Welcome to another episode of From Passion to Profit.
Speaker:And in this week's episode, I'm going to be tackling a question that understandably
Speaker:stirs up a lot of emotion in creative circles.
Speaker:Should you ever work for free? Now, it's not a straightforward question to
Speaker:answer. It's a tricky one. And on the one hand, you want to get your
Speaker:work out there, enhance and build up your reputation, people's
Speaker:awareness of who you are, what you do, you want to connect with exciting
Speaker:opportunities. But on the other hand, your creativity, your skills, your
Speaker:time all have a value. I'm going to be looking at the pros and
Speaker:the cons and also the middle ground when it comes to working for free. By
Speaker:the end of this episode, you're going to be in a situation where you're going
Speaker:to feel more confident about making the right choice for you and your
Speaker:creative business journey.
Speaker:Let's explore why some creatives, including yourself, will say
Speaker:yes to free work. Now, this is working for free, by the
Speaker:way, without money entering into your bank account, compensating you for your
Speaker:intellectual ability, your creative flair, your talent and
Speaker:your skills. And firstly, and it's the big one, is this idea
Speaker:of exposure. You will hear things such as, think
Speaker:of all the people who are going to see your work. Think of all the
Speaker:audiences you can showcase your talent to. This could lead to bigger and
Speaker:better, brighter things. And sometimes it's true. If the
Speaker:opportunity puts your work in front of the right audience for you, the kind
Speaker:of people who would normally commission you, become more aware of you, be part
Speaker:of your community, potentially hire you for future gigs, for future
Speaker:work, then it might be worthwhile considering that. But you need to be very
Speaker:careful here. The exposure should be a stepping stone to
Speaker:something, not the reward in its own right. Another
Speaker:consideration is this idea of building up a portfolio. Certainly very
Speaker:appropriate when you're at the start of your creative career. You might even be switching
Speaker:or pivoting what you do. A different medium, a different audience,
Speaker:showcasing your skills for the first time, and is
Speaker:understandable you would consider offering your services for free.
Speaker:I've done that myself in my own businesses, so it's not specific to artists,
Speaker:but I would do that for a limited time. It is a great way to
Speaker:build up examples, case studies, portfolios, to get
Speaker:testimonials that you can use and you can use that and leverage that to
Speaker:attract paid clients. There's also other reasons, like it's a
Speaker:passion project, you're going to be in that situation, you're going to say yes to
Speaker:Free work because you just want to. It's your business. You're the creative. You
Speaker:decide what your calendar looks like and how you fill it. Maybe it's
Speaker:a charity you care strongly about. Maybe it's somebody that you know, a friend, perhaps
Speaker:their community project. Or maybe it's a chance for you to collaborate with other
Speaker:artists that you admire and you won't get another opportunity at this stage in
Speaker:your career. If it feeds your creative soul, absolute
Speaker:or joy, or gives you that creative freedom you wouldn't normally get elsewhere, then
Speaker:that is a form of value. Grab it but. And it's a
Speaker:big but. Passion projects should feel exciting,
Speaker:not exhausting. Now there are dangers of working for free.
Speaker:Let's have a look at the other side of the coin. While there are lots
Speaker:of good reasons to say yes, there are also very strong
Speaker:reasons to say no. A difficult discipline to become good
Speaker:at saying no. But you need to manage that. And the first is
Speaker:quite straightforward. Your bills aren't paid in exposure as
Speaker:much as likes on a social media platform don't pay the bills.
Speaker:Exposure in its own right doesn't pay those bills that you will have
Speaker:your rent, your groceries, your materials, your travel costs.
Speaker:They cost hard cash. And when you've worked for free, too often
Speaker:it becomes harder to support yourself as a working creative.
Speaker:That time you're spending doing that free project may be time that you could
Speaker:spend prospecting, doing paid work. And when you can't afford to
Speaker:invest in your own creative practice, it's not just your bank balance that's going to
Speaker:suffer. It's your growth. It's your opportunities, your well being as
Speaker:well. Having no money does act to that mental pressure
Speaker:that you will feel. The second danger of doing work for
Speaker:for free is it has the potential to devalue your work. When you
Speaker:agree to work for free, especially for organizations or individuals who could afford
Speaker:you, you risk sending a message that creative work is not worth
Speaker:paying for. And you dilute the impact of what you do. You end
Speaker:up subsidizing the organization, you end up subsidizing the
Speaker:people who are engaging you. And worse, it's not just affecting
Speaker:you. It's going to also be much tougher for artists and musicians
Speaker:and writers and crazies coming after you who are trying to make a living
Speaker:too. Working for free in the wrong situations. We can
Speaker:unintentionally make it harder for all of us to earn fair pay
Speaker:for creative work. Now there's also the burnout factor.
Speaker:Saying yes to too many unpaid gigs can leave you drained
Speaker:Even will lead to resentful behavior. And it makes you disconnected from
Speaker:your passion. And that's the opposite. The not the reason that you became
Speaker:a creative in the first place. Creativity should be an
Speaker:energizing force, not one that exhausts you. Now, there is a happy
Speaker:balance. There is a right medium. So how do you find find that
Speaker:balance? How do you decide when it's okay to work for free and when it's
Speaker:time to politely, but with conviction, decline?
