Welcome to the Confident Live Marketing Podcast with Ian Anderson Gray.
Speaker:Helping you level up your impact, authority, and profits through
Speaker:the power of confident live video.
Speaker:Optimize your mindset and communication.
Speaker:And increase your confidence in front of the camera.
Speaker:Get confident with the tech and gear.
Speaker:And get confident with the content and marketing.
Speaker:Together, we can go live!
Ian:Hello and welcome to the Confident Live Marketing Podcast.
Ian:My name's Ian Anderson Gray.
Ian:This is episode 218.
Ian:And in this season, we're going behind the scenes, looking at studio
Ian:setups of fantastic creatives, entrepreneurs and business owners.
Ian:in today's episode, I'm very excited to have a returning guest.
Ian:It is The fabulous Mike Russell, who is founder of Creator Magic
Ian:and is a YouTuber with a channel on AI tools for content creators.
Ian:He's also an Adobe certified professional and at Music Radio
Ian:Creative, he innovates as creative director, blending AI with creativity.
Ian:Tune into his channel for up to date AI insights and welcome to the show.
Ian:Mike, how are you doing?
Mike:Thanks so much, Ian.
Mike:It's amazing to be here and I'm always happy to talk gear so I
Mike:can't wait to show you around.
Ian:Yeah.
Ian:We're going to talk about tech and gear.
Ian:just before we do that, can you give a brief introduction to
Ian:listeners and viewers highlighting your background and like what
Ian:makes your studio sets up unique?
Mike:So I think what makes my studio setup unique is my original
Mike:background, which is working in radio.
Mike:So I go towards the high end or the pro end of gear in terms of microphone
Mike:mixer, which is now fully digital.
Mike:we'll get to that later.
Mike:I'm sure.
Mike:I worked in radio for a couple of decades and then I transitioned into
Mike:basically being a business owner.
Mike:Serving and still serving to this date clients all around the world
Mike:who want audio, music, voiceovers for their podcasts, their DJ set,
Mike:their radio station or anything else.
Mike:We've worked with theme parks, businesses on hold messages, and obviously
Mike:we're integrating a lot of AI into our process there as well right now.
Mike:I've been a podcaster, a YouTuber for many years, over a decade, I think.
Mike:We've known each other nearly a decade, and now I've ended up in the last couple
Mike:of years, obviously in the AI space, because I'm so excited by technology.
Mike:I'm using a lot of AI in my own content creation, and as you rightly mentioned
Mike:at the start of the show, I now have a brand new YouTube channel called
Mike:Creator Magic, and I teach people how to use AI to really make their content
Mike:creation online the best it can be.
Ian:And it is an amazing channel.
Ian:Like it's not often I go down rabbit holes and get obsessed
Ian:with a YouTube channel, but I have become obsessed with your new one.
Ian:So like your main channel is that just called Mike Russell?
Ian:Remind me.
Ian:is that right?
Ian:Yeah.
Ian:It's just
Mike:my name.
Mike:Yeah, type my name in YouTube.
Mike:That's it.
Ian:that's but you've set up this new one and it's focused on AI and
Ian:it's you just getting really geeky.
Ian:And it's so cool.
Ian:Some of the stuff that you're doing there.
Ian:So do check out create a magic.
Ian:Is that right?
Ian:I've got the right
Mike:That's a creator magic.
Mike:I say, or because otherwise you think it's create a magic,
Mike:but it's creator as a creator.
Ian:awesome.
Ian:Awesome.
Ian:so let's dive into your tech setup.
Ian:And I think the most important thing and I know you're obviously
Ian:think this too, is I Audio.
Ian:So tell us about your microphone and audio setup and why you chose what you've got.
Mike:Definitely a great question.
Mike:So obviously I've had years of working with audio, producing
Mike:voiceovers and so much more.
Mike:I'm an audio producer originally by trade.
Mike:So I use the very best microphone I can get my hands on.
Mike:This is not a typical content creator microphone I'm speaking into.
Mike:It is the Neuman U 87.
Mike:I think it's actually to be very specific, the Neuman U 87 ai.
Mike:See, they were ahead of the game with naming that microphone.
Mike:It's, it hasn't got inbuilt ai.
Mike:I think it's just the audio.
Mike:Something package.
Mike:I don't know.
