Jenn:

And hard labor then.

Jenn:

It's basically just walking on a Stairmaster, but like a rock one that you

Jenn:

have to push the rock to step up onto the next step, and you have to keep it going.

Jenn:

And it's just exhausting.

Jenn:

And that's what you do all day.

Jenn:

And it does nothing

Jenn:

there's a movie called, I think it's the Snake Pit, where they first term,

Jenn:

gaslighting, they first used that term.

Scott:

Welcome to talk with history.

Scott:

I am your host, Scott here with my wife and historian, Jen.

Scott:

On this podcast, we give you insights to our history inspired world travels,

Scott:

YouTube channel journey, and examine history through deeper conversations

Scott:

with the curious, the explorers and the history lovers out there.

Scott:

Now Jen we are wrapping up your france trip with this podcast, but before we get

Scott:

into that topic about the famous graves in paris I do want to give a little plug

Scott:

and let our audience know that there's A new way for you guys to support us,

Scott:

to support the show through a membership subscription over at thehistoryroadtrip.

Scott:

com.

Scott:

I just turned on those subscriptions.

Scott:

We already have people that have signed up and they were more than

Scott:

gracious enough to support us.

Scott:

And some of the things that you will get through this membership

Scott:

over at the History Road Trip is you'll actually get your name in the

Scott:

post credits for talk with history.

Scott:

So if you listen to the last two weeks episodes, I've added that

Scott:

kind of new outro into those episodes, and those will be standard.

Scott:

And anytime someone signs up to become a member, I will add their name into those

Scott:

post credit kind of member shout outs.

Scott:

So right now, it's Larry Myers and Doug McLiverty, our two good friends.

Scott:

So we appreciate them.

Scott:

And one other thing that's coming with That membership is a new I'll call

Scott:

it occasional podcast called history after dark Now history after dark is

Scott:

going to be an opportunity for us to open up a little bit loosen up kind of

Scott:

maybe take off the historian hat we can well It'll still be history focused,

Scott:

but maybe deeper dive on some travel things Things that we might not be able

Scott:

to talk about on talk with history.

Scott:

So what's We're going to record our first one just after this episode.

Scott:

So what are we going to talk about?

Jenn:

it's not going to be our history hat.

Jenn:

I mean, my history hat never comes off.

Jenn:

So it's just things that are a little bit inappropriate for our younger ears.

Jenn:

and more appropriate for older ears, but still has historic value, especially

Jenn:

since I saw the sexiest grave in Paris.

Jenn:

And I really don't think young ears should hear about this grave.

Jenn:

So let's talk about it in history after dark.

Scott:

Yeah, or some things, sometimes there's certain things that are a

Scott:

little gruesome, things like that.

Scott:

But it will be an opportunity for us as well.

Scott:

If we do have a guest coming on and an extra clip and extra, few,

Scott:

10, 15 minutes with that guest.

Scott:

Sometimes we will put membership exclusives over at thehistoryroadtrip.

Scott:

com.

Scott:

and honestly, it really is just a way.

Scott:

To support what we do because what we do is a passion for us

Scott:

and it is absolutely not free

Scott:

You can subscribe for one month listen to all of them and then stop subscribing

Scott:

occasionally I might try to run promotions throughout the year for discounts.

Scott:

Be paying attention, at certain times of the year.

Scott:

But again, that's over at the history road trip.

Scott:

com where you can sign up.

Scott:

You can subscribe for free.

Scott:

But there is a membership option and you will get some benefits with that.

Scott:

So now you were at, remind me of the name of this cemetery in France.

Scott:

That is one of the most visited cemeteries in the entire world.

Scott:

Pierre Lachaise.

Scott:

Pierre Lachaise.

Scott:

So this is, if you've seen our video, and of course I will link our video

Scott:

in the show notes, this is a massive, massive cemetery, very historic,

Scott:

smack in the middle of Paris, France.

Jenn:

the largest cemetery in Paris, France at 110 acres,

Jenn:

and it gets more than 3.

Jenn:

5 million visitors a year.

Scott:

It's absolutely gorgeous.

Jenn:

It's one of the most visited cemeteries in the world.

