You're listening to the Archaeology Podcast Network.
Speaker BWelcome to Digging Up Ancient Aliens.
Speaker BThis is the podcast where we examine alternative history and ancient alien narratives in popular media.
Speaker BTo these ideas hold water to an archaeologist.
Speaker BAre there better explanations out there?
Speaker BWe are now on episode 82, and I am Frederick, your guide into the world of pseudoarchaeology.
Speaker BAnd we are back.
Speaker BI have been struggling with some health issues that seems to have gotten stuck in my lungs and throat.
Speaker BSo if I sound a little bit hoarse, it's not that I've started a Motorhead cover band, it's just how things are at the moment.
Speaker BBut today, we will get back into the show and I'm going to take you on a little treat.
Speaker BInstead of pseudo history, we will look at a real archaeological site here in Sweden.
Speaker BWhy?
Speaker BWell, we sometimes need a break, I think.
Speaker BAnd this is also a good example of archaeology done both wrong and right.
Speaker BAnd we can also see the importance of, well, having an education in archaeology before or, well, coming up with theories.
Speaker BYou will see an example of this later in the episode more clearly.
Speaker BSo join me at Sweden's most enormous Greymount and explore this wondrous area together.
Speaker BThis will also be a video on YouTube.
Speaker BIt will drop next week, however.
Speaker BAnd also this was recorded on site, so we will have a bit of background noises from time to time.
Speaker BBut it shouldn't be distracting, really.
Speaker BAnd I want to thank all of you who still support the show.
Speaker BYou're really helping out producing this content, and I'm humbled and grateful that you're still here.
Speaker BAnd if you want to help out, I'll tell you how to do that and get some bonus stuff at the end of the episode.
Speaker BAnd remember that you find sources, resources and reading suggestions at our website, diggingupantanians.com there you can also find contact info if you notice any mistakes or have any suggestions.
Speaker BNow that we have finished our preparations, let's dig into the episode.
Speaker AWelcome to Arnunshug.
Speaker ASo, I'm currently standing at a very important site for, well, Medieval and Viking Age Sweden.
Speaker AAnd we will explore this location together, see the history of the site, what it was used for and how it was used, and look at the different burial types we can discover here.
Speaker AAnd talk a little bit about Sweden's biggest burial mound.
Speaker ASo where am I?
Speaker AAs I said, I'm at a location today known as Arnunzhog, and it's a location that's about an hour's drive away from Stockholm, the capital of modern Sweden.
Speaker AThe site is also close to the Modern city of Westeros.
Speaker AAnd this site has had several different functions throughout the ages.
Speaker AAs we can see, it was clearly a site for burials, with several smaller mounds scattered across the field.
Speaker AAnd we also have several stone ships.
Speaker ABut this was also a place where people came to hold things.
Speaker AAnd the medieval things were a place where you could go to settle legal matters, you could vote on legal questions and make your voice heard in front of your equals.
Speaker AAnd we know for sure that this site was used as a place of things, at least during the Middle Ages.
Speaker AAnd we have six medieval letters that discuss how this place was used in the 1300s.
Speaker ABut why is this called Arnunsherg?
Speaker AWell, to explore this, we will have to move a little bit so we can see, well, the mound more clearly.
Speaker BThe mound.
Speaker ASo here we have Sweden's biggest burial mound.
Speaker AAnd as you can see, it's rather impressive.
Speaker AIt's 9 meters tall and 36 meters wide.
Speaker ANow, this makes it a royal mound.
Speaker AAnd these tumuli in Swedish archaeology comes in three well, models.
Speaker ASo to say we have an ordinary mound.
Speaker AIt can be a small hill, not very fancy at all.
Speaker AThen we have the large mounds, Stubburh, the big mounds.
Speaker AAnd these are mounds that measures at least 20 meter in diameter.
Speaker AWhat we have beside us here in the back, you see four of them.
Speaker AThere are royal tumuli, and these are tumuli that's larger than 30 meter in diameter.
Speaker AAnd it has not been excavated yet, or rather it has not been completely excavated yet.
Speaker AThere's been some test excavations on the pile.
Speaker AAnd when they did this the last time, they did find a layer of charcoal.
Speaker AAnd this helps date the mound to between 450 CE to the latest 1050 CE.
