Speaker:

Yo! Bring it!

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C’mon!

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Welcome to hip hop movie club where three

old heads put their old heads together.

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The vibe on some of the most memorable

or forgettable

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hip hop themed movies of all time.

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And here's Hmsi with your HMCs Boogie.

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JB. Oh yeah, and Deano, right.

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Bring it.

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Come on.

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Season four, episode one Boyz n the hood.

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Written and directed

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by John Singleton

and produced by Steve Michaelides.

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Released in 1991 and featuring Ice

Cube Cuba Gooding Jr.

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Morris

Chestnut and Laurence Fishburne. Oh.

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Well, answer the question.

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Which of the boys can survive

and which can thrive

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in the main streets of South Central LA?

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Right.

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One on one.

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Look what I know.

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Boys in the hood is a coming of age drama

which sees a young boy, Trey,

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sent to live with his father.

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Furious styles in the rough and tumble

south central LA neighborhood of Crenshaw.

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Both series instills proper

values and respect in Trey.

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His friends Doughboy and Ricky

don't have the same kind of support system

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and are drawn into the drug

and gang culture with tragic results.

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Boogie, what are your

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initial thoughts of boys in the hood?

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Boys in the hood

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is the quintessential South Central film.

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It's the first film from John Singleton,

first major film film,

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and the first of the South Central quote

unquote trilogy films.

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I think the super poignant and it touches

on, a lot of a lot of topics.

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You have street violence,

you know, drug dealing, gang culture.

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There's police brutality.

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It touches on gentrification of the

of the hood as well

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as on misogyny

and single parent households,

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absentee father and the repercussions

that can occur, when that takes place.

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Even though I know

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the ending of the movie, it's it's

always one of those movies that whenever

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I see it on, I have to stop and pause

what I'm doing.

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And I pay attention to it because

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it tells the story of of what can happen

if you're not careful.

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And also, you know, even though

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you have a hopeful situation

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in terms of the of the character Ricky,

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and his ability to play football,

in potentially get out

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chance occurrences of being

in the wrong place at the wrong time can

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sometimes have some really ugly results

and consequences.

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But yeah, I definitely enjoyed this movie.

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This is one of those films that

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I highly recommend for people to watch

if they want to get an insight

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on on the street

culture of Los Angeles in South Central.

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And it's sad because a lot of these

occurrences in the movie still occur.

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I mean, we do it

just fairly recently hip hop artist

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PNB Rock,

you know, murdered in Los Angeles.

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And it's very sad to see situations

like that occur.

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And also we have the issues

of prudence, brutality that still occur.

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So I think John Singleton was

was ahead of his time.

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As far as bringing these stories

to the forefront

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so that not only can the world

see what's going on,

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but also the people that live in Hollywood

that are oblivious to the situations

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that are going on,

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to kind of

look over their shoulder to say, oh,

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wow, this is what's going on in our own

backyard, and pay attention to it.

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It does. Right.

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What are your thoughts initially?

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I had never seen this before

in one of those movies,

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and it was equal, or

maybe even better than Do the Right Thing.

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The characters were very human.

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It was multi-dimensional, and the acting

actually met the level of the writing.

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The writing.

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These characters were written so well,

and they they really brought

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great acting to it.

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And a lot of them were their first movie

roles.

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It's like,

amazing that you got these performances

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out of these, the actors,

and the whole thing was just,

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you know, they turned it the stars, right?

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They so many people,

like we've seen so many other movies

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now in this podcast too.

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They got their start here. It's like, wow.

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Yeah,

a lot of them like had been working, but

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they really became more prominent

thanks to this movie. And,

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this might be

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my favorite one that we've seen so far.

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Yeah, this was incredible.

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I had seen it once or twice,

but years ago, shortly

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after it came out and to rewatch it,

I was just enthralled by it.

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It holds up.

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I mean, this could be a top

20 film of all time, perhaps.

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I'm just astounded by how young John

Singleton was when he made this film.

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He was 24 years old.

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Think about what we were doing at age 24.

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I think it's important.

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You know.

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Youngest director

ever to be nominated by an Oscar.

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So kudos to the late,

great John Singleton.

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Yeah, actually you you did a comparison

with Do the Right Thing.

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I was reading up

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two years after spike Lee was passed over

for nomination for Do the Right Thing.

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He didn't get it.

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Singleton

became the first African-American

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to earn a Best Director

nomination for, Boyz n the hood.

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The character development,

the cinematography was all on point,

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and it's a teaching moment,

and it's poignant, like you said.

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So this one started out

with the statistic of one out of every 22

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black Americans will be murdered,

which is just jaw dropping,

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and most will be at the hands

of another black person.

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So then you're talking about,

you know, black on black crime,

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like you said, done, right.

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Ice cube hadn't done any acting right

for John Singleton to reach out to him.

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So John Singleton,

I really want the USC for film school,

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which is a cop program,

and for him to reach out to Ice Cube,

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who was really knee

deep into the success of N.W.A.

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And to bring him into this

role was just remarkable.

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And he you nailed it.

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When I, was thinking about

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the characters and how this movie was,

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it was Ice Cube that you really saw

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how he became a Hollywood star

because he has the acting chops

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to to do a role like this

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that wasn't just one dimensional,

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you know, he would he could have been

just portrayed as a thug,

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but there was a dimension

to his, his character.

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And, you know, he actually did.

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I mean, he and his brother would fight,

but he actually did love his brother

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and wanted to protect him.

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And he had levels to him.

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So, and that made him think like

that was his first movie.

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Wow, what a talent.

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Yeah.

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He definitely knocked it out of the park.

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I mean, toe to toe

with any seasoned vet in the film.

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His portrayal of Doughboy

in this movie is top notch.

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And like you said,

it was definitely layers.

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Like, he was definitely not just a street

like he was.

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He was compassionate.

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He was loyal, compassionate.

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He was strong, strong willed as well.

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And he was very realistic and very he was

he wasn't a good person,

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but you kind of want to root for him

anyway,

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because you can still see

those good qualities in him.

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And he's a guy I, you know, like,

you know what?

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He's he's he's not good.

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But there's something about him

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that, you know, he can do better

if he just applied himself.

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And you want to root for him to do

better is.

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You see, unfortunately,

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at the end of the movie, he definitely,

you know, he didn't make it,

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you know, he was he was also,

you know, he was murdered as well.

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Came another statistic, unfortunately.

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And that's that's the sad thing.

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And it's like you see these guys

and you know that there's something

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more to them, but you're so wrapped up

that, you know, it takes them under.

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The character of Doughboy.

