Introduction Voiceover:

You are listening to Season 4 of Future

Introduction Voiceover:

Ecologies.

Adam Huggins:

Are we all recording locally?

Toon Vos:

Let's see. I got signal. Yes. Okay.

Mendel Skulski:

Okay. I'm rolling.

Adam Huggins:

Okay. I have – I have absolutely no idea of what

Adam Huggins:

we're going to talk about. Really. This is a first for me.

Mendel Skulski:

But you know why we're up so early in the

Mendel Skulski:

morning?

Adam Huggins:

What time is it there for you, Toon?

Toon Vos:

It's five past three in the afternoon.

Adam Huggins:

Oh, that's nice.

Toon Vos:

Yeah, it's just the middle of the day.

Mendel Skulski:

I guess that should make the point clear that

Mendel Skulski:

we are up earlier than we'd like to be to record this podcast,

Mendel Skulski:

because we're getting a little bit outside of our own backyard

Mendel Skulski:

today. We're going to Europe.

Mendel Skulski:

Oh right! Um, we should introduce ourselves. My name is

Mendel Skulski:

Mendel.

Adam Huggins:

And I'm Adam.

Toon Vos:

Nice.

Mendel Skulski:

You too.

Toon Vos:

Oh, sorry. My name is Toon. I'm from the Netherlands.

Toon Vos:

That's a little European country people sometimes confused with

Toon Vos:

Denmark. But we're the one that has Amsterdam.

Mendel Skulski:

Right. Tell us a little bit about the story

Mendel Skulski:

you've got for us today.

Toon Vos:

Yeah. Today, I'd like to invite you to the bottom of

Toon Vos:

the sea, because there are some interesting creatures living

Toon Vos:

there, as you may know. More specifically, the animals that

Toon Vos:

graze there.

Adam Huggins:

Like sea urchins?

Toon Vos:

I'll give you a little hint.

Soundscape:

[Sound of burling Red Deer]

Mendel Skulski:

[Laughs]

Adam Huggins:

Wait, that does not sound like any animal I know

Adam Huggins:

from the bottom of the ocean.

Mendel Skulski:

That sounds like a deer!

Toon Vos:

Yeah, the bottom of the sea I'm talking about is a

Toon Vos:

polder. Do you know what that is? A polder?

Adam Huggins:

A boulder... like a big rock?

Toon Vos:

No. So a polder is a tract of land that used to be

Toon Vos:

underwater. So that could be a sea or a lake or a marsh. And

Toon Vos:

then at some point, humans decide that they're going to

Toon Vos:

drain it. They're going to pump out all the water. Usually,

Toon Vos:

windmills were used to pump out the water beyond the dikes,

Toon Vos:

draining the water out of the area. And basically creating

Toon Vos:

land where there used to be sea.

Adam Huggins:

Famously, you come from a country that is

Adam Huggins:

underwater. I understand.

Toon Vos:

Yeah, Atlantis.

Adam Huggins:

Right. Okay, so a polder is a is an area of land

Adam Huggins:

that has essentially been reclaimed from the ocean. Would

you use a word like that:

Speaker:

"reclaimed"?

Mendel Skulski:

Claimed for the first time, maybe...

Toon Vos:

Exactly. That's the interesting part. People always

Toon Vos:

say "reclaimed". But maybe claim is a good word. I don't think we

Toon Vos:

were particularly entitled to the bottom of the sea, but

Toon Vos:

people wanted to farm.

Toon Vos:

So once you have poldered this land, you have land where there

Toon Vos:

used to be water, you can do all kinds of stuff with it. So the

Toon Vos:

soil becomes super fertile. Often it's used for agriculture.

Toon Vos:

But the Dutch were like "We have 11 provinces... that's nice. But

Toon Vos:

we want 12"!

Adam Huggins:

[Laughs] Of course

Toon Vos:

So they decided to create another province, which

Toon Vos:

they called Flevoland, and it was created between 1918 and

Toon Vos:

1986, which is really young.

Adam Huggins:

So they just up and decided that they wanted to

Adam Huggins:

make their country larger. And instead of doing it, I guess the

Adam Huggins:

normal way, you just basically make it out of the ocean.

Mendel Skulski:

Preferable to invasion.

Toon Vos:

Yes, they invaded the water instead. But there's a

saying:

"God created the world, but the Dutch created the

saying:

Netherlands". It's a bit much, but you get the sense of pride

saying:

that is felt.

saying:

And in the polder of Flevoland, this new province, there is the

saying:

great wilderness that we call the Oostvaardersplassen

Adam Huggins:

Um.. one more time?

Toon Vos:

The Oostvaardersplassen

Adam Huggins:

The Oostvaardersplassen...

Toon Vos:

Pretty good! Mendel?

Mendel Skulski:

Oh, for me. Oh, jeez. Oost... vaar... ders...

Mendel Skulski:

plassen.

Toon Vos:

Oostvaardersplassen. But if that's too Dutch for you,

Toon Vos:

you can just call it OVP

Adam Huggins:

OVP.

Toon Vos:

So you have the Oostvaardersplassen, and the

Toon Vos:

train from the city of Almere to Lelystad (which is the capital

Toon Vos:

of Flevoland) will take you right past.

Toon Vos:

I asked Koen Arts, a nature writer and researcher at

Toon Vos:

Wageningen University to describe the Oostvaardersplassen

Toon Vos:

for us.

Toon Vos:

For someone who has never seen the Oostvaardersplassen, what is

Toon Vos:

it?

Koen Arts:

Yeah, that's that's a funny one because I think for a

Koen Arts:

lot of foreigners, it's... it's unlike anything they've seen.

Koen Arts:

So, imagine a small piece of land: about 5500 hectares. So

Koen Arts:

when you talk about nature conservation on on the global

Koen Arts:

level, usually, nature reserves, national parks are much much

Koen Arts:

bigger.

Koen Arts:

On multiple sides, you have dikes of a few meters high. And

Koen Arts:

The Oostvaardersplassen is a reserve unlike other natural

Koen Arts:

then — also which is just so striking — a busy train line

Koen Arts:

going past it, roads etc, etc around it. And then you have

Koen Arts:

this kind of semi-wildness that unfolds, in between this very

Koen Arts:

densely populated area. And of course, in a very densely

Koen Arts:

populated country, the Netherlands: 70 million people

Koen Arts:

on about 40,000 square kilometers.

Koen Arts:

areas in the Netherlands. It's rife with bird life, and sports

Koen Arts:

a wild cast of characters, including lots of big mammals —

Koen Arts:

which we'll meet later. Reminiscent of the Serengeti,

Koen Arts:

but smaller. At least that's what the Dutch tell themselves.

Mendel Skulski:

That's funny. I know that the Netherlands is

Mendel Skulski:

pretty famous for like miniature... all sorts of

Mendel Skulski:

things, right?

Toon Vos:

Exactly. The tiny Serengeti.

Mendel Skulski:

It's kind of quaint, how Canada with all this

Mendel Skulski:

wide open space, we have towns that are super proud of their

Mendel Skulski:

novelty largest thing in the world. And in the Netherlands,

Mendel Skulski:

we have you know, this compact little country where everything

Mendel Skulski:

gets miniaturized.

Toon Vos:

We have tiny everything. We have a tiny theme

Toon Vos:

park. The theme is tiny. And the natural areas are pretty tiny as

Toon Vos:

well. This is big for Dutch standards.

Mendel Skulski:

So this polder is the bottom of the ocean

Mendel Skulski:

transformed into the Serengeti, of a sort.

