:02,000 --> 00:20:03,208
comes with it.
350
00:20:03,208 --> 00:20:07,791
And then getting to school and getting to
school and realizing that, you know, maybe
351
00:20:07,791 --> 00:20:10,125
this isn't for me because of, you know,
352
00:20:10,291 --> 00:20:12,875
because of other people’s perceptions of her
353
00:20:13,000 --> 00:20:16,000
and having to deal with that and the conflict of
354
00:20:16,041 --> 00:20:21,833
wanting to be successful and how to tell your family that’s not what you want to do or where you want to be at
355
00:20:22,583 --> 00:20:24,583
I think that was very, very well done.
356
00:20:24,583 --> 00:20:30,875
And even we didn't realize that Sonny was
a DACA kid until the end.
357
00:20:30,875 --> 00:20:35,916
But even how that tied in, you know,
that's very real.
358
00:20:35,916 --> 00:20:39,583
That's very, you know, something that's
being dealt with now.
359
00:20:40,625 --> 00:20:41,916
It's media.
360
00:20:41,916 --> 00:20:43,291
It's in the media right now.
361
00:20:43,291 --> 00:20:48,250
You know, you can click Google it and you
can find any kind of article, fairly
362
00:20:48,250 --> 00:20:48,916
recent.
363
00:20:48,916 --> 00:20:50,375
But yeah, I think that,
364
00:20:50,458 --> 00:20:52,125
you know, the
common thing, the theme was like
365
00:20:52,125 --> 00:20:54,166
everybody's really had a dream and
366
00:20:54,166 --> 00:20:58,791
they all thought that their dreams were little, but
none of their little dreams were little.
367
00:20:58,791 --> 00:21:03,666
They were all big dreams and they all
deserve to see those dreams.
368
00:21:04,375 --> 00:21:05,666
through to fruition.
369
00:21:05,666 --> 00:21:06,666
Mm -hmm.
370
00:21:08,041 --> 00:21:17,583
One other thing that I read about was that Miranda was
asked about, there's not really gang
371
00:21:17,583 --> 00:21:21,291
elements in this film, even though New
York is famous for having sort of gang
372
00:21:21,291 --> 00:21:24,750
activity here, there, and everywhere.
373
00:21:24,791 --> 00:21:26,916
And he on purpose didn't have that kind of
stuff.
374
00:21:26,916 --> 00:21:29,916
Like you didn't want to do a West Side
story where, of course, the Hispanic
375
00:21:29,916 --> 00:21:35,500
people all have knives and they're like,
you know ready to rumble in the streets.
376
00:21:35,958 --> 00:21:37,333
That's a choice.
377
00:21:37,625 --> 00:21:40,625
And he finds other ways to kind of have
that in there.
378
00:21:40,625 --> 00:21:45,958
Like Graffiti Pete in the beginning is
like a villain, but then he gets this
379
00:21:45,958 --> 00:21:47,375
redemption story.
380
00:21:47,708 --> 00:21:52,666
But it was interesting to think like,
yeah, this isn't just like Spanish Harlem
381
00:21:52,666 --> 00:21:55,583
kind of thing where like, of course,
sharks and jets.
382
00:21:55,875 --> 00:21:56,500
Right.
383
00:21:57,291 --> 00:22:02,416
Now I think Boogie you led us into our
final takeaway, takeaway number five with
384
00:22:02,416 --> 00:22:04,125
what you're talking about, the dreams.
385
00:22:04,166 --> 00:22:08,958
So takeaway number five was there are
multiple storylines all tied towards a
386
00:22:08,958 --> 00:22:12,666
common theme of realizing dreams.
387
00:22:12,666 --> 00:22:14,666
I guess I'll kick that one off.
388
00:22:14,833 --> 00:22:19,333
I mean, there are many dreams or suenitos,
which means little dreams in Spanish, as
389
00:22:19,333 --> 00:22:20,875
Usnavi mentions in the beginning.