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That's very interesting.

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He was the street smart one between him

and his brother Kenny.

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He was protective of them.

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In fact, when they were walking down

by the tracks and they came upon

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the other group of,

I guess, almost like a gang,

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and they stole his football

and they stole Kenny's football.

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Doughboy

was the one that stood up for him.

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I'm Ricky, I'm sorry.

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Ricky.

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Ricky's football. Yep.

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So he fought to get the football back.

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He wasn't

afraid to back down from anybody.

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And I think what what was really driving

some of Doughboy was motive.

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Was Ricky being the one

that had the aspirations before a player

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was definitely favored by their mother,

and he internalized that.

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You can see that when they would fight,

she would slap

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him, slap doughboy like,

get your hands off him and everything.

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In fact, you fast forward,

you know, at the end when

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when Ricky was shot and killed,

her initial thought was

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that Doughboy had done it,

and she's blaming him.

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And punching him,

and he internalized all that.

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And I think that kind of made him

the way he was.

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Yeah, I definitely agree.

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You said you could definitely see him

crying out

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for attention

that wasn't being bestowed to him.

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Yeah, it was definitely favoritism

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in that in those situations

between the wearing Ricky and.

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Yeah, yeah, I think if he was getting

that attention from the mother as well,

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you might have a different outcome.

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Yeah.

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Like I said, the synopsis is like daily

they had a single parent

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issues.

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I mean Trey did also.

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So Trey was, you know, well

not single parent but separated, right.

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And then furious, played by Laurence

Fishburne.

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I mean, what an amazing character Laurence

Fishburne was.

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I thought he should have been nominated

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for, supporting actor,

but he was passed over as well.

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What? What a great father figure.

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You know,

the rough and tumble neighborhood.

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But the first night that Trey goes to

to live with him,

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there's a break in in the house

the way that Singleton had

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that build up with the dripping faucet

and the intensity of it and the shooting.

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And then that leads to the tension

with the the cop that that came.

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There was a black cop who took forever

to arrive, and then he stays.

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He states, it's one less

and we're on the street.

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If you would have gotten him.

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And it's like, well, what's going on here?

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Like it was it

kind of brought a lot of drama, for sure.

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I read that Singleton shot this in order,

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and I also had that reaction

about the dripping faucet.

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The tension building was really great

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to read that.

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Oh yeah.

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This was like

when he was still figuring out things

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and by the end like, wow,

this was your first movie.

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Yeah.

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I was listening, to some other podcast

about and doing some research.

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It's like he was fresh out of film school,

so like, I guess he was using these

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techniques and he used him to to a tee,

and it was masterful.

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Masterful as the word.

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Yeah, yeah. So, so dramatic.

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And back to, furious Laurence Fishburne.

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He taught Trey the life lessons,

and he kept them and straight and narrow

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as much as he could.

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You see, he was the one that was working

at the mall and trying to do,

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you know, trying to live a normal life.

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The famous scene where they're fishing

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and he's teaching him,

you know, how to be a man

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and the rights and wrongs

and everything like that.

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It was impressive.

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Yeah.

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Ice cube scenes,

though, boy scenes and periods of style

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scenes, those were really gripping, like

I was glued.

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And anytime they were on the screen like,

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oh, this is something to pay attention to.

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Yeah, yeah, he just stole the scenes

and there was a lot of gems that he was,

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he would drop and things that, you know,

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people are starting to talk about now,

or he was talking about it back then.

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And in that movie, just a

just a good overall solid character,

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well-respected in the neighborhood.

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And, you know,

it was good to see a positive role model

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by everything going on.

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00:12:14,458 --> 00:12:19,500

Usually, you know, sometimes the father

is portrayed in a negative way or not

240

00:12:19,500 --> 00:12:23,333

portrayed at all, non-existent in the case

of, you know, Doughboy and Ricky.

241

00:12:23,333 --> 00:12:26,500

So it was good that there was a counter

balance to show, hey,

242

00:12:26,500 --> 00:12:29,500

you know,

despite the parents being separated,

243

00:12:29,541 --> 00:12:33,083

he's still a positive,

you know, influence in his life.

244

00:12:33,083 --> 00:12:36,208

And there to help him become a man.

245

00:12:36,625 --> 00:12:41,666

I think even a point to the mother

portrayed by Angela Bassett, that,

246

00:12:42,166 --> 00:12:46,125

you know, she wanted him,

you know, wanted trade to to live with him

247

00:12:46,541 --> 00:12:49,500

because she's like, you know,

I bought him this far, but, you know,

248

00:12:49,500 --> 00:12:50,583

he needs his father

249

00:12:50,583 --> 00:12:54,625

to kind of buckle him down a little bit

and show him how to become a man.

250

00:12:54,875 --> 00:12:57,500

I can, I can help, but you're good, man.

251

00:12:57,500 --> 00:12:59,208

He needs a man in his life.

252

00:12:59,208 --> 00:13:01,625

And I understand that

we're not together, but,

253

00:13:01,625 --> 00:13:04,166

I want you to take care of him

from this point, just to make sure

254

00:13:04,166 --> 00:13:08,125

he gets that other side of the coin

upbringing as well.

255

00:13:08,541 --> 00:13:08,750

Yeah.

256

00:13:08,750 --> 00:13:12,208

You mentioned the term gentrification

earlier and that.

257

00:13:12,625 --> 00:13:15,083

Wow. I mean,

that becomes so much more popular.

258

00:13:15,083 --> 00:13:18,083

This is back. This film was from like 91.

259

00:13:18,500 --> 00:13:21,416

There's a scene where furious is

260

00:13:21,416 --> 00:13:24,791

speaking in front of the empty

lot with the in front of the billboard,

261

00:13:25,375 --> 00:13:28,583

and this is the first time

I pretty much heard that word.

262

00:13:29,291 --> 00:13:31,958

And he explains it in such a clear way

263

00:13:33,000 --> 00:13:36,000

to, train Ricky and a lot of the folks

in the neighborhood,

264

00:13:36,000 --> 00:13:39,000

one of them,

including Grady from Sanford and Son.

265

00:13:39,083 --> 00:13:40,708

Yeah, one of this.

266

00:13:40,708 --> 00:13:43,041

Yeah, one of the neighborhood guys.

267

00:13:43,041 --> 00:13:45,666

And he explains this

like it's called gentrification.

268

00:13:45,666 --> 00:13:46,708

And I have a quote here.

269

00:13:46,708 --> 00:13:47,125

It's like, it's

270

00:13:47,125 --> 00:13:50,125

what happens when the property

value of a certain area is brought down.

