Kim Ozano:

Hello listeners and welcome to the Connecting Citizens to Science Podcast.

Kim Ozano:

A podcast that explores methods and approaches that are used in research and science to connect communities and make

Kim Ozano:

In this week's episode, we are talking to the Tupumue Project who aim to understand how children in two

Kim Ozano:

And to also explore children's experiences of lung problems in air pollution.

Kim Ozano:

They really drew on creative methods to do this and talk about it throughout the episode.

Kim Ozano:

They used drawings with children to identify what was considered as either good air or bad air.

Kim Ozano:

They conducted something called walking interviews with GoPros and air monitors with local community groups and people.

Kim Ozano:

They even engaged children in co analysis and theme development.

Kim Ozano:

They talk about how videos, comics, graffiti was used to communicate findings back to communities and by

Kim Ozano:

Finally, we hear how all of this contributed to understanding the priorities needs of communities from communities themselves.

Kim Ozano:

Enjoy the episode

Kim Ozano:

Hello listeners and welcome to the Connecting Citizens to Science Podcast.

Kim Ozano:

In this week's episode, we will be hearing about lung diseases, asthma, and chronic obstructive pulmonary disease, or COPD,

Kim Ozano:

So first of all, let's meet our three guests.

Kim Ozano:

Sarah West, welcome to the podcast.

Sarah West:

Hi, Kim.

Sarah West:

Thanks for having me.

Sarah West:

I'm Sarah, I'm director of the Stockholm Environment Institute, which is at the University of York, and today is very frosty.

Fred Orina:

I am Fred Orina.

Fred Orina:

I work at the Kenya Medical Research Institute as a research scientist.

Fred Orina:

I was the project manager for the Tupumue study.

Graham Devereux:

Hi, I'm Graham Devereux.

Graham Devereux:

I work at the Liverpool School of Tropical Medicine.

Graham Devereux:

I'm a chest doctor by trade and I have a research interest in how early life and the environment influences

Kim Ozano:

Wonderful.

Kim Ozano:

Thank you very much.

Kim Ozano:

Let's meet our co-host.

Kim Ozano:

As always, I have a wonderful new co-host with me.

Kim Ozano:

Hellen Meme, welcome to the podcast.

Kim Ozano:

Tell us a bit about yourself, and also introduce this wonderful project we're going to be hearing about today.

Hellen Meme:

Hello everyone.

Hellen Meme:

My name is Hellen Meme.

Hellen Meme:

I work for the Kenya Medical Research Institute as a Chief research officer.

Hellen Meme:

My business is to carry out research in human health.

Hellen Meme:

And this particular study, um, is a study that we carried out to assess the burden of chronic non-communicable lung

Hellen Meme:

We embarked on our journey to find out what the burden of chronic lung diseases is in these two communities, and to

Hellen Meme:

We intended to learn what the early life impact as well as the environment has; what impact the two have in the non-communicable

Kim Ozano:

Thank you very much, and I think we will be learning about the methods that you use to engage children throughout the

Kim Ozano:

Could you just paint us a picture of those two study sites?

Hellen Meme:

The informal settlement is basically what we commonly refer to as slums and uh, this

Hellen Meme:

These are areas where people live and actually are associated with people on the low earning side of the population.

Hellen Meme:

Then in comparison to this, we had a more affluent neighborhood, which is planned with all social amenities, so to speak, and

Hellen Meme:

So that is the context in which we looked at the children living in these two different communities.

Kim Ozano:

That sounds great, so the comparison for you in this project is really important by the sound of it.

Kim Ozano:

Well, I will let you engage with our guests.

Kim Ozano:

Let's hear more about it.

Hellen Meme:

Thank you very much.

Hellen Meme:

I'll request our first guest, Professor Graham, to highlight , how we came to where we are in terms of the conception of

Graham Devereux:

Hi, I started at Liverpool School of Tropical Medicine in 2018, and within a couple of weeks I was sent out to

Graham Devereux:

She and I met up in a hotel one evening before dinner, and we basically came up with this idea of doing a comparison study.

Graham Devereux:

This is what I've done in the past is comparison studies and, we could also build on the work from

Graham Devereux:

So whole idea of this is we're looking at children because we know in Africa there's a huge COPD burden in adults.

Graham Devereux:

We know that most of the factors that are increasing risk of COPD are established during childhood.

Graham Devereux:

That's why we wanted to look at children.

Graham Devereux:

We wanted to see whether, their lung disease patterns are the same as what we've seen in adults.