Jenn:

It is beautiful, and it has notable Figures in the art world buried there, and

Jenn:

that's who we visited, but the monuments are just beautiful and the statues and

Jenn:

because they allow all different religions and all different backgrounds and all

Jenn:

different classes, there's different things you can afford, of course.

Jenn:

And so different people will have different monuments.

Jenn:

There are sculptures made and they're so elaborate and beautiful that it really is

Jenn:

when you walk around just walking in art.

Jenn:

And for me, I had never really thought about going to Pierre Lachaise before,

Jenn:

but I was with my friend Courtney and she really wanted to go to Pierre Lachaise.

Jenn:

And so I was like, yep, let's do it.

Jenn:

It's a walk to get to.

Jenn:

And then once you're there, It takes a huge part of the city and there's

Jenn:

a lot of entrances to get into it, but there is only one main entrance.

Jenn:

And you'll know that when you walk in because you'll see

Jenn:

the office building there.

Jenn:

the administration office is right in the front part of when you first walk in.

Jenn:

And I think the road that is on is Port Principal.

Scott:

it should be relatively easy to find if you're in Paris, France.

Scott:

you can probably get an Uber there.

Scott:

And you guys went there because there's very famous English

Scott:

figures that are buried there that, I mean, the non French folks.

Jenn:

Yeah, well, we went there mostly.

Jenn:

I mean, I wanted to see Oscar Wilde.

Jenn:

But Jim Morrison, he's huge.

Jenn:

And that's I think a lot of people go to see him.

Scott:

I think that is one of the most visited graves in that

Jenn:

Yes.

Jenn:

And but like I said, you can because it's so big, you can get into all these

Jenn:

little nooks and crannies around it.

Jenn:

It's the walls are open to different walkways up inside, but you're not

Jenn:

really going to know where you are.

Jenn:

They have one kind of rudimentary map when you walk in.

Jenn:

And even that was difficult for me to navigate

Jenn:

it's all in French.

Jenn:

So if you know the person's name They do have a kind of like an

Jenn:

English translation just for a little history part of it, nearly

Jenn:

10, 000 funeral ceremonies each year.

Jenn:

And there's over 70, 000 graves there.

Jenn:

So it goes into a little bit of the history.

Jenn:

It wasn't designed until 1804.

Jenn:

So when we talked about Lafayette previously and the Reign of Terror,

Jenn:

this is all before Pilachet even opens.

Jenn:

So Pilachet was one of those places that needed to answer that call of,

Jenn:

unsanitary burials that were happening.

Jenn:

And so they got this large green space in Paris and actually it was Napoleon who

Jenn:

was really established the cemetery and

Jenn:

started to get, put it into use.

Scott:

And one of the things that I didn't really learn until after I had

Scott:

made the video because you had gotten your footage there, but you were

Scott:

wrapping up your trip so you didn't get to spend nearly the amount of time

Scott:

there to cover everything that's there.

Scott:

You had some very specific graves you were visiting but some of the unique

Scott:

Graves and statues and monuments that are there are so very french and I had

Scott:

showed them to you after I was done making the video And there's some very

Scott:

interesting ones like there's a grave.

Scott:

It looks more like a like a Like a tomb right it's it cuz this the box

Scott:

above ground but there's a statue and it's you could tell it was bronze

Scott:

because it has that green patina to it And it makes it look like

Scott:

someone is climbing out of this box.

Scott:

And that's the statue It was just so interesting and there's another one

Scott:

of some figure laying down Classic kind of laying in repose, but also

Scott:

holding like another mask, which looks like another face facing their face.

Scott:

It was just, I was like, this is so French looking at these pictures.

Jenn:

Yeah, I mean, they're very emotional.

Jenn:

There's one of a woman like crying on a grave, a body like a look like an older

Jenn:

woman laying on a grave crying on it.

Jenn:

There's like a stairway and a looks like death climbing the stairway,

Scott:

very artistic.

Jenn:

artistic.

Jenn:

I mean, it's France.

Jenn:

Now, what's interesting, this was the first crematorium in France.

Jenn:

it was at the cemetery.

Jenn:

It's still operational

Scott:

So it's like the first of its kind.

Jenn:

First of its kind.

Jenn:

So because there's so many people buried there, what happens is you can,

Jenn:

you can still be buried there today.

Jenn:

It's difficult.