271

00:13:50,458 --> 00:13:51,708

He's like, you're listening.

272

00:13:51,708 --> 00:13:54,958

You bring the property value down,

they can buy the land a lower price.

273

00:13:54,958 --> 00:13:58,625

They move all the people out, raise the

property value and sell it at a profit.

274

00:13:59,333 --> 00:13:59,458

Okay.

275

00:13:59,458 --> 00:14:02,000

So now what we need to do

is keep everything in our neighborhood.

276

00:14:02,000 --> 00:14:04,500

Everything black,

black, owned with black money,

277

00:14:04,500 --> 00:14:07,375

just like the Jews, the Italians,

the Mexicans and the Koreans.

278

00:14:07,375 --> 00:14:11,625

And then he's talking about, I think

it was maybe it was actually the old man.

279

00:14:11,625 --> 00:14:14,041

I think Grady talking about,

280

00:14:14,041 --> 00:14:16,916

he's like, ain't nobody from outside

bringing down the property values,

281

00:14:16,916 --> 00:14:19,583

these folks shooting each other

and selling the crack. Right.

282

00:14:19,583 --> 00:14:22,583

So you saying, oh, wait a second,

now we're all doing to ourselves.

283

00:14:22,666 --> 00:14:25,375

And then furious was like, well,

how do you think the crack rockets

284

00:14:25,375 --> 00:14:26,041

in this country?

285

00:14:26,041 --> 00:14:27,125

We don't own any planes.

286

00:14:27,125 --> 00:14:29,166

We don't ownerships.

287

00:14:29,166 --> 00:14:32,166

We're not the people flying

and floating it all in here.

288

00:14:32,458 --> 00:14:35,041

Why is there a gun shop

on almost every corner in this community?

289

00:14:35,041 --> 00:14:38,750

So really gets everybody

thinking it's very provocative,

290

00:14:38,750 --> 00:14:42,000

but it's poignant where it's like, wow,

they really want it.

291

00:14:42,083 --> 00:14:43,041

It's kind of like

292

00:14:43,041 --> 00:14:46,250

the odds are so stacked against us

is all the liquor stores on the corner.

293

00:14:46,250 --> 00:14:48,125

There's the gun shops.

They want us to kill each other.

294

00:14:48,125 --> 00:14:49,083

It's pretty much what he's saying.

295

00:14:49,083 --> 00:14:52,708

We have to overcome

that, you know, we're able.

296

00:14:54,500 --> 00:14:55,250

So that was

297

00:14:55,250 --> 00:14:58,250

really a great speech he had there.

298

00:14:59,250 --> 00:15:00,166

Absolutely.

299

00:15:00,166 --> 00:15:02,666

That was one of my favorite scenes

of the movie.

300

00:15:02,666 --> 00:15:04,458

Yeah.

301

00:15:04,458 --> 00:15:06,000

Anytime you can put Whitman, Mayo

302

00:15:06,000 --> 00:15:09,000

and I think.

303

00:15:09,041 --> 00:15:10,666

Grady.

304

00:15:10,666 --> 00:15:11,333

But it's so funny.

305

00:15:11,333 --> 00:15:12,500

We've had so many.

306

00:15:12,500 --> 00:15:15,500

We don't want to page cameos.

307

00:15:15,708 --> 00:15:19,916

It's about time we got somebody else

from San Francisco and gravy.

308

00:15:21,416 --> 00:15:23,333

We haven't seen on that there in a while.

309

00:15:23,333 --> 00:15:23,625

Let's see.

310

00:15:23,625 --> 00:15:26,625

Grady.

311

00:15:29,666 --> 00:15:31,416

There's one more thing about so Fury

312

00:15:31,416 --> 00:15:34,416

style is played by Laurence Fishburne,

who was like a mortgage broker.

313

00:15:34,583 --> 00:15:39,583

And you see the scene when he, he's,

talking to Trey when they're fishing.

314

00:15:39,583 --> 00:15:42,625

And he was talking about his time

in the military army.

315

00:15:43,166 --> 00:15:47,333

And some people say that this is the same

character, possibly from Apocalypse Now.

316

00:15:47,541 --> 00:15:49,291

Laurence Fishburne is character.

317

00:15:49,291 --> 00:15:49,958

So if you go back

318

00:15:49,958 --> 00:15:53,000

and look at that, this this could be

the evolution of his character,

319

00:15:53,750 --> 00:15:54,500

which was interesting.

320

00:15:55,625 --> 00:15:56,750

I was like these little

321

00:15:56,750 --> 00:16:00,000

interim inter movie kind of connections

that, yeah, maybe

322

00:16:01,375 --> 00:16:02,625

they're. Always kind of. Cool.

323

00:16:02,625 --> 00:16:03,000

Yeah.

324

00:16:03,000 --> 00:16:06,000

This it's possible

if you put two and two together

325

00:16:06,250 --> 00:16:09,250

and we just go back

to the cinematography.

326

00:16:09,375 --> 00:16:14,666

I believe there was like almost John

Singleton was paying homage to Stand By Me

327

00:16:14,666 --> 00:16:16,166

with the train track scene,

328

00:16:16,166 --> 00:16:19,375

finding the body, there was a kind of a

double double thing there,

329

00:16:19,875 --> 00:16:21,833

although this was a much shorter walk

330

00:16:21,833 --> 00:16:24,833

than the boys in Stand By Me

and Finding the Body.

331

00:16:25,083 --> 00:16:25,750

But also,

332

00:16:25,750 --> 00:16:30,750

like you said, when Doughboy vanishes,

that's like, I think River Phoenix.

333

00:16:30,750 --> 00:16:33,833

It the way that they make him vanish

at the end.

334

00:16:34,208 --> 00:16:36,625

Yeah, I read that too. Like it was. Yeah.

335

00:16:36,625 --> 00:16:38,041

To use. That same.

336

00:16:38,041 --> 00:16:40,541

Yeah. And things that

he can. It was a hat tip to,

337

00:16:41,666 --> 00:16:43,333

to stand by me.

338

00:16:43,333 --> 00:16:45,916

I don't think there was a false note

in this movie at all.

339

00:16:45,916 --> 00:16:50,333

And I think maybe it's recency bias,

but I feel like Do

340

00:16:50,333 --> 00:16:56,375

the Right Thing had a few scenes

that didn't have to be in the movie.

341

00:16:56,375 --> 00:17:00,000

And so it wasn't like completely ironclad.

342

00:17:00,166 --> 00:17:02,750

And I think this movie, like

there was no fat in this movie.

343

00:17:02,750 --> 00:17:06,291

It was so powerful

and consistent through the entire movie.

