Tony:

One of the tags that I use is originality as a trait,

Tony:

it's connected to openness to experience in the five factor model.

Tony:

So in terms of originality, if I start to think about how that plays out through

Tony:

the world I was in before I knew this stuff, I can reel off a number of things.

Tony:

Doing reality TV in Vietnam setting up an football academy in India,

Tony:

running a government back programming in a Mongolia going to Australia

Tony:

at 20 years old as a player coach.

Tony:

I'm high on that scale, like I'm high on openness to

Tony:

experience, high on originality.

Tony:

It's a creative pursuit.

Tony:

It's a world of possibility and curiosity comes with, its because

Tony:

I'm that those stories, like they just hit me in the face.

Tony:

I thought, okay, this is why.

Tony:

That makes sense, why it makes sense that a, that's how I score on the

Tony:

scale and that's how my life play.

Tony:

When I'm in those cycles or modes, I am comfortable, excited, fascinated, curious.

Tony:

I'm lit up, whereas if I'm in the grind a routine process for

Tony:

any more than 10 minutes, I'm nearly in tears, it's bonkers.

Tony:

There's a huge energy drain.

Tony:

So as I'm doing this, so I've built the tool, built the platform,

Tony:

it's just about ready to go.

Tony:

To write about it and also bring anecdotes into it that actually count.

Tony:

I can play back.

Tony:

I can play this system methodology back through, through life and talk about the

Tony:

good, the bad, and the indifferent of what it means to be somewhere along this

Tony:

These scales, it's quite fascinating.

Tony:

It's

Clark:

I don't know how long you guys have been on LinkedIn.

Clark:

I went on onto it, I think, a few years ago, I don't know, maybe

Clark:

five years ago, without really any interest in what it was about.

Clark:

It seemed like a fairly boring business platform.

Clark:

And in the year or so, just over a year that I've been active on LinkedIn.

Clark:

It seems to have changed to me.

Clark:

There seems to be much more of a a trend towards creativity in the

Clark:

last year or so that I've seen even amongst the business types.

Clark:

You hear about storytelling and this sort of thing that it seems that even

Clark:

stayed corporate organizations seem to be leaning towards a creative mindset

Clark:

or how to bring out the creativity in the people that they work with.

Clark:

And what you've just been saying there as a coach working in football, you

Clark:

might not immediately think of that as a creative role, but it certainly is.

Clark:

And the way you've just described it, it definitely is that, it's a

Clark:

creative enterprise where you're trying to encourage the best in people.

Clark:

And that seems to be the way it's going in general.

Clark:

Unless I'm missing something, but it seems to be.

Tony:

Yeah, you're right.

Tony:

I definitely see that trend.

Tony:

Rob, you're a great example.

Tony:

Your product, your writing is prolific and, very well received.

Tony:

Just going back to the point About that creativity, you think about in game action

Tony:

and in game thinking processes and I think it's easy to assume that everybody's

Tony:

always analyzing and responding to data and making really strategic,

Tony:

strategically well thought out plans.

Tony:

Of course that's sometimes the case, but for somebody like me, for all of us,

Tony:

whether you like me or you not like me.

Tony:

You're trying to predict the future.

Tony:

If you make a tactical adjustment in game or you make a substitution, it's because

Tony:

you think that something better is going to happen than he's happening right now.

Tony:

And of course that's, it's rubbish, but none of us can actually do that.

Tony:

None of us can predict the future.

Tony:

But, and I would say that my approach to that was largely an intuitive one,

Tony:

not a methodically structured one.

Tony:

To the degree where sometimes I would struggle with additional

Tony:

voices when I'm in that moment where I have to feel something.

Tony:

I'm in this world where I'm predicting future, and I'm an optimist.

Tony:

So I'm always looking to make a positive change.

Tony:

And I recognize that not everybody sees that, not

Tony:

everybody's comfortable with that.

Tony:

I had a great assistant manager and bought another coach.

Tony:

He was an Argentinian guy, Claudio Canosa, redhead, tough as nails as a player.

Tony:

Imagine a fiery Argentinian redhead anyway, he was he added so much

Tony:

to the team, but on a game day, he added so much second guessing into

Tony:

my head that it was never gonna last.

Tony:

And as soon as he was no longer there, I was much more back in where I needed

Tony:

to be in those types of situations.

Tony:

So it's a fascinating thing because people don't understand

Tony:

the decisions you've made.

Tony:

If you haven't thought it through with them, it's just boom, I'm doing it, you

Tony:

warm up, we're doing this off you go.

Tony:

I now understand the psychology behind that and I now understand why it's

Tony:

important to know it because when you know what's behind it, you can make the

Tony:

adjustments a little bit more readily, you can be a little bit more strategic

Tony:

or thoughtful about stuff, especially if you're in a state of perpetual

Tony:

delusion about your ideas being great.

Tony:

Yeah, we got beat, but it can still happen.

Tony:

We can still do it.

Tony:

And the belief in everyone else is diminishing by the

Tony:

second, and you stay firm on it.

Tony:

That's one of the downsides of being like me.

Clark:

I'm just going to put a marker there because I, you said something

Clark:

there that's really fascinating to me.

Clark:

You said something there about listening to somebody else's input that may not

Clark:

necessarily be helpful, and I find that fascinating because I've always

Clark:

been, I'm a little bit anti tribe, the tribe doesn't know you or me, so

Clark:

how can they tell us how we should be.

Rob:

When you look at analysis and creativity, they're different

Rob:

polarities, but actually intuition comes from having pattern recognition

Rob:

because you've seen so many different patterns subconsciously, it's all there.

Rob:

Enables you to have that intuition.

Rob:

Writing is quite natural for me, but I can't write something if I don't feel it.

Rob:

I focus in on a detail, I'll argue a point and then another, a week or two later I

Rob:

can then be talking about the same topic.

Rob:

But because I'm feeling different, I'll argue exactly the opposite

Rob:

point and to me both are true.

Rob:

My point is that you have analysis from years of pattern recognition.

Rob:

The intuition is like when you're in that moment, you lock into

Rob:

that and you feel a certain thing.

Rob:

And if you.

Rob:

trying to write or you're trying to do something that isn't with

Rob:

in line with that it doesn't work.

Tony:

Yeah.

Tony:

That's interesting too.

Tony:

I think I agree with you about that sort of those two polarities.

Tony:

And it's interesting to hear your internal conjecture, your internal

Tony:

fight and your position, you'll take the conversation you'll have with yourself.

Tony:

It's quite interesting for me.

Tony:

If I'm thinking of putting my game fit, of course, I think

Tony:

feedback is really important.

Tony:

To get feedback is fuel for growth and learning.

Tony:

So on reflection.

Tony:

I would take feedback on board.

Tony:

Absolutely.

Tony:

In the moment, my intuition's tied to a really strong belief in what's possible.

Tony:

I actually maybe believe more in other people than they believe in

Tony:

themselves at times, which is something I've always felt quite good about.

Tony:

And I think as a leader, it's your job to try and help them match that belief

Tony:

in themselves, find that confidence.

