You are listening to Season 4 of Future
Introduction Voiceover:Ecologies.
Adam Huggins:Are we all recording locally?
Toon Vos:Let's see. I got signal. Yes. Okay.
Mendel Skulski:Okay. I'm rolling.
Adam Huggins:Okay. I have – I have absolutely no idea of what
Adam Huggins:we're going to talk about. Really. This is a first for me.
Mendel Skulski:But you know why we're up so early in the
Mendel Skulski:morning?
Adam Huggins:What time is it there for you, Toon?
Toon Vos:It's five past three in the afternoon.
Adam Huggins:Oh, that's nice.
Toon Vos:Yeah, it's just the middle of the day.
Mendel Skulski:I guess that should make the point clear that
Mendel Skulski:we are up earlier than we'd like to be to record this podcast,
Mendel Skulski:because we're getting a little bit outside of our own backyard
Mendel Skulski:today. We're going to Europe.
Mendel Skulski:Oh right! Um, we should introduce ourselves. My name is
Mendel Skulski:Mendel.
Adam Huggins:And I'm Adam.
Toon Vos:Nice.
Mendel Skulski:You too.
Toon Vos:Oh, sorry. My name is Toon. I'm from the Netherlands.
Toon Vos:That's a little European country people sometimes confused with
Toon Vos:Denmark. But we're the one that has Amsterdam.
Mendel Skulski:Right. Tell us a little bit about the story
Mendel Skulski:you've got for us today.
Toon Vos:Yeah. Today, I'd like to invite you to the bottom of
Toon Vos:the sea, because there are some interesting creatures living
Toon Vos:there, as you may know. More specifically, the animals that
Toon Vos:graze there.
Adam Huggins:Like sea urchins?
Toon Vos:I'll give you a little hint.
Soundscape:[Sound of burling Red Deer]
Mendel Skulski:[Laughs]
Adam Huggins:Wait, that does not sound like any animal I know
Adam Huggins:from the bottom of the ocean.
Mendel Skulski:That sounds like a deer!
Toon Vos:Yeah, the bottom of the sea I'm talking about is a
Toon Vos:polder. Do you know what that is? A polder?
Adam Huggins:A boulder... like a big rock?
Toon Vos:No. So a polder is a tract of land that used to be
Toon Vos:underwater. So that could be a sea or a lake or a marsh. And
Toon Vos:then at some point, humans decide that they're going to
Toon Vos:drain it. They're going to pump out all the water. Usually,
Toon Vos:windmills were used to pump out the water beyond the dikes,
Toon Vos:draining the water out of the area. And basically creating
Toon Vos:land where there used to be sea.
Adam Huggins:Famously, you come from a country that is
Adam Huggins:underwater. I understand.
Toon Vos:Yeah, Atlantis.
Adam Huggins:Right. Okay, so a polder is a is an area of land
Adam Huggins:that has essentially been reclaimed from the ocean. Would
you use a word like that:
Speaker:"reclaimed"?
Mendel Skulski:Claimed for the first time, maybe...
Toon Vos:Exactly. That's the interesting part. People always
Toon Vos:say "reclaimed". But maybe claim is a good word. I don't think we
Toon Vos:were particularly entitled to the bottom of the sea, but
Toon Vos:people wanted to farm.
Toon Vos:So once you have poldered this land, you have land where there
Toon Vos:used to be water, you can do all kinds of stuff with it. So the
Toon Vos:soil becomes super fertile. Often it's used for agriculture.
Toon Vos:But the Dutch were like "We have 11 provinces... that's nice. But
Toon Vos:we want 12"!
Adam Huggins:[Laughs] Of course
Toon Vos:So they decided to create another province, which
Toon Vos:they called Flevoland, and it was created between 1918 and
Toon Vos:1986, which is really young.
Adam Huggins:So they just up and decided that they wanted to
Adam Huggins:make their country larger. And instead of doing it, I guess the
Adam Huggins:normal way, you just basically make it out of the ocean.
Mendel Skulski:Preferable to invasion.
Toon Vos:Yes, they invaded the water instead. But there's a
saying:"God created the world, but the Dutch created the
saying:Netherlands". It's a bit much, but you get the sense of pride
saying:that is felt.
saying:And in the polder of Flevoland, this new province, there is the
saying:great wilderness that we call the Oostvaardersplassen
Adam Huggins:Um.. one more time?
Toon Vos:The Oostvaardersplassen
Adam Huggins:The Oostvaardersplassen...
Toon Vos:Pretty good! Mendel?
Mendel Skulski:Oh, for me. Oh, jeez. Oost... vaar... ders...
Mendel Skulski:plassen.
Toon Vos:Oostvaardersplassen. But if that's too Dutch for you,
Toon Vos:you can just call it OVP
Adam Huggins:OVP.
Toon Vos:So you have the Oostvaardersplassen, and the
Toon Vos:train from the city of Almere to Lelystad (which is the capital
Toon Vos:of Flevoland) will take you right past.
Toon Vos:I asked Koen Arts, a nature writer and researcher at
Toon Vos:Wageningen University to describe the Oostvaardersplassen
Toon Vos:for us.
Toon Vos:For someone who has never seen the Oostvaardersplassen, what is
Toon Vos:it?
Koen Arts:Yeah, that's that's a funny one because I think for a
Koen Arts:lot of foreigners, it's... it's unlike anything they've seen.
Koen Arts:So, imagine a small piece of land: about 5500 hectares. So
Koen Arts:when you talk about nature conservation on on the global
Koen Arts:level, usually, nature reserves, national parks are much much
Koen Arts:bigger.
Koen Arts:On multiple sides, you have dikes of a few meters high. And
Koen Arts:The Oostvaardersplassen is a reserve unlike other natural
Koen Arts:then — also which is just so striking — a busy train line
Koen Arts:going past it, roads etc, etc around it. And then you have
Koen Arts:this kind of semi-wildness that unfolds, in between this very
Koen Arts:densely populated area. And of course, in a very densely
Koen Arts:populated country, the Netherlands: 70 million people
Koen Arts:on about 40,000 square kilometers.
Koen Arts:areas in the Netherlands. It's rife with bird life, and sports
Koen Arts:a wild cast of characters, including lots of big mammals —
Koen Arts:which we'll meet later. Reminiscent of the Serengeti,
Koen Arts:but smaller. At least that's what the Dutch tell themselves.
Mendel Skulski:That's funny. I know that the Netherlands is
Mendel Skulski:pretty famous for like miniature... all sorts of
Mendel Skulski:things, right?
Toon Vos:Exactly. The tiny Serengeti.
Mendel Skulski:It's kind of quaint, how Canada with all this
Mendel Skulski:wide open space, we have towns that are super proud of their
Mendel Skulski:novelty largest thing in the world. And in the Netherlands,
Mendel Skulski:we have you know, this compact little country where everything
Mendel Skulski:gets miniaturized.
Toon Vos:We have tiny everything. We have a tiny theme
Toon Vos:park. The theme is tiny. And the natural areas are pretty tiny as
Toon Vos:well. This is big for Dutch standards.
Mendel Skulski:So this polder is the bottom of the ocean
Mendel Skulski:transformed into the Serengeti, of a sort.
Toon Vos:Yeah. And on its way to becoming the savanna it is
Toon Vos:today, this little polder was transformed more than once.