344

00:17:06,750 --> 00:17:06,958

Yeah.

345

00:17:06,958 --> 00:17:11,125

And I heard a comparison

of so John Singleton and Spike Lee.

346

00:17:12,000 --> 00:17:14,041

They rose to prominence

around the same time.

347

00:17:14,041 --> 00:17:16,625

So they're always kind of compared

to each other.

348

00:17:16,625 --> 00:17:20,500

And the comparison I heard was that spike

Lee, as we mentioned when we talked

349

00:17:20,500 --> 00:17:24,416

about the right thing, left some things

open ended and wanted to spark debate.

350

00:17:24,666 --> 00:17:28,583

And he was created that whereas John

Singleton was more or less,

351

00:17:28,916 --> 00:17:32,875

I want to take you into this world

and tell you the story of how it is.

352

00:17:32,875 --> 00:17:37,500

This is almost like if NWA was on film,

353

00:17:37,500 --> 00:17:40,208

and that's why Ice Cube was such a natural

to play this role.

354

00:17:40,208 --> 00:17:42,125

It's like, this is how it is essential.

355

00:17:42,125 --> 00:17:43,375

This is the true story.

356

00:17:43,375 --> 00:17:45,416

Here's how the characters evolve.

357

00:17:45,416 --> 00:17:46,708

And this is the tragic events, right?

358

00:17:46,708 --> 00:17:50,375

That whereas spike

Lee was more kind of open ended.

359

00:17:51,916 --> 00:17:53,666

It definitely complementary.

360

00:17:53,666 --> 00:17:56,541

Yeah. They fit together for sure.

361

00:17:56,541 --> 00:17:57,291

Yeah.

362

00:17:57,291 --> 00:18:00,291

I think it's fun to think of Cowboy Curtis

363

00:18:00,875 --> 00:18:01,625

misses that.

364

00:18:01,625 --> 00:18:06,083

And then he goes in Cowboy Curtis

the furious styles that wow.

365

00:18:07,708 --> 00:18:11,375

And I read that, John Singleton worked at

pee wee's Playhouse as a production

366

00:18:11,375 --> 00:18:14,458

assistant and security guard,

and that's how he met Laurence Fishburne.

367

00:18:15,000 --> 00:18:18,000

So you never know

these connections are wild.

368

00:18:18,666 --> 00:18:20,750

Well, yeah.

369

00:18:20,750 --> 00:18:23,375

I was even I was so impressed

by the child actors in the beginning,

370

00:18:23,375 --> 00:18:26,458

when it was the small train

teaching the class.

371

00:18:26,458 --> 00:18:28,083

About, yeah. Africa.

372

00:18:28,083 --> 00:18:31,208

And then he starts to fight and I'm like,

wow, these, these kids are just so great.

373

00:18:31,375 --> 00:18:31,708

Yeah.

374

00:18:31,708 --> 00:18:34,708

The kid that played Doughboy at age

ten and.

375

00:18:34,916 --> 00:18:37,041

Yeah, little Trey.

376

00:18:37,041 --> 00:18:39,416

Yeah. It was very good.

377

00:18:39,416 --> 00:18:42,541

I was reading and I saw that, backtrack

378

00:18:42,541 --> 00:18:46,250

to that ice cube real quick

in his cast of a joke for Doughboy

379

00:18:46,750 --> 00:18:50,375

that he was John Singleton's

first choice to play Doughboy,

380

00:18:51,125 --> 00:18:53,625

but he just kept approaching Ice Cube

381

00:18:53,625 --> 00:18:56,625

after concert 2 or 3 performances.

382

00:18:57,000 --> 00:18:59,833

If, you know, Ice Cube,

of course, was reluctant.

383

00:18:59,833 --> 00:19:02,541

So, like, you know, I'm not an actor,

but John Singleton,

384

00:19:02,541 --> 00:19:05,541

following encouraged him to audition

to take a screen test.

385

00:19:05,666 --> 00:19:09,458

He performed just as well as John

Singleton knew that he would

386

00:19:10,041 --> 00:19:12,750

and you know, was cast as Doughboy.

387

00:19:12,750 --> 00:19:16,125

They developed the friendship,

and John Singleton

388

00:19:17,125 --> 00:19:18,000

actually was

389

00:19:18,000 --> 00:19:21,750

was the one who started

encouraging Ice Cube to write screenplays

390

00:19:22,375 --> 00:19:26,833

based off of his writing of his lyrics,

which resulted in a this,

391

00:19:27,291 --> 00:19:30,083

which was in a Friday.

392

00:19:30,083 --> 00:19:32,000

How about that?

393

00:19:32,000 --> 00:19:33,208

That's amazing.

394

00:19:33,208 --> 00:19:35,666

Yeah. Wow.

395

00:19:35,666 --> 00:19:37,166

This was the source material

396

00:19:37,166 --> 00:19:40,166

for all these great things

that happened afterwards, like Friday and

397

00:19:41,083 --> 00:19:43,375

the rest of his trilogy and all that.

398

00:19:43,375 --> 00:19:45,291

Wow. Yeah, yeah.

399

00:19:45,291 --> 00:19:47,625

With the gang kind of bumps.

400

00:19:47,625 --> 00:19:51,375

Ricky

and he confronts Ferris from the gang,

401

00:19:51,750 --> 00:19:54,583

and the dope boy is the one who stands

up, says, is there a problem here?

402

00:19:54,583 --> 00:19:57,583

The machine guns kind of blast out.

403

00:19:58,333 --> 00:20:00,500

Trey and Ricky kind of get pulled over to.

404

00:20:00,500 --> 00:20:00,875

And then.

405

00:20:00,875 --> 00:20:02,166

And then there's that

406

00:20:02,166 --> 00:20:05,166

black cop threatening them

with the gun to the throw,

407

00:20:05,333 --> 00:20:10,000

and you see the dramatic breakdown

of Trey, like Chase.

408

00:20:10,291 --> 00:20:11,416

Chase so conflicted.

409

00:20:11,416 --> 00:20:13,291

He's trying to live this straight,

narrow life.

410

00:20:13,291 --> 00:20:16,291

But is all this pressure on him.

411

00:20:16,583 --> 00:20:20,125

And he starts

crying in front of his girlfriend Brandi.

412

00:20:20,458 --> 00:20:24,208

And that was a really powerful scene, too.

413

00:20:25,166 --> 00:20:28,000

And then you see furious and,

ex-wife Reba

414

00:20:28,000 --> 00:20:32,000

talking about his future and him moving in

with Brandi and things like that.