Jenn:

They have these rules to be buried there.

Jenn:

You have to have lived in Paris.

Jenn:

It's strict.

Jenn:

You have to have died in Paris, but, and they give you just

Jenn:

the size of a coffin area.

Jenn:

That's what Jim Morrison has in a way.

Jenn:

But then you can reuse that grave.

Jenn:

Very French, very New Orleans when you think about it, which

Jenn:

is a very French concept.

Jenn:

So what will happen when we see like Edith Piaf's grave?

Jenn:

You'll see seven names on that grave.

Jenn:

And it's only the size of a tomb.

Jenn:

So you're like, what's going on here?

Jenn:

Well, they just keep digging down and they'll just put the call, the

Jenn:

coffin before you has more than likely collapsed and disintegrated.

Jenn:

So they'll just shove the new one down on top of it.

Jenn:

And basically they're just packing you in.

Jenn:

and that's really how it is in New Orleans with above ground

Jenn:

tombs is they Pack your bones in.

Jenn:

Yeah, you're all mixed with your family, and that's exactly

Jenn:

what they're doing more or less

Jenn:

Your whole family can be in one tomb, but they'll just

Jenn:

keep shoving the coffins down.

Jenn:

So that's how they reuse space and make use of space there.

Jenn:

There are so many and they're so close together.

Jenn:

And when you're navigating, it's just very difficult the roadways

Jenn:

and trying to walk in between.

Jenn:

And when you see Jim Morrison on the video, like he's like behind another,

Scott:

Tucked in this corner.

Jenn:

yeah, he's behind a big.

Jenn:

significant grave that's tall.

Jenn:

So you have to go behind it and look and go, Oh, there it is.

Jenn:

And I had spoke, one person had mentioned on the channel, it was their guard there.

Jenn:

So I guess when she had gone previously, they would have a guard standing, but

Jenn:

there wasn't a guard when I was there.

Jenn:

Jim Morrison was a singer.

Jenn:

He was a lead singer of the doors.

Jenn:

He dies relatively young.

Jenn:

He's 27 years old.

Jenn:

He died July 3rd, 1971 in Paris, France.

Jenn:

So that's one of the reasons why he's buried at Pierre Lachaise.

Jenn:

Plus the fact that he loved the French culture and he loved being there.

Jenn:

But I think he died from a drug overdose, if I'm not mistaken.

Jenn:

and so he just had such an influence on music and the art world.

Jenn:

People still love The Doors today.

Jenn:

It was a great movie with Val

Scott:

Yeah, well, and he's one of those classic rock star died young

Scott:

and just had the look and just became this rock pop culture icon.

Scott:

I had actually looked up a couple of little interesting tidbits about him.

Scott:

So he was actually a published poet and I guess known at one point as the

Scott:

lizard king But he supposedly had an iq level of 149 which would have put him

Scott:

in like the genius category Anything above I think 130 Is essentially you're

Scott:

in the top one or two percent, right?

Scott:

Because the average person I think is somewhere in right around 100, right?

Scott:

But you know very interesting and makes sense for somebody like that.

Scott:

That's just probably highly intelligent But probably might have a screw loose,

Scott:

so and that oftentimes that makes artists

Jenn:

Absolutely.

Jenn:

And he was, he's found dead in a bathroom at 6am.

Jenn:

Official cause of death was heart failure, but no autopsy was performed.

Jenn:

And there's conspiracy theories around his death, that it could have

Jenn:

happened at, some say at a heroin overdose in a club's bathroom at 2am.

Jenn:

And then his body was taken away by two men who were the drug dealers

Jenn:

to hide in his house in the tub because it was no autopsy.

Jenn:

There's, it leads it open to conspiracy theories.

Jenn:

Now his death is approximately nine months after Jimi Hendrix and Janis Joplin.

Jenn:

So he's in that same kind of magical genre of those amazing artists who

Jenn:

were taken very early by drugs.

Jenn:

And we never know what else they could have contributed to the art world.

Jenn:

But what we got of them was just so amazing and magical that even today,

Jenn:

like I was just singing Janis Joplin in the car the other day, like even

Jenn:

today, we still love their music.

Scott:

You mentioned on the video that his father was I think like

Scott:

an admiral or something like that,

Jenn:

in Florida, 1943.