Mike:Anyway, it's, it's on the expensive side.
Mike:It's nearing $3,000, but it's got an amazing, crisp, warm sound and very,
Mike:natural when you compare it up against the other popular mics, not bashing
Mike:them at all, but like such a Shure SM7B or some of the Rode microphones.
Mike:They're good.
Mike:They're decent.
Mike:They'll give you a great sound.
Mike:In fact, I recommend some of those, $100 to $300 mics for content creators.
Mike:But as I'm an old radio broadcaster, I like a condenser
Mike:mic and I've got a good room here.
Mike:So there's no problem of background noise that is now running into
Mike:a Mackie DLZ creator, which I got set up in a really nice way.
Mike:And actually there's one more thing in the middle of that.
Mike:Actually, before it hits my DLZ creator, which is my digital mixer,
Mike:a bit like the, Rodecaster, that.
Mike:first of all, goes into a universal audio Apollo twin X.
Mike:And the reason I love that, and it goes in there first before hitting the DLC
Mike:creator is the Apollo twin X has, digital plugins that work on your computer,
Mike:but it's got I think it's a DSP on board that does real time processing.
Mike:So there's no delay on your audio and it will add really cool processes.
Mike:I did maybe two or three years ago now, I did a video on my YouTube
Mike:channel where initially it was like, can I replace my whole studio setup,
Mike:my analog setup with a RODECaster Pro?
Mike:And I did, I got rid of like 19 inch rack units, the things in these server
Mike:farms, it's like DBX units that were making my voice sound better, processors
Mike:that would add EQ, power conditioners to make sure I was getting stable
Mike:power into my whole analog setup.
Mike:And then I found that Rodecaster was good enough to do it.
Mike:And then later on, Mackie came along and said, we've got this
Mike:thing called the DLZ Creator.
Mike:And I thought, this is for my use case, even better.
Mike:And then Rode came and said, we'll buy you Mackie.
Mike:So now they're all in one happy family.
Mike:That's my, short story of how I get my, mouth sounds, into
Mike:the computer and out to you.
Ian:that's pretty impressive stuff.
Ian:So so obviously with a condenser microphone, you do need to
Ian:have a really quiet studio.
Ian:So I think where I am, that probably wouldn't work very well.
Ian:So a dynamic mic, would you recommend like a dynamic microphone for people
Ian:who aren't in a sound treated studio?
Mike:Yeah, definitely my go to if anyone asks me and they've got 100 to spend,
Mike:I'll say, grab yourself a Rode PodMic.
Mike:You can't go wrong.
Ian:yeah, definitely.
Ian:So you've got a lot of things going there.
Ian:You've got, the mixer, you've got the bits in the middle, which was,
Ian:remind me what that was called again?
Mike:That is the unit.
Mike:This is special, by the way, you don't have to do this, like a Mackey
Mike:or an audio interface will be fine.
Mike:But this is the Universal Audio Apollo Twin X.
Mike:And again, it's round $1,000.
Mike:So you as a new content creator, or, any general content creator, you just don't
Mike:need this stuff, you will do quite well.
Mike:If you want to go on a like a real budget Rode pod mic, with
Mike:like a Focusrite Scarlett 2i2.
Mike:I've used that as my main audio interface to get a microphone into
Mike:the computer for years and years.
Mike:That's a good start.
Mike:If you want to level up, then it's going to be Rodecaster and
Mike:something like the Shure SM7B.
Mike:And if you want to be on like crazy, Mike, insane, too much insanity for
Mike:audio, then it's, what I've got here.
Mike:Yeah.
Ian:No, that's, what we're trying to do on this show is Demonstrate
Ian:loads of different setups.
Ian:So we've got some very basic ones.
Ian:We've got some ones like yours, which are state of the art.
Ian:And I think, at the end of the day, if you're just starting, then all
Ian:of this is over the top, you just need to get started creating stuff.
Ian:But over time, it's really cool to be able to.
Ian:Improve and get some extra gear.
Ian:So we've talked about audio.
Ian:Let's talk about cameras now.
Ian:So you've not just got one camera.
Ian:I've got a few different cameras in place.
Ian:So tell us about your choice of cameras and how you use those
Ian:during your content creation.
Mike:Yeah, definitely.
Mike:Good question.