390
00:22:20,875 --> 00:22:23,958
As I mentioned earlier, it was Usnavi
wanted to get back to the Dominican
391
00:22:23,958 --> 00:22:25,125
Republic, his homeland.
392
00:22:25,125 --> 00:22:25,750
That was his dream.
393
00:22:25,750 --> 00:22:29,166
He wanted to rebuild his late father's
business, return to where he grew up,
394
00:22:29,166 --> 00:22:31,333
where he had the best days of his life.
395
00:22:31,458 --> 00:22:33,791
Vanessa has aspirations to be a fashion
designer.
396
00:22:33,791 --> 00:22:39,291
She's stuck in her job at the salon,
doesn't pay her what she expects, and she
397
00:22:39,291 --> 00:22:41,041
has bigger goals.
398
00:22:41,125 --> 00:22:44,791
Kevin Rosario wants to support his
daughter's education at Stanford, and he's
399
00:22:44,791 --> 00:22:47,708
using his taxi business to help finance
it.
400
00:22:47,708 --> 00:22:50,166
And Nina wants to be the first one to make
it out.
401
00:22:50,166 --> 00:22:52,041
and graduate college.
402
00:22:52,041 --> 00:22:57,916
Sonny is kind of just finding his way and
he's dealing with his immigration status.
403
00:22:59,291 --> 00:23:01,125
And Benny has a longing for Nina.
404
00:23:01,125 --> 00:23:04,583
He's obviously working with his career
path and what happens there with the
405
00:23:04,583 --> 00:23:05,125
dispatch.
406
00:23:05,125 --> 00:23:10,250
And then Abuela's reminiscing about her
upbringing in Cuba as well.
407
00:23:10,250 --> 00:23:12,000
So all these storylines tie together.
408
00:23:12,000 --> 00:23:14,583
Everybody has a dream.
409
00:23:14,750 --> 00:23:16,083
They're all supportive of each other.
410
00:23:16,083 --> 00:23:20,250
It's a village there, which is nice to
see.
411
00:23:20,875 --> 00:23:22,625
DynoWright, do you want to add into the...
412
00:23:22,958 --> 00:23:28,500
commonality of these characters having
their dreams, how they came together, etc.
413
00:23:28,708 --> 00:23:31,375
Yeah, you covered it really well.
414
00:23:31,375 --> 00:23:31,750
A .O.
415
00:23:31,750 --> 00:23:33,666
Scott in the New York Times wrote about
how In the Heights is kind of like a
416
00:23:33,666 --> 00:23:35,208
In the Heights is kind of like a
417
00:23:35,208 --> 00:23:37,875
thematic sequel to Hamilton.
418
00:23:37,875 --> 00:23:41,541
You know, it happens much later, of
course, but it's got the same kind of
419
00:23:41,541 --> 00:23:46,625
thing like American Dreams, making
something bigger than yourself.
420
00:23:47,750 --> 00:23:51,750
And so this is sort of like the modern day
sort of extrapolation or like the result
421
00:23:51,750 --> 00:23:56,500
of what Alexander Hamilton was doing
during the birth of the Republic.
422
00:23:56,500 --> 00:23:59,125
And so it's interesting to think about
that.
423
00:23:59,125 --> 00:24:03,416
Like, this is kind of what Alexander
Hamilton was thinking of, like people
424
00:24:03,416 --> 00:24:08,125
being able to achieve America as a place
of opportunity.
425
00:24:08,125 --> 00:24:16,375
And so that was a cool kind of thing, you
know, to think about as like not Hamilton
426
00:24:16,375 --> 00:24:17,541
2 but like.
427
00:24:17,541 --> 00:24:22,750
I don't know, maybe Hamilton 2: Latino
Boogaloo or something.
428
00:24:23,000 --> 00:24:26,500
alternate title
429
00:24:28,375 --> 00:24:29,291
Nicely put.
430
00:24:29,291 --> 00:24:34,541
Boogie, anything to add on the dreams of
the characters and those themes?
431
00:24:35,625 --> 00:24:42,125
Yeah, I mean, the common theme with, you
know, why people immigrate to the United
432
00:24:42,125 --> 00:24:45,458
States in the first place is because they
have a dream.