Adam Huggins:Can I ask a question really quick? This
Adam Huggins:might be a dumb question. But why would you go to all the
Adam Huggins:trouble of claiming agricultural land from the ocean? And then
Adam Huggins:just decide to turn it into like a tiny wilderness?
Toon Vos:That's a good question.
Adam Huggins:Sounds like a lot of work.
Toon Vos:Well, it didn't start with that intention. If anything
Toon Vos:this nature reserve started off as an accident. When they first
Toon Vos:started to poldering process, the land was originally planned
Toon Vos:to be an industrial site. But it would turn out at the western
Toon Vos:edge was particularly difficult to lay dry.
Adam Huggins:What you're saying, just from my
Adam Huggins:understanding, is that it never was particularly good for
Adam Huggins:agricultural land because it was too wet — didn't do a good
Adam Huggins:enough job claiming it from the ocean. And you can't dig ditches
Adam Huggins:because you're already below sea level.
Toon Vos:Exactly. So the only way to lay it dry is to pump. So
Toon Vos:all kinds of efforts were made to speed up this process.
Toon Vos:Airplanes were used to sow reed, which act like little biological
Toon Vos:pumps pulling the water up and evaporating it — drying up the
Toon Vos:soil it grows on.
Toon Vos:But planting all those reeds had a side effects. In the late 70s.
Toon Vos:an ecologist by the name of Frans Vera noticed that the
Toon Vos:reeds were full of geese. Thousands of greylag geese,
Toon Vos:pausing on their treks from Siberia had taken to feasting on
Toon Vos:the stuff. And that's when Frans noticed something that was
Toon Vos:supposed to be impossible.
Toon Vos:And so began an experiment which fundamentally challenged the
Toon Vos:field of ecology and continues to influence the way we perceive
Toon Vos:and manage nature.
Adam Huggins:I might be awake by the time that the theme is
Adam Huggins:over.
Introduction Voiceover:Broadcasting from the Low Countries of
Introduction Voiceover:Europe, this is Future Ecologies — exploring the shape of our
Introduction Voiceover:world through ecology, design and sound.
Frans Vera:My name is Frans Vera. I'm a biologist. But in my
Frans Vera:heart, I'm a nature conservationist.
Toon Vos:This is Frans Vera, the ecologist at the very
Toon Vos:beginning of this grand experiment. Fransalways enjoyed
Toon Vos:birdwatching. So when the word got around about this new
Toon Vos:hotspot for greylag geese and other avian sightings, he and
Toon Vos:the entire Dutch birding community were ecstatic. Many of
Toon Vos:them would drive out to the dikes alongside the
Toon Vos:Oostvaardersplassen. They wanted to enjoy the explosion of rare
Toon Vos:bird life while it lasted. In a couple of years, they thought,
Toon Vos:the reed would grow over the open water, and many birds would
Toon Vos:go elsewhere.
Frans Vera:Even after two years, three years, the whole
Frans Vera:was covered already with reed from three meters high! So
Frans Vera:nobody had any idea of how to preserve it. And that was the
Frans Vera:reason that among nature conservationists, an area like
Frans Vera:the Oostvaardersplassen was called a "throwaway biotope". So
Frans Vera:it would be interesting for about, let's say, a decade, and
Frans Vera:then it was finished.
Adam Huggins:So I understand from that quote, they planted
Adam Huggins:reed to try to dry out the wetland. Instead, it made great
Adam Huggins:habitat for geese. And they thought that that was only going
Adam Huggins:to last for so long because the reed would initiate a kind of
Adam Huggins:process of succession that would eventually get rid of the
Adam Huggins:wetland like they had intended.
Toon Vos:Yeah, exactly. During his studies, Frans was taught
Toon Vos:about the process where different kinds of vegetation
Toon Vos:would follow each other in a linear fashion. As the reed was
Toon Vos:taking over in the Oostvaardersplassen, the soil
Toon Vos:would dry out and give way to other kinds of vegetation.
Toon Vos:Eventually, the marshy circumstances so cherished by
Toon Vos:many birds and birders will disappear. This theory is called
Toon Vos:succession theory.
Frans Vera:And the dominant theory at that time, in nature
Frans Vera:conservation, but in ecology as a whole, was the so-called
Frans Vera:succession theory. It was formulated in 1919 by the
Frans Vera:American, Clements. And the theory is that every time when
Frans Vera:you have a development, which started at bare soil like the
Frans Vera:polder, then you'll get a colonization of first small
Frans Vera:plants, then large plants and shrubs. And if the hydrology and
Frans Vera:climate is that trees can grow, the end is the climax forest. So
Frans Vera:that's, for instance, the idea that the whole of Europe but
Frans Vera:also the whole of Northern America, would have been
Frans Vera:originally covered with a closed canopy forest.
Toon Vos:So the theory goes, leave a bare patch of land
Toon Vos:alone. And after a succession of saplings and seedlings, shrubs
Toon Vos:and trees, a forest with a closed canopy will grow out of
Toon Vos:it. As the landscape changes, animals adjust to their new
Toon Vos:circumstances, and go wherever there's food or shelter.
Adam Huggins:I love that we're discussing succession theory
Adam Huggins:here on our fourth season of Future Ecologies, now. It's a
Adam Huggins:pretty fundamental concept in ecology that I think also for
Adam Huggins:many people, is still very important, although obviously,
Adam Huggins:it's become more complicated over time. But I've never I've
Adam Huggins:never thought of succession with respect to like, what happens
Adam Huggins:when you resurrect land from the ocean, right? Like that's a kind
Adam Huggins:of bare soil circumstance that is unusual for most of us.
Toon Vos:It's the ultimate bare patch of land!
Adam Huggins:Absolutely, yeah, square one.
Toon Vos:But seeing the multitudes of geese at the
Toon Vos:Oostvaardersplassen, Frans noticed something.
Frans Vera:They opened up the reedbeds, and they did something
Frans Vera:of which everybody had thought it would be impossible: they
Frans Vera:were even able to change reedbed back into open water! And it
Frans Vera:struck me as an ecologist, because suddenly, I see that
Frans Vera:grazing animals steer the succession. Instead, what I
learned at university:that animals always follow the
learned at university:succession. And because they ought to follow the succession,
learned at university:you end up in a climax situation, which is, in the
learned at university:temperate hemisphere, a closed canopy forest.
Toon Vos:The geese that had haphazardly arrived at this new
Toon Vos:patch of land were creating an ecosystem for themselves and for
Toon Vos:all kinds of other animals. At this place that was designated
Toon Vos:to become an industrial site, they were punching holes in the
Toon Vos:manmade reedbed — slowing down, and even reversing the process
Toon Vos:of succession everyone suspected.
Frans Vera:So you had the combination of shallow water and
Frans Vera:reed, which was a bird paradise for marsh birds: Harriers,
Frans Vera:geese, ducks, just name it. A lot of bird species, which were
Frans Vera:at that time very rare in the Netherlands, became very common
Frans Vera:in that area.