Toon Vos:

Yeah. And on its way to becoming the savanna it is

Toon Vos:

today, this little polder was transformed more than once.

Adam Huggins:

Can I ask a question really quick? This

Adam Huggins:

might be a dumb question. But why would you go to all the

Adam Huggins:

trouble of claiming agricultural land from the ocean? And then

Adam Huggins:

just decide to turn it into like a tiny wilderness?

Toon Vos:

That's a good question.

Adam Huggins:

Sounds like a lot of work.

Toon Vos:

Well, it didn't start with that intention. If anything

Toon Vos:

this nature reserve started off as an accident. When they first

Toon Vos:

started to poldering process, the land was originally planned

Toon Vos:

to be an industrial site. But it would turn out at the western

Toon Vos:

edge was particularly difficult to lay dry.

Adam Huggins:

What you're saying, just from my

Adam Huggins:

understanding, is that it never was particularly good for

Adam Huggins:

agricultural land because it was too wet — didn't do a good

Adam Huggins:

enough job claiming it from the ocean. And you can't dig ditches

Adam Huggins:

because you're already below sea level.

Toon Vos:

Exactly. So the only way to lay it dry is to pump. So

Toon Vos:

all kinds of efforts were made to speed up this process.

Toon Vos:

Airplanes were used to sow reed, which act like little biological

Toon Vos:

pumps pulling the water up and evaporating it — drying up the

Toon Vos:

soil it grows on.

Toon Vos:

But planting all those reeds had a side effects. In the late 70s.

Toon Vos:

an ecologist by the name of Frans Vera noticed that the

Toon Vos:

reeds were full of geese. Thousands of greylag geese,

Toon Vos:

pausing on their treks from Siberia had taken to feasting on

Toon Vos:

the stuff. And that's when Frans noticed something that was

Toon Vos:

supposed to be impossible.

Toon Vos:

And so began an experiment which fundamentally challenged the

Toon Vos:

field of ecology and continues to influence the way we perceive

Toon Vos:

and manage nature.

Adam Huggins:

I might be awake by the time that the theme is

Adam Huggins:

over.

Introduction Voiceover:

Broadcasting from the Low Countries of

Introduction Voiceover:

Europe, this is Future Ecologies — exploring the shape of our

Introduction Voiceover:

world through ecology, design and sound.

Frans Vera:

My name is Frans Vera. I'm a biologist. But in my

Frans Vera:

heart, I'm a nature conservationist.

Toon Vos:

This is Frans Vera, the ecologist at the very

Toon Vos:

beginning of this grand experiment. Fransalways enjoyed

Toon Vos:

birdwatching. So when the word got around about this new

Toon Vos:

hotspot for greylag geese and other avian sightings, he and

Toon Vos:

the entire Dutch birding community were ecstatic. Many of

Toon Vos:

them would drive out to the dikes alongside the

Toon Vos:

Oostvaardersplassen. They wanted to enjoy the explosion of rare

Toon Vos:

bird life while it lasted. In a couple of years, they thought,

Toon Vos:

the reed would grow over the open water, and many birds would

Toon Vos:

go elsewhere.

Frans Vera:

Even after two years, three years, the whole

Frans Vera:

was covered already with reed from three meters high! So

Frans Vera:

nobody had any idea of how to preserve it. And that was the

Frans Vera:

reason that among nature conservationists, an area like

Frans Vera:

the Oostvaardersplassen was called a "throwaway biotope". So

Frans Vera:

it would be interesting for about, let's say, a decade, and

Frans Vera:

then it was finished.

Adam Huggins:

So I understand from that quote, they planted

Adam Huggins:

reed to try to dry out the wetland. Instead, it made great

Adam Huggins:

habitat for geese. And they thought that that was only going

Adam Huggins:

to last for so long because the reed would initiate a kind of

Adam Huggins:

process of succession that would eventually get rid of the

Adam Huggins:

wetland like they had intended.

Toon Vos:

Yeah, exactly. During his studies, Frans was taught

Toon Vos:

about the process where different kinds of vegetation

Toon Vos:

would follow each other in a linear fashion. As the reed was

Toon Vos:

taking over in the Oostvaardersplassen, the soil

Toon Vos:

would dry out and give way to other kinds of vegetation.

Toon Vos:

Eventually, the marshy circumstances so cherished by

Toon Vos:

many birds and birders will disappear. This theory is called

Toon Vos:

succession theory.

Frans Vera:

And the dominant theory at that time, in nature

Frans Vera:

conservation, but in ecology as a whole, was the so-called

Frans Vera:

succession theory. It was formulated in 1919 by the

Frans Vera:

American, Clements. And the theory is that every time when

Frans Vera:

you have a development, which started at bare soil like the

Frans Vera:

polder, then you'll get a colonization of first small

Frans Vera:

plants, then large plants and shrubs. And if the hydrology and

Frans Vera:

climate is that trees can grow, the end is the climax forest. So

Frans Vera:

that's, for instance, the idea that the whole of Europe but

Frans Vera:

also the whole of Northern America, would have been

Frans Vera:

originally covered with a closed canopy forest.

Toon Vos:

So the theory goes, leave a bare patch of land

Toon Vos:

alone. And after a succession of saplings and seedlings, shrubs

Toon Vos:

and trees, a forest with a closed canopy will grow out of

Toon Vos:

it. As the landscape changes, animals adjust to their new

Toon Vos:

circumstances, and go wherever there's food or shelter.

Adam Huggins:

I love that we're discussing succession theory

Adam Huggins:

here on our fourth season of Future Ecologies, now. It's a

Adam Huggins:

pretty fundamental concept in ecology that I think also for

Adam Huggins:

many people, is still very important, although obviously,

Adam Huggins:

it's become more complicated over time. But I've never I've

Adam Huggins:

never thought of succession with respect to like, what happens

Adam Huggins:

when you resurrect land from the ocean, right? Like that's a kind

Adam Huggins:

of bare soil circumstance that is unusual for most of us.

Toon Vos:

It's the ultimate bare patch of land!

Adam Huggins:

Absolutely, yeah, square one.

Toon Vos:

But seeing the multitudes of geese at the

Toon Vos:

Oostvaardersplassen, Frans noticed something.

Frans Vera:

They opened up the reedbeds, and they did something

Frans Vera:

of which everybody had thought it would be impossible: they

Frans Vera:

were even able to change reedbed back into open water! And it

Frans Vera:

struck me as an ecologist, because suddenly, I see that

Frans Vera:

grazing animals steer the succession. Instead, what I

learned at university:

that animals always follow the

learned at university:

succession. And because they ought to follow the succession,

learned at university:

you end up in a climax situation, which is, in the

learned at university:

temperate hemisphere, a closed canopy forest.

Toon Vos:

The geese that had haphazardly arrived at this new

Toon Vos:

patch of land were creating an ecosystem for themselves and for

Toon Vos:

all kinds of other animals. At this place that was designated

Toon Vos:

to become an industrial site, they were punching holes in the

Toon Vos:

manmade reedbed — slowing down, and even reversing the process

Toon Vos:

of succession everyone suspected.

Frans Vera:

So you had the combination of shallow water and

Frans Vera:

reed, which was a bird paradise for marsh birds: Harriers,

Frans Vera:

geese, ducks, just name it. A lot of bird species, which were

Frans Vera:

at that time very rare in the Netherlands, became very common

Frans Vera:

in that area.