433
00:24:45,458 --> 00:24:47,041
They dreaming of something better.
434
00:24:47,041 --> 00:24:51,416
They want something better, not
necessarily just for them, but for their,
435
00:24:51,416 --> 00:24:53,791
you know, for their children, their family
members.
436
00:24:53,791 --> 00:25:00,166
So, I mean, that theme, like you
said, they even tie back to how Hamilton
437
00:25:00,166 --> 00:25:03,708
was, was the American dream and starting a
new country, et cetera.
438
00:25:03,708 --> 00:25:07,791
and being, you know, starting this amazing
country.
439
00:25:07,791 --> 00:25:14,583
And now we see, you know, years later, you
know, centuries later, we have people
440
00:25:14,583 --> 00:25:18,666
immigrating here to want to achieve the
dream as well.
441
00:25:18,666 --> 00:25:23,041
So yeah, I do see how, I mean, it
definitely ties into that.
442
00:25:23,041 --> 00:25:25,625
I definitely see the correlation between
that tie -in and to Hamilton.
443
00:25:25,625 --> 00:25:26,833
And I think that...
444
00:25:26,833 --> 00:25:32,250
films like this are necessary because I
mean, like I do like the fact that he
445
00:25:32,250 --> 00:25:37,375
purposefully left out, you know, gang
elements and kind of put a more positive
446
00:25:37,375 --> 00:25:44,708
spin on the neighborhood and you know, the
people, I mean, this is necessary.
447
00:25:44,708 --> 00:25:50,625
People need to see, you know, films like
this and this is inspirational, you know.
448
00:25:50,916 --> 00:25:57,250
I also like the kind of dichotomy of go
for your dream, you know, work hard, but
449
00:25:57,250 --> 00:25:59,916
also Abuela has that wisdom.
450
00:25:59,916 --> 00:26:05,958
She had an expression she used throughout
the film of paciencia y fe, like patience
451
00:26:05,958 --> 00:26:06,958
and faith.
452
00:26:06,958 --> 00:26:13,416
And it's like, go for your dream, but have
that, have that patience and faith in
453
00:26:13,416 --> 00:26:16,791
yourself and maybe of a higher being as
well.
454
00:26:16,791 --> 00:26:18,166
Yeah, nicely done.
455
00:26:18,791 --> 00:26:20,833
I have a question for you guys off the
cuff.
456
00:26:20,833 --> 00:26:23,958
Did either of you take AP English in high
school?
457
00:26:23,958 --> 00:26:27,750
And I ask because you're both very well
spoken and you did.
458
00:26:27,750 --> 00:26:28,708
Did you?
459
00:26:28,708 --> 00:26:29,375
AP English.
460
00:26:29,375 --> 00:26:32,750
I actually slummed it in honors English.
461
00:26:33,666 --> 00:26:35,208
Honors is no slum.
462
00:26:35,208 --> 00:26:37,708
Boogie, did you take AP English?
463
00:26:38,250 --> 00:26:40,708
I had honors English as well.
464
00:26:40,708 --> 00:26:41,791
Okay.
465
00:26:42,041 --> 00:26:45,791
So the reason I asked too I took two years
of AP English.
466
00:26:45,791 --> 00:26:47,625
I think it was like 10th grade and 12th
grade.
467
00:26:47,625 --> 00:26:55,541
And the reason I say this is I really got
into analyzing some classic literature and
468
00:26:55,541 --> 00:26:57,333
really looking for metaphors and similes.
469
00:26:57,333 --> 00:27:02,458
It seems like we're always looking for a
lot of metaphors and motifs and themes.
470
00:27:02,458 --> 00:27:06,791
And this one like naturally drew me to
that.
471
00:27:06,791 --> 00:27:09,958
I was picking up metaphors and I wanted to
kind of explain a few and
472
00:27:09,958 --> 00:27:13,750
that I picked up, which I thought were
incredibly done.