Toon Vos:So suddenly, there was a huge interest in keeping these
Toon Vos:marshy wetlands for all the new bird live in the area. But
Toon Vos:ironically, the marsh was threatened by the reeds that
Toon Vos:brought the geese in the first place. Mowing the reed manually
Toon Vos:would have been incredibly difficult and expensive. That's
Toon Vos:why people called the Oostvaardersplassen a throwaway
Toon Vos:biotope — it was impossible to sustain. But what actually
Toon Vos:happened is that the geese were taking care of the maintenance
Toon Vos:of the area.
Frans Vera:And here, the geese did it. And they proved to
Frans Vera:create the habitat for all kinds of other bird species.
Toon Vos:Instead of seeing the Oostvaardersplassen as a
Toon Vos:throwaway biotope, Frans and other biologists started to see
Toon Vos:it as something special in its own right. This explosion in
Toon Vos:biodiversity led to birdwatchers successfully petitioning for the
Toon Vos:Oostvaardersplassen to be protected as a new ecological
Toon Vos:reserve.
Frans Vera:We are always complaining and being sad about
Frans Vera:everything that is becoming lost.
Toon Vos:But instead of wallowing in despair, Frans was
Toon Vos:inspired by his colleague Ernst Poorter.
Frans Vera:He said "We have now a new polder. And you see, we
Frans Vera:can have new things, which are probably as valuable, as nice as
Frans Vera:beautiful as what we've lost".
Soundscape:[Train station announcement]
Toon Vos:I think it's time for me to show you what this is all
Toon Vos:about. Let's take the train from Brussels in Belgium — where I
Toon Vos:live — to Lelystad in the Netherlands — the country where
Toon Vos:I'm from.
Toon Vos:As we wait for the train to arrive in Lelystad, I'll get
Toon Vos:Frans to help us compare the two theories at play.
Toon Vos:If it's possible for a gaggle of geese to influence the
Toon Vos:succession of an ecosystem, Frans reasoned that large
Toon Vos:herbivores would be exceptional at it. We already recognize this
Toon Vos:intuitively with cultivated animals. Pastures don't turn
Toon Vos:into forests, and much of Scotland lacks trees because of
Toon Vos:its long history of sheep herding. But somehow, in the
Toon Vos:halls of academia, wild grazers had been set apart.
Frans Vera:If a domestic cow can create and preserve
Frans Vera:grassland, why not a wild cow, or a wild horse? "Nooooo," all
Frans Vera:the scientists says.
Frans Vera:"Why not?"
Frans Vera:"No, we had wild cows all over Europe, we had wild horses, we
Frans Vera:had European bison, we had moose, we had red deer..."
Toon Vos:But despite acknowledging the historical
Toon Vos:presence of all these different grazers, ecology textbooks said
Toon Vos:that, across all of Europe, humans were the only force
Toon Vos:keeping the climax forest at bay.
Toon Vos:That's the succession theory.
Toon Vos:To which Frans said,
Frans Vera:"That's a nice theory. I have another theory.
Frans Vera:Shall we test which theory is the good one?"
Adam Huggins:Said like a true scientist.
Toon Vos:And as it happened, France recognized that the
Toon Vos:thousands of geese that visited the Oostvaardersplassen needed
Toon Vos:both open water — to graze the reeds — and open grasslands — to
Toon Vos:rest during their molting period.
Frans Vera:So I said, you'll have to add an area of
Frans Vera:grasslands to the marshy area, because those two parts are
Frans Vera:complimentary for the functioning of the ecosystem as
Frans Vera:a whole. Because if we don't get it, the whole system will
Frans Vera:collapse.
Toon Vos:Artificially maintaining this marshy
Toon Vos:ecosystem would be an impossible task. But these hungry geese
Toon Vos:were offering to do it for free. So land managers needed a way to
Toon Vos:convince them to keep returning to the Oostvaardersplassen. That
Toon Vos:is, they needed to provide grasslands.
Frans Vera:My theory is if a cow can create grass, and then
Frans Vera:wild living oxen can do the same. So if you have wild oxen,
Frans Vera:you will have open grassland, which is very well for the
Frans Vera:geese.
Toon Vos:So Frans proposed an unusual way of creating
Toon Vos:grassland for the migratory geese of the
Oostvaardersplassen:Could wild herbivores be used to create new
Oostvaardersplassen:habitats for other species in an existing nature reserve? This
Oostvaardersplassen:was the trial by fire — the start of the experiments that
Oostvaardersplassen:will put the Oostvaardersplassen on the map.
Frans Vera:And I got permission then from the ministry and also
Frans Vera:from a National Forestry Service to buy wild oxen and wild
Frans Vera:horses. So we had two breeds —
Toon Vos:These two breeds are called Heck cattle and Konik
Toon Vos:horses,
Frans Vera:Which were not common known as dairy cattle or
Frans Vera:as riding horses. So then they were brought into the area and
Frans Vera:it worked. It worked!
Frans Vera:A large area of grassland developed. So, what the animals
Frans Vera:did is they created their own biotope.
Soundscape[Train intercom:
Speaker:Lelystad station]
Frans Vera:The classical theory: animals follow the
Frans Vera:succession. While my theory was animals drive the succession.
Frans Vera:Not all the animals, but the large herbivores. And they are
Frans Vera:essential in the functioning of ecosystems, and we just shut
Frans Vera:them out of the system.
Toon Vos:Frans realize that if large herbivores can steer the
Toon Vos:succession, what we imagined as natural — a dense, tree-laden
Toon Vos:forest — may have been the result of our removing the large
Toon Vos:grazers. Their absence allowed succession to proceed in a way
Toon Vos:that we now assume is inevitable. Meaning that the
Toon Vos:European forests of history may have looked fundamentally
Toon Vos:different than those that we know today.
Toon Vos:Here, Frans points to clues in the etymology of the modern word
Toon Vos:"forest", in a lecture from 2017.
Frans Vera:The word "foras" — Latin "foras": outside, without
Frans Vera:— as the origin of the word forestis, which we find in
Frans Vera:charters. We have charters going back to the sixth and seventh
Frans Vera:century, which were talking about a forestis, the origin of
Frans Vera:the word forest. And it had to do with Roman law. Roman law
Frans Vera:says what is outside the cultivated, and doesn't belong
Frans Vera:to anybody, belongs to the Emperor.
Toon Vos:In other words, the word forest doesn't refer to a
Toon Vos:place with many trees. It refers to a place that is uncultivated
Toon Vos:by people. And it wasn't the only word for a place without
Toon Vos:people
Frans Vera:And the wilderness and wild animals, they lived in
Frans Vera:what was deserted. That means uninhabited by people, and it
Frans Vera:was called the Desertum Regis — the Royal Desertum.
Toon Vos:What at one point was called "the Royal Desert" was
Toon Vos:Hallo hallo, goedemiddag [conversation continues in Dutch].
Toon Vos:also called the forest, both words referring to the same wild
Toon Vos:places. Over time, their meanings diverged. Until
Toon Vos:eventually, deserts were known to be hot and full of sand, and
Toon Vos:forests were places where trees blotted out sky. But Frans
Toon Vos:contended that so long as large herbivores roamed the forestis,
Toon Vos:their hooves and their teeth would have kept the wooded lands
Toon Vos:bright, open, and heterogenous and the Oostvaardersplassen will
Toon Vos:be the perfect case in points.
Toon Vos:This is ecologist Perry Cornelissen, who met me for a
Toon Vos:tour of the Oostvaardersplassen. After a coffee, we ventured into
Toon Vos:the natural reserve in a 4x4 from the Dutch Forestry Service.