Speaker AWhy the latest 1050 CE?
Speaker AWell, it's the latest date we have where we know that these type of mounds were constructed.
Speaker ASure.
Speaker AWithout further excavations, we can't precisely date this mound, unfortunately.
Speaker AAnd while it's never been excavated by archaeologists, there has been some, well, plundering attempts through the ages.
Speaker AMost known plundering attempt was in the 1600s, where a couple of farm hands came here and, well, we all have the rumors of gold being in these mounds, and they came here trying to find this legendary treasure.
Speaker ASo they started digging on top of it and they tried to be clever about this crime of the century.
Speaker ASo they hid the dirt that they dug up in the trees that were growing on top of the mounds, trying to hide their little crime that way.
Speaker AUnfortunately, they, well, they gave up after a while and were discovered.
Speaker AAnd it seems as they didn't reach the burial of the mound, which means that it's most likely still there intact in the bottom of the mound.
Speaker ASo most likely we have a cremation here at the bottom.
Speaker AAnd they most likely also cremated the body and the grave goods here at the site, and then went on to build up the mound with stones, maybe a stone fist even, and then piling up the stones, adding dirt and constructing these large mound.
Speaker AAnd this was not a simple effort.
Speaker AThis was not for your common person type of burial.
Speaker AThis would have taken resources from the society, meaning that the individual who lays there most likely had a great importance to the people that lived and operated here.
Speaker AAnd since this large mound has never been excavated, we don't know who actually lays there.
Speaker AThe name Arnund is an idea that originally stems from a runestone that we can find here.
Speaker AAnd we will look at that one closer.
Speaker ABut the name Arnunshug comes from the runestone itself.
Speaker AThe idea was that, well, the runestone is for a guy named Arnold.
Speaker ASo maybe it's that person who lays there and the name kind of stuck.
Speaker AAnd while this mound survived the plundering attempt, this is not the case for, well, other smaller mounds in the area.
Speaker AIf we would go up on them, we will see a large crater in the center, indicating that these has already been plundered by people throughout the ages.
Speaker ABut mounds are not the only burial type we find here at the site.
Speaker ALet's go and look at some other burial earlier excavations.
Speaker ASo what aspect has excavations that's been done focused on?
Speaker AWell, mainly the usage of the site as a social construct.
Speaker AAs I mentioned, this was a location where people gathered to make legal decisions, settling different disputes that's risen throughout the people living here.
Speaker AIt was a social meeting place.
Speaker AAnd most of the excavations that's been done has focusing on this particular aspect.
Speaker AAnd what they have discovered so far is that the site is more complex than we previously thought.
Speaker AFirst of all, this place has been in use for far longer than we first imagined.
Speaker AAnd we also learned that the site was to a degree, fenced or off.
Speaker AWe find these holes in the ground where big poles have been rammed down.
Speaker AAnd these post holes are a bit mysterious.
Speaker AWe're not really sure what purpose they serve or they placed off just to fence off the area.
Speaker AMore of a, well, symbolic way.
Speaker AYou came here, you passed a post, then you entered a special sphere.
Speaker AWere they part of a rampart or a fortified wall or what was they for?
Speaker AWe're not sure.
Speaker AHere it's part of A little mystery.
Speaker AThere's no aliens, that's for sure.
Speaker ANo aliens as usual.
Speaker ABut again, it's a little mystery.
Speaker AAnd we're not really sure on what social level and we're not really sure what their function were.
Speaker AWe just know that they exist.
Speaker AAnd for the people who gathered here, they served an important function in one way or another.
Speaker ABecause it would have been a lot of work to put these posts up.
Speaker ABecause these are not just small posts, a small fence.
Speaker ANo, these are quite large post hole that we found.
Speaker AAnd what's interesting is that we have similar post hole in Gamna Uppsala again about an hour away by car from here.
Speaker ABut yeah, most of the excavation so far has been focusing on this social idea, not the burials themselves.
Speaker ANow that is true for this particular site.
Speaker AWhen we go and look at the other things we can find here, we will discuss more about the other excavations that's taking part in locations close to this and see what we can learn about the burials themselves from that.
Speaker BStone ships.
