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Hey, hey, this is Shaun with the GoTennis! Podcast powered by Signature Tennis.

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With that said, let's get started with 10 minutes of tennis.

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Today, this is 10 minutes of tennis, but this is 10 tips in 10 minutes and today's 10 tips

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are about your backhand.

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So Justin, now we're down to 9 minutes.

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It looks like that's all you got.

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Number one, let's jump right in.

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Ready stance.

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Talk to me.

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Yeah, so ready stance.

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Every stroke of inexplaining the same thing, but it's really so critical because it sets

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the tone for everything.

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It sets the tone for the split step.

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It sets the tone to be able to turn the unit turn and be comfortable and balanced.

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It sets the tone to be engaged.

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To be able to hit the backhand.

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A lot of people have weak backhand for the reason they've got an a decent ready stance.

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They're not ready to go for the standing vertical and they're going to get nothing on

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the ball.

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So ready stance, I'm always going to be pretty cool on, I'm always heavy on it.

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So absolute, check your ready stance.

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Make sure you've got a flaky face.

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Make sure you're in the balls of your feet.

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Number two, unit turn.

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Yes, so unit turn is pretty cool again.

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I see a lot of people saying, "Rack it back, rack it back, rack it back."

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No, you've got a turn.

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And even people on this lately that I've noticed a lot of people, is they really don't

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tend the pelvis.

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It's like ten they shoulder.

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And then there's no real pelvic ten.

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The pelvis ten is really where the talk is happening.

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So unit turn is pretty cool to be the first thing.

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I always say, "What's chocolate?"

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She's the best at it.

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What you go.

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When the ball goes to backhand, he's already like this on the way.

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A lot of people don't have mobility or stability or balance.

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So they tend to run at the ball and then turn.

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And if they turn, they turn it too late.

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So pretty cool is the unit turn.

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It's learning how to use it and really making sure it's part of your strength.

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Yeah, turn then move, right?

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Yep.

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Number three, one-hander or two-hander.

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Yeah, so I bring this one up because I've had a lot of people that have been too dominant

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on the right hand or on the one hand, dominant hand which left or right, but the dominant

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hand is too dominant and is struggling to hit a two-hand up.

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But everyone keeps telling them, "Hit a two-hand up."

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So I'm bringing that one up in a tip for the reason that no reach hand or no reach one is

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really your stroke, a one-hand up or two-hand up.

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Don't be afraid, right?

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Because yes, a one-hand it takes a little longer.

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But you're going to have all the advantages because you have such a dominant bottom hand

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that you can actually learn how to utilize it if you just give it time.

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So I find a lot of people are too dominant on the bottom hand and if they've got nothing

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on the other hand, like I just make them hit the opposite hand on its own.

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If they can hit a single ball back on the non-dominant hand, I'm like, "What are you doing?

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Let's stick to the dominant hand and I'll show you how to hit a one-hand up."

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So don't be afraid of it.

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That's why I brought that tip up.

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Yep, give it a shot.

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Number four, understanding of the grip.

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Yeah, understanding the grip is pretty cool for backhand, I think.

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I try not to talk about forehand too much on the grip for the reason that it's very easy,

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most people shake hands and off they go.

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But on the backhand, it can be really critical to understand where the knuckle should be,

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where the fingers should be spread out.

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You know, because there are a lot of people just making a fist.

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Now you can't work your wrist, right?

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So there's a lot of advantages to understanding the grip and for a two-hand up, it is critical.

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Because if the baller hand is too close, you can't finish the two-hand correctly.

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So learning that, there are a lot of plays.

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I guess you were one of the first that you've got almost hit with his forehand grip on the

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two-hand.

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Because sometimes it was quick and he didn't have to change grip, so he was all dominant

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the other hand.

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So again, just understanding the grips is really critical and making sure that your coach

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is explaining to you where your advantage is out and what you should have.

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All right?

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Number five, slice is important.

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Yeah, it's just to me, not just as an Australian, just anybody.

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You really need to learn a slice.

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Because when you're coming in, you know, very hard to hit a two-hand up backhand or even

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a one-hand up top spin on the run.

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It's very effective to learn how to hit a slice.

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If you hit a slice and you're in struggle and you're trying to get back into play, it's

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the one stroke that allows you to just bring it back into the court and back into the court.

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All right?

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So slice backhand absolutely critical for me to use.

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And slice return, you'll hear me in a week.

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I'll be talking about slice return as well.

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Very critical.

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The other try to make it happen.

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And number six, non-dominant hand is critical.

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It sounds like there's a theme here.

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Yeah.

