Speaker:

Welcome to the Confident Live Marketing Podcast with Ian Anderson Gray.

Speaker:

Helping you level up your impact, authority, and profits through

Speaker:

the power of confident live video.

Speaker:

Optimize your mindset and communication.

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And increase your confidence in front of the camera.

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Get confident with the tech and gear.

Speaker:

And get confident with the content and marketing.

Speaker:

Together, we can go live!

Ian:

Hello and welcome to the Confident Live Marketing Podcast.

Ian:

My name's Ian Anderson Gray.

Ian:

This is episode 218.

Ian:

And in this season, we're going behind the scenes, looking at studio

Ian:

setups of fantastic creatives, entrepreneurs and business owners.

Ian:

in today's episode, I'm very excited to have a returning guest.

Ian:

It is The fabulous Mike Russell, who is founder of Creator Magic

Ian:

and is a YouTuber with a channel on AI tools for content creators.

Ian:

He's also an Adobe certified professional and at Music Radio

Ian:

Creative, he innovates as creative director, blending AI with creativity.

Ian:

Tune into his channel for up to date AI insights and welcome to the show.

Ian:

Mike, how are you doing?

Mike:

Thanks so much, Ian.

Mike:

It's amazing to be here and I'm always happy to talk gear so I

Mike:

can't wait to show you around.

Ian:

Yeah.

Ian:

We're going to talk about tech and gear.

Ian:

just before we do that, can you give a brief introduction to

Ian:

listeners and viewers highlighting your background and like what

Ian:

makes your studio sets up unique?

Mike:

So I think what makes my studio setup unique is my original

Mike:

background, which is working in radio.

Mike:

So I go towards the high end or the pro end of gear in terms of microphone

Mike:

mixer, which is now fully digital.

Mike:

we'll get to that later.

Mike:

I'm sure.

Mike:

I worked in radio for a couple of decades and then I transitioned into

Mike:

basically being a business owner.

Mike:

Serving and still serving to this date clients all around the world

Mike:

who want audio, music, voiceovers for their podcasts, their DJ set,

Mike:

their radio station or anything else.

Mike:

We've worked with theme parks, businesses on hold messages, and obviously

Mike:

we're integrating a lot of AI into our process there as well right now.

Mike:

I've been a podcaster, a YouTuber for many years, over a decade, I think.

Mike:

We've known each other nearly a decade, and now I've ended up in the last couple

Mike:

of years, obviously in the AI space, because I'm so excited by technology.

Mike:

I'm using a lot of AI in my own content creation, and as you rightly mentioned

Mike:

at the start of the show, I now have a brand new YouTube channel called

Mike:

Creator Magic, and I teach people how to use AI to really make their content

Mike:

creation online the best it can be.

Ian:

And it is an amazing channel.

Ian:

Like it's not often I go down rabbit holes and get obsessed

Ian:

with a YouTube channel, but I have become obsessed with your new one.

Ian:

So like your main channel is that just called Mike Russell?

Ian:

Remind me.

Ian:

is that right?

Ian:

Yeah.

Ian:

It's just

Mike:

my name.

Mike:

Yeah, type my name in YouTube.

Mike:

That's it.

Ian:

that's but you've set up this new one and it's focused on AI and

Ian:

it's you just getting really geeky.

Ian:

And it's so cool.

Ian:

Some of the stuff that you're doing there.

Ian:

So do check out create a magic.

Ian:

Is that right?

Ian:

I've got the right

Mike:

That's a creator magic.

Mike:

I say, or because otherwise you think it's create a magic,

Mike:

but it's creator as a creator.

Ian:

awesome.

Ian:

Awesome.

Ian:

so let's dive into your tech setup.

Ian:

And I think the most important thing and I know you're obviously

Ian:

think this too, is I Audio.

Ian:

So tell us about your microphone and audio setup and why you chose what you've got.

Mike:

Definitely a great question.