Tony:

So my intuition, yes, I agree, it's honed on pattern recognition and all of that.

Tony:

That by doing these things, these types of things can happen.

Tony:

I used to have an assistant coach, John McClafferty, a great friend

Tony:

of mine, he's now dead, sadly.

Tony:

He was an amazing guy, amazing man.

Tony:

And every game, John would say to me, would you take a draw?

Tony:

And it was like, it's the antithesis of my where my head was at and we would

Tony:

bet every, I would never take a draw.

Tony:

We would also bet sometimes on, we had one guy who was really struggling to score

Tony:

goals and he would bet me, this is just a small coffee, bet me a coffee that he

Tony:

was not going to score and I would always bet that he was because I'm optimistic.

Tony:

But even in a game where we only needed a draw to win the league, I would

Tony:

not accept the bet to take a draw.

Tony:

It's just the way we were wired so differently.

Tony:

I think some of it's geared around, do you love to win or do you hate to lose?

Tony:

What's your predisposition?

Tony:

What's your start point?

Tony:

If you're more, you just hate to lose, then you're gonna take a draw.

Tony:

You'll just do what it takes to get the troops camped in and do what you

Tony:

can on the counterattack or whatever.

Tony:

Whereas if you love to win, then anything's possible.

Tony:

Let's go for it, guys.

Tony:

See what can happen.

Clark:

That idea, Tony, of what your predisposition is to me is actually

Clark:

way more profound than it sounds.

Clark:

I had a conversation yesterday.

Clark:

I'm very fortunate to work around here in Norwich.

Clark:

There's a quite a big university and a big research center.

Clark:

So there's a lot of academics just in and around the town, probably like

Clark:

a lot of places Cambridge and so on.

Clark:

But I am fortunate to have a really good friend who's a professor

Clark:

of I can never get it right.

Clark:

She's a professor of historic economic politics or something like that.

Clark:

It's history, politics, and economy and all of that stuff.

Clark:

Basically how countries run themselves and get themselves into the trouble

Clark:

that they find themselves in.

Clark:

But we have a constant conversation because our political

Clark:

views are very different.

Clark:

I'm not particularly political, but I'm very traditional in my outlook.

Clark:

In as much as, change for its own sake is not necessarily something

Clark:

that I'm a massive fan of, but she's definitely quite radical in her outlook.

Clark:

And we have some brilliant conversations, enormous respect for each other

Clark:

and talking about our worldviews.

Clark:

We was talking yesterday morning about this these polar opposites that Rob's just

Clark:

mentioned, because on the one hand, you have the Empirical worldview, which is

Clark:

what I consider myself to be predominantly about, and that is a pragmatic, practical

Clark:

approach to life, what's sitting in front of me and what does it mean

Clark:

and what am I going to do about it?

Clark:

As opposed to a more rational view, which is, how should the world

Clark:

be and how do we want it to be?

Clark:

And obviously the sweet spot is somewhere between the two because you

Clark:

want to meet in of these two extremes.

Clark:

I was saying to her that.

Clark:

It reminded me of, oh, 30 years ago, I read the book Zen and the Art of

Clark:

Motorcycle Maintenance, which was nothing to do with motorcycle maintenance,

Clark:

nothing to do with Zen, but all about this conflict between chaos and order,

Clark:

between rationalism and empiricism.

Clark:

And I remember a talk a long time ago that I wrote a post about recently by John

Clark:

Cleese, who was talking about creativity.

Clark:

He said, how do you encourage creativity?

Clark:

He said, on the one hand, you have to relax.

Clark:

There has to be humor.

Clark:

There has to be no pressure.

Clark:

You have to be able to be free to just say whatever comes into your mind.

Clark:

That's what creativity is all about.

Clark:

Some people might look at a brainstorming session and think this is chaotic,

Clark:

which is exactly what it should be.

Clark:

That's how ideas and innovations come about.

Clark:

But then at some point he said, you have to start to channel

Clark:

that creativity and impose order.

Clark:

And that to me, of course, is the empirical worldview.

Clark:

So those two extremes are constantly playing.

Clark:

against each other.

Clark:

What I said to her yesterday was that actually, whilst those two things

Clark:

are fairly well known, most people realize that we sort of shuttle between

Clark:

the two extremes from time to time.

Clark:

There's another thing at play, and that is the predisposition,

Clark:

as you've just said, of the person or the entity, the organization,

Clark:

that's actually doing the thing.

Clark:

Because we don't all get creative in the same way, nor do we all respond to

Clark:

order and processes in the same way.

Clark:

Just after my accident, that, that accident, motorbike accident,

Clark:

completely turned my world upside down for several months.

Clark:

I was in a position of not really knowing what I was about

Clark:

and what I was going to do.

Clark:

And it got me thinking about certain things.

Clark:

And a lot of people said to me this thing that has happened to you happened for

Clark:

a reason, which I was very set against.

Clark:

I really didn't like that way of, so you're saying I had no control.

Clark:

This thing was done to me for a reason.

Clark:

And I really didn't like that.

Clark:

It's a very rationalist view.

Clark:

It's a very out there, creative minded, what I used to call woo way of thinking.

Clark:

And it was not something that I was very happy about at all.

Clark:

But having been forced to think about it I started to entertain the idea

Clark:

a little bit, and it's this idea of predisposition, how we approach things.

Clark:

Somebody spoke to me who's on LinkedIn, she's very much into that world

Clark:

of sort of energy and vibrations and frequency and all that stuff

Clark:

that I am totally unfamiliar with.

Clark:

She asked me to look into something related to how I am I'm not going to go

Clark:

into it too massively, but basically it caused me to realize that I have a certain

Clark:

way of looking at everything, as do you.

Clark:

The way you are has a massive profound effect on the way you

Clark:

interact with creativity or order.

Clark:

And if you don't know who you are or how you respond to things, then

Clark:

you have the problem that you just talked about where you, where your

Clark:

assistant coach said, would you take a draw, no, because that's not me.

Clark:

I'm not that sort of person.

Clark:

And when people get into creative pursuits, It's very useful to know

Clark:

what sort of a person you are.

Clark:

I was talking to somebody this morning that was saying that the biggest problem

Clark:

that they come against in helping people change or organizations change is inertia.

Clark:

They won't move.

Clark:

They feel what's the point?

Clark:

Why bother?

Clark:

And the reason for that is they don't know who they are or how they operate

Clark:

within the world and they've tried for years and years to impose other people's

Clark:

world views on the way they get creative.

Clark:

It's never worked, so they don't bother.

Clark:

And the key to that is finding out who they are and how they get created.

Clark:

So when you just talk there about your predisposition, to me, that

Clark:

is the absolute key thing for an organization or a person.

Clark:

Look,

Tony:

I couldn't agree more.

Tony:

I think you've nailed, if I think back to The coach who just used to fill me with

Tony:

noise and was making me second guess, for example, there's two things going on.

Tony:

There's a lack of self awareness on his part, and I'm very well aware of

Tony:

what's happening to me in my part.