Toon Vos:

So suddenly, there was a huge interest in keeping these

Toon Vos:

marshy wetlands for all the new bird live in the area. But

Toon Vos:

ironically, the marsh was threatened by the reeds that

Toon Vos:

brought the geese in the first place. Mowing the reed manually

Toon Vos:

would have been incredibly difficult and expensive. That's

Toon Vos:

why people called the Oostvaardersplassen a throwaway

Toon Vos:

biotope — it was impossible to sustain. But what actually

Toon Vos:

happened is that the geese were taking care of the maintenance

Toon Vos:

of the area.

Frans Vera:

And here, the geese did it. And they proved to

Frans Vera:

create the habitat for all kinds of other bird species.

Toon Vos:

Instead of seeing the Oostvaardersplassen as a

Toon Vos:

throwaway biotope, Frans and other biologists started to see

Toon Vos:

it as something special in its own right. This explosion in

Toon Vos:

biodiversity led to birdwatchers successfully petitioning for the

Toon Vos:

Oostvaardersplassen to be protected as a new ecological

Toon Vos:

reserve.

Frans Vera:

We are always complaining and being sad about

Frans Vera:

everything that is becoming lost.

Toon Vos:

But instead of wallowing in despair, Frans was

Toon Vos:

inspired by his colleague Ernst Poorter.

Frans Vera:

He said "We have now a new polder. And you see, we

Frans Vera:

can have new things, which are probably as valuable, as nice as

Frans Vera:

beautiful as what we've lost".

Soundscape:

[Train station announcement]

Toon Vos:

I think it's time for me to show you what this is all

Toon Vos:

about. Let's take the train from Brussels in Belgium — where I

Toon Vos:

live — to Lelystad in the Netherlands — the country where

Toon Vos:

I'm from.

Toon Vos:

As we wait for the train to arrive in Lelystad, I'll get

Toon Vos:

Frans to help us compare the two theories at play.

Toon Vos:

If it's possible for a gaggle of geese to influence the

Toon Vos:

succession of an ecosystem, Frans reasoned that large

Toon Vos:

herbivores would be exceptional at it. We already recognize this

Toon Vos:

intuitively with cultivated animals. Pastures don't turn

Toon Vos:

into forests, and much of Scotland lacks trees because of

Toon Vos:

its long history of sheep herding. But somehow, in the

Toon Vos:

halls of academia, wild grazers had been set apart.

Frans Vera:

If a domestic cow can create and preserve

Frans Vera:

grassland, why not a wild cow, or a wild horse? "Nooooo," all

Frans Vera:

the scientists says.

Frans Vera:

"Why not?"

Frans Vera:

"No, we had wild cows all over Europe, we had wild horses, we

Frans Vera:

had European bison, we had moose, we had red deer..."

Toon Vos:

But despite acknowledging the historical

Toon Vos:

presence of all these different grazers, ecology textbooks said

Toon Vos:

that, across all of Europe, humans were the only force

Toon Vos:

keeping the climax forest at bay.

Toon Vos:

That's the succession theory.

Toon Vos:

To which Frans said,

Frans Vera:

"That's a nice theory. I have another theory.

Frans Vera:

Shall we test which theory is the good one?"

Adam Huggins:

Said like a true scientist.

Toon Vos:

And as it happened, France recognized that the

Toon Vos:

thousands of geese that visited the Oostvaardersplassen needed

Toon Vos:

both open water — to graze the reeds — and open grasslands — to

Toon Vos:

rest during their molting period.

Frans Vera:

So I said, you'll have to add an area of

Frans Vera:

grasslands to the marshy area, because those two parts are

Frans Vera:

complimentary for the functioning of the ecosystem as

Frans Vera:

a whole. Because if we don't get it, the whole system will

Frans Vera:

collapse.

Toon Vos:

Artificially maintaining this marshy

Toon Vos:

ecosystem would be an impossible task. But these hungry geese

Toon Vos:

were offering to do it for free. So land managers needed a way to

Toon Vos:

convince them to keep returning to the Oostvaardersplassen. That

Toon Vos:

is, they needed to provide grasslands.

Frans Vera:

My theory is if a cow can create grass, and then

Frans Vera:

wild living oxen can do the same. So if you have wild oxen,

Frans Vera:

you will have open grassland, which is very well for the

Frans Vera:

geese.

Toon Vos:

So Frans proposed an unusual way of creating

Toon Vos:

grassland for the migratory geese of the

Oostvaardersplassen:

Could wild herbivores be used to create new

Oostvaardersplassen:

habitats for other species in an existing nature reserve? This

Oostvaardersplassen:

was the trial by fire — the start of the experiments that

Oostvaardersplassen:

will put the Oostvaardersplassen on the map.

Frans Vera:

And I got permission then from the ministry and also

Frans Vera:

from a National Forestry Service to buy wild oxen and wild

Frans Vera:

horses. So we had two breeds —

Toon Vos:

These two breeds are called Heck cattle and Konik

Toon Vos:

horses,

Frans Vera:

Which were not common known as dairy cattle or

Frans Vera:

as riding horses. So then they were brought into the area and

Frans Vera:

it worked. It worked!

Frans Vera:

A large area of grassland developed. So, what the animals

Frans Vera:

did is they created their own biotope.

Soundscape[Train intercom:

Speaker:

Lelystad station]

Frans Vera:

The classical theory: animals follow the

Frans Vera:

succession. While my theory was animals drive the succession.

Frans Vera:

Not all the animals, but the large herbivores. And they are

Frans Vera:

essential in the functioning of ecosystems, and we just shut

Frans Vera:

them out of the system.

Toon Vos:

Frans realize that if large herbivores can steer the

Toon Vos:

succession, what we imagined as natural — a dense, tree-laden

Toon Vos:

forest — may have been the result of our removing the large

Toon Vos:

grazers. Their absence allowed succession to proceed in a way

Toon Vos:

that we now assume is inevitable. Meaning that the

Toon Vos:

European forests of history may have looked fundamentally

Toon Vos:

different than those that we know today.

Toon Vos:

Here, Frans points to clues in the etymology of the modern word

Toon Vos:

"forest", in a lecture from 2017.

Frans Vera:

The word "foras" — Latin "foras": outside, without

Frans Vera:

— as the origin of the word forestis, which we find in

Frans Vera:

charters. We have charters going back to the sixth and seventh

Frans Vera:

century, which were talking about a forestis, the origin of

Frans Vera:

the word forest. And it had to do with Roman law. Roman law

Frans Vera:

says what is outside the cultivated, and doesn't belong

Frans Vera:

to anybody, belongs to the Emperor.

Toon Vos:

In other words, the word forest doesn't refer to a

Toon Vos:

place with many trees. It refers to a place that is uncultivated

Toon Vos:

by people. And it wasn't the only word for a place without

Toon Vos:

people

Frans Vera:

And the wilderness and wild animals, they lived in

Frans Vera:

what was deserted. That means uninhabited by people, and it

Frans Vera:

was called the Desertum Regis — the Royal Desertum.

Toon Vos:

What at one point was called "the Royal Desert" was

Toon Vos:

Hallo hallo, goedemiddag [conversation continues in Dutch].

Toon Vos:

also called the forest, both words referring to the same wild

Toon Vos:

places. Over time, their meanings diverged. Until

Toon Vos:

eventually, deserts were known to be hot and full of sand, and

Toon Vos:

forests were places where trees blotted out sky. But Frans

Toon Vos:

contended that so long as large herbivores roamed the forestis,

Toon Vos:

their hooves and their teeth would have kept the wooded lands

Toon Vos:

bright, open, and heterogenous and the Oostvaardersplassen will

Toon Vos:

be the perfect case in points.