Mike:And as I tell you, I can actually switch my camera, using my Elgato stream deck.
Mike:So I'm talking right now into a Sony alpha A6300 with a Sigma lens on.
Mike:I think we'll get the exact lens I'm using in the show notes, probably.
Mike:And, that is actually on top of that, I've mounted an Elgato prompter as well.
Mike:I think those are the bees knees.
Mike:I'm sure you're probably using them.
Mike:at times they are, that is Elgato.
Mike:Elgato
Mike:When they do stuff for content creators, they do it really well.
Mike:They take something clunky that like 20 Chinese manufacturers are making nothing
Mike:wrong with Chinese manufacturers, but they take it and they put their brand stamp on
Mike:it and they make it like insanely good.
Mike:So I could not live without that setup.
Mike:And then I can switch and show you my other camera, which is the newer one.
Mike:Actually, it's the Sony alpha a 6, 500 and that's got a Sigma lens, but it's
Mike:got a, it's 16 millimeter as opposed to 35 millimeter on my main cam,
Mike:which The 35 millimeter, like a short aperture gives me a lovely bokeh effect.
Mike:But as you'll see from this camera, you can get a nice perspective
Mike:on what my studio looks like.
Mike:So yeah, this is my Neumann mic here.
Mike:then this is my Mackie.
Mike:I love the big LCD display on there.
Mike:It's very big and bright and I can make it all colorful and customize it.
Mike:I've got a Mac studio in front of me and, I work on a dual screen.
Mike:I used to have triple screen, actually I used to have quadruple screen, but
Mike:like I was getting strain in my neck and, my wife, Isabella, who's brilliant,
Mike:by the way, she, just said, why don't you just cut your screens down?
Mike:So I cut it down to two screens and actually that for productivity,
Mike:that's brilliant for me.
Mike:And then just hiding behind my boom arm over here, something I didn't tell you
Mike:about beforehand, Ian, these are great.
Mike:so this is a digital clock.
Mike:from Wharton, I believe, and they're custom made.
Mike:the reason is there used to be a big, massive one in the
Mike:radio stations I worked at.
Mike:I was like, I want one.
Mike:So I, I ordered them and it connects via ethernet.
Mike:So it's constantly got the exact right time on it, which is, I don't
Mike:know if you get stuck with this, but for live streaming, like when you
Mike:say I'm going to go live at 10 a.
Mike:m.
Mike:precisely, GMT.
Mike:Now I really can because I've always got a clock in front of me.
Mike:It keeps me real with my timing.
Mike:So there you
Ian:I love that.
Ian:. And, the, so the Elgato prompter, I haven't actually got one of those.
Ian:I've got a, it's a similar kind of setup.
Ian:So I've got an iPad teleprompter with a field monitor.
Ian:So it's a normal monitor, but you can flip the screen on it.
Ian:but I really liked the teleprompter from Elgato cause it's just,
Ian:you don't have to mess around.
Ian:It's just, there.
Ian:And I've noticed you've got that to the left.
Ian:You've got your two displays, your two monitors.
Ian:It looks like you've got them, slightly to the right of your camera there.
Ian:So how does that work in terms of if you're wanting to.
Ian:Obviously look at the camera, it's straight in front of you, but your
Ian:displays are to the right of you.
Ian:How does that work in terms of your computer?
Mike:That's a really good technical question.
Mike:I've experimented with camera positioning and I have had a setup where I've
Mike:had the camera on top, but then I'm always looking up above the camera.
Mike:And then I've had two monitors and I've had the camera in the middle,
Mike:which just, it feels weird having a camera in the middle of two monitors.
Mike:So now, as you rightly say, I have one monitor right.
Mike:In the middle of my desk in front of me, second one is off to the right,
Mike:and then the camera is off to the left.
Mike:And that works perfectly for me, because I can talk straight down the barrel of
Mike:the lens, and the prompter can help me if I need to remember lots of stuff,
Mike:because I'm bad at remembering scripts.
Mike:I used to literally have to record every line and then go chop, chop, chop.
Mike:It was very annoying post producing me.
Mike:but now Thanks to Elgato Prompter, I can just have it scrolling
Mike:and I can read the text and it's it's just changed my life that.
Mike:And then when I'm ready, if I do a like a tutorial on screen, then I
Mike:can just say, okay, let's hop in.