Tony:

And I think I've always had that.

Tony:

So I think when you apply, we talk about this predisposition, you go into

Tony:

a management role or a leadership role.

Tony:

And the classic, we're there to, influence the social dynamics of this thing that

Tony:

we're about to try and move forward with.

Tony:

We're trying to meet some complex challenge together, and I need to

Tony:

mobilize these people to do it.

Tony:

Now, if I do that, I think we might have talked about this

Tony:

before, but my way is not the way.

Tony:

It's just my way.

Tony:

And if I'm not aware of that, then how can I possibly understand

Tony:

each of the people in my team?

Tony:

And how can I then possibly maximize my capacity to mobilize them?

Tony:

It just doesn't make sense.

Tony:

So if I want to get to influence the culture of the whole organization,

Tony:

if I want to be that guy then you've got to wind it all the way

Tony:

back to the self awareness pitch.

Tony:

You've got to know who you are in order to grow yourself.

Tony:

Getting into the dark side here, that self awareness is what are those things

Tony:

that lurk, that are going to derail you if you don't get on top of them?

Tony:

There's all of those sorts of things that are part of this.

Tony:

And that can just be when I'm overly optimistic at a time when most people

Tony:

are stressful, that ain't going to be a good behavior to be on display.

Tony:

It may be counterproductive.

Tony:

It may need you to tone it down or dial it down and.

Tony:

I think there's you've really nailed the whole idea that we're going to

Tony:

influence socially, we have to have a large degree of self awareness first.

Tony:

I think there's a failure for many to really grasp what that is.

Tony:

That's a deep dive.

Tony:

That's not it's not something to be taken lightly.

Clark:

Tony, I always do lots of weird stuff in my work because

Clark:

I'm always interested in the way people respond to things.

Clark:

But one of the things that I do, and I do it especially with

Clark:

particularly authoritative people.

Clark:

Authoritative people?

Clark:

I asked them what their star sign is.

Clark:

I find it fascinating, not just what they answer, but how they answer because

Clark:

some people look at me as if to say, what the hell are you asking me that for?

Clark:

And that's my point.

Clark:

When you talk about knowing yourself as you go into talk to

Clark:

an organization, I find it just as interesting to know who they are,

Clark:

what's the culture at that place.

Clark:

I was working with somebody last year, a group of people for a very large,

Clark:

creative organization, very creative.

Clark:

They're in the entertainment industry.

Clark:

And I had never met these people before.

Clark:

And it was an ad hoc meeting.

Clark:

I was just asked to come in because there's some problems that needed sorted

Clark:

quickly because they were just about to embark on quite an important project.

Clark:

I had to go the next day.

Clark:

So I had no information to go on.

Clark:

I had very little time to prepare.

Clark:

I said, can you just find out what everybody's MBTI score is?

Clark:

What are they on the MBTI thing?

Clark:

The Myers Briggs type in indicator.

Clark:

And part of the reason I asked for that was to find out how

Clark:

they responded to being asked to find out where their MBTI was.

Clark:

And some of them already knew, which tells you a lot already.

Clark:

Some of them were very unwilling to do it.

Clark:

Some of them did it and said it was an absolute load of nonsense.

Clark:

But to me, that was probably the most important thing.

Clark:

And what I did was, when I got to the meeting, from what had been said and

Clark:

what was fed back I made one comment.

Clark:

I literally just sat down and I said, Who is The X in this room.

Clark:

'cause I hadn't seen any of these people before, but I picked

Clark:

one of the MBTI categories.

Clark:

. And I said, so who's this person?

Clark:

And this person put their hands up and I made a comment and

Clark:

it nearly turned into a brawl.

Clark:

It kicked off enormously.

Clark:

And some people said, I'm not having this.

Clark:

And other people threatened to walk out and it was really interesting to see.

Clark:

And afterwards the boss said.

Clark:

What was that all about?

Clark:

And I said, look, we didn't have a lot of time.

Clark:

I needed to see who did what and what the dynamic was.

Clark:

And so I threw this little sort of stick of dynamite in.

Clark:

But it told me straight away, there was probably eight people

Clark:

sitting around this table.

Clark:

Who was who?

Clark:

Who was in charge, who thought they were in charge, and what they all

Clark:

thought about each other within minutes.

Clark:

And it was a really productive day, but it started off really quite hairy.

Clark:

But it's important to know who these people are, because very often,

Clark:

they don't even know who they are.

Clark:

And by that the boss doesn't even know what their culture is.

Clark:

The boss may think he knows what the culture is, but the people

Clark:

around the table have got a completely different view of what

Clark:

the culture is and how they operate.

Clark:

And actually there was something going on in that particular group of people that

Clark:

the boss wasn't aware of, which we brought out into the open and something that could

Clark:

have took days to sort out took, a day.

Clark:

And it was fascinating for everybody involved.

Clark:

But it's not just about knowing yourself, is it?

Clark:

It's about knowing who you're working with.

Tony:

The first step, if you know yourself, then you know what

Tony:

questions to ask other people and then you can get to know them.

Tony:

Especially if you're prepared to share the bits about yourself that,

Tony:

if you want other people to tell you something, you can tell them something.

Tony:

There's a book called Radical Candor and the simple measure is how direct

Tony:

and honest you are in your communication is like the horizontal axis and how

Tony:

much empathy, how much genuine empathy you've got is the vertical axis.

Tony:

So if you're, the ideal place to be is really direct and honest

Tony:

and have a lot of high empathy.

Tony:

So I can tell you straight what's going on, but you know that it's done in a

Tony:

way that I actually care about you.

Tony:

Now, if you're low in one and high on the other.

Tony:

Things start to get pretty, pretty bad quite quickly.

Tony:

And I worked with a guy who was as blunt as you can imagine and

Tony:

would have people in tears, right?

Tony:

I've seen the, I was working with the people who were at the wrong end

Tony:

of that stick, they were the people that had been distressed or I was

Tony:

picking up the pieces sort of thing.

Tony:

Interesting thing was.

Tony:

It was the self awareness piece was the bit that was missing because on

Tony:

reflection on understanding the impact of the behavior, the guy's horrified.

Tony:

He does care.

Tony:

He didn't mean that to happen.

Tony:

It's just his predisposition is to go waded in and cause a riot.

Tony:

So it was amazing to the growth in him is almost instant.

Tony:

I can't do that anymore.

Tony:

This is not a behavior that's conducive to the modern workplace at all.

Tony:

We can't have people breaking down because you've like completely

Tony:

destroyed them in front of their peers.

Tony:

It's stop doing it.

Clark:

Can I just ask Rob, when we were talking about, because I was fascinated

Clark:

before we had this conversation about when you mentioned That we were going

Clark:

to talk about the dark side and I had assumed when you talked about this

Clark:

the, by the dark side, you mean covert use of certain tactics to get a result

Clark:

that might not necessarily be seen as particularly honest, let's say.

Clark:

Is that what you're talking about by the dark side?

Rob:

For me, when I think about the dark side, what I really think about is I

Rob:

think we've got the Myers Briggs and we've got the genetic type of temperaments,

Rob:

and someone has those temperaments.