Toon Vos:

This is ecologist Perry Cornelissen, who met me for a

Toon Vos:

tour of the Oostvaardersplassen. After a coffee, we ventured into

Toon Vos:

the natural reserve in a 4x4 from the Dutch Forestry Service.

Perry Cornelissen:

We are now in front of the fence, the gate,

Perry Cornelissen:

where the area starts where the large herbivores graze and where

Perry Cornelissen:

people cannot go into. Alright, I will open the gate.

Toon Vos:

This won't be the last time I have to cross a formal

Toon Vos:

boundary to get into "the wild" for this episode. As we were

Toon Vos:

driving into the Oostvaardersplassen, I noticed

Toon Vos:

how many birds of prey were on the hunt. Normally, if you're

Toon Vos:

lucky, while driving through the countryside, you might spot just

Toon Vos:

one. But here, every couple of hundred meters, watchful eyes in

Toon Vos:

the sky were scouring the ground for small rodents.

Perry Cornelissen:

So now we are in the area where the large

Perry Cornelissen:

herbivores are. We have three different species: cattle,

Perry Cornelissen:

horses and red deer. And they were introduced in 1983. And we

Perry Cornelissen:

started with a population of 18 Heck cattle and 20 horses, Konik

Perry Cornelissen:

horses. And in 1992 also red deer were introduced and there

Perry Cornelissen:

were 40 of them.

Toon Vos:

These populations weren't managed directly. They

Toon Vos:

were kept in check by the food supply, especially in winter.

Toon Vos:

Nonetheless, after 20 years, the number of these large grazers

Toon Vos:

went from dozens to over 5000.

Perry Cornelissen:

So now we're entering a large group of Heck

Perry Cornelissen:

cattle. What you also can see is that the great white egret is

Perry Cornelissen:

between the large herbivores because when the large

Perry Cornelissen:

herbivores graze, they disturb the fauna on the surface, so

Perry Cornelissen:

these great white egrets are waiting for maybe amphibians or

Perry Cornelissen:

voles to jump out of their holes and then they grab them.

Toon Vos:

So they're hunting?

Perry Cornelissen:

Yes.

Toon Vos:

Amidst of the Heck cattle.

Perry Cornelissen:

Yes.

Toon Vos:

We can see how many would you say? About 100 cows?

Perry Cornelissen:

Oh, this is a group of about, I think 60 or

Perry Cornelissen:

70.

Toon Vos:

And then about three, no, four, five, white great

Toon Vos:

egrets are standing there.

Perry Cornelissen:

There are more, some of them you can't

Perry Cornelissen:

see, because the vegetation is too high. But you can see some

Perry Cornelissen:

white spots everywhere. I think maybe 30 or 40 great white

Perry Cornelissen:

egrets in the in the vegetation we can't see.

Toon Vos:

Before the Oostvaardersplassen became a

Toon Vos:

natural reserve, the great white egret was practically

Toon Vos:

non-existent in the Netherlands. And here we are, driving around

Toon Vos:

the former bottom of the sea, looking at dozens of them.

Toon Vos:

Right now, we are looking at a big bull and he's, what is he

Toon Vos:

doing?

Perry Cornelissen:

These bulls, they live in small bull groups

Perry Cornelissen:

in the area and we have about six of these bull groups. And in

Perry Cornelissen:

their territory, they have the sandpits they make. And right

Perry Cornelissen:

now one of these bulls is in his in sandpit and showing how

Perry Cornelissen:

strong he is by scraping soil with his hooves and throwing it

Perry Cornelissen:

in the air. And sometimes, they go with their horns into the

Perry Cornelissen:

sandpit and scraping with their horns in the soil. And just to

Perry Cornelissen:

show, look, I'm here the boss, I'm the biggest and strongest,

Perry Cornelissen:

don't mess with me.

Toon Vos:

This was the first time I'd ever seen cows in the

Toon Vos:

wild. Sure, they were put there by people for a specific

Toon Vos:

purpose, but they didn't wear ear tags, pregnant cows weren't

Toon Vos:

being milked by humans, and bulls apparently liked to dig

Toon Vos:

sandpits. These weren't the farm cows I was used to. After we

Toon Vos:

visited the Heck cattle, we took a left which led us to the other

Toon Vos:

side of the train tracks, which go through the

Toon Vos:

Oostvaardersplassen. Originally, the train line was planned to

Toon Vos:

make its way straight through the natural reserve. But a

Toon Vos:

compromise was reached after protests from the climate

Toon Vos:

movement, sparked by a report written by Frans Vera.

Toon Vos:

Incidentally, the Dutch political mode that relies so

Toon Vos:

heavily on compromising is affectionately called "the

Toon Vos:

polder model". It was decided that the train line would take a

Toon Vos:

slight detour, dubbed "the bathtub route", because of its

Toon Vos:

shape, to avoid the heart of the natural reserve. The other side

Toon Vos:

of the tracks, Perry told me, was a piece of the reserve where

Toon Vos:

grazers hadn't been allowed for decades. Effectively, it served

Toon Vos:

as a control plot for Frans' theories about large herbivores.

Toon Vos:

The landscape we entered was the opposite of the wide open plains

Toon Vos:

we drove through moments earlier. Instead, it was a mini

Toon Vos:

jungle named the Kotterbos.

Adam Huggins:

Everything is tiny, as you said, in the

Adam Huggins:

Netherlands, you have a mini jungle. What does a mini jungle

Adam Huggins:

look like?

Toon Vos:

So now we're driving into an area, much more

Toon Vos:

vegetation, there's shrubs, there's trees of different

Toon Vos:

kinds, we are driving along a narrow path in the middle of it

Toon Vos:

all. And this is the Kotterbos, a really big difference from

Toon Vos:

what we were just seeing. All of a sudden, we are in between

Toon Vos:

trees and shrubs, and we can't see all that far. So compared to

Toon Vos:

what we were just seeing, the open plains, this landscape is

Toon Vos:

the complete opposite. You wouldn't be able to walk through

here:

there's nettles, there's reed, it probably wet too. So

here:

you'll you'll get wet feet. I feel like, yeah, like you'd need

here:

a machete to to make your way through.

Perry Cornelissen:

In this landscape, you don't know what

Perry Cornelissen:

will happen within ten meters [adds something in Dutch].

Toon Vos:

Here, perry adds in Dutch that it was always

Toon Vos:

exciting to go into the Kotterbos, but it was also a

Toon Vos:

relief to make it out in one piece.

Adam Huggins:

It is a jungle. Oh my god.

Toon Vos:

The dense and chaotic Kotterbos and the grassy plains

Toon Vos:

of the Oostvaardersplassen are two alternate realities of the

Toon Vos:

same place. Their stark differences show just how much

Toon Vos:

impact large grazers can have on a landscape.

Mendel Skulski:

When we come back, the views from the train

Mendel Skulski:

prompt this experiment to take a turn.

Mendel Skulski:

Welcome back, my name is Mendel. This is Adam.

Adam Huggins:

Hey, still waking up.

Mendel Skulski:

This is Toon.

Toon Vos:

Hey.

Mendel Skulski:

And you are listening to Future Ecologies,

Mendel Skulski:

where Toon is taking us on a tour of the Oostvaardersplassen.

Mendel Skulski:

The site of an experiment that uprooted the science of

Mendel Skulski:

ecosystem succession.

Toon Vos:

And the person behind that experiment is Dutch

Toon Vos:

ecologist Frans Vera. He told me that the geese hadn't been the

Toon Vos:

only indicators of a different natural history in Europe. Oak

Toon Vos:

trees also have a story to tell.