Mike:Boom.
Mike:And then go over to my computer like that.
Mike:And then when I want to address the audience again, I can go back and say,
Mike:Hey, so what do you think of that?
Mike:That's really cool.
Mike:And just keep going back and forth.
Mike:Usually I'll use my main monitor for the main work I'm doing or the
Mike:screen flow tutorial I'm doing.
Mike:And then my secondary monitor usually contains like OBS.
Mike:That's what I use to record and often if I do stream I'll try and stream through OBS.
Mike:Although I know Ecamm can do a good job and other solutions online for that.
Mike:but I found that to be the best and yeah I just shove everything I don't need on the
Mike:main screen over on the second monitor.
Mike:So Folder windows, notes, emails, OBS.
Mike:It all goes on the secondary monitor.
Ian:Now it's really interesting because I think that we want to
Ian:create a setup in our studios where it's just easy to create our content.
Ian:so we don't want to have to move things around and set things up.
Ian:Ecamm Live Recording on 2024-05-09 at 10.45.19: And
Ian:I've got my teleprompter in front of me with my camera and then I've got
Ian:one monitor to the left of me, but I've always wanted to get either two monitors
Ian:or I've seen some people have the ultra wide screen monitors, but then I think,
Ian:where do you put your teleprompter is going to have to be probably high
Ian:up and then you're looking up at it.
Ian:So it's similar to what you're saying there.
Ian:So it's working out what's the best set up for you.
Ian:And sometimes you just have to play around with these things and, work things out.
Ian:yeah, that's cool.
Ian:Lighting.
Ian:Let's talk about lighting.
Ian:How have you set up your lighting?
Ian:I don't know.
Ian:How have you found lighting?
Ian:For me, I've just always found lighting really, difficult.
Ian:I'd love to know a little bit your journey with lighting and what you have now.
Mike:Yeah, I'm the same as you, Ian, I, yeah, I find visuals and video, to be
Mike:a little tougher than the audio aspect.
Mike:but I've learned over time and I've watched a lot of YouTube videos.
Mike:So I have three lights in this studio, three primary lights that
Mike:like illuminate my face and make it so you can see me clearly.
Mike:So I have two Elgato key lights, and then I have an Elgato key light
Mike:air, which is the smaller version.
Mike:It's about half the size.
Mike:So I've got, now I'm probably going to get the technical terms wrong, but
Mike:you've got like a main light, a fill light and another light that highlights
Mike:your hair or something like that.
Mike:Sorry.
Mike:I'm not a lighting expert, but I have roughly positioned the
Mike:lights in the correct place.
Mike:So I've got my main light right there.
Mike:I've got my air light up.
Mike:I've actually, drilled it into the ceiling over there.
Mike:So that shines down and I've got the other one just behind me to highlight
Mike:my head to give me that beauty effect, And, that is then all connected to my
Mike:Elgato stream deck, which is brilliant because they seamlessly integrate.
Mike:So every time I want to go live or I want to do something, obviously I
Mike:don't want these lights on all the time because they're very bright.
Mike:but I just hit one button on my stream deck and all the lights go on.
Mike:And then when I finished recording, there's another button
Mike:and boom, the lights go down.
Mike:Behind me, if you're watching this, you'll see there's lots
Mike:of different colored lights.
Mike:So those are, Philips Hue, play bars, I think they are.
Mike:They're like little bars that sit.
Mike:here behind like that and light things up.
Mike:And again, they are again, connected to a script that runs on my stream deck.
Mike:so I could literally push a button now on my stream deck and, all
Mike:the lights go out like that.
Mike:See, boom.
Mike:that's really weird, isn't it?
Mike:And then I can push the button again and all the lights come on and I get
Mike:overexposed for a moment and they're bad, just even the triangles behind me, which
Mike:are the original nano leafs that I had.
Mike:They're all connected.
Mike:So I've got this one script.
Mike:So I just push one button, all the lights go off.
Mike:I push another button, all the lights come on.
Mike:And, it's, really cool for me.
Mike:So yeah, that's how I'm doing lighting.
Ian:Love it.
Ian:Love it.
Ian:Oh, yeah.
Ian:You got me going.
Ian:I need to look at the Philips Hue, the play light things
Ian:because That looks really good.