Perry Cornelissen:We are now in front of the fence, the gate,
Perry Cornelissen:where the area starts where the large herbivores graze and where
Perry Cornelissen:people cannot go into. Alright, I will open the gate.
Toon Vos:This won't be the last time I have to cross a formal
Toon Vos:boundary to get into "the wild" for this episode. As we were
Toon Vos:driving into the Oostvaardersplassen, I noticed
Toon Vos:how many birds of prey were on the hunt. Normally, if you're
Toon Vos:lucky, while driving through the countryside, you might spot just
Toon Vos:one. But here, every couple of hundred meters, watchful eyes in
Toon Vos:the sky were scouring the ground for small rodents.
Perry Cornelissen:So now we are in the area where the large
Perry Cornelissen:herbivores are. We have three different species: cattle,
Perry Cornelissen:horses and red deer. And they were introduced in 1983. And we
Perry Cornelissen:started with a population of 18 Heck cattle and 20 horses, Konik
Perry Cornelissen:horses. And in 1992 also red deer were introduced and there
Perry Cornelissen:were 40 of them.
Toon Vos:These populations weren't managed directly. They
Toon Vos:were kept in check by the food supply, especially in winter.
Toon Vos:Nonetheless, after 20 years, the number of these large grazers
Toon Vos:went from dozens to over 5000.
Perry Cornelissen:So now we're entering a large group of Heck
Perry Cornelissen:cattle. What you also can see is that the great white egret is
Perry Cornelissen:between the large herbivores because when the large
Perry Cornelissen:herbivores graze, they disturb the fauna on the surface, so
Perry Cornelissen:these great white egrets are waiting for maybe amphibians or
Perry Cornelissen:voles to jump out of their holes and then they grab them.
Toon Vos:So they're hunting?
Perry Cornelissen:Yes.
Toon Vos:Amidst of the Heck cattle.
Perry Cornelissen:Yes.
Toon Vos:We can see how many would you say? About 100 cows?
Perry Cornelissen:Oh, this is a group of about, I think 60 or
Perry Cornelissen:70.
Toon Vos:And then about three, no, four, five, white great
Toon Vos:egrets are standing there.
Perry Cornelissen:There are more, some of them you can't
Perry Cornelissen:see, because the vegetation is too high. But you can see some
Perry Cornelissen:white spots everywhere. I think maybe 30 or 40 great white
Perry Cornelissen:egrets in the in the vegetation we can't see.
Toon Vos:Before the Oostvaardersplassen became a
Toon Vos:natural reserve, the great white egret was practically
Toon Vos:non-existent in the Netherlands. And here we are, driving around
Toon Vos:the former bottom of the sea, looking at dozens of them.
Toon Vos:Right now, we are looking at a big bull and he's, what is he
Toon Vos:doing?
Perry Cornelissen:These bulls, they live in small bull groups
Perry Cornelissen:in the area and we have about six of these bull groups. And in
Perry Cornelissen:their territory, they have the sandpits they make. And right
Perry Cornelissen:now one of these bulls is in his in sandpit and showing how
Perry Cornelissen:strong he is by scraping soil with his hooves and throwing it
Perry Cornelissen:in the air. And sometimes, they go with their horns into the
Perry Cornelissen:sandpit and scraping with their horns in the soil. And just to
Perry Cornelissen:show, look, I'm here the boss, I'm the biggest and strongest,
Perry Cornelissen:don't mess with me.
Toon Vos:This was the first time I'd ever seen cows in the
Toon Vos:wild. Sure, they were put there by people for a specific
Toon Vos:purpose, but they didn't wear ear tags, pregnant cows weren't
Toon Vos:being milked by humans, and bulls apparently liked to dig
Toon Vos:sandpits. These weren't the farm cows I was used to. After we
Toon Vos:visited the Heck cattle, we took a left which led us to the other
Toon Vos:side of the train tracks, which go through the
Toon Vos:Oostvaardersplassen. Originally, the train line was planned to
Toon Vos:make its way straight through the natural reserve. But a
Toon Vos:compromise was reached after protests from the climate
Toon Vos:movement, sparked by a report written by Frans Vera.
Toon Vos:Incidentally, the Dutch political mode that relies so
Toon Vos:heavily on compromising is affectionately called "the
Toon Vos:polder model". It was decided that the train line would take a
Toon Vos:slight detour, dubbed "the bathtub route", because of its
Toon Vos:shape, to avoid the heart of the natural reserve. The other side
Toon Vos:of the tracks, Perry told me, was a piece of the reserve where
Toon Vos:grazers hadn't been allowed for decades. Effectively, it served
Toon Vos:as a control plot for Frans' theories about large herbivores.
Toon Vos:The landscape we entered was the opposite of the wide open plains
Toon Vos:we drove through moments earlier. Instead, it was a mini
Toon Vos:jungle named the Kotterbos.
Adam Huggins:Everything is tiny, as you said, in the
Adam Huggins:Netherlands, you have a mini jungle. What does a mini jungle
Adam Huggins:look like?
Toon Vos:So now we're driving into an area, much more
Toon Vos:vegetation, there's shrubs, there's trees of different
Toon Vos:kinds, we are driving along a narrow path in the middle of it
Toon Vos:all. And this is the Kotterbos, a really big difference from
Toon Vos:what we were just seeing. All of a sudden, we are in between
Toon Vos:trees and shrubs, and we can't see all that far. So compared to
Toon Vos:what we were just seeing, the open plains, this landscape is
Toon Vos:the complete opposite. You wouldn't be able to walk through
here:there's nettles, there's reed, it probably wet too. So
here:you'll you'll get wet feet. I feel like, yeah, like you'd need
here:a machete to to make your way through.
Perry Cornelissen:In this landscape, you don't know what
Perry Cornelissen:will happen within ten meters [adds something in Dutch].
Toon Vos:Here, perry adds in Dutch that it was always
Toon Vos:exciting to go into the Kotterbos, but it was also a
Toon Vos:relief to make it out in one piece.
Adam Huggins:It is a jungle. Oh my god.
Toon Vos:The dense and chaotic Kotterbos and the grassy plains
Toon Vos:of the Oostvaardersplassen are two alternate realities of the
Toon Vos:same place. Their stark differences show just how much
Toon Vos:impact large grazers can have on a landscape.
Mendel Skulski:When we come back, the views from the train
Mendel Skulski:prompt this experiment to take a turn.
Mendel Skulski:Welcome back, my name is Mendel. This is Adam.
Adam Huggins:Hey, still waking up.
Mendel Skulski:This is Toon.
Toon Vos:Hey.
Mendel Skulski:And you are listening to Future Ecologies,
Mendel Skulski:where Toon is taking us on a tour of the Oostvaardersplassen.
Mendel Skulski:The site of an experiment that uprooted the science of
Mendel Skulski:ecosystem succession.
Toon Vos:And the person behind that experiment is Dutch
Toon Vos:ecologist Frans Vera. He told me that the geese hadn't been the
Toon Vos:only indicators of a different natural history in Europe. Oak
Toon Vos:trees also have a story to tell.