Mike:

So obviously I've had years of working with audio, producing

Mike:

voiceovers and so much more.

Mike:

I'm an audio producer originally by trade.

Mike:

So I use the very best microphone I can get my hands on.

Mike:

This is not a typical content creator microphone I'm speaking into.

Mike:

It is the Neuman U 87.

Mike:

I think it's actually to be very specific, the Neuman U 87 ai.

Mike:

See, they were ahead of the game with naming that microphone.

Mike:

It's, it hasn't got inbuilt ai.

Mike:

I think it's just the audio.

Mike:

Something package.

Mike:

I don't know.

Mike:

Anyway, it's, it's on the expensive side.

Mike:

It's nearing $3,000, but it's got an amazing, crisp, warm sound and very,

Mike:

natural when you compare it up against the other popular mics, not bashing

Mike:

them at all, but like such a Shure SM7B or some of the Rode microphones.

Mike:

They're good.

Mike:

They're decent.

Mike:

They'll give you a great sound.

Mike:

In fact, I recommend some of those, $100 to $300 mics for content creators.

Mike:

But as I'm an old radio broadcaster, I like a condenser

Mike:

mic and I've got a good room here.

Mike:

So there's no problem of background noise that is now running into

Mike:

a Mackie DLZ creator, which I got set up in a really nice way.

Mike:

And actually there's one more thing in the middle of that.

Mike:

Actually, before it hits my DLZ creator, which is my digital mixer,

Mike:

a bit like the, Rodecaster, that.

Mike:

first of all, goes into a universal audio Apollo twin X.

Mike:

And the reason I love that, and it goes in there first before hitting the DLC

Mike:

creator is the Apollo twin X has, digital plugins that work on your computer,

Mike:

but it's got I think it's a DSP on board that does real time processing.

Mike:

So there's no delay on your audio and it will add really cool processes.

Mike:

I did maybe two or three years ago now, I did a video on my YouTube

Mike:

channel where initially it was like, can I replace my whole studio setup,

Mike:

my analog setup with a RODECaster Pro?

Mike:

And I did, I got rid of like 19 inch rack units, the things in these server

Mike:

farms, it's like DBX units that were making my voice sound better, processors

Mike:

that would add EQ, power conditioners to make sure I was getting stable

Mike:

power into my whole analog setup.

Mike:

And then I found that Rodecaster was good enough to do it.

Mike:

And then later on, Mackie came along and said, we've got this

Mike:

thing called the DLZ Creator.

Mike:

And I thought, this is for my use case, even better.

Mike:

And then Rode came and said, we'll buy you Mackie.

Mike:

So now they're all in one happy family.

Mike:

That's my, short story of how I get my, mouth sounds, into

Mike:

the computer and out to you.

Ian:

that's pretty impressive stuff.

Ian:

So so obviously with a condenser microphone, you do need to

Ian:

have a really quiet studio.

Ian:

So I think where I am, that probably wouldn't work very well.

Ian:

So a dynamic mic, would you recommend like a dynamic microphone for people

Ian:

who aren't in a sound treated studio?

Mike:

Yeah, definitely my go to if anyone asks me and they've got 100 to spend,

Mike:

I'll say, grab yourself a Rode PodMic.

Mike:

You can't go wrong.

Ian:

yeah, definitely.

Ian:

So you've got a lot of things going there.

Ian:

You've got, the mixer, you've got the bits in the middle, which was,

Ian:

remind me what that was called again?

Mike:

That is the unit.

Mike:

This is special, by the way, you don't have to do this, like a Mackey

Mike:

or an audio interface will be fine.

Mike:

But this is the Universal Audio Apollo Twin X.

Mike:

And again, it's round $1,000.

Mike:

So you as a new content creator, or, any general content creator, you just don't

Mike:

need this stuff, you will do quite well.

Mike:

If you want to go on a like a real budget Rode pod mic, with

Mike:

like a Focusrite Scarlett 2i2.