Ian:I want to have a little bit of lighting, different colored lighting behind me.
Ian:And I think you're right.
Ian:I think it is a hair light.
Ian:so as a, yeah, there's the, I think you've got, I think you did get it right.
Ian:I'm not an expert either when it comes to lighting.
Ian:It's all, complicated and yeah, I can, let's talk about something else.
Ian:Let's move on to your computer.
Ian:So you mentioned you have a Mac Studio.
Ian:Is that your main computer?
Ian:Do you have any other computer setups?
Ian:tell us a little bit about what you've got there.
Mike:Yeah, that's a great question.
Mike:So I have loads because I'm constantly doing different things.
Mike:My primary driver and the thing that I'm really happy with is the Mac Studio.
Mike:it's just brilliant.
Mike:And actually I haven't upgraded since the original one was released.
Mike:So I haven't got the fancy new one with the upgraded processors.
Mike:This has been my beast.
Mike:Like it does everything that a content creator like me would want.
Mike:So I can work, I'm an Adobe user.
Mike:I can work in Premiere Pro.
Mike:I try to use After Effects as little as possible, but when I do use After Effects,
Mike:it works well with that, because I'm not very good at After Effects, that's why.
Mike:and obviously, Adobe Audition flies on that Mac Studio, so it's
Mike:great in terms of processing power.
Mike:I love the fact it solved a huge problem for me.
Mike:It has a SD card slot.
Mike:on the front.
Mike:So this is huge when I'm filming on the go or I'm getting b roll.
Mike:It's nice to be able to take the SD card out of the camera and shove
Mike:it straight into the front of the Mac Studio and natively download
Mike:my stuff without connecting USB dongles and all of that stuff.
Mike:It's just fantastic for me.
Mike:In terms of other stuff, I also work on a MacBook.
Mike:I think it's the 15 inch.
Mike:Again, it's a very old MacBook, but it does the job.
Mike:and again, it's one of the, I think it's the MacBook pro.
Mike:So again, I can render on that and do video editing if I need to.
Mike:So those are my two primary, computers.
Mike:Now I've had a love hate relationship over the years with PCs.
Mike:and at one time I totally switched to PC.
Mike:I said, announced on my YouTube channel, I think it was around 2019, 2020.
Mike:I said, I'm going completely PC.
Mike:and I built a PC and it was brilliant and it was so powerful.
Mike:But I ended up for creation on a day to day basis going back to Mac.
Mike:I don't know why, I just love Tim Cook.
Mike:Maybe that's the reason.
Mike:but I have a PC, because sometimes you get Windows only applications and particularly
Mike:as I teach AI, Windows and PC gives me the opportunity to do a few extra things.
Mike:Plus on that PC I've got a beefy Nvidia GPU, and obviously now in the age of ai,
Mike:that's suddenly become important again.
Mike:So I'm like, yay, I already had a GPU.
Mike:So now I can set up my own large language models if I want and go in that direction.
Mike:and from time to time I will even dabble with the Linux command
Mike:line to, to run various different applications and open source stuff
Mike:to, to take AI to whole new levels.
Mike:I know.
Mike:I've sent you down rabbit holes with, command line, which you've, said to
Mike:me, you're allergic to apparently
Ian:yeah, I'm not allergic.
Ian:I just I try and avoid it but you could do some really cool things And this is
Ian:why you need to follow Mike's channel.
Ian:It is really awesome stuff.
Ian:So like with your Mac do you know what processor you went for because
Ian:we had Jeff Sieh on recently?
Ian:He's he went for the I think for the relative base model Did you go for
Ian:the ultra or the max or what was your thinking there in terms of choosing?
Ian:You The specs for your Mac.
Mike:brilliant question.
Mike:It's literally the bog standard Mac studio, lowest spec, generic
Mike:vanilla spec out of the box.
Mike:And the reason I went for that.
Mike:And I'd be mega happy with that.
Mike:sometimes you think when you're clicking, especially on that beautiful Apple
Mike:website, and it's maybe you want to add this, maybe you want a bit more memory,
Mike:maybe you, oh, we can give you this GPU, if you like, it's much better.
Mike:this may not be everyone's experience, but I feel like I got a little bit burned
Mike:previously, I went down that rabbit hole.