Jenn:

And just like you said, 27 years old and such a loss at such a young age.

Jenn:

And if you haven't seen The Doors.

Jenn:

Movie.

Jenn:

I think it does a really good job of Val Kilmer and I think it's Meg

Jenn:

Ryan, who plays his girlfriend.

Jenn:

Really good movie.

Jenn:

So it was neat to go there because I think they actually show the

Jenn:

grave at the end of the movie.

Scott:

Yeah.

Scott:

And like you said, you watch our video and you can't get all

Scott:

the way up to it 'cause you were respecting the IES that they put up.

Scott:

But there is a ton, you could tell there's tons of people that visit there.

Scott:

So they have a picture of him and his youth.

Scott:

Like some of those classic Jim Morrison pictures that are still

Scott:

popular posters to this day.

Scott:

And there's trinkets and all sorts of stuff that's all kind of all covering his

Jenn:

Absolutely.

Jenn:

And so another grave that's probably very visited and so much so that

Jenn:

they have plastic guarding the grave is Oscar Wilde, who I adore.

Jenn:

That's who I wanted to see more than anybody.

Jenn:

I love his poetry.

Jenn:

He's an Irish poet.

Jenn:

We actually, I think we're in Dublin and we were sitting at a

Jenn:

cafe and I looked over and there was a statue of him at that park.

Jenn:

Remember?

Jenn:

And I said, Oh my gosh, it's Oscar Wilde

Scott:

Oh, okay.

Jenn:

And he trains at Trinity College in Dublin, but he goes on to Oxford and he

Jenn:

writes some of the most amazing poetry.

Jenn:

books like The Picture of Dorian Gray, and The Importance of Being Earnest.

Jenn:

And I just think he has such a wit.

Jenn:

I just adored his writing.

Jenn:

Now Oscar Wilde gets caught up in this Victorian era

Jenn:

libel case for homosexuality.

Jenn:

Because his lover is the son of a very powerful aristocrat and that

Jenn:

aristocrat goes after Oscar Wilde,

Scott:

it Lord Alfred Douglas?

Jenn:

And he's found he's found guilty of gross indecency.

Jenn:

And because of that, he goes to prison and he's forced two years

Jenn:

of hard labor from 1895 to 1897.

Jenn:

And hard labor then.

Jenn:

If you see there's a really great movie about Oscar.

Jenn:

It's basically just walking on a Stairmaster, but like a rock one that you

Jenn:

have to push the rock to step up onto the next step, and you have to keep it going.

Jenn:

And it's just exhausting.

Jenn:

And that's what you do all day.

Jenn:

And it does nothing.

Jenn:

And it's not it just it really just wears on your psyche because you're not doing

Jenn:

anything, but you're working so hard

Scott:

I have never heard that before.

Jenn:

And that was his punishment for two

Scott:

So like literally they would make you do hard labor.

Scott:

That was completely pointless.

Scott:

It's not even breaking up big rocks in the little rocks.

Scott:

Wow.

Jenn:

And it disheartened him so much that he never wanted to go back to England.

Jenn:

And that's when he goes to Paris and he dies in Paris in 1900 at age 46.

Jenn:

So also very young.

Jenn:

And his tomb is also something that gets people want to a trinket from.

Scott:

It's a very interesting looking tomb for him because it's very Egyptian.

Jenn:

It is very Egyptian looking.

Jenn:

It's almost like a pharaoh kind of

Scott:

a Pharaoh Sphinx type deal.

Jenn:

But and realize Oscar Wilde was a huge traveler like he came to America,

Scott:

he did a whole tour here.

Jenn:

And so it it has that kind of feeling around it.

Jenn:

it looks about the size of a coffin, but built up and then

Jenn:

it's engraved all around it.

Scott:

Yeah, there was a neat kind of poem I guess that whoever made it

Scott:

that was inscribed on the back that you read in the videos, I liked it.

Jenn:

Yeah, it was really neat.

Jenn:

it's all protected by this plastic on every side because of so much people who,

Jenn:

vandalize it and take pieces of it off.

Jenn:

He was initially buried in another cemetery in Paris, but in 1909 his remains

Jenn:

were moved to Pierre Lachaise and his tomb was designed by Sir Jacob Epstein.