473
00:27:13,750 --> 00:27:19,125
And I bet you LMM was a AP student to be
able to write these plays like Hamilton
474
00:27:19,125 --> 00:27:22,208
and In The Heights and Moana and whatnot.
475
00:27:22,208 --> 00:27:29,583
But you see Lin -Manuel Miranda himself
plays the piragua cart guy, piragua
476
00:27:29,583 --> 00:27:31,416
meaning the shaved ice.
477
00:27:31,416 --> 00:27:35,375
And he's singing one of his songs is Keep
Scraping By, Keep Scraping By.
478
00:27:35,375 --> 00:27:37,250
So that is.
479
00:27:37,291 --> 00:27:41,791
Obviously a metaphor for everybody just
kind of just getting by, you know, doing
480
00:27:41,791 --> 00:27:48,083
what they need to get by economically,
socially, sometimes by the skin of their
481
00:27:48,083 --> 00:27:48,583
teeth.
482
00:27:48,583 --> 00:27:52,500
But like every day, you know, they might
be broke or they might be making minimum
483
00:27:52,500 --> 00:27:54,916
wage or whatever, but it's like, Hey, keep
following that dream.
484
00:27:54,916 --> 00:27:59,375
But he uses the term keep scraping by and
it's scraping the ice as well.
485
00:27:59,375 --> 00:28:01,458
Usnavi now he has the one song.
486
00:28:01,541 --> 00:28:06,208
And I think it's towards the beginning
because he's like, I'm a spotlight choking
487
00:28:06,208 --> 00:28:07,250
in the heat.
488
00:28:07,250 --> 00:28:11,458
And I love that metaphor where the
spotlight or the street, I'm sorry,
489
00:28:11,458 --> 00:28:12,708
streetlight, not spotlight.
490
00:28:12,708 --> 00:28:14,750
I'm a streetlight choking in the heat.
491
00:28:14,750 --> 00:28:18,416
Streetlights just out there standing and
it's just taking all the heat.
492
00:28:18,416 --> 00:28:20,375
And he feels the same way where he's
stuck.
493
00:28:20,375 --> 00:28:25,916
He's, he's getting all the elements pushed
at him, but he's just stuck there like
494
00:28:25,916 --> 00:28:27,750
cemented in place.
495
00:28:27,750 --> 00:28:32,625
He's got the bodega, you know, that he
runs with his cousin.
496
00:28:32,625 --> 00:28:38,083
And he needs to do that to survive, but he
has the aspirations to go on to the D.R.
497
00:28:38,083 --> 00:28:42,375
At what point can he get to that level
where he makes enough to move on and how
498
00:28:42,375 --> 00:28:42,833
can he leave?
499
00:28:42,833 --> 00:28:47,208
So he's feeling that strain.
500
00:28:47,583 --> 00:28:54,083
And then in the blackout, they're singing
the song, We Are Powerless.
501
00:28:54,416 --> 00:28:57,750
We are powerless, we are powerless.
502
00:28:57,750 --> 00:29:00,541
And again, to the same theme of.
503
00:29:00,833 --> 00:29:07,458
Yes, they're powerless in terms of they're
without electricity, but they're also, a
504
00:29:07,458 --> 00:29:14,583
lot of them are feeling, you know, they're
without any type of freedom or strength
505
00:29:14,583 --> 00:29:16,333
because everything's so oppressive.
506
00:29:16,333 --> 00:29:17,458
The heat is oppressive.
507
00:29:17,458 --> 00:29:19,041
Maybe the system is oppressive.
508
00:29:19,041 --> 00:29:21,041
They're not able to advance as much as
they want.
509
00:29:21,041 --> 00:29:24,375
So I picked up on those things and I
thought, wow, that was really well done.
510
00:29:24,375 --> 00:29:28,416
If you watch these again, maybe you'll
pick up on some of these metaphors.
511
00:29:28,541 --> 00:29:30,916
It is well -crafted.
512
00:29:30,916 --> 00:29:32,541
Thematically it is, yeah.
513
00:29:32,541 --> 00:29:33,708
Yeah.