Speaker ASo I'm currently in the center of one of the stone ships that we can find here at Arnenz Hoag.
Speaker AAnd today only four of them has been reconstructed.
Speaker AThe fifth one is laying somewhere over there, still waiting to be reconstructed.
Speaker AAt one point in the history of the site, someone came here and started to topple over the stones and in some cases even smashing them or dragging them off into a construction project of their own.
Speaker AAnd what's interesting here is that the stone ship I'm currently sitting in is one of the few examples in mainland Sweden where it actually has a twin.
Speaker ASo you can see behind me we have stones continuing.
Speaker AIt's part of another stone ship.
Speaker AAnd we can see this more clearly if we stand on the top of the burial mound behind us.
Speaker ASo the stone ship I'm currently sitting by, the mast stone of probably this was a marker for where the mast would be in the ship is.
Speaker AThis ship is 51 meter long and 25 meter wide.
Speaker AThe one we see there in the background is 52 meter long and 16 meter wide.
Speaker AAnd most likely these were constructed during the Viking age.
Speaker AAnd these stone ships have not really been excavated earlier.
Speaker ACloser to the mound there is.
Speaker AThere seems to have been a grave that was found during a very old excavation and restoration of the sites.
Speaker ABut these seem to date to somewhere in the Viking age.
Speaker AIt's important to remember, however, that stone ships has been used in Sweden for a long time.
Speaker AThe first time you start to see them is during the Bronze Age.
Speaker ABut in a moment we will look at how we can tell the different stone ships apart.
Speaker AThe ones constructed during the Wendel and Viking period and those constructed during the Bronze Age.
Speaker ANow this has not been excavated, but other burials in the area has been excavated.
Speaker AAnd again, this would not be a burial for a person, again in the lower classes in the society.
Speaker AIt would be someone in the upper part of the society.
Speaker AAs I mentioned, there's been other burial locations in this general area and a few of them actually has been excavated.
Speaker AAnd when we talk about burial burials, we tend to associate the richer or more impressive burials with men for some reason.
Speaker AWell, maybe because it's been a bit of a male dominated profession, archaeology in general, but there's a location called Tuna quite close by and it also have this very massive burial field.
Speaker AAnd what's interesting there is that we have found several ship graves where people have been buried in actual ships.
Speaker AAnd what's more interesting, of the eight ship graves that's been found in Tuna, all of them contained a female burial.
Speaker AAnd these are among the richest burials with gold that we found in Sweden so far.
Speaker AIn total, they found over 300 kilos of gold in these burials.
Speaker AThe riches of these burials was a chamber tomb, again containing a woman.
Speaker AAnd what's impressive is that we found a lot of gold there.
Speaker AAnd what's more interesting is that all the gold that we found in this grave seems to have been imported from Denmark.
Speaker AAnd among the golden objects that we found was two arm rings, large neck ring, there's some sewing objects and spoons, pearls, and a lot of very fine and valuable things.
Speaker AThe woman must have been an important person or part of an important family.
Speaker AAnd the grey field in Tuna was in use from around 300 CE to around 1000 CE.
Speaker ASo it was more or less in use simultaneously as the field we're currently sitting in.
Speaker AAnd who knows who was buried here.
Speaker AIt can be a man, it can be a woman.
Speaker AWhat we can say for sure at least, is that the person had a very important position within the Vandal or Viking society.
Speaker BHow to identify a stone ship?
Speaker AAs I mentioned before, stone.
Speaker AStone ships has been used since the Bronze Age and during the Viking Age in Sweden.
Speaker ABut how can we look at a stone ship and try to figure out from what period it belongs to?
Speaker AWell, according to a doctoral thesis by Joachim Valin, we actually don't have to excavate a stone ship to know from what period it belongs to.
Speaker AWe can actually look at at how it's constructed and the shape of it.
Speaker ABy doing this, we can somewhat determine from what period the stone ship belongs to.
Speaker ANow, Verlin's thesis is mostly focused on the island of Gotland that is very rich in stone ships and burials in general.
Speaker ABut his thesis can be applied to mainland constructions as well.
Speaker AAnd the main idea here is that we can look at how the ship is constructed.
Speaker AAs we see, we have these larger gaps between each of the stones.