Frans Vera:

And a forester will say an oak needs to be, as a

Frans Vera:

seedling, with its head in full daylight

Toon Vos:

For an oak to grow into an adult tree, it needs

Toon Vos:

space and light. Pollen records show that oaks have been around

Toon Vos:

in Europe since around 10,000 BCE. But there's one problem

here:

oaks are not able to grow up in a closed canopy forest.

here:

It's too dark. They do much better in an open landscape, or

here:

something Frans called a "wood pasture", which consists of a

here:

mosaic of grasslands, shrubs and trees.

Frans Vera:

The moment you remove the large herbivores from

Frans Vera:

wood pastures, it becomes a closed canopy forest. So there

Frans Vera:

are a lot of former wood pastures in Europe, which were

Frans Vera:

declared as nature reserves, or as a national park. And as a

Frans Vera:

consequence, all the large herbivores were kicked out

Frans Vera:

because they damage the nature.

Toon Vos:

And then what happened?

Frans Vera:

All the oaks disappeared. No regeneration of

Frans Vera:

oak. They need light! So they all became forests dominated,

Frans Vera:

totally dominated, by shade tolerant species.

Toon Vos:

Those open wood pastures are loved by many

Toon Vos:

famous 19th century painters. Their paintings of these

Toon Vos:

park-like landscapes remain as a record of a kind of nature that

Toon Vos:

is hard to recognize today. Majestic oak trees amidst a

Toon Vos:

patchwork of grasses, shrubs, rocks and copses of trees. They

Toon Vos:

don't look like the forests I know at all. More than anything,

Toon Vos:

these artists wanted to protect the places that they found so

Toon Vos:

beautiful. If only they could keep painting them forever.

Frans Vera:

However, the tragedy is: they didn't know what were

Frans Vera:

the conditions of the wood pasture, the conditions for

Frans Vera:

those beautiful oak trees they painted. They said: "No! Keep

Frans Vera:

away from it!" And that's also an idea all over in the world.

Frans Vera:

If you withdraw as men, nature rebounds back to her original

Frans Vera:

state, which she doesn't. Because you have taken her

Frans Vera:

limbs, you have taken her arms, you make them cripple, because

Frans Vera:

you killed all the larger herbivores, and then you say,

Frans Vera:

"walk again". Of course not.

Toon Vos:

Ironically, by removing the large grazers from

Toon Vos:

the landscape, the so-called "reserves artistiques", or

Toon Vos:

artistic natural reserves, lost the trees that made them famous.

Toon Vos:

According to Frans, the home of the oak was a landscape that we

Toon Vos:

barely know anymore. The forests of the past were not endless

Toon Vos:

collections of trees, but endless collections of biotopes

Toon Vos:

alternating each other. Homes to mosses, that prefer to cool and

Toon Vos:

humid shade under the tree canopy, but also to insects,

Toon Vos:

scouring for flowers in the broad daylight. Large grazers

Toon Vos:

for putting the brakes on succession. And similarly, their

Toon Vos:

grazing was subject to a system of checks and balances too. For

Toon Vos:

an oak to make it to adulthood, a lot needs to go according to

Toon Vos:

plan. Its acorns need to be picked up by a jay, who will

Toon Vos:

hide them, amongst other places, in thorny shrubs for later. Like

Toon Vos:

in the brambles of species like blackthorn or hawthorn. There,

Toon Vos:

the oak saplings are protected from large herbivores, while

Toon Vos:

still receiving ample daylight. Thorny shrubs made sure that the

Toon Vos:

grazers couldn't fully prevent regeneration.

Frans Vera:

And in fact, those thorny species are natural

Frans Vera:

barbed wire. So what every forester does now — getting

Frans Vera:

barbed wire around the tree to protect — it was already in

Frans Vera:

nature. But nobody sees it anymore!

Toon Vos:

The experiment at the Oostvaardersplassen was all

Toon Vos:

about seeing what would happen if large herbivores were

Toon Vos:

introduced back into the mix, not to recreate the pictureque

Toon Vos:

paintings of the past, but to find out how the landscape would

Toon Vos:

change. But how it would play out in reality, that's a

Toon Vos:

different story. Once again, here's Koen, the nature writer

Toon Vos:

and researcher from the top of the episode,

Koen Arts:

It started off as an ecological experiment. And it

Koen Arts:

became a bit of a social experiment. So ecologically,

Koen Arts:

there are super interesting things that have happened here,

Koen Arts:

all kinds of interesting species that thrive on the kind of

Koen Arts:

management that was there. So that part of the ecology, you

Koen Arts:

could say has been a success. So we're talking about rewilding,

Koen Arts:

maybe if you want to use that term, or a new wilderness with

Koen Arts:

minimal human intervention. But the problems came slowly as non

Koen Arts:

intervention also meant no population control. And what has

Koen Arts:

happened over the years is that large grazers have proliferated.

Koen Arts:

And this leads to a very difficult scene, sometimes in

Koen Arts:

harsh winters, when there's a lack of food, and we see a lot

Koen Arts:

of animals die. Now, of course, dying of animals is something

Koen Arts:

that belongs, that's part and parcel of nature and of nature

Koen Arts:

conservation. But usually in the Netherlands, when large amounts

Koen Arts:

of animals die, we don't see that.

Toon Vos:

Here, Koen refers to wild animals in the other bigger

Toon Vos:

natural areas in the Netherlands, but his words are

Toon Vos:

just as true for the agricultural industry. The

Toon Vos:

Netherlands, a country of 17 million people, is a home to 3.8

Toon Vos:

million cows, 12 million pigs, and more than 100 million

Toon Vos:

chickens, whose deaths are simply accepted as a part of our

Toon Vos:

identity as an agricultural export country.

Adam Huggins:

Can I go back and we maybe we just glossed over

Adam Huggins:

it, but like, you've created this small wilderness, right?

Adam Huggins:

First, it was just bare soil, you added plants, and then some

Adam Huggins:

of the animals invited themselves. And then you add

Adam Huggins:

grazers. And you're missing the large predators. Why were the

Adam Huggins:

large predators never added?

Toon Vos:

Well, first of all, we didn't have them at the time.

Toon Vos:

Now, the wolf came in from Germany, and has been around in

Toon Vos:

the Netherlands and Belgium for for a while now, which is

Toon Vos:

exciting. But at the time, they figured that large herbivores

Toon Vos:

are controlled by food supply,

Adam Huggins:

Which we would call bottom up control. But not

Adam Huggins:

top down control, which would be the predators.

Toon Vos:

But Frans added to that, that those predators

Toon Vos:

wouldn't have gone after the large cattle anyways. Now, of

Toon Vos:

course, you can kind of look at the ecology of fear and what

Toon Vos:

that will do to populations. But that's where they were at, at

Toon Vos:

the time. Now, land managers say, it's only a matter of time

Toon Vos:

before wolves make their way into the Oostvaardersplassen.

Adam Huggins:

So what you're saying is that they both didn't

Adam Huggins:

have the predators at the time to include, and they also didn't

Adam Huggins:

think that they were necessary. Is that right?

Toon Vos:

Yeah, that sounds about right. But what made the

Toon Vos:

Oostvaardersplassen stand out, is that the animals that died

Toon Vos:

there are simply visible, no longer concealed from the public

Toon Vos:

eye.

Adam Huggins:

Oh, people could see them from the trains going

Adam Huggins:

by?

Mendel Skulski:

From the rim of the bathtub!