514
00:29:34,625 --> 00:29:37,625
And I'm sure again, it was intentional by
Lin -Manuel Miranda.
515
00:29:37,625 --> 00:29:38,500
There's a lot of emotion.
516
00:29:38,500 --> 00:29:43,083
I mean, what I like is that this film
gives you all the emotions.
517
00:29:43,083 --> 00:29:45,583
You feel joy, you laugh.
518
00:29:45,583 --> 00:29:48,791
There's some funny lines, there's some
jokes, you're dancing.
519
00:29:49,000 --> 00:29:51,291
I'm almost brought to tears.
520
00:29:51,291 --> 00:29:55,125
Sometimes when I do watch it, I'm crying
because I feel so emotional for Nina.
521
00:29:55,416 --> 00:29:56,750
so much pressure on her.
522
00:29:56,750 --> 00:30:01,000
She's like you said, Boogie, everybody is
invested in her being the one to make it
523
00:30:01,000 --> 00:30:01,291
out.
524
00:30:01,291 --> 00:30:05,000
And she's having a hard time.
525
00:30:05,000 --> 00:30:06,791
She's being discriminated against.
526
00:30:06,791 --> 00:30:10,166
People are talking, you know, in the
salon, they're talking about rumors about
527
00:30:10,166 --> 00:30:11,583
rumors out about her.
528
00:30:11,583 --> 00:30:18,541
And it's just tough to see someone have to
deal with all that at such a young age.
529
00:30:18,541 --> 00:30:21,375
And, you know, you feel for Abuela.
530
00:30:22,583 --> 00:30:26,875
and the families, et cetera, and Kevin
struggles financially.
531
00:30:28,041 --> 00:30:32,333
In fact, if you guys didn't know, the
musical is different.
532
00:30:32,333 --> 00:30:33,791
There's certain different elements.
533
00:30:33,791 --> 00:30:37,750
I saw an off -Broadway performance of it
last summer, which was excellent.
534
00:30:38,625 --> 00:30:43,041
And actually Nina's mother, Kevin
Rosario's wife is actually in it.
535
00:30:43,041 --> 00:30:45,583
She plays a pretty prominent role in it.
536
00:30:45,583 --> 00:30:48,333
And there's a lot of bickering back and
forth about.
537
00:30:48,708 --> 00:30:51,250
the situation with the college and
everything.
538
00:30:51,250 --> 00:30:53,541
Yeah, there's some slight differences
there.
539
00:30:53,541 --> 00:30:58,625
If you can believe it, this movie is like
145 minutes and they cut out a lot from
540
00:30:58,625 --> 00:31:00,000
the musical.
541
00:31:00,208 --> 00:31:01,416
Yeah.
542
00:31:02,208 --> 00:31:03,291
And it's wild.
543
00:31:03,541 --> 00:31:04,041
Wow.
544
00:31:04,041 --> 00:31:08,125
all have any other tidbits about the movie
that you picked up upon that you wanted to
545
00:31:08,125 --> 00:31:09,333
share with the audience?
546
00:31:09,375 --> 00:31:15,041
There's a lot of familiar faces in it, in
this film, which was good.
547
00:31:15,041 --> 00:31:19,583
I mean, I didn't know that some of these
actors and actresses were in the movie,
548
00:31:19,583 --> 00:31:22,541
but there's a lot of familiar faces.
549
00:31:22,541 --> 00:31:24,750
I'm not gonna go through them like I
normally would.
550
00:31:24,750 --> 00:31:29,916
I'm gonna just kind of let the viewers get
the surprise that I did.
551
00:31:29,916 --> 00:31:31,375
Hahaha!
552
00:31:33,125 --> 00:31:35,458
I mean, mean, couple of the bigger, go
ahead.
553
00:31:35,458 --> 00:31:36,500
Go ahead, Boogie.
554
00:31:37,041 --> 00:31:39,541
Christopher Jackson, the Mr.
555
00:31:39,541 --> 00:31:41,125
Softee truck driver.