Jenn:

It's a modernist angel and it's supposed to depict the relief on the tomb

Jenn:

originally complete with so again, history after dark, we'll get more into

Scott:

talk more about

Jenn:

more into that, but just know that it's a very atomically correct grave.

Jenn:

So don't be surprised when you go there and if you see

Jenn:

that, but again, that's what.

Jenn:

gets broken.

Scott:

And one of the other things that was interesting that I think must be

Scott:

a tradition at that particular grave is women like left kisses all over

Scott:

the kind of glass surrounding of it.

Scott:

And it, I read that they even did that before they put that up

Jenn:

Yeah.

Jenn:

And I would have had lipstick.

Jenn:

I would have done that too, because I just love Oscar Wilde so much.

Jenn:

And again, it's just, it's one of those graves, like you'll, you'll

Jenn:

know when you see it cause it stands alone and it's so unique.

Scott:

of the things I had looked up about him, obviously they're talking

Scott:

about his wit and humor, right?

Scott:

That that's what his writing was known for.

Scott:

And one of his many quotes, where he said, I can resist everything except temptation.

Scott:

So that kind of speaks to his writing.

Jenn:

And I love, he would say be yourself.

Jenn:

Everyone else has taken, right?

Jenn:

He was always just, he was so quick witted in simplicity.

Jenn:

that I love that about him.

Jenn:

So I, that's who I really wanted to see.

Jenn:

And I was very happy to see him.

Jenn:

He is in the middle and hard to find.

Jenn:

And again, that that rudimentary map that they give you, it's difficult to figure

Jenn:

it out, but because he's so well traveled, if you see people walking around there,

Jenn:

if you just follow them, most people are

Jenn:

they're going to Jim Morrison, Oscar Wilde.

Scott:

Now the next one is actually another American

Scott:

tied to gone with the wind.

Scott:

So who'd you who'd you at least try to find next?

Jenn:

Olivia de Havill, Dame d'Olivia de Havill, is de Havillan,

Jenn:

is from Gone with the Wind.

Jenn:

She plays Melanie.

Jenn:

She's Scarlet's nemesis, I guess you could say, but famous actress.

Jenn:

She was in many other movies.

Jenn:

She's Academy Award winner.

Jenn:

She lives to be 104.

Jenn:

She dies in 2020.

Jenn:

She's just one of those people that she was in The

Jenn:

Adventures of Robin Hood, right?

Jenn:

She plays Mary Marion with Errol Flynn.

Jenn:

Like she's just in all of these famous movies, the snake pit, the

Jenn:

heiress that she wins back to get nominations for best actress for those.

Jenn:

Like she's just one of those women that is in all of these timeless movies.

Jenn:

And of course, Gone with the wind and she was the last surviving person

Jenn:

from gone with the wind and she lived in paris the end of her life

Jenn:

and you say she's she's american.

Jenn:

She's like british american and french.

Jenn:

she holds all of those citizenships

Scott:

Okay

Jenn:

She dies in Paris, and she's cremated, and she's

Jenn:

buried at Père Lachaise.

Jenn:

Now, we went looking for her, but they don't think that they have

Jenn:

put her ashes into the crematorium area, they haven't put up her body.

Jenn:

marker yet.

Jenn:

So we walked through the crematorium and you can see in

Jenn:

the video, it's very large walls

Scott:

there's a lot there.

Jenn:

and they're very small, probably like eight by eight

Jenn:

squares with these large walls that have different people's names.

Jenn:

So you really have to look and read and you don't know where the new ones are.

Jenn:

So we just walk through the crematorium area and looked at those

Jenn:

walls and she's in there somewhere.

Jenn:

She will eventually be marked with her name.

Jenn:

For me, like I love Gone with the Wind and I love her portrayal in that movie.

Jenn:

Plus, I just think she's a great actress.

Jenn:

there's a movie called, I think it's the Snake Pit, where they first term,

Jenn:

gaslighting, they first used that term.

Jenn:

where she's starting to, she sees things and she's trying to tell

Jenn:

somebody this is what's happening and the person is doing it to her

Jenn:

to make her feel like she's crazy.

Jenn:

So he keeps saying, that's not what you're seeing.

Jenn:

You're not, and so that's, and she's holding a gas light.