Frans Vera:And a forester will say an oak needs to be, as a
Frans Vera:seedling, with its head in full daylight
Toon Vos:For an oak to grow into an adult tree, it needs
Toon Vos:space and light. Pollen records show that oaks have been around
Toon Vos:in Europe since around 10,000 BCE. But there's one problem
here:oaks are not able to grow up in a closed canopy forest.
here:It's too dark. They do much better in an open landscape, or
here:something Frans called a "wood pasture", which consists of a
here:mosaic of grasslands, shrubs and trees.
Frans Vera:The moment you remove the large herbivores from
Frans Vera:wood pastures, it becomes a closed canopy forest. So there
Frans Vera:are a lot of former wood pastures in Europe, which were
Frans Vera:declared as nature reserves, or as a national park. And as a
Frans Vera:consequence, all the large herbivores were kicked out
Frans Vera:because they damage the nature.
Toon Vos:And then what happened?
Frans Vera:All the oaks disappeared. No regeneration of
Frans Vera:oak. They need light! So they all became forests dominated,
Frans Vera:totally dominated, by shade tolerant species.
Toon Vos:Those open wood pastures are loved by many
Toon Vos:famous 19th century painters. Their paintings of these
Toon Vos:park-like landscapes remain as a record of a kind of nature that
Toon Vos:is hard to recognize today. Majestic oak trees amidst a
Toon Vos:patchwork of grasses, shrubs, rocks and copses of trees. They
Toon Vos:don't look like the forests I know at all. More than anything,
Toon Vos:these artists wanted to protect the places that they found so
Toon Vos:beautiful. If only they could keep painting them forever.
Frans Vera:However, the tragedy is: they didn't know what were
Frans Vera:the conditions of the wood pasture, the conditions for
Frans Vera:those beautiful oak trees they painted. They said: "No! Keep
Frans Vera:away from it!" And that's also an idea all over in the world.
Frans Vera:If you withdraw as men, nature rebounds back to her original
Frans Vera:state, which she doesn't. Because you have taken her
Frans Vera:limbs, you have taken her arms, you make them cripple, because
Frans Vera:you killed all the larger herbivores, and then you say,
Frans Vera:"walk again". Of course not.
Toon Vos:Ironically, by removing the large grazers from
Toon Vos:the landscape, the so-called "reserves artistiques", or
Toon Vos:artistic natural reserves, lost the trees that made them famous.
Toon Vos:According to Frans, the home of the oak was a landscape that we
Toon Vos:barely know anymore. The forests of the past were not endless
Toon Vos:collections of trees, but endless collections of biotopes
Toon Vos:alternating each other. Homes to mosses, that prefer to cool and
Toon Vos:humid shade under the tree canopy, but also to insects,
Toon Vos:scouring for flowers in the broad daylight. Large grazers
Toon Vos:for putting the brakes on succession. And similarly, their
Toon Vos:grazing was subject to a system of checks and balances too. For
Toon Vos:an oak to make it to adulthood, a lot needs to go according to
Toon Vos:plan. Its acorns need to be picked up by a jay, who will
Toon Vos:hide them, amongst other places, in thorny shrubs for later. Like
Toon Vos:in the brambles of species like blackthorn or hawthorn. There,
Toon Vos:the oak saplings are protected from large herbivores, while
Toon Vos:still receiving ample daylight. Thorny shrubs made sure that the
Toon Vos:grazers couldn't fully prevent regeneration.
Frans Vera:And in fact, those thorny species are natural
Frans Vera:barbed wire. So what every forester does now — getting
Frans Vera:barbed wire around the tree to protect — it was already in
Frans Vera:nature. But nobody sees it anymore!
Toon Vos:The experiment at the Oostvaardersplassen was all
Toon Vos:about seeing what would happen if large herbivores were
Toon Vos:introduced back into the mix, not to recreate the pictureque
Toon Vos:paintings of the past, but to find out how the landscape would
Toon Vos:change. But how it would play out in reality, that's a
Toon Vos:different story. Once again, here's Koen, the nature writer
Toon Vos:and researcher from the top of the episode,
Koen Arts:It started off as an ecological experiment. And it
Koen Arts:became a bit of a social experiment. So ecologically,
Koen Arts:there are super interesting things that have happened here,
Koen Arts:all kinds of interesting species that thrive on the kind of
Koen Arts:management that was there. So that part of the ecology, you
Koen Arts:could say has been a success. So we're talking about rewilding,
Koen Arts:maybe if you want to use that term, or a new wilderness with
Koen Arts:minimal human intervention. But the problems came slowly as non
Koen Arts:intervention also meant no population control. And what has
Koen Arts:happened over the years is that large grazers have proliferated.
Koen Arts:And this leads to a very difficult scene, sometimes in
Koen Arts:harsh winters, when there's a lack of food, and we see a lot
Koen Arts:of animals die. Now, of course, dying of animals is something
Koen Arts:that belongs, that's part and parcel of nature and of nature
Koen Arts:conservation. But usually in the Netherlands, when large amounts
Koen Arts:of animals die, we don't see that.
Toon Vos:Here, Koen refers to wild animals in the other bigger
Toon Vos:natural areas in the Netherlands, but his words are
Toon Vos:just as true for the agricultural industry. The
Toon Vos:Netherlands, a country of 17 million people, is a home to 3.8
Toon Vos:million cows, 12 million pigs, and more than 100 million
Toon Vos:chickens, whose deaths are simply accepted as a part of our
Toon Vos:identity as an agricultural export country.
Adam Huggins:Can I go back and we maybe we just glossed over
Adam Huggins:it, but like, you've created this small wilderness, right?
Adam Huggins:First, it was just bare soil, you added plants, and then some
Adam Huggins:of the animals invited themselves. And then you add
Adam Huggins:grazers. And you're missing the large predators. Why were the
Adam Huggins:large predators never added?
Toon Vos:Well, first of all, we didn't have them at the time.
Toon Vos:Now, the wolf came in from Germany, and has been around in
Toon Vos:the Netherlands and Belgium for for a while now, which is
Toon Vos:exciting. But at the time, they figured that large herbivores
Toon Vos:are controlled by food supply,
Adam Huggins:Which we would call bottom up control. But not
Adam Huggins:top down control, which would be the predators.
Toon Vos:But Frans added to that, that those predators
Toon Vos:wouldn't have gone after the large cattle anyways. Now, of
Toon Vos:course, you can kind of look at the ecology of fear and what
Toon Vos:that will do to populations. But that's where they were at, at
Toon Vos:the time. Now, land managers say, it's only a matter of time
Toon Vos:before wolves make their way into the Oostvaardersplassen.
Adam Huggins:So what you're saying is that they both didn't
Adam Huggins:have the predators at the time to include, and they also didn't
Adam Huggins:think that they were necessary. Is that right?
Toon Vos:Yeah, that sounds about right. But what made the
Toon Vos:Oostvaardersplassen stand out, is that the animals that died
Toon Vos:there are simply visible, no longer concealed from the public
Toon Vos:eye.
Adam Huggins:Oh, people could see them from the trains going
Adam Huggins:by?
Mendel Skulski:From the rim of the bathtub!