415

00:20:32,125 --> 00:20:35,666

Ricky sees the Army commercial on TV

and is intrigued by it.

416

00:20:35,666 --> 00:20:38,625

And then, you know, there's the fight

between Ricky and Doughboy.

417

00:20:38,625 --> 00:20:40,791

There's so much that that kind of happens.

418

00:20:40,791 --> 00:20:43,291

And Trey convinces

Ricky, like, don't go into the military

419

00:20:43,291 --> 00:20:46,541

because his father was like, you know,

it's not for us and everything like that.

420

00:20:46,541 --> 00:20:51,875

So, so much to this character development

and what these kids are going through.

421

00:20:52,125 --> 00:20:54,083

It's it's it's well.

422

00:20:54,083 --> 00:20:55,333

I agree the.

423

00:20:55,333 --> 00:20:58,333

Yeah,

they say they had to grow up really young.

424

00:20:58,750 --> 00:20:59,958

Yeah.

425

00:20:59,958 --> 00:21:04,333

Little like full grown adult situations

as kids get out of high school.

426

00:21:04,333 --> 00:21:05,875

Yeah, yeah.

427

00:21:05,875 --> 00:21:10,125

That scene when Trey breaks down

in front of Brandi at her house,

428

00:21:10,708 --> 00:21:14,000

yeah, he was holding it together so well

and came out

429

00:21:14,000 --> 00:21:16,708

and yeah, you kind of feel that because

430

00:21:17,666 --> 00:21:18,041

you get

431

00:21:18,041 --> 00:21:21,291

threatened

like that and you feel that power dynamic,

432

00:21:21,291 --> 00:21:25,000

but the the cop, the

the self-loathing cop, right?

433

00:21:25,083 --> 00:21:25,958

Yeah.

434

00:21:25,958 --> 00:21:30,416

Totally relate to how he reacted to that

and how he to hold himself together

435

00:21:30,500 --> 00:21:32,583

until they found a place

where he could let it out.

436

00:21:32,583 --> 00:21:34,250

Well, yeah.

437

00:21:34,250 --> 00:21:36,750

And that was

there was a whole lot of tension

438

00:21:36,750 --> 00:21:39,750

between folks in the neighborhood

and the police

439

00:21:40,250 --> 00:21:44,500

at that time as well, and a lot of it,

you know, making no excuse for.

440

00:21:44,541 --> 00:21:47,166

But a lot of

it was based off the violence of the area.

441

00:21:47,166 --> 00:21:51,750

The police officers weren't sure who pull

the trigger to act, and who wouldn't.

442

00:21:52,458 --> 00:21:57,208

So they walk into every situation

and they, they were just over overzealous

443

00:21:57,208 --> 00:22:00,958

with their handling of situations

that could have been violated.

444

00:22:01,375 --> 00:22:02,791

Pretty simply.

445

00:22:02,791 --> 00:22:04,208

No simple questions here and there.

446

00:22:04,208 --> 00:22:06,583

And, you know,

everyone could have been on their way,

447

00:22:06,583 --> 00:22:10,166

but they were just really,

really nasty and rude

448

00:22:10,708 --> 00:22:13,291

and they developed such a bad reputation.

449

00:22:13,291 --> 00:22:15,166

It was a rite of passage.

450

00:22:15,166 --> 00:22:15,500

All right.

451

00:22:15,500 --> 00:22:15,791

Okay.

452

00:22:15,791 --> 00:22:19,500

At what point are you going to come in

contact with the cops and, you know,

453

00:22:19,708 --> 00:22:20,666

get roughed up?

454

00:22:20,666 --> 00:22:22,041

You know, it's going to happen.

455

00:22:22,041 --> 00:22:23,500

At what point is it

going to happen to you?

456

00:22:23,500 --> 00:22:25,041

You know it's going to happen.

457

00:22:25,041 --> 00:22:28,166

That was trace, I guess, real.

458

00:22:28,541 --> 00:22:31,541

That might have been his first time having

that that situation like that occur.

459

00:22:32,125 --> 00:22:35,416

And once it finally happens to you,

you don't know what to do because

460

00:22:36,083 --> 00:22:38,125

at any point,

you know, he could have been dead.

461

00:22:39,291 --> 00:22:42,250

All it takes

is a misjudgment from that police officer

462

00:22:42,250 --> 00:22:45,041

I thought he was going to do

or thought he was going to do this or,

463

00:22:45,041 --> 00:22:46,833

you know, whatever.

464

00:22:46,833 --> 00:22:49,375

And that overreacted and killed him.

465

00:22:49,375 --> 00:22:51,041

So, yeah.

466

00:22:51,041 --> 00:22:54,083

And you said, you said,

there's a power dynamic

467

00:22:54,875 --> 00:22:57,833

where, you know,

you're powerless in that situation

468

00:22:57,833 --> 00:23:01,041

when he was probably out

of that situation, you know,

469

00:23:01,041 --> 00:23:06,750

we had a mount C Helens type moment

where you just erupted with emotion.

470

00:23:07,083 --> 00:23:09,250

I can definitely relate

to that situation.

471

00:23:09,250 --> 00:23:12,916

I mean, I've never been to the extent

of what he dealt with,

472

00:23:12,916 --> 00:23:15,916

but yeah, when you're in,

you don't know what's going to happen.

473

00:23:16,708 --> 00:23:20,916

And when you know you're finally out

of the situation, you break down.

474

00:23:20,958 --> 00:23:22,375

I've broken down before,

475

00:23:22,375 --> 00:23:26,666

not to that extent, but I've had moments

where I've been kind of police officers,

476

00:23:26,666 --> 00:23:31,041

and after they were going my face,

I just sat in the car and cried.

477

00:23:31,791 --> 00:23:35,958

Or I got home and parked my car and

just sat there and cried like, Thank God

478

00:23:37,166 --> 00:23:39,291

they didn't go in a different direction.

479

00:23:39,291 --> 00:23:42,291

And when it did, you know, it was just a

480

00:23:42,708 --> 00:23:43,500

interaction.

481

00:23:43,500 --> 00:23:45,291

I got home.

482

00:23:45,291 --> 00:23:48,291

So every time I see that scene,

it touches me.

483

00:23:50,250 --> 00:23:53,250

Yeah, and police brutality.

484

00:23:53,250 --> 00:23:56,250

You think of the timing of this movie.

485

00:23:56,333 --> 00:23:59,000

If you look back at the

486

00:23:59,000 --> 00:24:03,041

one of the most visible incidents back

then, Rodney King

487

00:24:03,041 --> 00:24:05,875

happened in March of 1991.