Graham Devereux:

We wanted to do the comparison because nobody's ever looked at a study of a slum before to see

Graham Devereux:

People have said, oh, yes, there is, but they've not actually done the study, so this was the first study to actually

Graham Devereux:

It's the first ever study to have done this, and then Helen told me that the ladies in, uh, Kenya have something

Graham Devereux:

This was like gold dust to me because these are sort of studies we've been doing in the UK looking at, you know, all

Graham Devereux:

I just took this with both hands and we said, "great, let's get all the women to take part in

Graham Devereux:

We could actually look to see what the babies were like at birth influenced whether they get asthma later in life.

Hellen Meme:

Thank you very much Graham.

Hellen Meme:

Now that we know little where it all started, I think it's important that now we get Fred to tell us how the feel was on the ground and

Fred Orina:

The Tupumue study's quite a unique study.

Fred Orina:

I don't know when they were sitting to think about, uh, this study, why they had put so many, uh, octopus tentacles in it.

Fred Orina:

We had a social arm, we had a sensitisation arm, we had a clinical arm, we had exposure arm, which

Fred Orina:

When we look at the different arms, we had to do, uh, 200 homes for exposure.

Fred Orina:

We had to do around, uh, 40 walking interviews.

Fred Orina:

It was really something which really required a lot of uh, coordination.

Fred Orina:

After getting all those permissions, we uh, started the consenting process, anyway, before that,

Kim Ozano:

An octopus, what a great analogy.

Kim Ozano:

I have definitely worked on programmes that have felt that way too.

Kim Ozano:

I think when we work in multidisciplinary settings, it’s often what it can look like in practice as well.

Kim Ozano:

So can you tell me a little bit more; what did the sensitisation arm look like in practice?

Fred Orina:

There was an elaborate sensitisation whereby the whole community had to be made aware of the study.

Fred Orina:

We brought the community to give their views again, uh, to the proposal as, uh, was how it was going to be implemented, and the

Fred Orina:

When the children now came to school, they had some idea of how the study is going to be carried out, and here

Fred Orina:

The installation team came to the schools, did their drama, uh, so that the children can really understand what was ahead of them.

Fred Orina:

After the concepts were gotten, the assents were gotten from the children, then the real activities started.

Fred Orina:

The real activities were, uh, the clinical activities and here the children had to undergo several, uh, activities,

Fred Orina:

Then they did some spirometry testing, which was to measure their lung function.

Fred Orina:

Thereafter, they became now the ambassadors for the study.

Fred Orina:

This really helped in making the study a success.

Fred Orina:

The study to the community was the air quality measurement arm.

Fred Orina:

This air quality measurement arm was actually carried out by field workers from these different communities.

Fred Orina:

Uh, Field workers had to go get the randomly selected families uh, in the, in the project, and then go visit

Fred Orina:

So at home, the families were actually a little bit, um, curious on the gadgets, because the gadgets were,

Fred Orina:

The other component was for the, uh, uh, walking interviews whereby the field workers carry this, uh, air quality measurement

Fred Orina:

So with a good sensitisation practice, the community really accepted this project.

Hellen Meme:

Thank you, Fred, I would request Sarah maybe to, to give her, in her input into what Fred has just discussed and, uh,

Sarah West:

My role in the project was leading on the qualitative side of the project, and there were three main elements to that.

Sarah West:

The first was story making with the children.

Sarah West:

So as Fred described, there was this kind of long sensitisation process.

Sarah West:

We had amazing community sensitisation champions who went in and they developed a song and they developed a mural, and they all

Sarah West:

It meant that the children were aware about it and then it was much easier to consent the parents as part of that process, um,

Sarah West:

The storytelling team went in and they got children to draw pictures of, um, what they like doing when they're outside of school.

Sarah West:

That was their first activity, just to get them started with you know, this weird activity, you know, like drawing.

Sarah West:

Then they started the next activity which was, um, actually much more focusing on their breath.

Sarah West:

It was focusing on do you or anyone you know, have any lung issues?

Sarah West:

And they drew pictures around that.

Sarah West:

Then they also drew pictures around what they saw on their way to school.

Sarah West:

They drew pictures of things like where they felt the air was clean and where they felt the air was dirty.

Sarah West:

We've got really fantastic drawings, um, of those from the two communities.

Sarah West:

This is really exciting for me.

Sarah West:

All my research uses citizen science approaches in it, but often the participants are only involved in the

Sarah West:

We did an exercise where we got them to start coding the drawings that they'd done as a group.

Sarah West:

What could they see in those drawings?

Sarah West:

When they were drawing clean air pictures, what sort of things did they show?

Sarah West:

So, you know, that was trees and rivers and the moon actually came up quite often in those drawings and the sun, um, as the clean air.

Sarah West:

When they were drawing the dirty air, the children decided that actually the types of categories that they wanted, how they

Sarah West:

So that was the most common theme in the drawings and smoke coming from rubbish, um, burning.