Mike:

I've used that as my main audio interface to get a microphone into

Mike:

the computer for years and years.

Mike:

That's a good start.

Mike:

If you want to level up, then it's going to be Rodecaster and

Mike:

something like the Shure SM7B.

Mike:

And if you want to be on like crazy, Mike, insane, too much insanity for

Mike:

audio, then it's, what I've got here.

Mike:

Yeah.

Ian:

No, that's, what we're trying to do on this show is Demonstrate

Ian:

loads of different setups.

Ian:

So we've got some very basic ones.

Ian:

We've got some ones like yours, which are state of the art.

Ian:

And I think, at the end of the day, if you're just starting, then all

Ian:

of this is over the top, you just need to get started creating stuff.

Ian:

But over time, it's really cool to be able to.

Ian:

Improve and get some extra gear.

Ian:

So we've talked about audio.

Ian:

Let's talk about cameras now.

Ian:

So you've not just got one camera.

Ian:

I've got a few different cameras in place.

Ian:

So tell us about your choice of cameras and how you use those

Ian:

during your content creation.

Mike:

Yeah, definitely.

Mike:

Good question.

Mike:

And as I tell you, I can actually switch my camera, using my Elgato stream deck.

Mike:

So I'm talking right now into a Sony alpha A6300 with a Sigma lens on.

Mike:

I think we'll get the exact lens I'm using in the show notes, probably.

Mike:

And, that is actually on top of that, I've mounted an Elgato prompter as well.

Mike:

I think those are the bees knees.

Mike:

I'm sure you're probably using them.

Mike:

at times they are, that is Elgato.

Mike:

Elgato

Mike:

When they do stuff for content creators, they do it really well.

Mike:

They take something clunky that like 20 Chinese manufacturers are making nothing

Mike:

wrong with Chinese manufacturers, but they take it and they put their brand stamp on

Mike:

it and they make it like insanely good.

Mike:

So I could not live without that setup.

Mike:

And then I can switch and show you my other camera, which is the newer one.

Mike:

Actually, it's the Sony alpha a 6, 500 and that's got a Sigma lens, but it's

Mike:

got a, it's 16 millimeter as opposed to 35 millimeter on my main cam,

Mike:

which The 35 millimeter, like a short aperture gives me a lovely bokeh effect.

Mike:

But as you'll see from this camera, you can get a nice perspective

Mike:

on what my studio looks like.

Mike:

So yeah, this is my Neumann mic here.

Mike:

then this is my Mackie.

Mike:

I love the big LCD display on there.

Mike:

It's very big and bright and I can make it all colorful and customize it.

Mike:

I've got a Mac studio in front of me and, I work on a dual screen.

Mike:

I used to have triple screen, actually I used to have quadruple screen, but

Mike:

like I was getting strain in my neck and, my wife, Isabella, who's brilliant,

Mike:

by the way, she, just said, why don't you just cut your screens down?

Mike:

So I cut it down to two screens and actually that for productivity,

Mike:

that's brilliant for me.

Mike:

And then just hiding behind my boom arm over here, something I didn't tell you

Mike:

about beforehand, Ian, these are great.

Mike:

so this is a digital clock.

Mike:

from Wharton, I believe, and they're custom made.

Mike:

the reason is there used to be a big, massive one in the

Mike:

radio stations I worked at.

Mike:

I was like, I want one.

Mike:

So I, I ordered them and it connects via ethernet.

Mike:

So it's constantly got the exact right time on it, which is, I don't

Mike:

know if you get stuck with this, but for live streaming, like when you

Mike:

say I'm going to go live at 10 a.

Mike:

m.

Mike:

precisely, GMT.

Mike:

Now I really can because I've always got a clock in front of me.

Mike:

It keeps me real with my timing.

Mike:

So there you

Ian:

I love that.

Ian:

. And, the, so the Elgato prompter, I haven't actually got one of those.

Ian:

I've got a, it's a similar kind of setup.