488

00:24:05,875 --> 00:24:08,583

This movie was released in July of 1991.

489

00:24:08,583 --> 00:24:12,875

So this was definitely at the peak of

when this came to light.

490

00:24:13,000 --> 00:24:14,625

Obviously it still happens.

491

00:24:14,625 --> 00:24:19,333

We've seen so many instances,

but this is really on everybody's mind.

492

00:24:19,500 --> 00:24:22,458

And you said,

I can see how it could be so emotional.

493

00:24:22,458 --> 00:24:25,708

The police are supposed to be

the ones that serving and protecting,

494

00:24:25,708 --> 00:24:28,166

and someone you can confided

in, someone that would help you.

495

00:24:28,166 --> 00:24:33,083

And then when you a threatened

and pulled over racially profiled

496

00:24:33,416 --> 00:24:36,416

with a gun to your head

where you think you might die

497

00:24:36,416 --> 00:24:39,416

and someone of your own race,

I mean, I can

498

00:24:39,583 --> 00:24:42,125

I can see why

it all bubbled to the surface.

499

00:24:42,125 --> 00:24:43,041

Trey.

500

00:24:43,041 --> 00:24:47,583

So if you want to jump to the final scene,

romantic scene at the end

501

00:24:48,416 --> 00:24:51,416

where they hear the gang pull up

502

00:24:51,666 --> 00:24:54,333

and Ricky and Trey are together

503

00:24:54,333 --> 00:24:57,333

and they hear the car

and Ricky says, you know, split up.

504

00:24:58,541 --> 00:25:01,125

And we always ask us,

505

00:25:01,125 --> 00:25:05,333

you know, like, like you said this,

this kind of movie is pretty airtight.

506

00:25:05,916 --> 00:25:10,583

But the one thing I do question is like,

Ricky has to stop to pee.

507

00:25:10,583 --> 00:25:13,583

He also has to do his lottery scratch

off tickets.

508

00:25:14,500 --> 00:25:16,791

And I'm like, oh man.

509

00:25:16,791 --> 00:25:19,875

But yeah,

that was like poor timing on his part.

510

00:25:19,875 --> 00:25:20,375

So bad.

511

00:25:20,375 --> 00:25:23,208

Like, yeah,

someone really react like that.

512

00:25:23,208 --> 00:25:24,041

Yeah.

513

00:25:24,041 --> 00:25:27,958

I'm like now Ricky had the running back

skills like.

514

00:25:27,958 --> 00:25:30,083

And I'm wondering

why he actually thought the split up.

515

00:25:30,083 --> 00:25:33,458

I was wondering, maybe he thought

that Trey would slow him down.

516

00:25:33,958 --> 00:25:34,500

I'm not sure.

517

00:25:34,500 --> 00:25:37,500

So there's a lot of question

about that final scene,

518

00:25:37,500 --> 00:25:41,291

but but obviously they had to get Ricky

was isolated and train

519

00:25:41,291 --> 00:25:42,875

in another direction unfortunately.

520

00:25:42,875 --> 00:25:46,833

And then, you know, Ricky's

gunned down the dramatics

521

00:25:46,833 --> 00:25:50,583

like slo mo scene

where Trey shouting out Ricky's name.

522

00:25:52,208 --> 00:25:53,000

Yeah.

523

00:25:53,000 --> 00:25:56,458

And to further add drama, it's

not like everything ends there.

524

00:25:56,583 --> 00:25:58,666

They actually

525

00:25:58,666 --> 00:26:02,041

bring the body home,

all bloodied and shot,

526

00:26:02,041 --> 00:26:06,208

put him on the couch, and then you see

Ricky and Doe Boy's mother

527

00:26:07,958 --> 00:26:10,666

losing her mind, obviously.

528

00:26:10,666 --> 00:26:14,875

But then again, like I said, blaming

Doughboy, hitting him and blaming and

529

00:26:16,250 --> 00:26:20,583

it all culminates in that Trey then

goes home and, you know, gets his gun.

530

00:26:20,583 --> 00:26:24,625

And then, furious, demands

the gun and the huge emotional hug.

531

00:26:25,791 --> 00:26:27,875

And then there's the, retribution.

532

00:26:27,875 --> 00:26:33,750

Where Doughboy, Dukie and Monster

go find the gang that killed Ricky.

533

00:26:34,583 --> 00:26:38,333

Trey actually asked to be dropped off

before they got to them.

534

00:26:39,500 --> 00:26:42,500

And they do end up,

you know, gunning down the,

535

00:26:42,833 --> 00:26:45,375

the gang members that had killed Ricky.

536

00:26:45,375 --> 00:26:47,875

Yeah, yeah, it got real.

537

00:26:47,875 --> 00:26:49,000

It got real.

538

00:26:49,000 --> 00:26:51,958

A-Train came to the conclusion

539

00:26:51,958 --> 00:26:57,500

that he's definitely not cut out for that,

which was actually good

540

00:26:57,500 --> 00:27:00,916

that he realized

instead of potentially ruining his life

541

00:27:01,625 --> 00:27:05,250

in that situation,

had it going in a different kind of way.

542

00:27:05,250 --> 00:27:11,458

And which was actually good, is

that when he asked to get out of the car,

543

00:27:12,083 --> 00:27:14,583

there was no pressure

for him to make a mistake.

544

00:27:14,583 --> 00:27:18,708

They knew that he shouldn't

have been there, so they just let him go.

545

00:27:19,375 --> 00:27:23,000

Trey again, his future would have

been jeopardized as well. And

546

00:27:24,000 --> 00:27:28,083

I do like the kind of epilog where they do

show you that.

547

00:27:28,083 --> 00:27:29,416

Trey then does

548

00:27:29,416 --> 00:27:33,000

go on to Morehouse College

and his girlfriend Brandi goes to Spelman.

549

00:27:33,833 --> 00:27:37,375

So they they're supposed to be both local

and they can continue

550

00:27:37,375 --> 00:27:39,166

with their relationship.

551

00:27:39,166 --> 00:27:42,166

Unfortunately, like they said, Doughboy

was killed a couple of weeks later

552

00:27:42,291 --> 00:27:44,291

by the other members of the gang.

553

00:27:44,291 --> 00:27:47,000

I'm sure.

554

00:27:47,000 --> 00:27:49,875

One other thing

I didn't mention was interesting.

555

00:27:49,875 --> 00:27:52,875

So Ricky

556

00:27:53,083 --> 00:27:55,333

being recruited by USC? Yeah.

557

00:27:55,333 --> 00:27:58,583

And the recruiter comes to the home

and outside the front porch.