Koen Arts:So what happened is, we saw looking out over the
Koen Arts:area, we saw animals dying. And this was very painful in many
Koen Arts:different ways, not only just for the animals, but also for
Koen Arts:people who felt they had a connection with the animals. And
Koen Arts:it is very strange to think that there is a Konik horse on this
Koen Arts:side of the dike, which can't find any food. And you can see
Koen Arts:it's getting slimmer and slimmer to the point where it just can't
Koen Arts:really live anymore in a way it should, and it will die in
Koen Arts:winter. And then, 200 meters on the other side of dike, there's
Koen Arts:maybe a pony in a meadow, and it's being fed by its owner. And
Koen Arts:that is what we assume a fairly happy pony.
Toon Vos:Koen says that people in Western societies struggle
Toon Vos:when discussing death. Because of its taboo status, we tend to
Toon Vos:ignore it, until it's staring us in the face. For example, on
Toon Vos:social media,
Koen Arts:Where, for instance, an image of a dying horse could
Koen Arts:go viral very quickly, and would invite lots of people to comment
Koen Arts:on that.
Toon Vos:By 2017, it got to the point where activists began
Toon Vos:throwing bales of hay over the fences of the
Toon Vos:Oostvaardersplassen for the animals to eat. Dutch society
Toon Vos:couldn't make up its mind what to think about our so called
Toon Vos:wilderness and its management style of "less is more". The
Toon Vos:experiment that was all about our non-intervention for an
Toon Vos:indefinite amount of time, was cut short in 2018, starting with
Toon Vos:the culling of the large grazers down to about one-fifth of their
Toon Vos:original population.
Mendel Skulski:Down to one-fifth. Like culling 80%.
Adam Huggins:Wow, that's an incredibly dramatic
Adam Huggins:intervention.
Toon Vos:Yeah, they're still working on it actually, they're
Toon Vos:not done.
Mendel Skulski:Oh my God.
Toon Vos:Leading up to the policy change, the
Toon Vos:Oostvaardersplassen was often in the news, and even being thought
Toon Vos:of is pretty controversial. Precisely because of its policy
Toon Vos:of non-intervention and the animals that were dying because
Toon Vos:of it. For Frans, and many others involved in the natural
Toon Vos:park, the growing unrest was frightening. They received
Toon Vos:threats, and were portrayed as sadistic animal killers.
Frans Vera:I got threats. I got death threats. They even
Frans Vera:threatened to kill my grandchildren, because, they
Frans Vera:said, you have to change your opinion about the
Frans Vera:Oostvaardersplassen publicly.
Toon Vos:Some people compared Frans to Nazi leaders like
Toon Vos:Hitler or Mengele. It was a dark time, and I could feel the
Toon Vos:impact it had on him during our conversation.
Toon Vos:But despite the mudslinging France work on large grazers was
Toon Vos:being applied more and more throughout the Netherlands,
Toon Vos:herbivores were being introduced or reintroduced in many places
Toon Vos:to become an integrated part of the ecosystem. But there would
Toon Vos:be a major difference with the Oostvaardersplassen. In other
Toon Vos:places, the grazing population would be tightly controlled by
Toon Vos:humans rather than food supply. Frans' grazers were in high
Toon Vos:demand throughout the Netherlands, but the most
Toon Vos:integral part of his theory — letting nature run its course —
Toon Vos:would be permanently sidelined in the favor of culling.
Toon Vos:I wanted to see how Frans' ideas were being applied elsewhere in
Toon Vos:the Netherlands. So I met up with science and biology
Toon Vos:journalist Gemma Venhuizen, who is the co-host of one of my
Toon Vos:favorite Dutch science podcasts "Onbehaarde Apen".
Toon Vos:Hello.
Gemma Venhuizen:Hi! [introductions in Dutch]
Toon Vos:In one episode, she mentioned that she used to be a
Toon Vos:volunteer as an assistant ranger at another Dutch nature reserve
Toon Vos:called Kraansvlak. We met up in the dunes of the North Sea on a
Toon Vos:very windy day. We were about to embark on a search for an animal
Toon Vos:I had never seen before. An animal that almost disappeared
Toon Vos:off the face of the earth in the early 20th century. But first,
Toon Vos:we needed to climb the electric wire that is supposed to keep
Toon Vos:the wilderness inside of this nature reserve. This is the
Toon Vos:Netherlands after all.
Adam Huggins:Can't let the wilderness out, God forbid!
Toon Vos:Well, we have to climb to get in?
Gemma Venhuizen:Yes, you have to get over the fence because of
Gemma Venhuizen:course, the European bison stay still live in an enclosure.
Gemma Venhuizen:Well, shall I?
Toon Vos:Yeah.
Gemma Venhuizen:Shall I go in first?
Toon Vos:Yeah you can go in first, we'll see if it's safe!
Toon Vos:European bison, or wisenten, as we say in Dutch, are the largest
Toon Vos:land-dwelling animals on the European continent. They are
Toon Vos:related to North American bison, but have a smaller hump on their
Toon Vos:back and they stand a bit higher on their feet. Sadly, they went
Toon Vos:extinct in the wild in 1919. After the ancient oxen and
Toon Vos:horses of Europe, known as aurochs and tarpans, another
Toon Vos:large herbivore bit the dust. Or did it?
Mendel Skulski:Or did it?!
Gemma Venhuizen:In 1929, they started with the reproduction
Gemma Venhuizen:program.
Toon Vos:breeding bison in captivity,
Gemma Venhuizen:and in 1952, in Białowieża, I hope I pronounced
Gemma Venhuizen:it correctly,
Toon Vos:a town in Poland known for its old growth forest,
Gemma Venhuizen:the first bison out of that program was
Gemma Venhuizen:reintroduced into nature. And then in 2007, so then the first
Gemma Venhuizen:bisons came here to the Netherlands.
Adam Huggins:I guess I'm just trying to picture this. So you
Adam Huggins:snuck in past some electric wire to like a dune area, to see
Adam Huggins:bison.
Toon Vos:Yeah.
Adam Huggins:Is that Is that right? What are we looking at
Adam Huggins:here?
Toon Vos:That's right. I mean, it's funny, you should talk
Toon Vos:about pictures, because they actually have a beautiful
Toon Vos:website with very carefully curated pictures. The Dutch are
Toon Vos:very proud of their bison. Also, we didn't sneak past the
Toon Vos:electric wire. No, no, no, there was a neat plaque that explained
Toon Vos:us the ground rules.
Adam Huggins:I see. Oh, my God. Okay, I'm looking at pictures of
Adam Huggins:them right now.
Toon Vos:Did you find it, the Dutch website?
Adam Huggins:Yes. This is a bunch of bison out on on like, a
Adam Huggins:bunch of sand. You know, you were talking about the desert
Adam Huggins:earlier. Looks a little bit like that.
Toon Vos:What you can't see on the picture is that the Formula
Toon Vos:One track is right next to it.
Adam Huggins:Everything is tiny.
Toon Vos:Everything is tiny. And one thing I think is really
Toon Vos:interesting about the Kraansvlak in comparison to the
Toon Vos:Oostvaardersplassen, is that it's here that Frans' theories
Toon Vos:about large herbivores get applied to an epic narrative
Toon Vos:about a species brought back from the brink of extinction.
Toon Vos:And this story of resurrection would prove to resonate deeply
Toon Vos:with the Dutch public.
Adam Huggins:It's certainly a lot sexier than watching horses
Adam Huggins:die from the train.