Ian:

So I've got an iPad teleprompter with a field monitor.

Ian:

So it's a normal monitor, but you can flip the screen on it.

Ian:

but I really liked the teleprompter from Elgato cause it's just,

Ian:

you don't have to mess around.

Ian:

It's just, there.

Ian:

And I've noticed you've got that to the left.

Ian:

You've got your two displays, your two monitors.

Ian:

It looks like you've got them, slightly to the right of your camera there.

Ian:

So how does that work in terms of if you're wanting to.

Ian:

Obviously look at the camera, it's straight in front of you, but your

Ian:

displays are to the right of you.

Ian:

How does that work in terms of your computer?

Mike:

That's a really good technical question.

Mike:

I've experimented with camera positioning and I have had a setup where I've

Mike:

had the camera on top, but then I'm always looking up above the camera.

Mike:

And then I've had two monitors and I've had the camera in the middle,

Mike:

which just, it feels weird having a camera in the middle of two monitors.

Mike:

So now, as you rightly say, I have one monitor right.

Mike:

In the middle of my desk in front of me, second one is off to the right,

Mike:

and then the camera is off to the left.

Mike:

And that works perfectly for me, because I can talk straight down the barrel of

Mike:

the lens, and the prompter can help me if I need to remember lots of stuff,

Mike:

because I'm bad at remembering scripts.

Mike:

I used to literally have to record every line and then go chop, chop, chop.

Mike:

It was very annoying post producing me.

Mike:

but now Thanks to Elgato Prompter, I can just have it scrolling

Mike:

and I can read the text and it's it's just changed my life that.

Mike:

And then when I'm ready, if I do a like a tutorial on screen, then I

Mike:

can just say, okay, let's hop in.

Mike:

Boom.

Mike:

And then go over to my computer like that.

Mike:

And then when I want to address the audience again, I can go back and say,

Mike:

Hey, so what do you think of that?

Mike:

That's really cool.

Mike:

And just keep going back and forth.

Mike:

Usually I'll use my main monitor for the main work I'm doing or the

Mike:

screen flow tutorial I'm doing.

Mike:

And then my secondary monitor usually contains like OBS.

Mike:

That's what I use to record and often if I do stream I'll try and stream through OBS.

Mike:

Although I know Ecamm can do a good job and other solutions online for that.

Mike:

but I found that to be the best and yeah I just shove everything I don't need on the

Mike:

main screen over on the second monitor.

Mike:

So Folder windows, notes, emails, OBS.

Mike:

It all goes on the secondary monitor.

Ian:

Now it's really interesting because I think that we want to

Ian:

create a setup in our studios where it's just easy to create our content.

Ian:

so we don't want to have to move things around and set things up.

Ian:

Ecamm Live Recording on 2024-05-09 at 10.45.19: And

Ian:

I've got my teleprompter in front of me with my camera and then I've got

Ian:

one monitor to the left of me, but I've always wanted to get either two monitors

Ian:

or I've seen some people have the ultra wide screen monitors, but then I think,

Ian:

where do you put your teleprompter is going to have to be probably high

Ian:

up and then you're looking up at it.

Ian:

So it's similar to what you're saying there.

Ian:

So it's working out what's the best set up for you.

Ian:

And sometimes you just have to play around with these things and, work things out.

Ian:

yeah, that's cool.

Ian:

Lighting.

Ian:

Let's talk about lighting.

Ian:

How have you set up your lighting?

Ian:

I don't know.

Ian:

How have you found lighting?

Ian:

For me, I've just always found lighting really, difficult.

Ian:

I'd love to know a little bit your journey with lighting and what you have now.

Mike:

Yeah, I'm the same as you, Ian, I, yeah, I find visuals and video, to be

Mike:

a little tougher than the audio aspect.

Mike:

but I've learned over time and I've watched a lot of YouTube videos.

Mike:

So I have three lights in this studio, three primary lights that

Mike:

like illuminate my face and make it so you can see me clearly.