Speaker AAnd this would indicate that this is a ship that was constructed during the later Iron Age or the Viking period here in Sweden.
Speaker AIf this would have been a bronze ship, it would have looked a bit different, not necessarily smaller, but the stones would in most cases not be as big as we see here.
Speaker ANow, this is a bit of exception because this is a very big stone ship.
Speaker ABut the Bronze Age ships are built much closer.
Speaker AThey are more resembling of an actual boat, in a sense.
Speaker AHere we have this gap between each stones.
Speaker AWe don't see them in the Bronze Age stone ships.
Speaker AThe stones are more compact and in a sense, really more resembling of a ship in that sense.
Speaker AIf we would put this on the lake, it would definitely sink.
Speaker AYou don't really get that feeling when you're inside a bronze stone ship.
Speaker AAnd what's interesting is that many of these stone ships that we do find are part of a social meeting place, social construct, in a sense, even during the Bronze Age.
Speaker AJoachim Walin even puts the Bronze Age ships into a larger social complex.
Speaker AA construct where people use these places to meet, to greet, to maybe talk, important things, not necessarily as places of law that we see during the Viking Age and later, but as a place to gather.
Speaker AThey are associated with different fortifications.
Speaker AAnd the fortifications we also see here on mainland Sweden, the stone ships are not always, but many times they can be found close by an old hill fort.
Speaker AAn example of this is, for example, the location of Runza Runsa is a location in Sweden.
Speaker AWe have the.
Speaker AWell, second largest stone ship in Sweden.
Speaker AAnd just right by the stone ship, we also have this hill fortification that during the Viking Age, seems to have been a hall for important person, most likely.
Speaker ABut what we do learn about these burial places is that they were not a place where you just came once a year to, well, greet your ancestors or dead relative.
Speaker AThey seem to be part of a larger social construct that follows through history.
Speaker AAs I mentioned, this was a place of things up into the Middle Ages.
Speaker AAnd we have even more evidence of this being a place of law and gathering.
Speaker ABut to sum up, we don't really have to excavate a stone ship to see from what period it belongs to.
Speaker AWe can look at the gaps in the stones and the form of the ship itself to place it in a specific period.
Speaker AAnd this is more easily done with the Bronze Age ship, especially on Gotland.
Speaker AValine has done an amazing job categorizing each of the stone ships from the Bronze Age and put them in a context so we can actually look at them and see from what period they fit into.
Speaker BThe royal road.
Speaker ASo now we are at a different part of the site here at Arnunshoag, close to modern Westeros in Sweden.
Speaker AAnd what's interesting with these stones that we can see here behind me is that, well, they are part of a very old and interesting Swedish tradition.
Speaker AYou see, these stones stands right by.
Speaker AWhat we see here is an old road.
Speaker AAnd it's not just any road.
Speaker AIt's called the Erics Road.
Speaker AAnd it was part of a ritual procession that was supposedly taking part of newly elected kings in the medieval Swedish society.
Speaker AThe idea was that when a king was elected, they would participate in this journey, this set road that took them through what was then the kingdom of Sweden.
Speaker AAnd it starts where, well, the election would have been taking place at a site called Mura Steenar, or the Stones of Mura.
Speaker AAnd while there is a city in Sweden called Mura, the association is not really there.
Speaker AThis location is located just south of Uppsala.
Speaker ASo this road would well, take them from Murastenar, through Sadamaland, throughout Kolmorden, to Vernen, up to Vettten.
Speaker AThese are two big lakes in Sweden, and up north again, and then come here to Westeros, back to Morastenar, where the king would take his place on the throne, more or less.
Speaker AAnd we have a few examples of kings actually participating in this.
Speaker AThis is not just legend or myth.
Speaker AThey actually seem to have participated in this journey, a few of them at least.
Speaker AAnd the whole road would not be, well, have these erected stones along it.
Speaker ANow, this is a very special place in that sense.
Speaker AIt's where we actually know that there is this stone standing along the route.
Speaker AWe can see that it goes straight forward.
Speaker AAnd a bit further ahead, we will encounter, finally, the Runestone I mentioned in the beginning.
Speaker AAnd these are connected to this runestone.
Speaker AActually, they are not set up as part of some sort of decoration for this royal route.