Rob:

But what, that's like broad categories of people.

Rob:

But what makes it more unique is our own experiences shape us.

Rob:

And I think people have a theme.

Rob:

I think people have a dominant currency that they're looking for.

Rob:

Something that has happened throughout their life and

Rob:

it's usually something dark.

Rob:

Yeah, that's what I look at from the dark side.

Rob:

I think the best people, the most the people that you would say are the

Rob:

kindest, most magnanimous, all those people, they're driven by darkness.

Rob:

And it's driven, for me, the way I envisage.

Rob:

I think all emotions originate our degrees of fear.

Rob:

So I think there's a life force, which is like our energy.

Rob:

And then fear is so if you imagine like the life force of the energy of life

Rob:

is like a white torch and then fear is the darkness that creates color.

Rob:

And the degree of fear determines the negativity of the emotion.

Rob:

Absence of fear is happiness, is love, is all of those highest emotions.

Clark:

So what I was thinking Rob, that's why I was I'm pleased that you

Clark:

clarified that because I didn't know what it was one of two things in my mind.

Clark:

First of all, either it was, sometimes people use things like the MBTI.

Clark:

And to me, they're just very basic tools.

Clark:

There are really only a starting point, a template perhaps that you can use

Clark:

to get A little bit of an insight into the direction in which you might

Clark:

wanna go, but that's, there's not much more to it than that, I don't think.

Clark:

However, some people use it much more deeply than that.

Clark:

Some people got more stuck in it than that.

Clark:

There are psychometric tests that you can do.

Clark:

There are all sorts of ways of cold reading and other

Clark:

ways of understanding people.

Clark:

To me, when you mentioned the dark side, I thought it was the misuse

Clark:

of such tools to gain an advantage.

Clark:

So people, for instance,

Clark:

I've never been a big believer in the idea of hypnosis.

Clark:

I know that trance exists.

Clark:

I know that suggestion exists, but the idea of hypnosis people,

Clark:

stripping off and acting like chickens and all that sort of stuff.

Clark:

I'm just okay, there's some suggestion going on there, maybe but all of

Clark:

those things, people can use them either for good to help with trauma

Clark:

and so on, or for their own ends.

Clark:

And when you said the dark side, I thought maybe that's what you're And

Clark:

to a degree, for instance, that thing that I just said I went into the meeting

Clark:

and dropped a little bombshell that was leaning in towards the dark side,

Clark:

because I was basically using some information that I had to just poke this

Clark:

thing with a stick and see what happens.

Clark:

But it was my intent was good.

Clark:

And so that's how I justify myself messing with people a bit.

Clark:

But then there's the other side, when you talk about the dark side, and

Clark:

that's, we all have this shadow, right?

Clark:

As Jung would say and the more we can incorporate the shadow into who we really

Clark:

are and into our persona, then obviously the more rounded out we are as people.

Clark:

When you talk about the dark side from that point of view of course, we all

Clark:

have that and the extent to which we understand that about ourselves is

Clark:

probably the most important thing to find out when you're talking to anybody.

Clark:

So when you're talking to a person who is clearly quite narcissistic

Clark:

in there, it's all about me.

Clark:

If they're not aware of that.

Clark:

That's something that needs to be taken into account when you're dealing with

Clark:

them, because as Tony said earlier, that the constant input from people

Clark:

you may not necessarily agree with, that can cause enormous problems.

Clark:

The fact that you're quite a balanced person, Tony, helps you to at least

Clark:

take on board and assimilate that view, even though you perhaps may

Clark:

not have ultimately used that advice.

Clark:

But some that cause enormous friction as well.

Clark:

This this input from outside and if you're not aware of your own dark

Clark:

side or, maybe it's all fear related.

Clark:

I don't know.

Clark:

Tony (2): Yeah.

Clark:

It's interesting, isn't it?

Clark:

If you like it's in all of us, however, it's manifested where it came from.

Clark:

I'm not sure whether how much of it's innate.

Clark:

And how much of it is situational as we develop into it through our

Clark:

experiences, for example, I'm not sure what that split might be.

Clark:

But if you're, for example, charismatic and charming, and you

Clark:

can use that to really good use.

Clark:

I think the dark side is understanding the choice you have to use that wisely

Clark:

and to use that, and that's a choice.

Clark:

I've had to make, that's not me patting myself on the back for being

Clark:

the charismatic guy, but when you have the ability to convince people of an

Clark:

idea, then there's a line between.

Clark:

when that's healthy and when it's unhealthy.

Clark:

And so that, that's got, we all have the potential to use our makeup to

Clark:

its best possible utility and not.

Clark:

If you're incredibly friendly and that's a nice thing to be most of the time.

Clark:

The question is, when is it not, and when does being friendly start to have

Clark:

a different undertone, how could it be that friends can do that to each other,

Clark:

for example what, what is going on?

Rob:

It's strongly driven by, by the context we're in.

Rob:

It's contextual.

Rob:

When you were talking Clark about chaos and order.

Rob:

I was thinking that's situational.

Rob:

So for me I like to put things I like to so that I can stop thinking about

Rob:

things, cause I tend to be obsessive about if there's an open loop.

Rob:

I like to make a model and okay, this is it.

Rob:

That's and that's it for now.

Rob:

But then when I have that, I want to break it apart.

Rob:

So there's a, when there's order, I want to be chaotic.

Rob:

And when there's order and when there's chaos, I want to bring order to it.

Rob:

So I, I think when we look at these dimensions where they

Rob:

change depending on the context.

Clark:

And as Tony has just said, there's every virtue can and wrong context

Clark:

and circumstance become a vice, right?

Clark:

So the friendly person can become suffocating or manipulative.

Clark:

And this is why it's important to know yourself and the people you're talking

Clark:

to because if if you speak to somebody who is, for instance, extremely friendly.

Clark:

And you know that the dark side of that can be a manipulative

Clark:

approach to dealing with people.

Clark:

Straight away, if you're so inclined, you can start to prod that person a little

Clark:

bit to see where that might eventually go.

Clark:

For instance, myself, that thing that I was saying about where I

Clark:

was encouraged to look at my own predispositions a little bit.

Clark:

It became quite clear that my abilities are around speaking, crystallizing

Clark:

ideas, presenting them in a way for people to understand, which is great,

Clark:

unless I'm so hell bent on getting an idea across that I make them listen.

Clark:

batter their arguments into submission so that nothing that

Clark:

anybody else says ever gets through.

Clark:

That's not beneficial to them or me.

Clark:

And for me to be aware of that in myself, or for you, Tony, to be aware

Clark:

that, you really don't want other people's input because your way is

Clark:

the only way and the best way then there's a tendency to stop listening to

Clark:

people, even when they're saying, look, we're all running over a cliff here.

Clark:

So that this goes back a little bit to our, the 10th man idea that

Clark:

I've spoken about lots of times before, because in all of those

Clark:

circumstances, he's the person that says, when might this become a problem?