Jenn:

as she's asking the questions and she's No, I see this.

Jenn:

I see this.

Jenn:

And he's No, you're wrong.

Jenn:

You're completely wrong.

Jenn:

Something must be wrong with you.

Scott:

Oh,

Jenn:

And so that that's where the term gaslighting comes from, because

Jenn:

she's holding a gas light in her hand as he's doing that to her.

Scott:

That's so interesting because, I mean, really, it's been in the past,

Scott:

I'd say, ten years that, that term has really come back and surfaced

Scott:

because of all the online stuff.

Scott:

How interesting.

Jenn:

1940s.

Jenn:

Olivia de Havilland, like she's just, she's one of those.

Jenn:

silver screen movie stars that really did put Hollywood on the map.

Scott:

Well, and I read too that she was, so much like a hollywood industry

Scott:

figure at one point she was this legal pioneer for women and actresses and

Scott:

actually successfully sued warner brothers in 1943 and it led to basically

Scott:

reducing the power that film studios had Over actors' careers, her success

Scott:

in this legal case that she won.

Scott:

So she sounds once I was learning more about her, just this staple and pillar

Scott:

of Hollywood for many, many years.

Scott:

And plus a very, very successful and talented actress.

Jenn:

Yeah, it says she went to Academy Awards and she's one of the

Jenn:

first people to method act as well.

Jenn:

. You have to remember, Pielicei, when Napoleon started Pielicei, his whole

Jenn:

premise was anyone could be buried here regardless of class and religion.

Jenn:

So it was one of the very first places to have a Muslim section, a Jewish section

Jenn:

and So much so that there used to be a cross when you walked into Père Lachaise,

Jenn:

they took the cross down, but there are religious symbols throughout the cemetery.

Jenn:

Anyone can put up their own religious symbols on their own graves.

Jenn:

And so you'll see a lot of strong Christianity or Judaism as you

Jenn:

walk through the cemetery because anybody from any religious background

Jenn:

or class could be buried there.

Jenn:

And that was radical at the time in the early 1800s to do that.

Scott:

Interesting.

Jenn:

that's neat about Père Lachaise.

Scott:

One of the things that I kind of love about this specific

Scott:

episode, especially for Famous Graves in Paris, France, it's all

Scott:

artists and writers and singers.

Scott:

and I love that because when you think of Paris, France, that's who you think of.

Jenn:

Yeah, when you go to France, it's very much the lover, the dreamer,

Scott:

The artists.

Jenn:

of course, we're going to end the episode with Edith Piaf.

Jenn:

She sings to me to my favorite French song, La Vida en Rose.

Jenn:

Now La Vida en Rose, roughly translated is like looking through

Jenn:

life in rose colored glasses.

Scott:

Yeah, so if I'm going to play just a quick snippet of that

Scott:

song and you'll, when you hear it, you will recognize it immediately.

Scott:

La Vie en Rose: my dear, I'm all done I'm all done for the day

Scott:

So that is La Vie en Rose.

Scott:

And so I don't think there's a person on this planet that doesn't hear

Scott:

that song and think of Paris, France.

Jenn:

Yeah, she's.

Jenn:

regarded as French, France's greatest popular singer and

Jenn:

one of the most celebrated performers of their 20th century

Scott:

And she actually wrote that song.

Jenn:

gosh.

Jenn:

I didn't know

Scott:

Yeah.

Scott:

So she actually wrote that song and her stage name of PF actually means Sparrow

Scott:

in French in Parisian slang and it's because she was only like four foot eight.

Scott:

So she was very short.

Scott:

And so that's how she got that name.

Jenn:

Well, there's a great movie made about her.

Jenn:

I think Marion Collard plays her and it's called La Vita Rose and you see

Jenn:

her life like she was born in a brothel.

Jenn:

She's a daughter of a prostitute and she lives in that brothel until she's in

Jenn:

her like early, teens, but she's blind.

Jenn:

She's born blind and she's blind until she's I think eight or nine years old.

Jenn:

And her mother takes her To a relic, basically a French relic that people

Jenn:

will touch and pray and miracles will happen and they did and she could see

Jenn:

I, it is crazy, but that's what happens.

Jenn:

And then she's always malnourished and she's always sickly and

Jenn:

that they attribute to her.