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Again, we just, it steadies the racket.

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It allows the grip tension, right?

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It allows you to make sure that you're not too tight that you can't snap through it.

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The non-dominant hand is so critical.

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Two-hand up, the two-hand up.

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You should be taking it back with that hand.

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Not with this hand because now it's too tight and you can't finish a swing.

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Okay?

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So non-dominant hand is constant.

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The one-hand up and two-hand up.

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One-hand up when he pulls it back, he's helping the grip change.

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He's helping lock it in.

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I'm ready to unleash on the one-hand up.

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So I just think the non-dominant hand is something that doesn't get talked about enough.

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And it's a critical roll.

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It's critical roll in the ready stance.

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Critical.

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Because if it's here, it's got nothing.

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You're actually tight.

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You're sitting down and you're healed.

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If it's here, you're actually getting ready to go forward and meet the ball.

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So non-dominant hand to me is a big one.

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And grip change.

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Number seven.

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Grip change, yes or no?

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Yes.

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So I've bring that one up because a lot of people talk about it.

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If they're too hand up, you could actually be sitting in a neutral continental grip that

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actually would allow you to hit a slice if you need it and still have a two-hand up.

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If for some reason, obviously if you're in that backhand grip change, you can still turn

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it to hit your forehand into a forehand grip too.

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So I don't know, I soak it back grip change as well for one hand up.

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One hand it obviously definitely.

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Sometimes people actually stand waiting in the backhand grip because they feel like their

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backhand is their weakness.

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So how to get to a forehand grip quickly from it, from a knock-alow to the top.

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But again, just understanding, I've bring that up because you can get away with less grip

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change if you actually work on what you need to do and what you need to do.

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It sounds like it's pretty personal for a lot of players.

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It's going to be a little bit different.

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It is.

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It is.

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But there are a lot of plays that think about too much of the grip change, but I hope you

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could lead them or I'm trying to give you a tip to bring it up so you want to stand your

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grip change.

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There you go.

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Number eight.

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Outside foot is something to be mindful of.

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Yes.

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So that's a critical one for two-hand up.

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And now one-hand up.

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You've realized now that the back foot is a driving force into the one-hand up backhand.

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The outside foot is obviously the driving force for a two-hand up.

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You shouldn't be leaning into it and just turn.

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You're actually turning and trying to put the weight into the outside leg to drive and

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help rotation, especially the angular rotation of the two-hand up.

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So it is critical for both.

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And it's probably the one thing that doesn't get talked about for both of them.

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I can't stand seeing someone being taught how to step and then hit the ball.

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We should be working on unit turn, loading, and then you can finish with your step.

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So outside leg can help that.

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And I'm just giving you the tip that if you cross step too much and you're too closed,

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I'm giving you a tip, focus a little bit on the outside leg or the other foot so you

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can start to drive and help rotation.

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And not to ignore the forehand return, but you've got something specifically about the backhand

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return.

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The backhand return, I'll just bring it up because we're talking back in.

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And backhand usually people will talk about, "That's my weakness, that's my weakness."

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Backhand returns, "My weakness."

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Actually, it could be a strength because if you can actually practice it more and get

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your ready stance correctly, understand your grip change, understand what Jinnon Dumbana

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hands doing.

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Understand the slice return versus the top finger turn.

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If you practice it enough, you can have strength on both sides.

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So that's why I bring out the return because tip wise, it doesn't get focused enough on

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the backhand return.

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Agreed.

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And number 10, last, I feel like it's kind of an extra one because it's a little bit different.

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But you want to talk about the backhand volley and the backhand poach.

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Yeah, I've bring that up because it pretty clearly is a backhand volley.

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If you want a good backhand volley, you have to understand the non-dumbana hand upwards,

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not downwards.

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And by having it upwards, you can actually hit a decent one hand, a backhand volley.

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A decent one hand, a backhand volley, is critical if you're going to be a good double player,

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at least a decent singles player.

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And, or all things, I want to bring up that if you're going to be a phenomenal doubles

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player, you got to learn backhand poach.

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Because I don't know how many players do not poach enough because they can sit, you

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know, they're worried about their backhand volley.

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Right?

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So backhand volley, if it's correct and done well, you then need to learn how to poach with

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it because it's an absolute strength if you're playing double.

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And it can help your backhand slice as well.

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100%, 100% great introduction to our 10 tips for slices.

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Yeah, it's coming up soon.

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I'm sure.

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Justin Yeo, there's been 10 tips in 10 minutes on 10 minutes of tennis.

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Thank you very much.

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I appreciate it.

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Cheers, buddy.

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Well, there you have it.

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