Speaker ANo, these are to show the importance of the family that erected that runestone.
Speaker AThey are even mentioned on the stone itself.
Speaker ABut you can imagine traveling here on the royal road, seeing these stones and then seeing the runestone, reading it, reading the importance of the stones and the family who put all of this work in to erect these stones to honor their dead relative.
Speaker AThen at this massive grave field with this large royal stone, ships and this gigantic burial mound.
Speaker AAnd you can just imagine how even a king might feel that this is a place of importance and reverence and the people living here are actually people he wants to have on his side side when he rules Sweden.
Speaker ANow unfortunately, these stones has not been standing here without people messing with them since the Middle Ages.
Speaker ANow these were tear down at one point or another, but recently they were put back in their original places.
Speaker AWhat we learned then is that if we look down the line, we're noticing that the Runestone is actually about one and a half meter in front of the stones.
Speaker AAnd this was not how it would have looked back during the Middle Ages.
Speaker ANo, this would have been a straight fine line.
Speaker ABut the Runestone was erected earlier in history in the 1800s.
Speaker AAnd when they erected it, they didn't put it in its original place because they didn't have the understanding of archaeology and excavation to figure out where it really belonged.
Speaker AAnd again, here's the importance of archaeology.
Speaker AWe can tell things through context by looking in the ground at the dirt itself and figure out where things most likely were once upon a time.
Speaker AThis is not something amateurs or armchair explorers can do, like Kimi Corsetti and others.
Speaker AThis takes a lot of training and a keen eye to figure this out.
Speaker AAnd mistakes have happened.
Speaker AThat's why reconstructions are not always a good thing.
Speaker AThat's why excavation is not always something we must do right now.
Speaker ARight then it's something that actually most of the time is best left for a later occasion when we know more, when we have better technology, a better understanding of the site or how the geology of the site works, or there's a lot of things that go in here that most people don't really think about.
Speaker AWith archaeology.
Speaker AWe mostly think about the treasure, the riches, the artwork that we can find on the stones, not necessarily about the ground itself.
Speaker AThat can actually tell us a lot of things.
Speaker AAs I mentioned, the post holes that we found here, again, it's just a bit dark in most cases, a bit darker dirt in the ground.
Speaker AAnd these are very easy to miss if you haven't been in the field and actually looked at them several, several time and had someone there to actually guide you on what you are doing.
Speaker AAnd this is why, for example, metal detectors is something archaeologists isn't really impressed with because yeah, you find treasure maybe or a cool sword or a cool spear or arrowheads, but you destroyed the site.
Speaker AThere's a lot more that we can learn about not only the object, but how it came there.
Speaker AWas it part of something bigger?
Speaker AWas it a planned burial?
Speaker AOr was it just dropped by someone out on a hike somewhere or.
Speaker AThere's a lot of things that get lost when amateurs do things on their own.
Speaker AThere's not to say that amateur has a place in archaeology.
Speaker AExcavations are costly.
Speaker AAnd I mean, most sites are happy to have people helping out if you ask.
Speaker ANot necessarily in all places, but if you talk with people, they're more than happy to have you on site, showing you around.
Speaker AAnd maybe you can help out.
Speaker AThere's even summer courses or summer programs where you can participate in excavations under supervision by someone trained in the field.
Speaker AThat can help you get a better understanding on how archaeology works and what we're really looking for.
Speaker AIt's not just treasures and boulders rolling down from somewhere that we have to run away from.
Speaker APoison arrows.
Speaker AIt's a part of it.
Speaker AIt's a part of it, but it's not all of it.
Speaker ABut how about we go and look a bit closer on the Runestone itself?
Speaker BThe Runestone.
Speaker ASo finally we see the majestic runestone that I've talked a bit about already, or at least mention its existence.
Speaker AAs we see it's rather special in several ways.
Speaker AAnd it's also here we get the name of the site or Anun's Hug.
Speaker ASo first of all, we're noticing something rather interesting.
Speaker AThe stone does not really have the classical serpent sling that goes around it.
Speaker AInstead, we have sort of a border that goes up into something looking like a knot up there and then comes down here.
Speaker AAnd the text is pretty straightforward.
Speaker AIt says Folkvieth raised all of these stones after his son Hedon, Anund's brother Vred, carved these runes.