Clark:

When might this virtue that we have start to bite us in the arse?

Clark:

And if that is potentially if there is potential for a problem from that

Clark:

particular thing, whatever it might be then we can keep our eye open for this or

Clark:

certainly as part of an organizational, as part of a team, if, everybody's looking up

Clark:

to this one person who is, for instance, like a football manager, they are the

Clark:

person at the moment in Aston Villa.

Clark:

Unai Emery can do no wrong.

Clark:

That's dangerous and I'm sure that as clever as he is, he must be

Clark:

aware of this fact, all leaders must be aware that sycophancy

Clark:

is not good to the organization.

Clark:

And dark side of every virtue, it can be a deadly vice.

Clark:

I would never have guessed, Rob, that you could be obsessive, for instance.

Clark:

It doesn't come across at all,

Clark:

which of course is a good thing, until it's not a good thing.

Clark:

And it's the same for all of us, right?

Clark:

Tony (2): Yeah, and I think Jung talks about the shadow, doesn't he, which

Clark:

is related to this, and it's almost they're the blind spots, so you go into

Clark:

a situation not knowing that you're causing havoc for people, because they

Clark:

don't tell you, especially if you're in a position of assumed power you've

Clark:

people give you power, you're in a position of authority, given authority

Clark:

you're given a managerial role.

Clark:

And you've got blind spots that when your back's turned, everybody's talking

Clark:

about, but they don't tell you it's like that's needs to be revealed.

Clark:

The only way to do it is go deep and understand it and ask people.

Clark:

How am I doing?

Clark:

But we're talking about this as if it's common

Clark:

knowledge and to a degree it is.

Clark:

Constantly having little experiments with myself with my work, with

Clark:

the way I interact with people.

Clark:

I put a post up yesterday didn't get as much pushback as I expected, actually

Clark:

because it was talking about how, The problems that we see around us,

Clark:

the things that we dislike around us.

Clark:

And again I'm not a big fan of pseudo psychology, pop psychology.

Clark:

It's It is an irritant to me.

Clark:

So when people talk about the fact that are projecting your feelings onto

Clark:

somebody else, I always think, ah, maybe, or maybe they're just a dick,

Clark:

maybe you're projecting that, but maybe they actually are not very nice people.

Clark:

So I put this post up yesterday, which was talking about the fact that it was

Clark:

something I saw on Instagram where a guy had an accident a couple years before.

Clark:

A quite a flamboyant gay character, very nice guy, very well dressed.

Clark:

But he'd had this accident that left him paralysed and he was in a wheelchair.

Clark:

And he

Tony:

told us this story last, on the last

Clark:

call.

Clark:

Did I tell you

Tony:

that?

Tony:

Yeah, just so you don't tell us again.

Tony:

He, on the last call, the guy in the wheelchair.

Tony:

Yes.

Tony:

He said it, it's you, yeah.

Clark:

The post actually was just about this idea that, you're, I

Clark:

am not who you say I am, you are projecting those feelings onto me.

Clark:

And whenever I put posts up, I often get DMs telling me how I should have

Clark:

done the post or what I shouldn't have said or how I should have said it.

Clark:

And that happens fairly regularly.

Clark:

with me, not many, but just a couple.

Clark:

I did get some with this one.

Clark:

And this idea that, projection is something that's much more

Clark:

profound than I made it out to be.

Clark:

And I said, look, it's just tongue in cheek, relax, chill out.

Clark:

But this idea that we We find fault with the things around us that we

Clark:

actually don't like about ourselves.

Clark:

And when we do, when we know ourselves and when we understand ourselves,

Clark:

we can start to see that happening.

Clark:

When we start criticizing the things in others that we see in ourselves, it

Clark:

becomes obvious if we know ourselves.

Clark:

But the problem that most people have, we were just talking as if this

Clark:

was common knowledge, but it's not.

Clark:

Most people don't know themselves particularly well.

Clark:

Tony (2): Yeah, definitely.

Clark:

It surprises me that when there is such a vast amount of knowledge available

Clark:

to us all and we know that all the statistics that say business is a 80

Clark:

percent passively disengaged at best.

Clark:

And that managers a 50 percent the reason why.

Clark:

performance is down.

Clark:

And we can go and look as far into it as we want to understand ourselves.

Clark:

Yet it doesn't happen, because people are just doing stuff.

Clark:

They're just going to work, getting paid and going back.

Clark:

So there's not enough connection to what it means to be doing the

Clark:

job that they're doing, I think, is where it, comes down to.

Clark:

I'm just going to ask a question though on that post on the,

Clark:

and this is for both of you.

Clark:

You've posted on an open forum, right?

Clark:

So you've exposed yourself to feed, public feedback, which is what you want.

Clark:

So you're doing, you provoke, you're provoking a response and yet people will

Clark:

come back privately with some feedback.

Clark:

Okay, which is okay.

Clark:

Maybe it's okay, but, or is it, and this is the question, would you prefer that

Clark:

they posted that publicly and create that public discourse and that dialogue?

Clark:

Are they fearful of doing what you did, which is put your

Clark:

thoughts out front and center?

Clark:

What's your perspectives, both of you on, on, on your, on that feed, on the

Clark:

mechanism that they've used to feedback?

Clark:

Why haven't they gone public?

Clark:

Why have they come directly?

Clark:

Are they being nice?

Clark:

Are they being, protecting you?

Clark:

It could be obviously a number of things, but what's your take on it?

Clark:

I've, my own point of view on that is that I personally adhere to a set of

Clark:

rules when it comes to engaging publicly.

Clark:

Okay.

Clark:

And I always try to be respectful and polite, and I try to maintain

Clark:

a certain level of humor, because, nothing is that important.

Clark:

We are not going to stop the war in Ukraine, or gender bias,

Clark:

or, prejudice or anything like that by commenting on a post.

Clark:

So they're really just opinions, so I try to keep it as light as I can.

Clark:

However, there are times when people, I've had people publicly

Clark:

say things such as shame on you.

Clark:

I tend to go stick their opinion of their ass publicly.

Clark:

If they've said that to me publicly, then I'll say the same up them.

Clark:

, and then they've deleted the whole thing.

Clark:

So if you're prepared to give it, then you must also be prepared to, to get it back.

Clark:

At the same time, I'm also.

Clark:

I'm quite happy to be corrected if I'm wrong, because very often I am, I'm just

Clark:

putting an opinion out there and I've been told before that, that's really

Clark:

not the, your premise is incorrect.

Clark:

So the confusion you've drawn isn't right.

Clark:

And that's led to some really interesting conversations.

Clark:

But when people do it privately, it's usually to spare either themselves or me.

Clark:

A certain level of embarrassment, so I actually had that conversation

Clark:

a couple of days ago where somebody engaged with one of my posts and

Clark:

started to get quite argumentative.

Clark:

to me they were enjoying their argument and to them it was a little bit backwards

Clark:

or forwards but I thought it was getting a little bit too close so I told them

Clark:

to go sling their hook and they messaged me privately and said, what's going on?