Koen Arts:

So what happened is, we saw looking out over the

Koen Arts:

area, we saw animals dying. And this was very painful in many

Koen Arts:

different ways, not only just for the animals, but also for

Koen Arts:

people who felt they had a connection with the animals. And

Koen Arts:

it is very strange to think that there is a Konik horse on this

Koen Arts:

side of the dike, which can't find any food. And you can see

Koen Arts:

it's getting slimmer and slimmer to the point where it just can't

Koen Arts:

really live anymore in a way it should, and it will die in

Koen Arts:

winter. And then, 200 meters on the other side of dike, there's

Koen Arts:

maybe a pony in a meadow, and it's being fed by its owner. And

Koen Arts:

that is what we assume a fairly happy pony.

Toon Vos:

Koen says that people in Western societies struggle

Toon Vos:

when discussing death. Because of its taboo status, we tend to

Toon Vos:

ignore it, until it's staring us in the face. For example, on

Toon Vos:

social media,

Koen Arts:

Where, for instance, an image of a dying horse could

Koen Arts:

go viral very quickly, and would invite lots of people to comment

Koen Arts:

on that.

Toon Vos:

By 2017, it got to the point where activists began

Toon Vos:

throwing bales of hay over the fences of the

Toon Vos:

Oostvaardersplassen for the animals to eat. Dutch society

Toon Vos:

couldn't make up its mind what to think about our so called

Toon Vos:

wilderness and its management style of "less is more". The

Toon Vos:

experiment that was all about our non-intervention for an

Toon Vos:

indefinite amount of time, was cut short in 2018, starting with

Toon Vos:

the culling of the large grazers down to about one-fifth of their

Toon Vos:

original population.

Mendel Skulski:

Down to one-fifth. Like culling 80%.

Adam Huggins:

Wow, that's an incredibly dramatic

Adam Huggins:

intervention.

Toon Vos:

Yeah, they're still working on it actually, they're

Toon Vos:

not done.

Mendel Skulski:

Oh my God.

Toon Vos:

Leading up to the policy change, the

Toon Vos:

Oostvaardersplassen was often in the news, and even being thought

Toon Vos:

of is pretty controversial. Precisely because of its policy

Toon Vos:

of non-intervention and the animals that were dying because

Toon Vos:

of it. For Frans, and many others involved in the natural

Toon Vos:

park, the growing unrest was frightening. They received

Toon Vos:

threats, and were portrayed as sadistic animal killers.

Frans Vera:

I got threats. I got death threats. They even

Frans Vera:

threatened to kill my grandchildren, because, they

Frans Vera:

said, you have to change your opinion about the

Frans Vera:

Oostvaardersplassen publicly.

Toon Vos:

Some people compared Frans to Nazi leaders like

Toon Vos:

Hitler or Mengele. It was a dark time, and I could feel the

Toon Vos:

impact it had on him during our conversation.

Toon Vos:

But despite the mudslinging France work on large grazers was

Toon Vos:

being applied more and more throughout the Netherlands,

Toon Vos:

herbivores were being introduced or reintroduced in many places

Toon Vos:

to become an integrated part of the ecosystem. But there would

Toon Vos:

be a major difference with the Oostvaardersplassen. In other

Toon Vos:

places, the grazing population would be tightly controlled by

Toon Vos:

humans rather than food supply. Frans' grazers were in high

Toon Vos:

demand throughout the Netherlands, but the most

Toon Vos:

integral part of his theory — letting nature run its course —

Toon Vos:

would be permanently sidelined in the favor of culling.

Toon Vos:

I wanted to see how Frans' ideas were being applied elsewhere in

Toon Vos:

the Netherlands. So I met up with science and biology

Toon Vos:

journalist Gemma Venhuizen, who is the co-host of one of my

Toon Vos:

favorite Dutch science podcasts "Onbehaarde Apen".

Toon Vos:

Hello.

Gemma Venhuizen:

Hi! [introductions in Dutch]

Toon Vos:

In one episode, she mentioned that she used to be a

Toon Vos:

volunteer as an assistant ranger at another Dutch nature reserve

Toon Vos:

called Kraansvlak. We met up in the dunes of the North Sea on a

Toon Vos:

very windy day. We were about to embark on a search for an animal

Toon Vos:

I had never seen before. An animal that almost disappeared

Toon Vos:

off the face of the earth in the early 20th century. But first,

Toon Vos:

we needed to climb the electric wire that is supposed to keep

Toon Vos:

the wilderness inside of this nature reserve. This is the

Toon Vos:

Netherlands after all.

Adam Huggins:

Can't let the wilderness out, God forbid!

Toon Vos:

Well, we have to climb to get in?

Gemma Venhuizen:

Yes, you have to get over the fence because of

Gemma Venhuizen:

course, the European bison stay still live in an enclosure.

Gemma Venhuizen:

Well, shall I?

Toon Vos:

Yeah.

Gemma Venhuizen:

Shall I go in first?

Toon Vos:

Yeah you can go in first, we'll see if it's safe!

Toon Vos:

European bison, or wisenten, as we say in Dutch, are the largest

Toon Vos:

land-dwelling animals on the European continent. They are

Toon Vos:

related to North American bison, but have a smaller hump on their

Toon Vos:

back and they stand a bit higher on their feet. Sadly, they went

Toon Vos:

extinct in the wild in 1919. After the ancient oxen and

Toon Vos:

horses of Europe, known as aurochs and tarpans, another

Toon Vos:

large herbivore bit the dust. Or did it?

Mendel Skulski:

Or did it?!

Gemma Venhuizen:

In 1929, they started with the reproduction

Gemma Venhuizen:

program.

Toon Vos:

breeding bison in captivity,

Gemma Venhuizen:

and in 1952, in Białowieża, I hope I pronounced

Gemma Venhuizen:

it correctly,

Toon Vos:

a town in Poland known for its old growth forest,

Gemma Venhuizen:

the first bison out of that program was

Gemma Venhuizen:

reintroduced into nature. And then in 2007, so then the first

Gemma Venhuizen:

bisons came here to the Netherlands.

Adam Huggins:

I guess I'm just trying to picture this. So you

Adam Huggins:

snuck in past some electric wire to like a dune area, to see

Adam Huggins:

bison.

Toon Vos:

Yeah.

Adam Huggins:

Is that Is that right? What are we looking at

Adam Huggins:

here?

Toon Vos:

That's right. I mean, it's funny, you should talk

Toon Vos:

about pictures, because they actually have a beautiful

Toon Vos:

website with very carefully curated pictures. The Dutch are

Toon Vos:

very proud of their bison. Also, we didn't sneak past the

Toon Vos:

electric wire. No, no, no, there was a neat plaque that explained

Toon Vos:

us the ground rules.

Adam Huggins:

I see. Oh, my God. Okay, I'm looking at pictures of

Adam Huggins:

them right now.

Toon Vos:

Did you find it, the Dutch website?

Adam Huggins:

Yes. This is a bunch of bison out on on like, a

Adam Huggins:

bunch of sand. You know, you were talking about the desert

Adam Huggins:

earlier. Looks a little bit like that.

Toon Vos:

What you can't see on the picture is that the Formula

Toon Vos:

One track is right next to it.

Adam Huggins:

Everything is tiny.

Toon Vos:

Everything is tiny. And one thing I think is really

Toon Vos:

interesting about the Kraansvlak in comparison to the

Toon Vos:

Oostvaardersplassen, is that it's here that Frans' theories

Toon Vos:

about large herbivores get applied to an epic narrative

Toon Vos:

about a species brought back from the brink of extinction.

Toon Vos:

And this story of resurrection would prove to resonate deeply

Toon Vos:

with the Dutch public.

Adam Huggins:

It's certainly a lot sexier than watching horses

Adam Huggins:

die from the train.