Mike:And back in the day, when I had an iMac, the lovely glass screen in
Mike:front of you, I, ordered one and I thought, I'm going to go for this.
Mike:I'm, going to upgrade the memory.
Mike:I'm going to put a different GPU in there.
Mike:I'm gonna, I'm gonna make it really cool.
Mike:So it's like my beast machine.
Mike:And I regretted that for so long because whatever it was, I think it
Mike:was the GPU that, which is not the nonstandard one was in there and it was
Mike:completely different, like I'm used to Macs running completely silent and I
Mike:need that because I do a lot of audio work and for whatever reason, this GPU
Mike:was like a beast and every time you.
Mike:You loaded an app or you went into Premiere Pro, it would
Mike:whiz up and go like that.
Mike:I was like, no.
Mike:So I was like, I'm just going to go for the base model.
Mike:And I've been super happy.
Mike:No customizations.
Ian:Awesome.
Ian:Awesome.
Ian:And in terms of your software, you said you use OBS.
Ian:Do you use OBS for your, most of your content creation or
Ian:is that for streaming only?
Ian:Tell us a little bit more about that.
Mike:Yeah.
Mike:So I, at the moment, at this present moment, I don't do much streaming.
Mike:When I did, I would use, OBS to, send the stream out essentially.
Mike:I've dabbled with stuff in the past, for streaming.
Mike:But, actually back in the day I was using Restream, so I was sending one
Mike:stream out of OBS to Restream and then sending it to multiple different places.
Mike:When I record my videos for YouTube, it's OBS all the way.
Mike:So actually what I have, I can give you a real behind the scenes
Mike:look here, I can switch scenes.
Mike:And look at that.
Mike:So I know that looks really weird, but that's four different screens.
Mike:So you've got my main camera in the top left, got my secondary camera in the top,
Mike:And then you've actually got my screen.
Mike:That's down there.
Mike:So my screen share is down there.
Mike:I'll switch back.
Mike:Cause that's a bit confusing for anyone who's watching.
Mike:but essentially I record that in 4k and then I've got four 1080p
Mike:recordings of whatever I'm doing.
Mike:I then dragged that into Premiere Pro.
Mike:I've got presets and it goes like that.
Mike:And then it gives me four different tracks.
Mike:I know the fourth one is empty, but sometimes if I want another
Mike:screen or something else, I can.
Mike:Pop that down there.
Mike:And then I'm recording the same piece of content.
Mike:It gets split into four tracks in premiere and I can make scene
Mike:changes as and when I wish.
Mike:It's really intuitive.
Mike:It's really super easy.
Mike:and for me it works.
Mike:And there might be an easier solution, like using something
Mike:like Camtasia or ScreenFlow.
Mike:I have played with those things, but.
Mike:I don't really like the fact that those pieces of software generally
Mike:tend to make their own proprietary files that like, dot flow files.
Mike:I don't know.
Mike:It's been a while since I've used them and I'm like, no, I just want the raw footage.
Mike:So OBS will spit me out an MP4 file.
Mike:And that's, very, usable anywhere?
Ian:Sounds awesome.
Ian:Awesome stuff.
Ian:we're almost out of time, but I wanted to spend a lot of time on, on that
Ian:because I love your setup and you've got, you've thought a lot about all of
Ian:that, but I have one, one question before we go to the quickfire round, which is.
Ian:personalization.
Ian:you've spent a lot of time personalizing your background and your setup.
Ian:How have you made your studio space your own to foster both
Ian:creativity, but also productivity?
Mike:Wow, what a question.
Mike:I am, unfortunately, I fall victim to probably getting too much gear.
Mike:So like I said, I had the four screen set up initially.
Mike:So I try from time to just get in the weeds and pull all the cables
Mike:out and say, what do I not need?
Mike:So I, do, Feel that the more you minimize your setup down to
Mike:what do I basically need to make content, the better things can be.
Mike:And, there are amazing content creators out there producing so
Mike:much with such a modest setup.
Mike:I don't know if you've ever watched the, Fireship YouTube channel,
Mike:he often does like short narrated videos about coding and AI stuff.
Mike:they're usually three or four minutes in duration.
Mike:And I saw a behind the scenes video of his setup.
Mike:And it's like literally just, it's like a bedroom with a computer and
Mike:a monitor and a little microphone.