Clark:

We usually have some really good conversations and I said actually my

Clark:

apologies then, I didn't realize That you were just enjoying the banter.

Clark:

I thought you were being a smartass and I told you to sling your up.

Clark:

But for me, I think, we're all adults.

Clark:

However, is, you can imagine in a meeting room, for instance, where

Clark:

there's a dozen people talking, a little bit of friction might occur.

Clark:

And then later you're going to have that conversation outside

Clark:

where other people can't hear just in case it gets a little bit.

Clark:

Touchy.

Tony:

Yeah.

Clark:

And I'm happy to engage.

Clark:

However I have never had a private conversation that I've then made

Clark:

public because I'm offended.

Clark:

Oh, yeah.

Clark:

It's all about probably the rule that I would always follow if I

Clark:

can is how do we get to the truth?

Clark:

How do we find an answer?

Clark:

If I'm wrong and you're right.

Clark:

My goal is to get to the truth.

Clark:

And if you're wrong, I'm going to flip and keep telling you until you've realized.

Clark:

But that's to me, it's a Socratic point of view, isn't it?

Clark:

We backwards and forwards until we get to an answer.

Clark:

But I always try and give people the benefit of the doubt.

Clark:

Rob's probably got a little bit more insight into the reasoning behind

Clark:

why people adopt certain approaches.

Clark:

But I just try and keep it light if I can.

Rob:

Yeah I think that comes down to the core of it is getting to the truth.

Rob:

Sometimes it genuinely I've made a mistake, I've done research or sometimes

Rob:

it's just typos or the grammar is wrong or you should have structured it better.

Rob:

Sometimes it's because they want to sell you something.

Rob:

Yeah, I had one of them recently.

Rob:

Someone wanted to tell me they'd help me get traction with my content because it

Rob:

wasn't it was this like 19 year old kid, he sent me this preview to his community,

Rob:

which was basic nothing of interest and he'd connected with me and whatever.

Rob:

And I hadn't seen any of his content.

Rob:

I looked at his content and I said basically you're so you're

Rob:

messaging me telling me that you'll help me get leads from my content.

Rob:

Yeah, that's my job.

Rob:

I said why are you messaging me?

Rob:

Why am I not coming through your content?

Rob:

And I just got this big diatribe of you big shiny head and you keep

Rob:

shining on them all this stuff.

Rob:

It's obviously hit a nerve.

Rob:

So there's sometimes because people, you get the stuff of your YouTube of

Rob:

someone's running through TubeBuddy, which is just some software that I could get.

Rob:

And it's how you should do this and you should do this.

Rob:

And we'll do this for you.

Rob:

So sometimes it's because they have a motive publicly.

Rob:

Sometimes I always engage to try and understand.

Rob:

So often I like to upset people in challenge.

Rob:

I'm I think Clark and I are quite similar in.

Rob:

We are both about the person and we're both about, with the

Rob:

10th man and my idea of the Consigliere is we do the same thing.

Rob:

I think you're more directly challenging than me.

Rob:

But when I, you was coaching, I think the nature of one to one is that

Rob:

you have to be more challenging.

Rob:

I've tended to moderate that more now probably because of the work I'm doing

Rob:

in conflict in, in reconciling and unifying coming to an agreed belief.

Rob:

But so sometimes, so often I've deliberately been provocative

Rob:

in the content Because I want to make people think, but then

Rob:

I want to come to an agreement.

Rob:

And so if it's genuine, you can have a conversation and then sometimes

Rob:

someone's just got a point and they're just got some reason and there's no

Rob:

point in engaging with them any further.

Rob:

And then I've never had it on LinkedIn, but in Facebook, you

Rob:

would get deliberately trolled.

Rob:

Just I remember this was Facebook, it was like relationships and dating.

Rob:

And why would you take dating advice from someone with such bad teeth?

Rob:

And I was like, okay how's that relevant?

Rob:

And she just went on and on.

Rob:

And so I just moderated it and all these other people just came in and

Rob:

attacked her and and it, so sometimes it, often it's just someone is, I

Rob:

don't know, they're bitter about something, they want attention, they

Rob:

just want to provoke someone, I think it comes from a place of deep sadness

Rob:

and powerlessness.

Rob:

But it goes back to what was the point earlier?

Rob:

It's similar to this.

Rob:

Oh yeah, the dark side.

Rob:

When you were talking, Clark, about hypnosis and things like that.

Rob:

Now I touched on training the hypnosis and I never really saw any value in it.

Rob:

But then partly that's my construct.

Rob:

Milton Erickson was a genius.

Rob:

I couldn't do that.

Rob:

I'm very direct.

Rob:

I have to do everything in your face.

Rob:

I don't have the maturity to sit and let someone puzzle it out.

Rob:

I'm just like, this is it.

Rob:

For me, there's all these things that people are saying, you are, we'll say

Rob:

you this, and the line that they all use in their selling webinars is this

Rob:

is so powerful that you have to promise that you're going to use it for good.

Rob:

It's bullshit.

Rob:

I think that people can have an effect in if you look at football,

Rob:

I think Mourinho has specialised in that, in upsetting people.

Rob:

Like his whole, that's why he didn't get a Barcelona job,

Rob:

him and Guardiola went for it.

Rob:

And it was because of the, he said he would directly use press conferences to

Rob:

create, to upset people, to destabilise and his whole when he was at Madrid, his

Rob:

whole thing was to upset and destabilise Guardiola and to get under his skin.

Rob:

So there are people that can do that, but I think it has limited effect because I

Rob:

think as soon as you bring it out into the open and you make clear what someone's

Rob:

doing it no longer has any basis.

Rob:

So yeah, for me it's engage, it's getting near to the intent.

Rob:

Does it get you nearer to the truth or not?

Rob:

Cause one of the things I've.

Rob:

I've learned about myself is I don't argue very often, but when I do

Rob:

argue, I'll have everything worked out and I'll go to people and I've, I

Rob:

completely decimate all their argument.

Rob:

Cause I won't get into it until I know I'm going to win.

Rob:

And then.

Rob:

I'll make a note of that, hold on.

Rob:

But what I'll do is I'll leave no room and it doesn't open any conversation.

Rob:

So if you want to deal with a conflict, you have to open the

Rob:

conversation and grow together.

Rob:

But I'll just break it down and there's nothing anyone can say.

Rob:

And that's something I've learned to not react.

Rob:

so much.

Clark:

That's interesting.

Clark:

Not necessarily just with arguing you can just have a conversation with

Clark:

somebody completely annihilate any points that they might want to make.

Clark:

And I was just thinking that the conversation I had last night with

Clark:

the with John in the States about my book, the thing that I'm writing,

Clark:

because we were talking about how You know, there's a story, but then

Clark:

there's a story underneath the story.

Clark:

And that's the story that people are really interested in.

Clark:

Not the thing that's actually happening.

Clark:

Boy meets girl, boy gets girl, boy fights bad guy, but it's the stuff underneath.

Clark:

And we were talking because I was saying, the thing is, I need to

Clark:

make the main character somebody that you can empathize with.