556
00:31:41,458 --> 00:31:45,125
That was one of the biggest ones, but I
had a feeling that one of the guys from
557
00:31:45,125 --> 00:31:47,958
Hamilton would make their way over to this
one.
558
00:31:48,166 --> 00:31:52,583
And Christopher Jackson played George
Washington in Hamilton.
559
00:31:52,958 --> 00:31:57,291
So yeah, shout out to him in his role in
this movie as well.
560
00:31:58,666 --> 00:31:59,916
Oh and also Marc Anthony.
561
00:31:59,916 --> 00:32:01,500
I was like, wow, Marc Anthony?
562
00:32:01,500 --> 00:32:04,250
He didn't sing, but he was in the movie.
563
00:32:04,375 --> 00:32:06,250
They could have used his voice.
564
00:32:06,750 --> 00:32:12,291
played Sonny's father and Jimmy Smits in
it.
565
00:32:13,125 --> 00:32:19,208
Yea, Smits has been a ton of things and
the Star Wars franchise as well.
566
00:32:20,833 --> 00:32:23,750
Yeah, great cast, great ensemble.
567
00:32:23,750 --> 00:32:24,708
Yeah.
568
00:32:26,666 --> 00:32:32,625
There's one funny tidbit I liked as well
was the way that Usnavi, which is a unique
569
00:32:32,625 --> 00:32:37,958
name, how he got his name based on a ship
that was seen by his father when he came
570
00:32:37,958 --> 00:32:39,750
over to the US.
571
00:32:40,000 --> 00:32:41,708
I won't totally give it away.
572
00:32:41,708 --> 00:32:43,166
You could probably figure it out.
573
00:32:43,791 --> 00:32:44,458
Hahaha
574
00:32:45,750 --> 00:32:46,875
That was funny.
575
00:32:46,875 --> 00:32:47,875
Yeah.
576
00:32:47,916 --> 00:32:54,125
Yeah, this film adaptation had a lot of
the elements that I like, you know,
577
00:32:54,125 --> 00:32:58,041
comedy, drama, hip hop, music.
578
00:32:58,083 --> 00:32:59,125
Especially the hip hop.
579
00:33:00,416 --> 00:33:06,208
For me, this is a feel good movie, even
though there's some sadness as well.
580
00:33:06,208 --> 00:33:07,041
But it's a feel good movie.
581
00:33:07,041 --> 00:33:10,041
Like when summer comes around, I put this
on now.
582
00:33:10,041 --> 00:33:13,250
It's only a few years old, but like I put
this on the background because one of
583
00:33:13,250 --> 00:33:15,416
those with the music is so excellent.
584
00:33:15,416 --> 00:33:18,291
that I'm just happy hearing a lot of the
songs.
585
00:33:18,333 --> 00:33:23,666
And I have a Spotify playlist and I have
pretty much the whole soundtrack as part
586
00:33:23,666 --> 00:33:24,541
of a big playlist.
587
00:33:24,541 --> 00:33:26,791
So when it comes on, it makes me smile.
588
00:33:28,458 --> 00:33:34,291
This film made me want to get in the car
and drive through the Heights, which I
589
00:33:34,291 --> 00:33:35,083
haven't done.
590
00:33:35,083 --> 00:33:40,333
I haven't done that in probably about 15
years or so.
591
00:33:40,833 --> 00:33:45,666
But I used to go to the Heights every so
often, at least a few times a year.
592
00:33:45,666 --> 00:33:48,625
But yeah, this movie made me want to drive
over there and ride through the
593
00:33:48,625 --> 00:33:49,666
neighborhood.
594
00:33:51,583 --> 00:33:58,083
One thing that amused me was that when
they're in the club and Usnavi is dropping
595
00:33:58,083 --> 00:34:05,041
the ball and not dancing with Vanessa, but
then he dances with the other girl to make
596
00:34:05,041 --> 00:34:07,458
try to make Vanessa jealous.
597
00:34:07,500 --> 00:34:13,791
And it's like, you remember Grease where
Danny Zuko dances with Cha-Cha DiGregorio
598
00:34:13,791 --> 00:34:15,208
instead of Sandy.