Toon Vos:

Following a similar logic as the large grazers in

Toon Vos:

the Oostvaardersplassen, the European bison were introduced

Toon Vos:

to help maintain the coastal landscape and put the brakes on

Toon Vos:

succession. Gemma and I looked long and hard to see if we could

Toon Vos:

spot them.

Toon Vos:

Haha! [excited murmuring]

Gemma Venhuizen:

Oh, wait.

Toon Vos:

Are we seeing bison or cows?

Gemma Venhuizen:

Yeah, well, first I thought it was. Oh, this

Gemma Venhuizen:

is kind of a deception. And I'm also kind of ashamed because I

Gemma Venhuizen:

was like, having this exclamation like, Oh, we're

Gemma Venhuizen:

seeing them! But now I have a closer look, these are just the

Gemma Venhuizen:

Scottish Highlanders.

Toon Vos:

No luck finding European bison in the dunes this

Toon Vos:

time. Quite a disappointment after scrolling through all

Toon Vos:

those photos on the Kraansvlak website in anticipation. These

Toon Vos:

animals have become icons of untamed nature in the Dutch

Toon Vos:

consciousness. It is striking how these large herbivores are

Toon Vos:

loved and celebrated, delicately managed, so we only see their

Toon Vos:

best side. Their population is controlled —

Adam Huggins:

Right, so you're not gonna accidentally come

Adam Huggins:

across one starving to death on the side of the train tracks or

Adam Huggins:

anything like that.

Toon Vos:

No, you're not. In the Netherlands, every patch of

Toon Vos:

nature comes with a list somewhere, telling managers how

Toon Vos:

big the population should be. No herbivore lives in our country

Toon Vos:

without our permission. And when you enter the Kraansvlak

Toon Vos:

reserve, there is a sign that lays down the ground rules:

Toon Vos:

"Keep your distance from the animals and stay on the path!"

Toon Vos:

Are these the ground rules to all of nature in the

Toon Vos:

Netherlands?

As the poet JC Bloem once said:

Speaker:

"Wat is natuur nog in dit land?"

As the poet JC Bloem once said:

Speaker:

What is nature in his country, anyway?

As the poet JC Bloem once said:

Speaker:

Koen says that although only small chunks of the Netherlands

As the poet JC Bloem once said:

Speaker:

are reserved for nature, the Dutch public have generally been

As the poet JC Bloem once said:

Speaker:

enthusiastic about this so-called rewilding. This has

As the poet JC Bloem once said:

Speaker:

resulted in large symbolic accomplishments, like

As the poet JC Bloem once said:

Speaker:

reintroducing European bison as a steward of the dunes. But for

As the poet JC Bloem once said:

Speaker:

Koen, the future of nature conservation starts much

As the poet JC Bloem once said:

Speaker:

smaller.

Adam Huggins:

Smaller. Of course, it does. This is the

Adam Huggins:

Netherlands!

Toon Vos:

Yeah, exactly. Not only do we put physical fences

Toon Vos:

between humans and nature, but we fence ourselves off

Toon Vos:

conceptually as well. After all, the forestis was defined as

Toon Vos:

wherever humans aren't. Koen wrote a book about his own

Toon Vos:

experiment that he did with his wife, Gina, in an attempt to

Toon Vos:

begin to tear down these fences in their own lives. At the time,

Toon Vos:

they were both working in the field of nature conservation,

Toon Vos:

but were mostly stuck behind their desks, inside. So, they

Toon Vos:

decided to have a Wild Jaar — a "wild year".

Koen Arts:

A Wild Year for us was trying to reconnect with

Koen Arts:

nature, but not by going abroad going to the woods of Canada or

Koen Arts:

Alaska or, you know, going on Expedition for a year. No, a

Koen Arts:

Wild Year was for us, trying to find wildness in a land without

Koen Arts:

wilderness. So we set one simple rule: we said "Okay, can we

Koen Arts:

spend more time outside and inside on a daily basis?" Which,

Koen Arts:

you know, clearly means at least 12 hours on average. And we also

Koen Arts:

said "We should do this in every season of the year"

Toon Vos:

Koen and Gina didn't want to disengage from their

Toon Vos:

everyday lives, or turn their back on society. They wanted to

Toon Vos:

spend lots of time outside while living their life as they would

Toon Vos:

have otherwise. And so they started camping in Koen's

Toon Vos:

parents' backyard in autumn, and managed to spend more time

Toon Vos:

outside than inside for more than a year — as a way to

Toon Vos:

reconnect with nature.

Koen Arts:

So if you think of nature conservation as a thing

Koen Arts:

that you do from a managerial point of view, and this is in

Koen Arts:

essence, what we see in the Netherlands and many other

Koen Arts:

countries — it's... it's a technical thing. But for me, it

Koen Arts:

starts with a fascination for nature, human fascination, and a

Koen Arts:

sense... an ethical sense that we need to protect biodiversity;

Koen Arts:

we need to protect species; we need to have areas still, that

Koen Arts:

are essentially non human, you know, where our natural

Koen Arts:

autonomy, or the self will of land, of animals, of plants is

Koen Arts:

present

Toon Vos:

Koen and Gina's wild year affirms that you can find

Toon Vos:

wildness in a country without wilderness. Their experience

Toon Vos:

reminded them of why they got into the field of nature

Toon Vos:

conservation in the first place, and drove home the point that

Toon Vos:

experiencing nature in any way you can, makes you feel more

Toon Vos:

passionate about caring for it.

Adam Huggins:

You know, Toon, you brought up the term

Adam Huggins:

"rewilding" earlier, which I think is commonly used in

Adam Huggins:

Europe, you know, instead of the term "restoration" or something

Adam Huggins:

like that, right? Rewilding.

Adam Huggins:

And it strikes me from the experience of this couple that

Adam Huggins:

we've been talking about rewilding as something that we

Adam Huggins:

do to the land right? We, like, rewild this polder, we rewild

Adam Huggins:

the section of land, and then you know, we fence it off to

Adam Huggins:

keep keep the wilderness inside, right? And it strikes me that

Adam Huggins:

this couple, it's like they're... they're experimenting

Adam Huggins:

with rewilding themselves. Maybe rewilding is not something that

Adam Huggins:

we do to the land right, but something that we participate

Adam Huggins:

in?

Toon Vos:

Yeah, I think Koen would agree in the sense that he

Toon Vos:

says that it's mindset first.

Koen Arts:

By and large, nature for us is something that is away

Koen Arts:

from us. And those demarcations are super strong in the

Koen Arts:

Netherlands.

Toon Vos:

After meeting Koen I downloaded a time tracker on my

Toon Vos:

phone to find out just how much time I spent outside. Turns out

Toon Vos:

that it's not really close to 50% per day. Even though we have

Toon Vos:

never met in person, Adam and Mendel, what percentage of my

Toon Vos:

time would you guess I spent outside of the past three

Toon Vos:

months?

Adam Huggins:

You look outgoing and outdoorsy... um what about

Adam Huggins:

20%?

Adam Huggins:

20%. Mendel?

Mendel Skulski:

I think you might be a little bit more like

Mendel Skulski:

me that you spend a lot of time I'm thinking about nature, but

Mendel Skulski:

in reality, you're inside working. I'm going to go with

Mendel Skulski:

12%.

Toon Vos:

Fair. More like 7%

Mendel Skulski:

Oh, wow. I'm afraid to try to figure this out

Mendel Skulski:

for myself.

Toon Vos:

And I too consider myself a fairly outdoorsy person

Toon Vos:

who goes for walks a lot and goes to places in the weekends

Toon Vos:

that are outside.