Mike:

So I have two Elgato key lights, and then I have an Elgato key light

Mike:

air, which is the smaller version.

Mike:

It's about half the size.

Mike:

So I've got, now I'm probably going to get the technical terms wrong, but

Mike:

you've got like a main light, a fill light and another light that highlights

Mike:

your hair or something like that.

Mike:

Sorry.

Mike:

I'm not a lighting expert, but I have roughly positioned the

Mike:

lights in the correct place.

Mike:

So I've got my main light right there.

Mike:

I've got my air light up.

Mike:

I've actually, drilled it into the ceiling over there.

Mike:

So that shines down and I've got the other one just behind me to highlight

Mike:

my head to give me that beauty effect, And, that is then all connected to my

Mike:

Elgato stream deck, which is brilliant because they seamlessly integrate.

Mike:

So every time I want to go live or I want to do something, obviously I

Mike:

don't want these lights on all the time because they're very bright.

Mike:

but I just hit one button on my stream deck and all the lights go on.

Mike:

And then when I finished recording, there's another button

Mike:

and boom, the lights go down.

Mike:

Behind me, if you're watching this, you'll see there's lots

Mike:

of different colored lights.

Mike:

So those are, Philips Hue, play bars, I think they are.

Mike:

They're like little bars that sit.

Mike:

here behind like that and light things up.

Mike:

And again, they are again, connected to a script that runs on my stream deck.

Mike:

so I could literally push a button now on my stream deck and, all

Mike:

the lights go out like that.

Mike:

See, boom.

Mike:

that's really weird, isn't it?

Mike:

And then I can push the button again and all the lights come on and I get

Mike:

overexposed for a moment and they're bad, just even the triangles behind me, which

Mike:

are the original nano leafs that I had.

Mike:

They're all connected.

Mike:

So I've got this one script.

Mike:

So I just push one button, all the lights go off.

Mike:

I push another button, all the lights come on.

Mike:

And, it's, really cool for me.

Mike:

So yeah, that's how I'm doing lighting.

Ian:

Love it.

Ian:

Love it.

Ian:

Oh, yeah.

Ian:

You got me going.

Ian:

I need to look at the Philips Hue, the play light things

Ian:

because That looks really good.

Ian:

I want to have a little bit of lighting, different colored lighting behind me.

Ian:

And I think you're right.

Ian:

I think it is a hair light.

Ian:

so as a, yeah, there's the, I think you've got, I think you did get it right.

Ian:

I'm not an expert either when it comes to lighting.

Ian:

It's all, complicated and yeah, I can, let's talk about something else.

Ian:

Let's move on to your computer.

Ian:

So you mentioned you have a Mac Studio.

Ian:

Is that your main computer?

Ian:

Do you have any other computer setups?

Ian:

tell us a little bit about what you've got there.

Mike:

Yeah, that's a great question.

Mike:

So I have loads because I'm constantly doing different things.

Mike:

My primary driver and the thing that I'm really happy with is the Mac Studio.

Mike:

it's just brilliant.

Mike:

And actually I haven't upgraded since the original one was released.

Mike:

So I haven't got the fancy new one with the upgraded processors.

Mike:

This has been my beast.

Mike:

Like it does everything that a content creator like me would want.

Mike:

So I can work, I'm an Adobe user.

Mike:

I can work in Premiere Pro.

Mike:

I try to use After Effects as little as possible, but when I do use After Effects,

Mike:

it works well with that, because I'm not very good at After Effects, that's why.

Mike:

and obviously, Adobe Audition flies on that Mac Studio, so it's

Mike:

great in terms of processing power.

Mike:

I love the fact it solved a huge problem for me.

Mike:

It has a SD card slot.

Mike:

on the front.

Mike:

So this is huge when I'm filming on the go or I'm getting b roll.

Mike:

It's nice to be able to take the SD card out of the camera and shove

Mike:

it straight into the front of the Mac Studio and natively download

Mike:

my stuff without connecting USB dongles and all of that stuff.