558

00:27:58,583 --> 00:28:01,333

There's a lot of chaos,

a lot of cursing and stuff like that.

559

00:28:01,333 --> 00:28:04,333

And the recruiter was kind

of, like, unfazed by it.

560

00:28:04,416 --> 00:28:07,166

And what did it kind of turn them off,

561

00:28:07,166 --> 00:28:11,291

though, was Ricky Ricky's child runs out.

562

00:28:11,291 --> 00:28:12,250

So Ricky has a child.

563

00:28:12,250 --> 00:28:15,041

They fast forward,

he closes his laptop or whatever.

564

00:28:15,041 --> 00:28:18,041

But what makes it even more tragic

565

00:28:18,291 --> 00:28:21,375

is that obviously you know,

he had the son and he was gunned down.

566

00:28:21,375 --> 00:28:26,250

And it does reveal at the end

that he did pass the I think it was sad

567

00:28:26,416 --> 00:28:30,000

as he had just just met the requirement

by like ten points.

568

00:28:30,000 --> 00:28:32,875

So he would have received a scholarship

569

00:28:34,458 --> 00:28:36,416

and gotten out so many.

570

00:28:36,416 --> 00:28:39,125

So many occurrences of things

like that happening.

571

00:28:39,125 --> 00:28:42,166

What is the potential for

someone when they get out and you don't

572

00:28:42,583 --> 00:28:45,416

because of situations like this?

573

00:28:45,416 --> 00:28:49,250

I mean, we saw some of the similar

almost occur in about the rim.

574

00:28:49,250 --> 00:28:50,333

Yeah,

575

00:28:50,333 --> 00:28:54,500

we saw a situation like that almost occur

when he was going to get a scholarship.

576

00:28:54,500 --> 00:28:57,500

He was could have been gunned down

on the basketball court.

577

00:28:57,750 --> 00:28:58,500

Yeah.

578

00:28:58,500 --> 00:29:00,791

Georgetown in that case. Yeah. Yeah.

579

00:29:00,791 --> 00:29:03,083

It's very believable. Realistic.

580

00:29:03,083 --> 00:29:05,916

Like you said, these incidents happen.

Some gone down all the time.

581

00:29:05,916 --> 00:29:10,416

A lot of these athletes

that come from the inner city,

582

00:29:10,416 --> 00:29:13,916

and they they live in surrounded

by the gang violence.

583

00:29:13,916 --> 00:29:16,583

This is lifestyle.

And that's their only ticket out.

584

00:29:16,583 --> 00:29:19,583

That is really the only ticket

is to get that scholarship.

585

00:29:19,583 --> 00:29:22,208

And, sometimes tragic results occur.

586

00:29:22,208 --> 00:29:24,791

So here's a cautionary tale

587

00:29:25,958 --> 00:29:28,958

and just just well done by a singleton

here.

588

00:29:29,458 --> 00:29:31,583

Absolutely. Thumbs up.

589

00:29:31,583 --> 00:29:37,541

Right. To.

590

00:29:39,958 --> 00:29:40,916

I mean, you guys.

591

00:29:40,916 --> 00:29:42,625

Enjoy the music.

592

00:29:42,625 --> 00:29:44,375

I mean, the soundtrack. Great.

593

00:29:44,375 --> 00:29:47,000

I didn't own it,

but it's a great soundtrack.

594

00:29:47,000 --> 00:29:48,000

Yeah. Is the.

595

00:29:48,000 --> 00:29:50,333

Yeah, I definitely love this soundtrack.

596

00:29:50,333 --> 00:29:51,833

It's a good one.

597

00:29:51,833 --> 00:29:53,041

Really good.

598

00:29:53,041 --> 00:29:55,125

Feature. Ice Cube obviously.

599

00:29:55,125 --> 00:29:56,958

Two. Sure.

600

00:29:56,958 --> 00:29:58,291

Compton's most wanted.

601

00:29:58,291 --> 00:30:00,166

Tony. Tony. Tony yo yo.

602

00:30:00,166 --> 00:30:01,791

I was in it. And in the movie.

603

00:30:01,791 --> 00:30:03,125

Yes, yes.

604

00:30:03,125 --> 00:30:05,666

Two Live Crew even

605

00:30:05,666 --> 00:30:08,166

main source Shamrock.

606

00:30:08,166 --> 00:30:10,208

One of my favorites

607

00:30:10,208 --> 00:30:11,250

Quincy Jones.

608

00:30:11,250 --> 00:30:12,750

So Kimbro.

609

00:30:12,750 --> 00:30:13,708

Maloney love is in this.

610

00:30:13,708 --> 00:30:16,250

Too. Yeah

611

00:30:16,250 --> 00:30:17,666

great soundtrack.

612

00:30:17,666 --> 00:30:21,500

So could could this movie be made today.

613

00:30:22,541 --> 00:30:25,541

Yeah absolutely I mean.

614

00:30:25,708 --> 00:30:27,000

I think so.

615

00:30:27,000 --> 00:30:29,916

Yeah. Absolutely.

616

00:30:29,916 --> 00:30:30,083

Yeah.

617

00:30:30,083 --> 00:30:33,666

The subject matter is still relevant

much like it was do the Right thing.

618

00:30:34,375 --> 00:30:34,625

Yeah.

619

00:30:34,625 --> 00:30:36,958

And I've said this before on this podcast,

but if you're interested in

620

00:30:36,958 --> 00:30:39,083

see how current

technology would impact the story,

621

00:30:40,791 --> 00:30:42,041

what the cell phones do for

622

00:30:42,041 --> 00:30:45,083

us in this, in this,

I don't think it really matter that much.

623

00:30:46,166 --> 00:30:50,125

There was our old cordless phones

and, and brandy

624

00:30:50,125 --> 00:30:53,750

had that Apple two C computer, like,

I had an Apple two C computer.

625

00:30:56,250 --> 00:30:59,250

I was like, hey, I got that computer and.

626

00:31:00,083 --> 00:31:02,125

I have that meme of,

627

00:31:02,125 --> 00:31:05,125

Leonardo DiCaprio, or,

like, pointing at the TV.

628

00:31:06,083 --> 00:31:07,583

Yeah,

I don't know, it could be made today,

629

00:31:07,583 --> 00:31:10,291

but boy, could anyone top the original.

630

00:31:10,291 --> 00:31:13,291

I don't know, that would be really hard.

631

00:31:13,375 --> 00:31:15,958

Yeah,

it'd be really hard to top the original.

632

00:31:15,958 --> 00:31:18,458

I don't want to see this rebooted at all.