Speaker AAnd Folkvid is an interesting character in a sense.
Speaker AAnund and Hedden is pretty common name in Sweden, but Folkvid, it's a very rare name in general.
Speaker AAnd we don't really have other runestones mentioning these names at all.
Speaker AThere's an idea that it might be a name that's imported.
Speaker AThe person immigrated to Sweden from somewhere else.
Speaker AOr it's just very rare for one reason or another.
Speaker ASame with Vrijed.
Speaker AWe don't really find that name often on runestones either.
Speaker ABut Vriad seems to have been a skillful carver.
Speaker AAs we see.
Speaker AThe runes are very legible.
Speaker AThey are nicely done.
Speaker ASince we miss the serpent sling that goes around, we can't really use that to date the stone himself.
Speaker ABut Folkfield, he was an important character and we know him from history.
Speaker AHe, for example, sponsored this road that this stone is associated with, the royal road that the Eric's road that the king when elected about the set out and travel upon in a procession.
Speaker ABut what's interesting with this stone is the artwork itself.
Speaker AIt must have meant something to the people during the Viking age when this runestone was carved.
Speaker ABut today it is again one of those little mysteries that we find.
Speaker AThere's suggestions that these symbols a man and a woman entangled in the center together.
Speaker ABut who knows what do you see on the stone?
Speaker AThe artwork must have been quite self explanatory to the people during the Viking Age and even maybe later in history.
Speaker AWhy it's a woman?
Speaker AWell, you kind of see female forms up here.
Speaker AYou see some male forms down here and they are entangled in these is not in the middle.
Speaker ABut yeah, this is from where we get the name of the site, Anand.
Speaker AAnd it's most likely not Anand, that's located in the mound that we see straight behind us.
Speaker ABut it shows that these people were part of a very prominent and important family in the early Swedish society.
Speaker AAnd it's a beautiful stone and you can just stand here and look at the artwork and try to figure it out yourself, what it might mean.
Speaker AIs it animals, is it people, is it a mixture of both?
Speaker AOr is it something else this is trying to symbolize.
Speaker AAnd here is where mysteries can come from in archaeology, that the imagery has a lot of meaning to the people making it.
Speaker ABut the stories and meaning behind these images get lost through history because they weren't written down or the people who knew about them died out or they lost their importance and the sources that did talk about this got lost that way.
Speaker ABut it's a beautiful granite stone.
Speaker AAnd as I mentioned before, this was toppled over.
Speaker AAnd in the early days when it was put back up, it was set about one and a half meter in front of its original location.
Speaker AWe can see maybe partially if you look in that direction, we can clearly see that this stone is very much out of place.
Speaker ABut it's a beautiful stone.
Speaker AAnd even if its readable message is very straightforward, very clear, it's who it was from, who it's dedicated to, who other relatives people might know to identify the people.
Speaker AAnon seems to have been an important son to folk with therefore he got a mention.
Speaker AAnd Vriad the carver, of course artists need to sign his work.
Speaker ABut yeah, it's a marvelous stone and gives us and it gives us a chance to Actually connect with a few of the people who lived and operated here and who took pride in their community.
Speaker ABecause Volkvieth, he did sponsor this particular part of the road.
Speaker AAnd it's marvelous construction in the road itself.
Speaker AIt's heavily packed sand, there's stones.
Speaker AIt's very fine work.
Speaker AAnd a lot of money, energy, labor has gone into making this a very special location.
Speaker AWe have the connection to ancestry behind there, and we have connection to those who lived there and then.
Speaker AAnd he must have taken pride in being part of this society, even if he is an immigrant.
Speaker AAgain, it's unclear where folk with the name originates from or what it really means to us today, according to the sources I did read before coming here.
Speaker ABut yeah, it's a fascinating stone and again, makes you connect with history in a different way when you can actually read stuff.
Speaker ASomething about those who lived and visited the thing here, who most likely stood and spoke to their fellow people attending the thing, deciding on legal matters.
Speaker AAnd yeah, it's interesting.
Speaker ARight.
Speaker ASo let me know what you think this means.
Speaker AWhat could it be?
Speaker ADo you have any ideas?