Speaker:Let me give you some questions that you should be asking yourself. Number one, is
Speaker:there a real benefit to me when I look at this? Is the exposure
Speaker:genuine? Is this actually a new audience? Is this one that I should be working
Speaker:in and I want to work in? Is there a cause that means something to
Speaker:me? Am I a yes person? Does it accept and saying yes to everything
Speaker:without actually thinking through what my decision should be?
Speaker:Is this a new skill I'm trying to develop or a portfolio I'm trying to
Speaker:enhance that I can showcase? Or is it somebody trying to hustle you
Speaker:in getting something for nothing? Now, I'm not suggesting a negative mindset
Speaker:here, but think clearly. Is there a benefit to me and how can I
Speaker:use that benefit to my advantage? Am I agreeing on my own
Speaker:terms? If you're choosing to offer your work freely because it excites you,
Speaker:fantastic. Are you feeling pressured though? Flattered or guilty? As
Speaker:human beings, a lot of us find it very difficult to manage our
Speaker:boundaries and to say no to things. The choice should always
Speaker:be yours. You are in the driving seat and yours alone.
Speaker:Thirdly, consider, can they actually afford to pay you? If the person or the
Speaker:organization approaching you is making money off the back of you, making money
Speaker:from your work, they should be by rights paying you as well. It's as
Speaker:simple as that. Charity gigs, collaborations, or tiny
Speaker:community projects, maybe big brands, profitable businesses, or
Speaker:anybody making commercial gains from your skills, you need to rethink that
Speaker:one. They should absolutely have a budget for creative work. And
Speaker:sometimes, sometimes pushing back and saying no might make them think
Speaker:to say, okay, fine, we will pay you. What I normally do as
Speaker:a tip by those folks is don't ever rush to saying a yes or
Speaker:a no. Come back, consider, reflect it, or say to that person,
Speaker:well, my accountant is going to be very upset with me if I
Speaker:agree to do this for nothing. And actually there might be other clients
Speaker:it's unfair to because I'm charging them. So therefore it becomes
Speaker:problematic as well. So reflect and come back later on.
Speaker:But don't just say an immediate yes, you need to reflect on this carefully
Speaker:and think is where is the advantage for you. Consider are you setting a
Speaker:precedent? Because once you start to work for free, offering discounts
Speaker:is the same idea. It's suddenly difficult and challenging to ask
Speaker:for payment next time round. Offering your services from nothing now
Speaker:might be setting up a long unpaid relationship. Think long term
Speaker:and be strategic. Now as a handy tip here folks, if you do
Speaker:end up working for free, one thing I would recommend is raise an Invoice,
Speaker:give it 100% discount. Mark your normal fee there.
Speaker:Present that to the person who's using your services so at least they
Speaker:know what the underlying value is that you're giving to them for
Speaker:free. How you present yourself now has a big impact of
Speaker:how you present yourself in the future. Also, think about what is your gut
Speaker:feeling and this is a really powerful one. Don't ignore your emotions
Speaker:completely. If it doesn't feel quite right, if it feels slightly
Speaker:off, it probably is. Your instincts are there to help you, and if
Speaker:you are feeling slightly uneasy before you start, it's often a sign to say
Speaker:no. Now I've alluded to a couple of tips already, but how do you say
Speaker:no without burning the bridges? Without upsetting somebody? And
Speaker:saying no can feel really awkward, especially when you're at the start
Speaker:of your creative business journey. Having said that, I've met many creators, even
Speaker:several years later will still find it difficult to say no in
Speaker:the right way. Now remember, professional doesn't mean
Speaker:being rude. It's very manageable to climb politely,
Speaker:but also with a degree of firmness. Now here's a simple script
Speaker:you can use. You could say thank you so much for thinking of me. I'd
Speaker:love to collaborate, but unfortunately I can't commit to
Speaker:unpaid projects at the moment. If you've got a budget available in the future, I'd
Speaker:be happy to chat. It's short, it's concise, and it's clear.
Speaker:You don't owe big ass long rambling explanations to anybody.
Speaker:And you don't definitely owe anybody your time for nothing.
Speaker:So let me share some final thoughts, some conclusions. Working for free
Speaker:isn't always a bad thing. Sometimes it will open the
Speaker:doors, sometimes it will build up your skills. Open mic
Speaker:nights, for example. It's a great way where you can develop your
Speaker:musical muscles. Get the experience of performing in front of an audience,
Speaker:but make sure you're doing it for the right reasons. You're doing it for you,
Speaker:not because you feel obliged or emotionally blackmailed into
Speaker:having to do that. Your creativity has value. Your time
Speaker:has value and you deserve to be paid fairly for what you bring to
Speaker:the world. Now here's a golden rule to leave you with Free is
Speaker:a strategy, not a habit. Use it wisely and only
Speaker:use it when it truly serves your creative business journey, your passion,
Speaker:and also your profit. Now I hope this podcast has made you feel
Speaker:slightly stronger, clearer, more confident about
Speaker:valuing your own creativity. If you've enjoyed this episode, I'd love it if
Speaker:you share with a fellow creative. Subscribe Join our newsletter to stay
Speaker:in touch. And don't forget to subscribe so you don't miss the next one. Have
Speaker:a look out. Check out our free, dedicated creative community
Speaker:only for artists and creators. By the way, other businesses are not
Speaker:allowed in. Until next time. Keep creating, keep
Speaker:growing and and remember, your passion deserves to be profitable.
Speaker:Plan it, do it and profit.