Toon Vos:Following a similar logic as the large grazers in
Toon Vos:the Oostvaardersplassen, the European bison were introduced
Toon Vos:to help maintain the coastal landscape and put the brakes on
Toon Vos:succession. Gemma and I looked long and hard to see if we could
Toon Vos:spot them.
Toon Vos:Haha! [excited murmuring]
Gemma Venhuizen:Oh, wait.
Toon Vos:Are we seeing bison or cows?
Gemma Venhuizen:Yeah, well, first I thought it was. Oh, this
Gemma Venhuizen:is kind of a deception. And I'm also kind of ashamed because I
Gemma Venhuizen:was like, having this exclamation like, Oh, we're
Gemma Venhuizen:seeing them! But now I have a closer look, these are just the
Gemma Venhuizen:Scottish Highlanders.
Toon Vos:No luck finding European bison in the dunes this
Toon Vos:time. Quite a disappointment after scrolling through all
Toon Vos:those photos on the Kraansvlak website in anticipation. These
Toon Vos:animals have become icons of untamed nature in the Dutch
Toon Vos:consciousness. It is striking how these large herbivores are
Toon Vos:loved and celebrated, delicately managed, so we only see their
Toon Vos:best side. Their population is controlled —
Adam Huggins:Right, so you're not gonna accidentally come
Adam Huggins:across one starving to death on the side of the train tracks or
Adam Huggins:anything like that.
Toon Vos:No, you're not. In the Netherlands, every patch of
Toon Vos:nature comes with a list somewhere, telling managers how
Toon Vos:big the population should be. No herbivore lives in our country
Toon Vos:without our permission. And when you enter the Kraansvlak
Toon Vos:reserve, there is a sign that lays down the ground rules:
Toon Vos:"Keep your distance from the animals and stay on the path!"
Toon Vos:Are these the ground rules to all of nature in the
Toon Vos:Netherlands?
As the poet JC Bloem once said:
Speaker:"Wat is natuur nog in dit land?"
As the poet JC Bloem once said:
Speaker:What is nature in his country, anyway?
As the poet JC Bloem once said:
Speaker:Koen says that although only small chunks of the Netherlands
As the poet JC Bloem once said:
Speaker:are reserved for nature, the Dutch public have generally been
As the poet JC Bloem once said:
Speaker:enthusiastic about this so-called rewilding. This has
As the poet JC Bloem once said:
Speaker:resulted in large symbolic accomplishments, like
As the poet JC Bloem once said:
Speaker:reintroducing European bison as a steward of the dunes. But for
As the poet JC Bloem once said:
Speaker:Koen, the future of nature conservation starts much
As the poet JC Bloem once said:
Speaker:smaller.
Adam Huggins:Smaller. Of course, it does. This is the
Adam Huggins:Netherlands!
Toon Vos:Yeah, exactly. Not only do we put physical fences
Toon Vos:between humans and nature, but we fence ourselves off
Toon Vos:conceptually as well. After all, the forestis was defined as
Toon Vos:wherever humans aren't. Koen wrote a book about his own
Toon Vos:experiment that he did with his wife, Gina, in an attempt to
Toon Vos:begin to tear down these fences in their own lives. At the time,
Toon Vos:they were both working in the field of nature conservation,
Toon Vos:but were mostly stuck behind their desks, inside. So, they
Toon Vos:decided to have a Wild Jaar — a "wild year".
Koen Arts:A Wild Year for us was trying to reconnect with
Koen Arts:nature, but not by going abroad going to the woods of Canada or
Koen Arts:Alaska or, you know, going on Expedition for a year. No, a
Koen Arts:Wild Year was for us, trying to find wildness in a land without
Koen Arts:wilderness. So we set one simple rule: we said "Okay, can we
Koen Arts:spend more time outside and inside on a daily basis?" Which,
Koen Arts:you know, clearly means at least 12 hours on average. And we also
Koen Arts:said "We should do this in every season of the year"
Toon Vos:Koen and Gina didn't want to disengage from their
Toon Vos:everyday lives, or turn their back on society. They wanted to
Toon Vos:spend lots of time outside while living their life as they would
Toon Vos:have otherwise. And so they started camping in Koen's
Toon Vos:parents' backyard in autumn, and managed to spend more time
Toon Vos:outside than inside for more than a year — as a way to
Toon Vos:reconnect with nature.
Koen Arts:So if you think of nature conservation as a thing
Koen Arts:that you do from a managerial point of view, and this is in
Koen Arts:essence, what we see in the Netherlands and many other
Koen Arts:countries — it's... it's a technical thing. But for me, it
Koen Arts:starts with a fascination for nature, human fascination, and a
Koen Arts:sense... an ethical sense that we need to protect biodiversity;
Koen Arts:we need to protect species; we need to have areas still, that
Koen Arts:are essentially non human, you know, where our natural
Koen Arts:autonomy, or the self will of land, of animals, of plants is
Koen Arts:present
Toon Vos:Koen and Gina's wild year affirms that you can find
Toon Vos:wildness in a country without wilderness. Their experience
Toon Vos:reminded them of why they got into the field of nature
Toon Vos:conservation in the first place, and drove home the point that
Toon Vos:experiencing nature in any way you can, makes you feel more
Toon Vos:passionate about caring for it.
Adam Huggins:You know, Toon, you brought up the term
Adam Huggins:"rewilding" earlier, which I think is commonly used in
Adam Huggins:Europe, you know, instead of the term "restoration" or something
Adam Huggins:like that, right? Rewilding.
Adam Huggins:And it strikes me from the experience of this couple that
Adam Huggins:we've been talking about rewilding as something that we
Adam Huggins:do to the land right? We, like, rewild this polder, we rewild
Adam Huggins:the section of land, and then you know, we fence it off to
Adam Huggins:keep keep the wilderness inside, right? And it strikes me that
Adam Huggins:this couple, it's like they're... they're experimenting
Adam Huggins:with rewilding themselves. Maybe rewilding is not something that
Adam Huggins:we do to the land right, but something that we participate
Adam Huggins:in?
Toon Vos:Yeah, I think Koen would agree in the sense that he
Toon Vos:says that it's mindset first.
Koen Arts:By and large, nature for us is something that is away
Koen Arts:from us. And those demarcations are super strong in the
Koen Arts:Netherlands.
Toon Vos:After meeting Koen I downloaded a time tracker on my
Toon Vos:phone to find out just how much time I spent outside. Turns out
Toon Vos:that it's not really close to 50% per day. Even though we have
Toon Vos:never met in person, Adam and Mendel, what percentage of my
Toon Vos:time would you guess I spent outside of the past three
Toon Vos:months?
Adam Huggins:You look outgoing and outdoorsy... um what about
Adam Huggins:20%?
Adam Huggins:20%. Mendel?
Mendel Skulski:I think you might be a little bit more like
Mendel Skulski:me that you spend a lot of time I'm thinking about nature, but
Mendel Skulski:in reality, you're inside working. I'm going to go with
Mendel Skulski:12%.
Toon Vos:Fair. More like 7%
Mendel Skulski:Oh, wow. I'm afraid to try to figure this out
Mendel Skulski:for myself.
Toon Vos:And I too consider myself a fairly outdoorsy person
Toon Vos:who goes for walks a lot and goes to places in the weekends
Toon Vos:that are outside.