Mike:

It's just fantastic for me.

Mike:

In terms of other stuff, I also work on a MacBook.

Mike:

I think it's the 15 inch.

Mike:

Again, it's a very old MacBook, but it does the job.

Mike:

and again, it's one of the, I think it's the MacBook pro.

Mike:

So again, I can render on that and do video editing if I need to.

Mike:

So those are my two primary, computers.

Mike:

Now I've had a love hate relationship over the years with PCs.

Mike:

and at one time I totally switched to PC.

Mike:

I said, announced on my YouTube channel, I think it was around 2019, 2020.

Mike:

I said, I'm going completely PC.

Mike:

and I built a PC and it was brilliant and it was so powerful.

Mike:

But I ended up for creation on a day to day basis going back to Mac.

Mike:

I don't know why, I just love Tim Cook.

Mike:

Maybe that's the reason.

Mike:

but I have a PC, because sometimes you get Windows only applications and particularly

Mike:

as I teach AI, Windows and PC gives me the opportunity to do a few extra things.

Mike:

Plus on that PC I've got a beefy Nvidia GPU, and obviously now in the age of ai,

Mike:

that's suddenly become important again.

Mike:

So I'm like, yay, I already had a GPU.

Mike:

So now I can set up my own large language models if I want and go in that direction.

Mike:

and from time to time I will even dabble with the Linux command

Mike:

line to, to run various different applications and open source stuff

Mike:

to, to take AI to whole new levels.

Mike:

I know.

Mike:

I've sent you down rabbit holes with, command line, which you've, said to

Mike:

me, you're allergic to apparently

Ian:

yeah, I'm not allergic.

Ian:

I just I try and avoid it but you could do some really cool things And this is

Ian:

why you need to follow Mike's channel.

Ian:

It is really awesome stuff.

Ian:

So like with your Mac do you know what processor you went for because

Ian:

we had Jeff Sieh on recently?

Ian:

He's he went for the I think for the relative base model Did you go for

Ian:

the ultra or the max or what was your thinking there in terms of choosing?

Ian:

You The specs for your Mac.

Mike:

brilliant question.

Mike:

It's literally the bog standard Mac studio, lowest spec, generic

Mike:

vanilla spec out of the box.

Mike:

And the reason I went for that.

Mike:

And I'd be mega happy with that.

Mike:

sometimes you think when you're clicking, especially on that beautiful Apple

Mike:

website, and it's maybe you want to add this, maybe you want a bit more memory,

Mike:

maybe you, oh, we can give you this GPU, if you like, it's much better.

Mike:

this may not be everyone's experience, but I feel like I got a little bit burned

Mike:

previously, I went down that rabbit hole.

Mike:

And back in the day, when I had an iMac, the lovely glass screen in

Mike:

front of you, I, ordered one and I thought, I'm going to go for this.

Mike:

I'm, going to upgrade the memory.

Mike:

I'm going to put a different GPU in there.

Mike:

I'm gonna, I'm gonna make it really cool.

Mike:

So it's like my beast machine.

Mike:

And I regretted that for so long because whatever it was, I think it

Mike:

was the GPU that, which is not the nonstandard one was in there and it was

Mike:

completely different, like I'm used to Macs running completely silent and I

Mike:

need that because I do a lot of audio work and for whatever reason, this GPU

Mike:

was like a beast and every time you.

Mike:

You loaded an app or you went into Premiere Pro, it would

Mike:

whiz up and go like that.

Mike:

I was like, no.

Mike:

So I was like, I'm just going to go for the base model.

Mike:

And I've been super happy.

Mike:

No customizations.

Ian:

Awesome.

Ian:

Awesome.

Ian:

And in terms of your software, you said you use OBS.

Ian:

Do you use OBS for your, most of your content creation or

Ian:

is that for streaming only?

Ian:

Tell us a little bit more about that.