Sarah West:

Smoke coming from cooking, smoke coming from people, um, smoking and also from vehicles.

Sarah West:

The third element, as Fred described, was these walking interviews, which is where we got people to walk around with a GoPro camera

Sarah West:

We've got really nice, um, videos of those two different spaces as well as the air quality measurements from those spaces as well.

Sarah West:

In terms of safeguarding, back to your question, Hellen, what we did there was we made sure that our researchers were always

Hellen Meme:

Thank you Sarah.

Hellen Meme:

Before we move on, ethics is always an issue.

Hellen Meme:

Ethical issues always come up, especially when a study like this is undertaken within the community.

Hellen Meme:

I would request, uh, Graham to kind of put us to speed on how they're, the ethical issues during this study were handled.

Hellen Meme:

This is really an issue that everybody grapples within a big study like this.

Graham Devereux:

Yeah.

Graham Devereux:

What you have to remember here is we're essentially asking parents to give us information about their children.

Graham Devereux:

A lot of parents, talking about a thousand parents from Mukuru, a thousand parents from Buruburu, we're actually

Graham Devereux:

We're asking them to get the children to do some blowing tests.

Graham Devereux:

These are things that the children don't have to do, but we're asking for permission to do it.

Graham Devereux:

Firstly, you have to go through what we call governance, which is to get permissions from Ministry of Health, Ministry of

Graham Devereux:

That's the permissions, but the most important thing is that the parents are actually told what we would like to do to the children.

Graham Devereux:

The children went home with an information sheet for the parent, and it explained in English and in Swahili what we would like to do.

Graham Devereux:

The parents were told that they didn't have to take part.

Graham Devereux:

It was completely voluntary.

Graham Devereux:

They had the opportunities to ask the questions and if they're happy for their children to be involved, they gave their written consent.

Graham Devereux:

Then the parents would give us the information about what the children's respiratory symptoms were, how they lived.

Graham Devereux:

When we came to actually do the blowing test, we actually asked the children, " Do you actually want to help us with this study?".

Graham Devereux:

"Do you want to actually do these blowing tests?"

Graham Devereux:

and they signed a consent, what they call assent.

Graham Devereux:

One of, what I call the creatives, was an artist.

Graham Devereux:

He did some fantastic cartoons so that when we were asking the children for their permission there

Graham Devereux:

The children knew what was going to happen because they'd seen puppet shows about what happened to Billy

Graham Devereux:

Billy the puppet, had to do some blowing tests so the children knew exactly what was going on.

Graham Devereux:

There'd been lots of parades through the communities explaining what Tupumue was about.

Graham Devereux:

The families, the parents, knew what they were going to be approached, they knew what the study was about, the children

Graham Devereux:

They weren't frightened by anything.

Graham Devereux:

Not only did we do a puppet show for Billy on his day out to take part in the study before Covid, he had one post Covid where Billy had

Graham Devereux:

It's not only about getting the permissions, it's about getting the parents and the children to want to take part.

Graham Devereux:

Part of that is, it's very important if they've taken part in a study to actually get the findings of the study.

Graham Devereux:

We know from our engagement with the communities that they strongly are worried about exposure to pollution so the

Kim Ozano:

It's such an engaging conversation, we're really interested in the methods here.

Kim Ozano:

Sarah, I wonder if you could, tell me what value did these methods add?

Kim Ozano:

And when you came to bring the different methods together, were they showing you different things depending on whether

Kim Ozano:

How did that all come together?

Sarah West:

What the different methods show us is complimentary to each other.

Sarah West:

So I think they're showing us different sides of the same picture.

Sarah West:

The same things we get that Graham has just described about the different sources of pollution in the different

Sarah West:

I think the reason we decided to use these methods is actually, Graham mentioned right at the beginning in his introduction,

Sarah West:

Um, and we found that there was such enthusiasm in the community for these methods.

Sarah West:

These are the way that people in the community communicate.

Sarah West:

They don't communicate by, um, you know, listening to presentations or anything like that.

Sarah West:

The murals, the graffiti and things, that is how they get the messages across.

Sarah West:

When Graham and his team approached us and said, look, do you wanna get involved?

Sarah West:

We were like, yeah, absolutely.

Sarah West:

There was so much more we could do and we really liked the idea of having the kind of academic rigor that comes from a comparison

Graham Devereux:

For the dissemination, we've got boring stuff, which is presentations at meetings and papers.

Graham Devereux:

The more interesting stuff, has come from the fact that we've been filming from start to finish.

Graham Devereux:

There's been filming done by Kenyan filmmakers who've filmed at Tupumue.