Clark:

And in doing that, the key to doing that, from what I can

Clark:

tell, is to give them a flaw.

Clark:

Now, in storytelling, they talk about, giving a character a fatal flaw.

Clark:

But I wanted it to be something that people can really engage with.

Clark:

And this guy has an argument with his girlfriend and you

Clark:

don't actually see the argument.

Clark:

But at the end of it he feels so ashamed of his involvement in the argument.

Clark:

There's a plate broken on the floor and that's clearly his

Clark:

girlfriend has broken this plate.

Clark:

And he's cleaning this, he's had a couple of drinks and he's cleaning these plates

Clark:

up because he feels a level of shame that he was drawn into this conversation that

Clark:

got out of hand and became an argument.

Clark:

It relates to his his feelings of inadequacy.

Clark:

Because he can't handle situations like this.

Clark:

He feels a certain level of shame for being involved in them.

Clark:

And that, when you talk about the dark side, I often have these conversations.

Clark:

People say, oh yeah, I have some serious flaws, I'm far too punctual, and I

Clark:

work far too hard, and I care too much.

Clark:

No.

Clark:

They're not the dark side.

Clark:

The dark side is the weird stuff that you don't tell anybody about.

Clark:

It's the weird stuff.

Clark:

The weird shit that, you think would freak people out if you told them.

Clark:

And that's the sort of stuff that we all have.

Clark:

Which we, and we want to change those things.

Clark:

But we don't know how because I would just say to somebody, I have this

Clark:

weird problem where, I do whatever.

Clark:

So for instance with myself I've got all sorts of weird quirks that I will often

Clark:

not notice are right in front of me.

Clark:

I can see all the details of every argument that's going on around

Clark:

me, but not see the obvious.

Clark:

And, that can be a little bit embarrassing at times when, everybody else in the room

Clark:

sees the obvious thing and you don't.

Clark:

Those are the things that if you start to know yourself, and, this is why I talk

Clark:

about the 10th man a lot, because a lot of my posts are designed specifically

Clark:

to help people and to encourage people, myself included to look at that dark side.

Clark:

That's my point is to.

Clark:

Let's get it out on the table.

Clark:

Let's see, because it's not as weird as you think it is.

Clark:

We all do stuff like that.

Clark:

And the idea of the 10th man is the person that says, Oh, hold on a

Clark:

minute, that thing that you just did.

Clark:

Oh, where's that come from?

Clark:

Why is that there?

Clark:

Why didn't you just listen to your assistant coach?

Clark:

He made a valid point and you nodded and all that, but

Clark:

actually you weren't listening.

Clark:

You know that you're going to go ahead and do what you said you were

Clark:

going to do in the first place.

Clark:

Where's that come from?

Clark:

And, because it might come across as arrogant or whatever.

Clark:

Nobody would want to admit to being arrogant, surely.

Clark:

or vein or whatever else it might be.

Clark:

But those are the things that the 10th man says, hold on a

Clark:

minute, let's get this out.

Clark:

Let's have a look at this, where this is coming from, because we all have it.

Clark:

And when we talk about the dark side or incorporating the shadow, that's the

Clark:

stuff that I find is most fascinating because, you can look at a person and

Clark:

you can see all of their great qualities, but sometimes those great qualities can

Clark:

turn into Major millstones around their neck and at the same time they can be a

Clark:

liability to everybody else around So I just think it's really important to when

Clark:

we're talking to people on things like LinkedIn, where are we going with this?

Clark:

What's the point of this conversation?

Clark:

Why are we talking about this in the first place if we're trying to get to the truth?

Clark:

And you're really not bothered about dragging your flippin dirty laundry

Clark:

out, then I will quite happily go there.

Clark:

Because that's how we learn stuff.

Clark:

But if we're going to pretend that you don't have any faults, and that actually

Clark:

you're on the moral high ground, and there's only people like me that are no

Clark:

good, then I'm going to rip you to shreds.

Clark:

Because , you're operating from a point of weakness there.

Clark:

Because as long as you're willing to tell people your faults.

Clark:

Nobody can have, nobody can gain any traction with you.

Clark:

It's only when you're trying to hide this stuff that you have problems.

Tony:

I I agree with that.

Tony:

I think, I've started to respond more to other people's posts than write my own,

Tony:

just purely from a time perspective.

Tony:

If I'm going to write something, I need to have given myself time to I

Tony:

can do it spontaneously, which has often been my best post, but if I

Tony:

haven't had time, I'll usually find something of interest and respond.

Tony:

Now, I take the position that if you've put a question, if you've posed a

Tony:

question in your post, I'll respond to it.

Tony:

then I can answer based on what I really think.

Tony:

And what I've found is I've had differences in how the author of the

Tony:

original post have responded to that.

Tony:

Some have gone really cold and some have embraced the

Tony:

dialogue, which is interesting.

Tony:

If you ask, if you finish your post with a question, do you agree

Tony:

or what do you think about that?

Tony:

But you don't really want to know what people think.

Tony:

You just want the clicks.

Tony:

Then I have a problem with that and I'm probably not

Tony:

going to re engage anyway, but.

Tony:

It does that comes across as being a little bit, could come across as

Tony:

being a bit arrogant too, but it's not, it's let's have a dialogue.

Tony:

I'm responding because it's a topic that I've got a deep interest in and I'm happy

Tony:

to engage on, I appreciate the comment.

Tony:

I appreciate the post.

Tony:

I'll invest some time in hopefully adding some value.

Tony:

I guess it's not for me to decide whether my comments add value to somebody else.

Clark:

It's a conversation, so you can't dictate to people, when you say

Clark:

something to them, what they say back.

Clark:

Otherwise it's not a conversation, it's some sort of totalitarian state.

Clark:

I think there's an unspoken agreement, or maybe it's actually a spoken

Clark:

agreement, I don't know, that if somebody comments on a post, You

Clark:

don't try and sell your own products.

Clark:

You don't answer a comment on a post by saying, Oh, yes, actually,

Clark:

I have this program that helps with people with that particular,

Clark:

because that's considered bad form.

Clark:

However, what a lot of people do is that they answer in such a way as to

Clark:

make themselves appear to be a little bit of an authority on that particular

Clark:

question or subject and sometimes I find that in a little bit bad taste as well

Clark:

because you're not Contributing you're really basically just blowing your own

Clark:

trumpet and that's where I tend to have a little bit of a problem sometimes

Clark:

because my first, i've been involved in problem solving my entire work in

Clark:

life So when somebody comes to me and says i've got a problem The first thing

Clark:

i'm thinking is why are you telling me?

Clark:

What are you hoping to get by telling me you've got a problem because surely

Clark:

if you've got a problem, you already know the answer and you just should be

Clark:

coming to me saying I have a problem.

Clark:

This is a solution.

Clark:

I want to implement it.

Clark:

Are you okay with that?

Clark:

If you're just trying to give the monkey off your own back onto my

Clark:

back, while I'm not having it.

Clark:

When people leave certain comments and you look at that

Clark:

and think, Oh, hold on a minute.