633

00:31:18,458 --> 00:31:20,291

This is so perfect.

634

00:31:20,291 --> 00:31:22,250

Yeah. You

635

00:31:22,250 --> 00:31:24,500

make another movie based on it because

636

00:31:24,500 --> 00:31:27,500

something else.

637

00:31:27,541 --> 00:31:28,500

I gotta admit, I did

638

00:31:28,500 --> 00:31:32,625

listen to the rewatchable podcast on this,

which is done by The Ringer.

639

00:31:32,625 --> 00:31:35,458

They talked for quite a while

on a lot of movies,

640

00:31:35,458 --> 00:31:37,916

and they were saying, well,

641

00:31:37,916 --> 00:31:41,416

if someone had this concept today,

it would be like a Netflix series,

642

00:31:41,416 --> 00:31:43,375

like a ten part,

because there could be a lot of

643

00:31:43,375 --> 00:31:45,833

the back story

and I could see something like that.

644

00:31:45,833 --> 00:31:48,000

Maybe I agree. Yeah.

645

00:31:48,000 --> 00:31:49,708

And there's really rich like,

these characters

646

00:31:49,708 --> 00:31:53,166

all had rich backstories to them,

and they could have had a whole series on

647

00:31:53,875 --> 00:31:55,875

various styles, right? Yeah,

648

00:31:56,833 --> 00:31:57,875

right.

649

00:31:57,875 --> 00:31:59,125

Yeah. You could do a prequel.

650

00:31:59,125 --> 00:32:00,916

Like how did Fury Styles grew up?

651

00:32:00,916 --> 00:32:02,875

What was his upbringing like?

652

00:32:02,875 --> 00:32:06,166

And then show him, you know, what were

the challenges he faced in the military

653

00:32:06,166 --> 00:32:09,250

and what caused him to join

and then to leave. And.

654

00:32:10,791 --> 00:32:12,166

There's a lot to it.

655

00:32:12,166 --> 00:32:15,250

It could be like, got them movie

game or watched the series, got them

656

00:32:15,250 --> 00:32:18,250

and they show the backstory

of Commissioner Gordon.

657

00:32:18,375 --> 00:32:19,583

Really well done.

658

00:32:19,583 --> 00:32:21,875

I feel like it'd be like that.

659

00:32:21,875 --> 00:32:23,916

Yeah.

660

00:32:23,916 --> 00:32:28,250

He almost regret not seeing more of,

Ricky's football highlights

661

00:32:28,250 --> 00:32:31,250

because he that one piece of film,

he was explosive.

662

00:32:32,125 --> 00:32:35,125

He, like, predated, Reggie Bush.

663

00:32:36,750 --> 00:32:38,166

He was the original Reggie Bush.

664

00:32:38,166 --> 00:32:41,166

You must.

665

00:32:42,958 --> 00:32:44,958

Later day OJ Simpson.

666

00:32:44,958 --> 00:32:46,583

Right. Right to us.

667

00:32:46,583 --> 00:32:48,291

Marcus Allen. Yeah.

668

00:32:48,291 --> 00:32:49,833

I think the more I think.

669

00:32:49,833 --> 00:32:53,291

They turned out a lot of stud

running backs or Ricky could, you know,

670

00:32:53,666 --> 00:32:54,583

could have been one of them.

671

00:32:57,000 --> 00:32:59,916

Right.

672

00:32:59,916 --> 00:33:02,916

They 3333.

673

00:33:06,625 --> 00:33:06,916

Yeah.

674

00:33:06,916 --> 00:33:09,750

So while we do our final rating,

this is kind of a no brainer.

675

00:33:09,750 --> 00:33:14,416

But let's go around the room here

and you bring that funky flick back.

676

00:33:14,416 --> 00:33:15,083

Bring that something.

677

00:33:15,083 --> 00:33:18,083

Flick back or leave it in the vault.

678

00:33:19,375 --> 00:33:20,916

Bring that funky flick back.

679

00:33:20,916 --> 00:33:23,958

It's a classic move.

680

00:33:24,000 --> 00:33:25,375

It's done. All right.

681

00:33:25,375 --> 00:33:27,125

Bring this funky flick back.

682

00:33:27,125 --> 00:33:29,875

Outstanding.

683

00:33:29,875 --> 00:33:32,875

Yes! Bring this funky flick back.

684

00:33:33,416 --> 00:33:36,416

Amazing work.

685

00:33:45,208 --> 00:33:45,916

Bring it.

686

00:33:45,916 --> 00:33:47,916

Come on.

687

00:33:47,916 --> 00:33:52,833

Hip Hop Movie Club is produced

by your HMCs, JB Boogie and Dino.

688

00:33:52,833 --> 00:33:55,833

Right? The music by Boogie.

689

00:33:55,875 --> 00:33:56,958

Bring it! C’mon!

690

00:33:56,958 --> 00:34:00,000

Special thanks,

as always to Susan, to Wanda and Alice.

691

00:34:00,750 --> 00:34:03,458

Check us out on TikTok and Instagram

at Hip

692

00:34:03,458 --> 00:34:06,458

Hop Movie Club.

693

00:34:06,750 --> 00:34:09,750

C’mon!

694

00:34:10,166 --> 00:34:12,750

On the next episode of the Hip Hop

Movie Club podcast,

695

00:34:12,750 --> 00:34:15,916

your House and season review juice

starring

696

00:34:15,958 --> 00:34:18,958

Tupac Shakur drops in two weeks.

697

00:34:19,041 --> 00:34:21,500

Subscribe today in your favorite podcast

app and you won't miss it.

698

00:34:23,208 --> 00:34:26,208

Come on.

699

00:34:26,333 --> 00:34:27,458

Shout out to your listeners.

700

00:34:27,458 --> 00:34:30,458

Thanks for tuning in.

701

00:34:33,833 --> 00:34:35,000

Come on.

702

00:34:35,000 --> 00:34:37,250

And remember. Don't hate.

703

00:34:37,250 --> 00:34:40,250

Anticipate.

704

00:34:45,000 --> 00:34:47,916

Shout out the brain

freeze trivia in the Lehigh Valley.

705

00:34:47,916 --> 00:34:49,916

Check out the Instagram brain.

706

00:34:49,916 --> 00:34:51,250

Underscore. Freeze.

707

00:34:51,250 --> 00:34:54,666

Underscore.

Trivia. Double underscore time.

708

00:34:54,666 --> 00:34:55,708

That's brain freeze.

709

00:34:55,708 --> 00:34:58,166

Trivia time on Instagram.