599
00:34:15,208 --> 00:34:17,458
This made me laugh so much.
600
00:34:17,750 --> 00:34:18,833
Yes.
601
00:34:19,125 --> 00:34:20,291
Ha ha ha.
602
00:34:21,208 --> 00:34:22,166
Yeah.
603
00:34:22,416 --> 00:34:26,083
In that club scene, we also get the
classic, you know, split down the middle,
604
00:34:26,083 --> 00:34:28,625
guys on one side, the girls on the other
side.
605
00:34:28,625 --> 00:34:30,291
It's show us what you got.
606
00:34:30,750 --> 00:34:33,958
Yeah, I mean, I have an affinity also for
Latin culture.
607
00:34:34,000 --> 00:34:38,166
I was a Spanish minor in college when we
all went to Rider and, you know, I learned
608
00:34:38,166 --> 00:34:43,458
a lot about different Latin cultures, but
hadn't really visited some of those
609
00:34:43,458 --> 00:34:46,458
countries or really had some of these
experiences.
610
00:34:46,458 --> 00:34:50,791
And to see it on the screen, it was nice.
611
00:34:50,791 --> 00:34:52,041
Nice to see.
612
00:34:53,000 --> 00:34:57,458
Yeah, I too have an affinity for Latin
culture as well.
613
00:34:57,458 --> 00:35:01,500
Unfortunately, I haven't been to Cuba yet.
614
00:35:02,208 --> 00:35:06,041
But I've been to Puerto Rico and I've been
to Dominican Republic.
615
00:35:06,958 --> 00:35:09,375
Enjoyed both of them immensely.
616
00:35:09,625 --> 00:35:10,458
Hehehehe.
617
00:35:10,458 --> 00:35:16,208
a lot of the Latin cultures are vibrant
and they have a good time.
618
00:35:16,208 --> 00:35:17,833
Mexico, yeah.
619
00:35:17,958 --> 00:35:20,166
Can't forget Mexico, been there too.
620
00:35:20,166 --> 00:35:21,208
Hehehe
621
00:35:22,166 --> 00:35:25,250
I have have really good friend who's Cuban
and he said that they did an excellent job
622
00:35:25,250 --> 00:35:29,291
with the food that Abuela was cooking
saying, oh my goodness, it took him back.
623
00:35:29,458 --> 00:35:32,833
It took him back to his childhood and what
his family would cook.
624
00:35:33,083 --> 00:35:35,666
Yeah, I wanted to lick the screen when
they showed that food.
625
00:35:35,666 --> 00:35:36,958
my God.
626
00:35:36,958 --> 00:35:39,041
I know exactly what that tastes like.
627
00:35:39,041 --> 00:35:40,583
I want some now.
628
00:35:41,208 --> 00:35:43,166
I want some right now.
629
00:35:46,875 --> 00:35:47,291
For real.
630
00:35:47,291 --> 00:35:48,791
All right, so let's put a bow on this one.
631
00:35:48,791 --> 00:35:53,250
Let's go around the room and give our
ratings for In the Heights.
632
00:35:53,791 --> 00:35:56,125
Ah Boogie, as usual, we'll start with you.
633
00:35:56,125 --> 00:36:02,333
So for the film version of In the Heights,
will you bring that funky flick back or
634
00:36:02,333 --> 00:36:03,000
leave it in the vault?
635
00:36:03,000 --> 00:36:06,833
Yeah, I mean, can't help but to bring this
funky flick back.
636
00:36:06,833 --> 00:36:11,458
I mean, I've already recommended to a few
people to check out already.
637
00:36:11,750 --> 00:36:14,166
So yeah, bring that funky flick back.
638
00:36:14,750 --> 00:36:19,416
All right, now, DynoWright Bring that
funky flick back or leave it in the vault.
639
00:36:19,916 --> 00:36:21,250
I'll bring this funky flick back.
640
00:36:21,250 --> 00:36:22,333
It did have some flaws.