Mendel Skulski:

Oh my god, I think it'd be sobering if I

Mendel Skulski:

actually tried to clock all my outdoor hours. Embarrassing

Mendel Skulski:

even.

Adam Huggins:

We could try it for the next couple of weeks,

Adam Huggins:

Mendel.

Toon Vos:

It's a pretty fun experience, because once you

Toon Vos:

become aware of it, you will take the outdoorsy option more

Toon Vos:

often. And this was also something that happened when I

Toon Vos:

interviewed Koen. He's like "you want to do the interview

Toon Vos:

outside?"

Mendel Skulski:

{Laughs]

Toon Vos:

And I just hadn't... I hadn't prepared for it. But I

Toon Vos:

should have known — this guy wrote a book about it, you know?

Toon Vos:

Letting nature go its own way in the Oostvaardersplassen sounds

Toon Vos:

very not Dutch to me. The nature that I encountered while I was

Toon Vos:

growing up was always tidy and organized. My family and I used

Toon Vos:

to visit the same camping site every year. Between the

Toon Vos:

different fields, where visitors would pitch a tent or set up

Toon Vos:

their camper van, were little patches of woodlands. In the

Toon Vos:

middle of them, the owner of the campsite installed what he

called "animal highways":

long snaking heaps of tree branches

called "animal highways":

and trimmings for rodents and other animals to seek refuge in.

called "animal highways":

His animal highways were an imitation of the inherent chaos

called "animal highways":

in nature. But using whatever was left of the woodland

called "animal highways":

maintenance done to keep things organized and neat.

called "animal highways":

With this, in the back of my mind, it seems like the

called "animal highways":

Oostvaardersplassen was ahead of its time. It seemed like a small

called "animal highways":

miracle that the Dutch government was willing to give

called "animal highways":

it a shot in the first place. But there was a lot of pressure

called "animal highways":

for things to go well. The Oostvaardersplassen needed to do

called "animal highways":

everything just right. It needed to please every side of the

called "animal highways":

debate.

called "animal highways":

Many had hoped that putting large grazers on the landscape

called "animal highways":

would create a mosaic — a patchwork of biotopes: the

called "animal highways":

park-like landscapes of Europe's past. But, perhaps because of

called "animal highways":

the lack of predators, or the lack of political will to create

called "animal highways":

green corridors with other nature reserves, we instead got

called "animal highways":

a savannah.

called "animal highways":

Yet, the ripples of the Oostvaardersplassen have been

called "animal highways":

felt outside of the Netherlands. In the UK, Isabella Tree and

called "animal highways":

Charlie Burrell had inherited Knepp estate: a castle, a large

called "animal highways":

piece of agricultural land, and the farming business that went

called "animal highways":

along with it. No matter what they tried, traditional farming

called "animal highways":

at Knepp was losing money year after year. They wanted a way

called "animal highways":

out. And so they got in touch with Frans in the early 2000s.

Frans Vera:

And then they decided we are going to rewild

Frans Vera:

Knepp castle. So they stopped agriculture. And they had a

Frans Vera:

tremendous development. It's now the hotspot for nightingales.

Frans Vera:

It's the hotspot for the Emperor butterfly. It's the hotspot for

Frans Vera:

all kinds of bird species, which are everywhere in United

Frans Vera:

Kingdom, though going down.

Toon Vos:

It's important to mention here that the population

Toon Vos:

of grazers at Knepp is being managed. Excess animals are

Toon Vos:

culled and sold as wild range meat. The meat selling endeavors

Toon Vos:

are an integral part of their business model. Still, the

Toon Vos:

project is seen as controversial: a subversion of

Toon Vos:

their neighbors' well-maintained farmlands. Some see

Toon Vos:

unpredictable chaos. Others see a kind of magic in its dynamism.

Toon Vos:

Isabella Tree wrote a book, Wilding, about their journey

Toon Vos:

rewilding Knepp. She quotes Frans saying "Open up the box,

Toon Vos:

allow natural processes to develop, give species a wider

Toon Vos:

scope to express themselves and you get a very different

Toon Vos:

picture. This is what the Oostvaardersplassen is all about

Toon Vos:

— minimal intervention, letting nature reveal herself. And the

Toon Vos:

result is an environment we know nothing about."

Toon Vos:

So where does this leave us? How can we protect an environment we

Toon Vos:

know nothing about? As those dreamy 19th century painters

Toon Vos:

showed, loving something is not the same as taking good care of

Toon Vos:

it. Their static utopia was doomed by their refusal to

Toon Vos:

accept it as a dynamic system. There's truth in the saying that

Toon Vos:

if you love something, let it go. Only when you dare to

Toon Vos:

release your hold, when you truly accept other beings as

Toon Vos:

being their own selves, will a relationship begin to flourish.

Toon Vos:

As contentious as the Oostvaardersplassen is, I feel

Toon Vos:

like the experiment has been successful in many different

Toon Vos:

ways. Looking at the large grazers now populating natural

Toon Vos:

reserves in the Netherlands, messy nature becoming more

Toon Vos:

widely accepted, and Knepp estate, whose business is

Toon Vos:

thriving around their rewilding projects, it's clear to me that

Toon Vos:

this bold experiment has shaken up the field of nature

Toon Vos:

conservation. It showed the potential of spaces dismissed as

Toon Vos:

throwaway biotopes — that even the former bottom of the sea can

Toon Vos:

develop itself into a sprawling haven for wildlife. That amidst

Toon Vos:

all of the destruction, new things can and do emerge.

Mendel Skulski:

Next time on Future Ecologies, we're jumping

back across the pond:

exploring the very different lineage of

back across the pond:

wildlife and wilderness in North America, where space is

back across the pond:

plentiful, and colonization is in the not so distant past.

Toon Vos:

This episode was produced by me, Toon Vos.

Mendel Skulski:

And me Mendel Skulski.

Toon Vos:

With help from Adam Huggins and Lili Li.

Mendel Skulski:

Future Ecologies is an independent production

Mendel Skulski:

made possible by our supporters on Patreon. You can help us tell

Mendel Skulski:

more stories from more places by supporting the show at

Mendel Skulski:

patreon.com/future ecologies.

Toon Vos:

If financial support isn't for you, then you can

Toon Vos:

still help the show in a very important way. Share it with

Toon Vos:

your community and leave a rating or review wherever you

Toon Vos:

listen. It makes a huge difference.

Mendel Skulski:

For photos from Toon's adventures, citations,

Mendel Skulski:

transcripts, and more, visit us at futureecologies.net

Mendel Skulski:

Toon and I also wrote a different version of this story

Mendel Skulski:

for Are We Europe magazine. You can catch that in Issue #15: The

Mendel Skulski:

Lie of the Land.

Toon Vos:

This episode featured the voices of Koen Arts, Frans

Toon Vos:

Vera, Perry Cornelissen, and Gemma Venhuizen.

Mendel Skulski:

And with music by Francesca Vincentie, Museum

Mendel Skulski:

of No Art, César Franck, Vincent van Haaff, and Sunfish Moon

Mendel Skulski:

Light

Toon Vos:

Special thanks to Penny Green, Isabella Tree,

Toon Vos:

Charlie Burrell, and Gina Maffey.

Mendel Skulski:

You can reach us on twitter, facebook, and

Mendel Skulski:

instagram, @futureecologies, or get in touch through our website

Mendel Skulski:

— futureecologies.net

Toon Vos:

Okay, is that it?

Mendel Skulski:

That's it. Have fun outside.