Mike:And I'm like, and he's got 3 million subs and I'm like, that's.
Mike:So cool.
Mike:So I can take a leap of that minimization book, but making it my own.
Mike:So obviously you can see behind me, I've got like little things up here.
Mike:So I got like a Pac Man.
Mike:I got the same on air light as you.
Mike:I love that on air light and, the YouTube, silver play button, which is super cool.
Mike:And I've got a few lava lamps and a Mario thing, cause I'm quite
Mike:into gaming when I get time.
Mike:So that, helps me to get in the creative zone and, it's just, it's nice.
Mike:Actually the whole place I've painted and decorated myself.
Mike:I've, attach things.
Mike:You can't see them even if I switched to this scene.
Mike:Oh yeah, you can.
Mike:So I've got some sound panels on the walls here, which helps stop the reflections.
Mike:So I don't get much reverb or echo as some people call it.
Mike:I've also got them on the roof, that's all installed, so all of this is my
Mike:own work, so it really feels like it belongs to me, and it's my happy space.
Mike:All I need to do is come in here and, I'm generally ready to go.
Ian:Awesome stuff.
Ian:I think it's so important to make it your own and to, have a
Ian:place where you can be creative.
Ian:but it is time to get onto the quickfire round.
Ian:So are you ready for this, Mike?
Ian:you've got to answer as many questions in a minute.
Mike:I hope so.
Ian:but not too many cause I have a limited number.
Ian:So we'll see.
Ian:let's do it.
Ian:Here we go.
Ian:So that is the first question.
Ian:Acoustic panels, aesthetic choice or acoustic essential?
Mike:Oh, aesthetic choice, they've got to look good.
Ian:Okay, next question.
Ian:Teleprompter, yes or
Mike:100 percent yes, I can never remember my lines.
Ian:Webcam or fancy camera?
Mike:Oh, it's got to be a fancy camera.
Mike:You've got to have the bokeh,
Ian:Definitely, Okay, coffee or tea while recording?
Mike:Coffee all the way.
Mike:I'm a morning recorder.
Mike:I get pumped up with caffeine and then it's a cup of tea
Mike:to chill in the afternoon.
Ian:Sounds good.
Ian:Okay, standing desk or sitting desk?
Mike:sitting because I have a, an exercise regimen.
Mike:So I do exercise every single day.
Mike:so I feel like I can afford to sit down when I make.
Ian:Okay, so sitting or standing?
Ian:Sitting.
Ian:Mac or PC?
Mike:Mac mainly.
Ian:One big monitor or dual monitors?
Mike:Dual monitors, baby.
Ian:Microphone in or out of shots.
Mike:Oh, in, but not too in.
Ian:I like that.
Ian:In but not too in.
Ian:That is the quote of the day.
Ian:thank you, Mike.
Ian:It's been, you did really well there.
Ian:Yeah, not that in.
Ian:Yeah, for those of you who are listening to the podcast who can't see, basically,
Ian:yeah, Mike has become a microphone.
Ian:We can't see him anymore because he's got the microphone in his
Mike:My audio quality is really good.
Mike:The proximity effect is so awesome.
Ian:Oh, thank you, Mike, so much for coming on to the show.
Ian:It's been awesome to have you.
Ian:You'll be back in the next series, which I'm very excited about.
Ian:Tell listeners where they can connect with you and what you're working on.
Mike:Absolutely.
Mike:Please come and find me.
Mike:You can find me.
Mike:Most of my social media handles are IMikeRussell.
Mike:I Mike Russell.
Mike:So that's Mike Russell with the letter I in front of it.
Mike:Or just type my name into YouTube and I'm sure I'll pop up.
Ian:Awesome.
Ian:thanks, Mike.
Ian:we are out of time.
Ian:Thank you so much for plugging us into your ears or watching.
Ian:Really appreciate that.
Ian:And until next time, I encourage you to level up your impact,
Ian:authority and profits through the power of confident live video.
Ian:See you soon.
Ian:Bye.
Ian:Thanks for listening to the Confident Live Marketing Podcast with Ian Anderson Gray.
Ian:Make sure you subscribe at iag.me/podcast so you can continue to level up
Ian:your impact, authority and profits through the power of live video.
Ian:And until next time, Toodle