641
00:36:22,333 --> 00:36:23,541
I thought it was a little long.
642
00:36:23,541 --> 00:36:27,333
And it was edited in a way that you almost
don't get to enjoy it.
643
00:36:27,333 --> 00:36:29,750
It's just sort of abrupt in some places.
644
00:36:29,875 --> 00:36:32,250
And big dance numbers are hard to film,
right?
645
00:36:32,250 --> 00:36:33,791
And shout out to Jon M.
646
00:36:33,791 --> 00:36:35,416
Chu, director of this film.
647
00:36:35,416 --> 00:36:39,250
He did really well with a tall task.
648
00:36:39,250 --> 00:36:41,291
But overall, it's really fun.
649
00:36:41,333 --> 00:36:43,791
So I bring this funky flick back.
650
00:36:44,250 --> 00:36:48,541
As for me, I think it goes without saying,
I am bringing this funky flick back.
651
00:36:50,208 --> 00:36:55,333
Sometimes I talk about this film
incessantly to my family.
652
00:36:55,750 --> 00:37:00,666
Yeah, I bring it up and my family starts
shaking their head like again, again, and
653
00:37:00,666 --> 00:37:02,750
like, I'm putting it on in the background.
654
00:37:02,750 --> 00:37:03,750
I love it.
655
00:37:04,875 --> 00:37:07,583
Yeah, this is one of my all time
favorites.
656
00:37:08,416 --> 00:37:11,583
I tell so many, like you said Boogie, I
recommended this to so many people.
657
00:37:11,583 --> 00:37:12,500
I'm like, have you seen In the Heights?
658
00:37:12,500 --> 00:37:13,166
Have you seen The Heights?
659
00:37:13,166 --> 00:37:14,166
No, no.
660
00:37:14,166 --> 00:37:16,000
a lot, check it out.
661
00:37:16,000 --> 00:37:19,250
And it's all the reasons we mentioned, you
know, the dancing, the choreography, the
662
00:37:19,250 --> 00:37:21,166
music, the storylines.
663
00:37:21,166 --> 00:37:25,500
There's some great heavy topics, light
topics.
664
00:37:25,500 --> 00:37:27,958
It's got it all to me and it's packaged
well.
665
00:37:27,958 --> 00:37:32,416
And I'm a huge fan of Lin -Manuel Miranda
in general, whatever he touches turns to
666
00:37:32,416 --> 00:37:32,875
gold.
667
00:37:32,875 --> 00:37:34,000
He does his homework.
668
00:37:34,000 --> 00:37:35,958
He's a hardworking guy.
669
00:37:35,958 --> 00:37:37,375
Loved it.
670
00:37:48,500 --> 00:37:53,916
Hip Hop Movie Club is produced by your
HHMC's JB, Boogie, and DynoWright.
671
00:37:53,916 --> 00:37:55,833
Theme music by Boogie.
672
00:37:56,083 --> 00:37:59,750
Whether you're listening to the podcast or
watching us on YouTube, please give us a
673
00:37:59,750 --> 00:38:00,333
follow.
674
00:38:00,333 --> 00:38:02,291
It's a real power up for us.
675
00:38:02,291 --> 00:38:03,875
Thanks for tuning in.
676
00:38:05,583 --> 00:38:08,625
And Remember, don't hate, radiate.
677
00:38:08,958 --> 00:38:11,166
Hmm, yeah, yeah.
678
00:38:11,166 --> 00:38:11,833
Shine like the sun.
679
00:38:11,833 --> 00:38:13,166
Shine bright like a diamond.
680
00:38:14,916 --> 00:38:15,250
Yes!
681
00:38:15,916 --> 00:38:16,541
There you go!
682
00:38:17,208 --> 00:38:22,333
Yeah, radiate out in the sun, but be
careful with the harmful UV rays.
683
00:38:22,500 --> 00:38:24,291
Yes, get some SPF.
684
00:38:26,250 --> 00:38:27,375
Right on.
685
00:38:28,208 --> 00:38:29,500
Yes, yes.