Mike:

Yeah.

Mike:

So I, at the moment, at this present moment, I don't do much streaming.

Mike:

When I did, I would use, OBS to, send the stream out essentially.

Mike:

I've dabbled with stuff in the past, for streaming.

Mike:

But, actually back in the day I was using Restream, so I was sending one

Mike:

stream out of OBS to Restream and then sending it to multiple different places.

Mike:

When I record my videos for YouTube, it's OBS all the way.

Mike:

So actually what I have, I can give you a real behind the scenes

Mike:

look here, I can switch scenes.

Mike:

And look at that.

Mike:

So I know that looks really weird, but that's four different screens.

Mike:

So you've got my main camera in the top left, got my secondary camera in the top,

Mike:

And then you've actually got my screen.

Mike:

That's down there.

Mike:

So my screen share is down there.

Mike:

I'll switch back.

Mike:

Cause that's a bit confusing for anyone who's watching.

Mike:

but essentially I record that in 4k and then I've got four 1080p

Mike:

recordings of whatever I'm doing.

Mike:

I then dragged that into Premiere Pro.

Mike:

I've got presets and it goes like that.

Mike:

And then it gives me four different tracks.

Mike:

I know the fourth one is empty, but sometimes if I want another

Mike:

screen or something else, I can.

Mike:

Pop that down there.

Mike:

And then I'm recording the same piece of content.

Mike:

It gets split into four tracks in premiere and I can make scene

Mike:

changes as and when I wish.

Mike:

It's really intuitive.

Mike:

It's really super easy.

Mike:

and for me it works.

Mike:

And there might be an easier solution, like using something

Mike:

like Camtasia or ScreenFlow.

Mike:

I have played with those things, but.

Mike:

I don't really like the fact that those pieces of software generally

Mike:

tend to make their own proprietary files that like, dot flow files.

Mike:

I don't know.

Mike:

It's been a while since I've used them and I'm like, no, I just want the raw footage.

Mike:

So OBS will spit me out an MP4 file.

Mike:

And that's, very, usable anywhere?

Ian:

Sounds awesome.

Ian:

Awesome stuff.

Ian:

we're almost out of time, but I wanted to spend a lot of time on, on that

Ian:

because I love your setup and you've got, you've thought a lot about all of

Ian:

that, but I have one, one question before we go to the quickfire round, which is.

Ian:

personalization.

Ian:

you've spent a lot of time personalizing your background and your setup.

Ian:

How have you made your studio space your own to foster both

Ian:

creativity, but also productivity?

Mike:

Wow, what a question.

Mike:

I am, unfortunately, I fall victim to probably getting too much gear.

Mike:

So like I said, I had the four screen set up initially.

Mike:

So I try from time to just get in the weeds and pull all the cables

Mike:

out and say, what do I not need?

Mike:

So I, do, Feel that the more you minimize your setup down to

Mike:

what do I basically need to make content, the better things can be.

Mike:

And, there are amazing content creators out there producing so

Mike:

much with such a modest setup.

Mike:

I don't know if you've ever watched the, Fireship YouTube channel,

Mike:

he often does like short narrated videos about coding and AI stuff.

Mike:

they're usually three or four minutes in duration.

Mike:

And I saw a behind the scenes video of his setup.

Mike:

And it's like literally just, it's like a bedroom with a computer and

Mike:

a monitor and a little microphone.

Mike:

And I'm like, and he's got 3 million subs and I'm like, that's.

Mike:

So cool.

Mike:

So I can take a leap of that minimization book, but making it my own.

Mike:

So obviously you can see behind me, I've got like little things up here.

Mike:

So I got like a Pac Man.

Mike:

I got the same on air light as you.

Mike:

I love that on air light and, the YouTube, silver play button, which is super cool.

Mike:

And I've got a few lava lamps and a Mario thing, cause I'm quite

Mike:

into gaming when I get time.