Clark:

You're trying to make yourself look good here at my expense.

Clark:

I'll find that in particularly bad form.

Clark:

I was part of a conversation this morning where somebody said, and this is the thing

Clark:

that I'm trying to address in my, I think if a person looked at my posts, I don't

Clark:

think they could tell what I do for a job.

Clark:

I yeah,

Clark:

Tony (2): I would agree with that.

Clark:

I would agree with that.

Clark:

They think you might think you're a writer, which is

Clark:

credit to your quality of posts.

Clark:

Yeah.

Clark:

But I'm constantly

Clark:

trying to dodge the raindrops.

Clark:

It's a funny thing, I will never tell people what I do, because I

Clark:

just, my answer is what do you want?

Clark:

The conversation I had this morning was where somebody was saying

Clark:

that the overarching feeling that they find in society at the

Clark:

moment is a feeling of futility.

Clark:

People are apathetic.

Clark:

People are feeling nihilistic.

Clark:

Not everybody, obviously, but there is an overarching theme at the moment in

Clark:

society that, the world's all going to hell in a handcart and, there's going

Clark:

to be a nuclear war and Armageddon's coming and, the seven horses of

Clark:

the apocalypse or whatever it is, they're all just around the corner.

Clark:

And there's that general feeling.

Clark:

And what I was saying was that having worked in manufacturing

Clark:

and now recently in coaching, this inertia that I mentioned earlier

Clark:

comes from this feeling of futility.

Clark:

What's the point?

Clark:

That's the thinking.

Clark:

What's the point of trying?

Clark:

It's not going to work anyway.

Clark:

It's this, it's the exact opposite of your viewpoint.

Clark:

Tony, you're an optimist.

Clark:

A lot of people, when it comes to this sort of thing, are feeling

Clark:

quite pessimistic at the moment.

Clark:

And I was saying, I think that's an attitude that's been engineered.

Clark:

It's not something that's just arising automatically out of a

Clark:

feeling of the world being bad.

Clark:

I think it's been engineered by a society or a system in which advertising, for

Clark:

instance, says, you need this, you should be doing this is what you ought

Clark:

to be doing if you want to be this.

Clark:

And basically people have been spent the last 50 years being told what

Clark:

washing powder to use, what soap to buy, what clothes to wear, how

Clark:

to look, how to dress, how to act.

Clark:

And now all of a sudden, there are some things on the horizon that

Clark:

are looking a little bit scary, Ukraine and that sort of thing.

Clark:

And people go, alright, so what do we do?

Clark:

And there's no answers.

Clark:

And all of a sudden people are starting to think, oh no, nobody knows the answer.

Clark:

And I just get this was the conversation we had this morning, but I just get this

Clark:

feeling, that if people knew themselves a little bit better, instead of being

Clark:

told what soap powder to use or clothes to wear, what soap to use and so on, if

Clark:

they knew themselves more and weren't guided so much by outside forces, such as

Clark:

advertising or politics, then a lot of the stuff that's going on in the world at the

Clark:

moment would happen and people would be just, yeah, it's all right, we're okay.

Clark:

But they're not.

Clark:

They're not at the moment.

Clark:

There's this feeling of futility because It goes back to this and I'm

Clark:

sure this is something you talk about a lot, Tony, and the locus of control,

Clark:

where is your locus of control?

Clark:

Most people, it's so flipping far away that it's gone over the horizon.

Clark:

Whereas, you want it to be as close in as possible so that you

Clark:

feel that you have some agency.

Clark:

Agency, yeah.

Clark:

I understand.

Clark:

And that's the point of my posts.

Clark:

Why do you do this?

Clark:

Why do you say that?

Clark:

Why do you do this in this way?

Clark:

What's the little thing that you're hiding, you weirdo?

Clark:

Come on, let's talk about it.

Clark:

Because once it's out You know yourself and nobody can hurt you anymore.

Clark:

And so that's why I do get a little bit challenging, a little bit direct and

Clark:

Occasionally, I you know, I can insult people and I just like it as well.

Rob:

Yeah, I'm not sure that's anything new though.

Rob:

I think that's the way Society's been built that we've gone from basically

Rob:

being tribes of individuals to nations, to where we've had whole political structures

Rob:

we've had and with that came stories.

Rob:

We started creating narratives that supported and even, I think even

Rob:

religions are part of making people into a certain way, a certain uniform

Rob:

of, and I think if you analyze it back, it really probably comes from

Rob:

the religious idea of good and bad.

Rob:

And ever since then, we've laid on different things, but I remember

Rob:

growing up, everyone saying the world's going to, to hell in the basket and

Rob:

there was the cold war, or there was always the threat of the nuclear

Rob:

bomb and you're going to have a four minute warning with the adverts.

Rob:

I think maybe we're coming to the end of that.

Rob:

Thomas said the end point of the economic thing where, I think what the internet

Rob:

has done is where we've gone from mass produced, like it was mass media, TV news.

Rob:

And now it's becoming more individual that you can pick what you want.

Rob:

And what's happening is you've got the polarization between, particularly like

Rob:

in America, between the Republicans and the Democrats is very polarized.

Rob:

And it reinforces whatever viewpoint you have.

Rob:

You take your information from that source.

Rob:

It reinforces.

Rob:

And I think.

Rob:

The next stage is about developing our own set of values, rather than

Rob:

following the tribes or following the nations, it is about developing our own.

Rob:

So I think it probably is about, we need a greater level of self awareness

Rob:

and knowing our own dark side and all of that stuff, what drives us.

Rob:

Tony (2): Yeah, I think once you know your dark side and you can

Rob:

deal with it, you become stronger.

Clark:

It becomes the man you want to be or the

Clark:

Tony (2): woman you want to be.

Clark:

Isn't that sort of thing that you just mentioned there, Rob?

Clark:

Doesn't it go in cycles?

Clark:

It reminds me a lot of the stock market that I remember somebody

Clark:

saying once is, does the stock market crash because everybody's on

Clark:

a downer or is everybody on a downer because the stock market's crashed?

Clark:

And, it's six or one and a half a dozen at the other.

Clark:

I think sometimes.

Clark:

The mood, they say apparently that the stock market goes up and

Clark:

down with the hemlines of skirts, because that reflects people's

Clark:

optimism or pessimism in the market.

Clark:

So clearly, we are, again, this goes back to the 10th man, we are herd animals.

Clark:

We will often run in a direction because everybody else is

Clark:

running in that direction.

Clark:

And hopefully as you say, Rob, if we are getting to a point where people

Clark:

think for themselves, people will start stopping and saying, Oh, hold on a minute.

Clark:

Why are we all running that way?

Clark:

If they all want to run that way, that's fine.

Clark:

But actually, I know myself, this is not what I'm about.

Clark:

And that's really I've always said that in coaching, in training,

Clark:

your goal is to do yourself out of a job, to get people to the point

Clark:

where they don't need you anymore.

Clark:

And I would love to get to that point because I'll just go and

Clark:

mess with another bunch of people.

Rob:

Because then there's a new level, isn't there?