Speaker AAll suggestions are good suggestions at this point, but how about we go and see if we can find something more to discuss and look at at this marvelous site, Bronze Age settlements.
Speaker ASo we are at another location here at Arnenshoe.
Speaker AAnd well, right now you see a lot of trees behind me.
Speaker ABut if we would pass among them, we will come to a place called Jute Mir, or the Danish fern.
Speaker AJute is an old Swedish name for people coming from Denmark and especially one of the islands in Denmark.
Speaker ABut it's later in history became kind of a word that was used for all Danish people.
Speaker ASo Jutar is Danes, more or less.
Speaker AToday we will call them Dunskaer Danes.
Speaker ABut again, this is a swampland kind of situation.
Speaker AThis name might originate from when the Danish people invaded Sweden and the Swedish king Gustavoza, according to legends, were supposed to have pushed Danish soldier down into this swampland where they most likely drowned, according to that story.
Speaker ANow, later excavations has not been able to confirm that story.
Speaker AThere's no weaponry or Items from the 1500s or something like that down in the swamp.
Speaker ABut they did uncover something else.
Speaker AYou see, about 3,500 years ago, this would have been a much different area.
Speaker AWe wouldn't see trees here behind me, but we would actually see water.
Speaker AA body of water was here 3,500 years ago.
Speaker AAnd what's interesting with that is that they found evidence of construction here.
Speaker AAs I mentioned before, there is or was a Bronze Age settlement at this location.
Speaker ALong before Arnunsho and the mounds were constructed, people lived and operated here.
Speaker AAnd they seem to have built a location out of in the water with wooden pillars, and it can be a sort of a plateau.
Speaker AIf they lived out on the lake is a bit unclear, but most likely it was used.
Speaker AIn some cases, these places was used as ritual locations where you gathered to perform different rites or important rituals.
Speaker AAnd in some cases people actually lived out in the lake because it was more secure.
Speaker ABut it's a place where at least we know that they gathered.
Speaker AAnd the site must have been important or been a very good spot to both live and have their rituals performed at, because building this wooden construction that we did find out in the lake must have taken a lot of time, energy and resources from the society.
Speaker ABut it really shows how this place has again and again throughout history been a place of importance for people living, hunting and gathering here.
Speaker AIt's not just in later time, medieval time or even modern times.
Speaker AIt's already 3,500 years ago.
Speaker AThe history of this site started.
Speaker BThe labyrinth.
Speaker AWe have wandered through a landscape scattered with history almost every part of the way.
Speaker AMore burial mounds, more remains from both modern history and ancient history.
Speaker ABut why are we at this particular location?
Speaker AIt doesn't look much for the eye when you look at it, but if you look closely and a bit further away, you will notice that we can see a pattern here.
Speaker AWhat we're looking at is really one of the few prehistoric labyrinth in Sweden.
Speaker AAnd this is in connection with another field with burials from the late Iron Age.
Speaker ABut most of these labyrinths can be found in coastal situation, so close to the coast.
Speaker AAnd almost half of the labyrinth we have preserved is located in actually the north of Sweden, more or less always close to some sort of water and especially fishing locations.
Speaker ANow, most of these labyrinths that we have preserved, or troja boria, if you're in the south of Sweden, also a bit of Gotland, are rather not modern, but they are medieval and as I mentioned, they are close to fishing villages.
Speaker AThis is particularly true on Gotland, where we find quite a lot of these troja boriar in close proximity to old fishing villages similar in the north of Sweden.
Speaker ASo the idea is that these more recent labyrinth that we have are connected to some sort of good luck ritual.
Speaker ASo when you're about to go out fishing, you take a little trip through the labyrinth and hopefully you gain luck on your fishing expedition.
Speaker ANow, this is a theory.
Speaker AIt's not 100% certain that this is the case because, well, the meaning of these labyrinth are not preserved to our day.
Speaker AEven from the medieval times, it's been lost to history what their actual use was.
Speaker ABut what makes this particular Troiabori interesting is that it's from pre.
Speaker AIt's pre medieval, it's from the Iron Age and it makes it a lot more unclear what it was for.
Speaker AThey are quite narrow, they are very symmetrical.
Speaker AThis particular Troiaborg or labyrinth is constructed out of about 2,000 to 3,000 stones carefully placed to form this pattern.