Jenn:

She never grows very tall and she dies very young.

Jenn:

She's 47.

Jenn:

She never really is a robust.

Jenn:

healthy person.

Jenn:

Now she also succumbs to alcoholism and she has a very rough lifestyle, I

Jenn:

would say, but her voice is magical.

Jenn:

And like I said, La Vita Rose means life in pink or life in rose,

Jenn:

life with rose colored glasses.

Jenn:

to me, it's one of the most beautiful French songs.

Jenn:

But when we found her grave there's a lot of her family is in one tomb.

Jenn:

basically think of a top of a tomb there's names written around it.

Jenn:

And you'll see if you see in the video, it's nice.

Jenn:

It's a nice marble tomb and they put pictures

Scott:

and you can tell people visit it because there's pictures of her.

Jenn:

And it's off the beaten path and these very, very thin walk arounds,

Jenn:

but you can walk around it and see it.

Jenn:

And it was just to me another person I really wanted to see

Jenn:

because I loved, I love that song.

Scott:

and I love that Louis Armstrong remade the song because this is probably

Scott:

where I first heard this version of it,

Scott:

which is just beautiful as, as you listen to this.

Scott:

And there's something to be said about people like that who will make

Scott:

their mark even with one song and it's just this lightning bolt moment.

Scott:

she was a very popular singer, right?

Scott:

and cultural icon at the time.

Scott:

But for something like that, I mean, that song defines.

Scott:

It's in the definition of Paris, France.

Scott:

And so it was really cool that you got to go visit her.

Jenn:

Yeah.

Jenn:

Her last words were every damn thing you do in life, you have to pay for.

Jenn:

And she dies of liver cancer from the drinking.

Jenn:

So again 47 years old and she dies in 1963 and she's buried at Père Lachaise.

Jenn:

Her grave is among the most visited.

Jenn:

So for me to go there, it was something I hadn't thought of doing before.

Jenn:

Courtney really dragged me there, And it was just fantastic

Jenn:

to be able to see all of them.

Jenn:

And then I knew Olivia de Haville had recently died, and she

Jenn:

was going to be buried there.

Jenn:

So for me to walk around there and just see to see it and to experience

Jenn:

it with people and tourists.

Jenn:

And you'll see in the video, this is cats.

Jenn:

This is cats there.

Jenn:

Like it really is a part of the Paris lifestyle.

Scott:

I can see, I can absolutely see people who live in that area.

Scott:

just going there to go walk around.

Scott:

it's just beautiful.

Scott:

You can just get lost in it and just wander around and see all the

Scott:

different interesting graves and tombs and statues and all that stuff.

Scott:

And it's just beautiful.

Scott:

So if you're in Paris, France there's not only famous American

Scott:

graves there, there's also famous French, very, very famous French

Scott:

people that are buried there as well.

Jenn:

Sure.

Jenn:

I mean, you're going to see if there are people, a lot of historians

Jenn:

asked me, did you go see Proust?

Jenn:

Did you go see, Marcel Marceau?

Jenn:

And I'm like,

Scott:

I think like Balzac, like he was a French writer.

Jenn:

Chopin, Chopin is there there's just very, very famous people.

Jenn:

And it is the place if you want to know someone who influenced

Jenn:

France or French writing or French painting or French media, they're

Jenn:

probably buried in Pierre Lachaise.

Scott:

yeah.

Scott:

And again, I'll just remind folks as we wrap things up here, if you want to

Scott:

support us over at the history road trip.

Scott:

com, you can hear your name in the future credits of shows.

Scott:

And if you want to listen to our history after dark occasional episodes that

Scott:

we will have for members only, you can join us over at the history road trip.

Scott:

com.

Scott:

Thank you.

Scott:

This has been a Walk With History production.

Scott:

Talk With History is created and hosted by me, Scott Bennie.

Scott:

Episode researched by Jennifer Bennie.

Scott:

Check out the show notes for links and references mentioned in this episode.

Scott:

Talk With History is supported by our fans at thehistoryroadtrip.

Scott:

com.

Scott:

Our eternal thanks to those providing funding to help keep us going.

Scott:

Thank you to Doug McLiverty and Larry Myers.

Scott:

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Scott:

and we'll talk to you next time.