Graham Devereux:

So there'll be a Tupumue film, which will be in English and in Swahili.

Graham Devereux:

That'll be the basis for a lot of our dissemination activities, both to the scientific community and to the people of Nairobi.

Graham Devereux:

Hellen is going to have a series of, dissemination meetings with teachers, the communities, uh, we're

Graham Devereux:

So the film is what we're really going to be doing most of the dissemination with.

Graham Devereux:

There is a 37 minute film, which has got music from the choir, singing, when we had our community engagement event.

Graham Devereux:

We've got the, uh, the Tupumue song on it.

Graham Devereux:

It gives the basic outline of what the study's about, the way it was conducted and the results.

Graham Devereux:

The most important thing is we feed back to the communities.

Graham Devereux:

The presenter of the Tupumue film is actually Peris, who's one of the Tupumue champions, who's known to the community in the

Graham Devereux:

We take this very seriously, in disseminating back.

Graham Devereux:

We're also disseminating to what we call our policymakers.

Graham Devereux:

We're hoping to get to the Ministry of Health, Ministry of Education, so we can tell the Ministry of Education, the

Graham Devereux:

We're also, we've now got funding for what we're calling a dissemination event where there's a big

Graham Devereux:

We're getting scientists together to tell them about the study, but we're also getting members

Graham Devereux:

They'll be doing some of the presentations about what Mukuru is like, what Buruburu is like, what they did in the study.

Graham Devereux:

They're going to tell us about sensitisation.

Graham Devereux:

Hopefully we're going to have some drawing happening, we may even have some dancing in the aisles.

Graham Devereux:

It's going to be a dissemination event, which is not only scientific, but it's the community and

Graham Devereux:

One of the real reasons for the dissemination events is that we want the communities of Buruburu and

Graham Devereux:

They were the ones that told us they were worried about pollution.

Graham Devereux:

They wanted us to look at pollution.

Graham Devereux:

They said, without any data, the Kenyan government says there isn't a problem.

Graham Devereux:

So we are now providing the data, but we would like the community to tell us what to do next.

Graham Devereux:

Would they like us to start working on trying to get rid of mosquito coils?

Graham Devereux:

Would they like us to start getting children diagnosed?

Graham Devereux:

Would they like us to start getting children treated?

Graham Devereux:

Or do we need to go and speak to the Kenyan government to get improvements in pollution?

Graham Devereux:

They've told us what to do.

Graham Devereux:

They've helped us do the study, but they're going to tell us what they would like us to do next, which I think is very important.

Kim Ozano:

I can tell from this project that the values of co-production didn't just come at the end.

Kim Ozano:

They were all the way through right from the beginning in the participatory methods that you've chosen, right down to engaging

Kim Ozano:

I think this octopus that you've created of different methods and different disciplines is wonderful.

Kim Ozano:

I can imagine you've got a lot of learning, so what advice would you have in 30 seconds?

Kim Ozano:

What advice would you have for others who want to engage with communities to the level that you have in this project?

Fred Orina:

Whoever wants to do this kind of a study, uh, a lot of planning is really required.

Fred Orina:

We plan for the knowns and we also plan for the unknowns because, uh, like Covid struck, we had no plans for a pandemic.

Fred Orina:

And, uh, we should actually use the community in terms of, uh, the data collection themselves, because we

Kim Ozano:

Perfect.

Kim Ozano:

Thank you very much.

Kim Ozano:

Sarah, please piece of advice;

Sarah West:

Aside from everybody needs a Fred in their project, which would be my top tip, my second tip is, um,

Sarah West:

We involved them right from when we were writing the bid, which would be my top tip.

Kim Ozano:

Thank you very much, Graham.

Graham Devereux:

I think I've got two tips.

Graham Devereux:

Firstly, if you've got the community on board, you could be very, very ambitious.

Graham Devereux:

The other thing is I hadn't got a clue what was going on with these creatives and what they're up to, and I just let them do it.

Graham Devereux:

Just listen to what you're told.

Kim Ozano:

Thank you very much.

Kim Ozano:

Hellen, one piece of advice to wrap us up?

Hellen Meme:

One thing I really learned from this study, which was very, very unique, I've had a long history of

Kim Ozano:

Thank you so much; so plan for the known one and the unknown, lots of teamwork, engage

Kim Ozano:

That's a wonderful end to the podcast.

Kim Ozano:

Thank you so much for our guests and our wonderful co-host and to our listeners as always, thank you for joining us.

Kim Ozano:

Please do like, rate, share, and subscribe.

Kim Ozano:

Without your support, we couldn't continue with this podcast.

Kim Ozano:

Thank you very much for listening and, uh, stay with us for our next episode.