Speaker AWhat it was for, it's a bit unclear.
Speaker AOne theory is that it's connected to some sort of spring ritual.
Speaker AAnd maybe according to this theory, you put a woman in the center of the labyrinth and then the boys try to get to her, maybe acting out some sort of play that's been lost.
Speaker AOr maybe whoever made it through the labyrinth without touching any of the stones.
Speaker AThe passages are rather small, so it is quite tricky to get through here without accidentally touching the stones that make up this structure.
Speaker ASo maybe if you made it through, you got a girl or it was the other way around.
Speaker AWe are not really sure.
Speaker AIt seems to be ritual.
Speaker AI know it's a bit of a joke that everything we can't explain in archaeology is ritual, but in this case it feels likely.
Speaker AThe pre medieval labyrinth that we have still intact are almost always connected to burial fields.
Speaker AThis is the case here too.
Speaker AIt's not the same with the fishing idea, but maybe they tie into a much older tradition that's been lost to history.
Speaker ABut it can be fun to walk through them trying to see if you can figure out the puzzle and you can imagine what they were used for.
Speaker AIn that sense, it could be a connection to the Greek tales.
Speaker AMaybe there's more Scandinavian version of it that's unfortunately gotten lost.
Speaker ABut it's interesting that we have this connection between the late Iron Age and the Medieval Age.
Speaker AAnd they seem to be used in completely different way, but they have a similar structure.
Speaker AAnd while most of the older labyrinths that we have are connected to the Iron Age, there are also examples of the labyrinth from the Bronze Age, the Scandinavian Bronze Age, making these a very old tradition.
Speaker AAnd they are more symmetrical in their patterns.
Speaker AThey are not, as we would imagine, a labyrinth where you have dead ends.
Speaker AThey are more symmetrical.
Speaker AYou follow the line and you get to the end.
Speaker AAnother theory is that they were used to tell a story.
Speaker AYou follow the path through the story and you get to the end where the story of course has its finale.
Speaker AOr maybe it's Just used to as entertainment.
Speaker AA game.
Speaker AAgain, the rules of the game is lost.
Speaker ABut you can wonder sometimes, does everything have to have a religious connotation or.
Speaker AOr could they just be used for play?
Speaker AA place where children or young adults can go and have fun for a while.
Speaker AWe often forget this part of our history, that it's not always survival and starvation or horrors war.
Speaker AThere's also this aspect of fun.
Speaker ABoard games is something we find from very early in history.
Speaker AThe earliest game I think is about 5,000 years old.
Speaker AWe humans have always had the need for entertainment and maybe these are a connection to this entertainment.
Speaker AWe have to remember that while the burial sites were part of mourning and ritualistic and religion, it was also, as I mentioned several times throughout this video, a place for social gatherings, a place where you met, you participate in a social construct.
Speaker AAnd maybe these are part of the fun part of the social construct.
Speaker AIt's not always serious and laws or crimes or punishment.
Speaker AIt's also a place where you can interact and be playful for a little bit.
Speaker ASo if you have the opportunity to visit one of these Troja Boreari, I highly recommend walking through them.
Speaker ANow these older ones maybe you can be very careful about.
Speaker ANow this one has a replica located just right side on a so where you can let your kids or yourself run around and play as much as you want.
Speaker ABut remember, when visiting an archaeological site, always be careful.
Speaker AAnd this is where I'm going to say farewell for this time.
Speaker AI hope to see you again and I hope that you enjoyed this content and I hope to bring you another archaeological tour quite shortly.
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Speaker BAnd if you want to contact me, it can be done through social media or you can send an email.
Speaker BMy email is at the website and this show is created with the support of the Archaeology Podcast network you can find a lot of great shows like the CRM podcast or Dr.
Speaker BKingella's pseudoarchaeology podcast if you want more of this type of content.
Speaker BAnd the producer of the show is Ashley Airey and I, Frederick Trusenham, wrote, edited and mastered the episode you're listening to.
Speaker BSandra Martolor created the intro music, and our outro is by the amazing band called Tralsgru, who sings their song folj.
Speaker BLinks to both of these artists will be found in the show notes.
Speaker BUntil next time, keep shoveling that science.