Mike:

So that, helps me to get in the creative zone and, it's just, it's nice.

Mike:

Actually the whole place I've painted and decorated myself.

Mike:

I've, attach things.

Mike:

You can't see them even if I switched to this scene.

Mike:

Oh yeah, you can.

Mike:

So I've got some sound panels on the walls here, which helps stop the reflections.

Mike:

So I don't get much reverb or echo as some people call it.

Mike:

I've also got them on the roof, that's all installed, so all of this is my

Mike:

own work, so it really feels like it belongs to me, and it's my happy space.

Mike:

All I need to do is come in here and, I'm generally ready to go.

Ian:

Awesome stuff.

Ian:

I think it's so important to make it your own and to, have a

Ian:

place where you can be creative.

Ian:

but it is time to get onto the quickfire round.

Ian:

So are you ready for this, Mike?

Ian:

you've got to answer as many questions in a minute.

Mike:

I hope so.

Ian:

but not too many cause I have a limited number.

Ian:

So we'll see.

Ian:

let's do it.

Ian:

Here we go.

Ian:

So that is the first question.

Ian:

Acoustic panels, aesthetic choice or acoustic essential?

Mike:

Oh, aesthetic choice, they've got to look good.

Ian:

Okay, next question.

Ian:

Teleprompter, yes or

Mike:

100 percent yes, I can never remember my lines.

Ian:

Webcam or fancy camera?

Mike:

Oh, it's got to be a fancy camera.

Mike:

You've got to have the bokeh,

Ian:

Definitely, Okay, coffee or tea while recording?

Mike:

Coffee all the way.

Mike:

I'm a morning recorder.

Mike:

I get pumped up with caffeine and then it's a cup of tea

Mike:

to chill in the afternoon.

Ian:

Sounds good.

Ian:

Okay, standing desk or sitting desk?

Mike:

sitting because I have a, an exercise regimen.

Mike:

So I do exercise every single day.

Mike:

so I feel like I can afford to sit down when I make.

Ian:

Okay, so sitting or standing?

Ian:

Sitting.

Ian:

Mac or PC?

Mike:

Mac mainly.

Ian:

One big monitor or dual monitors?

Mike:

Dual monitors, baby.

Ian:

Microphone in or out of shots.

Mike:

Oh, in, but not too in.

Ian:

I like that.

Ian:

In but not too in.

Ian:

That is the quote of the day.

Ian:

thank you, Mike.

Ian:

It's been, you did really well there.

Ian:

Yeah, not that in.

Ian:

Yeah, for those of you who are listening to the podcast who can't see, basically,

Ian:

yeah, Mike has become a microphone.

Ian:

We can't see him anymore because he's got the microphone in his

Mike:

My audio quality is really good.

Mike:

The proximity effect is so awesome.

Ian:

Oh, thank you, Mike, so much for coming on to the show.

Ian:

It's been awesome to have you.

Ian:

You'll be back in the next series, which I'm very excited about.

Ian:

Tell listeners where they can connect with you and what you're working on.

Mike:

Absolutely.

Mike:

Please come and find me.

Mike:

You can find me.

Mike:

Most of my social media handles are IMikeRussell.

Mike:

I Mike Russell.

Mike:

So that's Mike Russell with the letter I in front of it.

Mike:

Or just type my name into YouTube and I'm sure I'll pop up.

Ian:

Awesome.

Ian:

thanks, Mike.

Ian:

we are out of time.

Ian:

Thank you so much for plugging us into your ears or watching.

Ian:

Really appreciate that.

Ian:

And until next time, I encourage you to level up your impact,

Ian:

authority and profits through the power of confident live video.

Ian:

See you soon.

Ian:

Bye.

Ian:

Thanks for listening to the Confident Live Marketing Podcast with Ian Anderson Gray.

Ian:

Make sure you subscribe at iag.me/podcast so you can continue to level up

Ian:

your impact, authority and profits through the power of live video.

Ian:

And until next time, Toodle