Mendel Skulski:Oh my god, I think it'd be sobering if I
Mendel Skulski:actually tried to clock all my outdoor hours. Embarrassing
Mendel Skulski:even.
Adam Huggins:We could try it for the next couple of weeks,
Adam Huggins:Mendel.
Toon Vos:It's a pretty fun experience, because once you
Toon Vos:become aware of it, you will take the outdoorsy option more
Toon Vos:often. And this was also something that happened when I
Toon Vos:interviewed Koen. He's like "you want to do the interview
Toon Vos:outside?"
Mendel Skulski:{Laughs]
Toon Vos:And I just hadn't... I hadn't prepared for it. But I
Toon Vos:should have known — this guy wrote a book about it, you know?
Toon Vos:Letting nature go its own way in the Oostvaardersplassen sounds
Toon Vos:very not Dutch to me. The nature that I encountered while I was
Toon Vos:growing up was always tidy and organized. My family and I used
Toon Vos:to visit the same camping site every year. Between the
Toon Vos:different fields, where visitors would pitch a tent or set up
Toon Vos:their camper van, were little patches of woodlands. In the
Toon Vos:middle of them, the owner of the campsite installed what he
called "animal highways":long snaking heaps of tree branches
called "animal highways":and trimmings for rodents and other animals to seek refuge in.
called "animal highways":His animal highways were an imitation of the inherent chaos
called "animal highways":in nature. But using whatever was left of the woodland
called "animal highways":maintenance done to keep things organized and neat.
called "animal highways":With this, in the back of my mind, it seems like the
called "animal highways":Oostvaardersplassen was ahead of its time. It seemed like a small
called "animal highways":miracle that the Dutch government was willing to give
called "animal highways":it a shot in the first place. But there was a lot of pressure
called "animal highways":for things to go well. The Oostvaardersplassen needed to do
called "animal highways":everything just right. It needed to please every side of the
called "animal highways":debate.
called "animal highways":Many had hoped that putting large grazers on the landscape
called "animal highways":would create a mosaic — a patchwork of biotopes: the
called "animal highways":park-like landscapes of Europe's past. But, perhaps because of
called "animal highways":the lack of predators, or the lack of political will to create
called "animal highways":green corridors with other nature reserves, we instead got
called "animal highways":a savannah.
called "animal highways":Yet, the ripples of the Oostvaardersplassen have been
called "animal highways":felt outside of the Netherlands. In the UK, Isabella Tree and
called "animal highways":Charlie Burrell had inherited Knepp estate: a castle, a large
called "animal highways":piece of agricultural land, and the farming business that went
called "animal highways":along with it. No matter what they tried, traditional farming
called "animal highways":at Knepp was losing money year after year. They wanted a way
called "animal highways":out. And so they got in touch with Frans in the early 2000s.
Frans Vera:And then they decided we are going to rewild
Frans Vera:Knepp castle. So they stopped agriculture. And they had a
Frans Vera:tremendous development. It's now the hotspot for nightingales.
Frans Vera:It's the hotspot for the Emperor butterfly. It's the hotspot for
Frans Vera:all kinds of bird species, which are everywhere in United
Frans Vera:Kingdom, though going down.
Toon Vos:It's important to mention here that the population
Toon Vos:of grazers at Knepp is being managed. Excess animals are
Toon Vos:culled and sold as wild range meat. The meat selling endeavors
Toon Vos:are an integral part of their business model. Still, the
Toon Vos:project is seen as controversial: a subversion of
Toon Vos:their neighbors' well-maintained farmlands. Some see
Toon Vos:unpredictable chaos. Others see a kind of magic in its dynamism.
Toon Vos:Isabella Tree wrote a book, Wilding, about their journey
Toon Vos:rewilding Knepp. She quotes Frans saying "Open up the box,
Toon Vos:allow natural processes to develop, give species a wider
Toon Vos:scope to express themselves and you get a very different
Toon Vos:picture. This is what the Oostvaardersplassen is all about
Toon Vos:— minimal intervention, letting nature reveal herself. And the
Toon Vos:result is an environment we know nothing about."
Toon Vos:So where does this leave us? How can we protect an environment we
Toon Vos:know nothing about? As those dreamy 19th century painters
Toon Vos:showed, loving something is not the same as taking good care of
Toon Vos:it. Their static utopia was doomed by their refusal to
Toon Vos:accept it as a dynamic system. There's truth in the saying that
Toon Vos:if you love something, let it go. Only when you dare to
Toon Vos:release your hold, when you truly accept other beings as
Toon Vos:being their own selves, will a relationship begin to flourish.
Toon Vos:As contentious as the Oostvaardersplassen is, I feel
Toon Vos:like the experiment has been successful in many different
Toon Vos:ways. Looking at the large grazers now populating natural
Toon Vos:reserves in the Netherlands, messy nature becoming more
Toon Vos:widely accepted, and Knepp estate, whose business is
Toon Vos:thriving around their rewilding projects, it's clear to me that
Toon Vos:this bold experiment has shaken up the field of nature
Toon Vos:conservation. It showed the potential of spaces dismissed as
Toon Vos:throwaway biotopes — that even the former bottom of the sea can
Toon Vos:develop itself into a sprawling haven for wildlife. That amidst
Toon Vos:all of the destruction, new things can and do emerge.
Mendel Skulski:Next time on Future Ecologies, we're jumping
back across the pond:exploring the very different lineage of
back across the pond:wildlife and wilderness in North America, where space is
back across the pond:plentiful, and colonization is in the not so distant past.
Toon Vos:This episode was produced by me, Toon Vos.
Mendel Skulski:And me Mendel Skulski.
Toon Vos:With help from Adam Huggins and Lili Li.
Mendel Skulski:Future Ecologies is an independent production
Mendel Skulski:made possible by our supporters on Patreon. You can help us tell
Mendel Skulski:more stories from more places by supporting the show at
Mendel Skulski:patreon.com/future ecologies.
Toon Vos:If financial support isn't for you, then you can
Toon Vos:still help the show in a very important way. Share it with
Toon Vos:your community and leave a rating or review wherever you
Toon Vos:listen. It makes a huge difference.
Mendel Skulski:For photos from Toon's adventures, citations,
Mendel Skulski:transcripts, and more, visit us at futureecologies.net
Mendel Skulski:Toon and I also wrote a different version of this story
Mendel Skulski:for Are We Europe magazine. You can catch that in Issue #15: The
Mendel Skulski:Lie of the Land.
Toon Vos:This episode featured the voices of Koen Arts, Frans
Toon Vos:Vera, Perry Cornelissen, and Gemma Venhuizen.
Mendel Skulski:And with music by Francesca Vincentie, Museum
Mendel Skulski:of No Art, César Franck, Vincent van Haaff, and Sunfish Moon
Mendel Skulski:Light
Toon Vos:Special thanks to Penny Green, Isabella Tree,
Toon Vos:Charlie Burrell, and Gina Maffey.
Mendel Skulski:You can reach us on twitter, facebook, and
Mendel Skulski:instagram, @futureecologies, or get in touch through our website
Mendel Skulski:— futureecologies.net
Toon Vos:Okay, is that it?
Mendel Skulski:That's it. Have fun outside.