1 00:00:02,260 --> 00:00:05,740 Jamie: All right, so imagine this. You're really getting into a podcast, right? 2 00:00:05,980 --> 00:00:09,540 Jamie: Like maybe it's some crazy true crime thing or you're finally hearing about 3 00:00:09,540 --> 00:00:11,820 Jamie: that cool new tech everyone's talking about. 4 00:00:12,760 --> 00:00:17,540 Jamie: And then, bam, something just yanks you right out of it. 5 00:00:17,620 --> 00:00:18,920 Jaayne: Yeah, I know that feeling. 6 00:00:19,260 --> 00:00:22,040 Jamie: And it's not even the ads or anything like that. It's the editing. 7 00:00:22,220 --> 00:00:24,400 Jamie: Oh, yeah. Or like the over-editing. 8 00:00:24,420 --> 00:00:26,300 Jaayne: It's like they're afraid of any silence or something. 9 00:00:26,560 --> 00:00:28,080 Jamie: It's like listening to a robot, 10 00:00:28,280 --> 00:00:29,520 Jaayne: You know? Yeah, totally. 11 00:00:29,520 --> 00:00:34,020 Jamie: And that's actually what we're diving into today, giving podcasts some room to breathe, 12 00:00:34,260 --> 00:00:35,720 Jaayne: You know? Okay, I like that. 13 00:00:35,900 --> 00:00:39,240 Jamie: We've got this article, Give Your Podcast Permission to Breathe. 14 00:00:40,040 --> 00:00:44,820 Jamie: Love the title. And it's all about finding that sweet spot with audio editing. 15 00:00:44,920 --> 00:00:45,800 Jaayne: I see, I see. 16 00:00:46,120 --> 00:00:50,400 Jamie: And you don't have to be like a podcasting expert to get this, by the way. 17 00:00:50,460 --> 00:00:54,980 Jamie: This is about those little things that make a huge difference in how you experience, 18 00:00:55,180 --> 00:00:56,860 Jamie: well, anything you listen to. 19 00:00:56,920 --> 00:00:57,320 Jaayne: Absolutely. 20 00:00:57,320 --> 00:01:01,860 Jamie: So this author, he starts off talking about this poll he did on Twitter, 21 00:01:02,040 --> 00:01:05,060 Jamie: asking people what their biggest podcast turnoffs are. 22 00:01:05,140 --> 00:01:09,960 Jamie: All the usual stuff came up, right? Like too many ads, weird format changes. 23 00:01:10,120 --> 00:01:10,620 Jaayne: Right, right. 24 00:01:10,840 --> 00:01:13,680 Jamie: But a lot of people chose other. And when he looked into it, 25 00:01:13,720 --> 00:01:16,300 Jamie: a bunch of them were saying editing was their big issue. 26 00:01:16,820 --> 00:01:19,360 Jaayne: Interesting. It's so true, though. We think about the hosts, 27 00:01:19,480 --> 00:01:22,460 Jaayne: the sound quality, but we don't always think about the editing. 28 00:01:22,660 --> 00:01:28,200 Jamie: Yeah. And it makes sense because as a listener, you don't always notice every single edit. Right. 29 00:01:28,380 --> 00:01:32,060 Jamie: But those little changes really affect how you experience the whole thing. 30 00:01:32,240 --> 00:01:36,340 Jaayne: Yeah, I'd say so. It's like you don't notice every brushstroke in a painting. Exactly. 31 00:01:36,440 --> 00:01:38,820 Jamie: But they all add up to make the whole picture. 32 00:01:39,000 --> 00:01:43,240 Jaayne: And just like with too many brushstrokes, too much editing can kind of ruin the whole thing. 33 00:01:43,400 --> 00:01:47,280 Jamie: Totally. And that's how you get that staccato voice thing that the article mentions. 34 00:01:47,660 --> 00:01:50,960 Jaayne: Oh, yeah. The author had that great line. The human voice is not a staccato. 35 00:01:51,620 --> 00:01:57,200 Jaayne: So true. Yes. When we try to make it this perfect rhythm, taking out every little 36 00:01:57,200 --> 00:01:59,240 Jaayne: pause and breath, it just sounds... 37 00:02:00,700 --> 00:02:01,420 Jaayne: wrong. 38 00:02:01,620 --> 00:02:06,640 Jamie: It's true. And our brains can tell. We know how real speech is supposed to sound. 39 00:02:06,740 --> 00:02:11,040 Jamie: Think about it. In a normal conversation, you wouldn't expect someone to never 40 00:02:11,040 --> 00:02:13,280 Jamie: take a breath between sentences. No way. 41 00:02:13,820 --> 00:02:19,260 Jamie: Exactly. And it's those little imperfections that make us sound, well, human. For sure. 42 00:02:19,480 --> 00:02:24,000 Jamie: It's like we just instinctively know, you know, when someone's speech sounds too perfect. 43 00:02:24,100 --> 00:02:27,780 Jaayne: Yeah. Too polished. It's like that uncanny valley thing, but for audio. Totally. 44 00:02:28,120 --> 00:02:33,980 Jaayne: And speaking of uncanny valleys, one of my biggest pet peeves is when they edit out all the breaths. 45 00:02:34,460 --> 00:02:39,320 Jamie: Ugh, yes. It's like they're scared of a little silence, so they just cram everything together. Right. 46 00:02:39,360 --> 00:02:41,600 Jaayne: You get to the end and you're like gasping for air. 47 00:02:41,840 --> 00:02:45,560 Jamie: I know, right? So what's the solution then? Just got to let all the awkward 48 00:02:45,560 --> 00:02:46,840 Jamie: pauses and stuff stay in. 49 00:02:47,220 --> 00:02:50,080 Jaayne: Well, it's about finding that middle ground, right? 50 00:02:50,400 --> 00:02:56,060 Jaayne: Not totally raw, but not robotic either. The article actually had some good tips for this. Okay. 51 00:02:56,120 --> 00:02:56,820 Jamie: Yeah. What were those? 52 00:02:57,220 --> 00:03:00,000 Jaayne: So the first one is actually to embrace the um. 53 00:03:00,340 --> 00:03:02,500 Jamie: Really? I'm usually pretty quick to edit those out. 54 00:03:02,580 --> 00:03:07,980 Jaayne: I know, right? But an um can actually make a conversation better sometimes. Hmm. 55 00:03:08,240 --> 00:03:10,120 Jamie: Okay. When does that even work? 56 00:03:10,340 --> 00:03:13,700 Jaayne: Think about someone like Ira Glass from This American Life. Oh, sure. 57 00:03:13,740 --> 00:03:13,900 Jamie: Yeah. 58 00:03:14,000 --> 00:03:19,720 Jaayne: He's a great storyteller and he uses ums on purpose almost to give you a little pause. 59 00:03:19,860 --> 00:03:23,080 Jaayne: You know, like those little pauses are part of how he tells a story. 60 00:03:23,260 --> 00:03:25,720 Jamie: That's a really good point. I'm going to have to listen for that now. 61 00:03:25,880 --> 00:03:29,480 Jaayne: Yeah. Yeah, it's amazing how much something that small can change things, 62 00:03:29,600 --> 00:03:32,240 Jaayne: right? That's for sure. And that kind of leads into the next tip, 63 00:03:32,320 --> 00:03:33,800 Jaayne: which is about breaths. Okay. 64 00:03:34,040 --> 00:03:38,940 Jaayne: Obviously, we don't need to hear every breath, but a few natural ones here and 65 00:03:38,940 --> 00:03:40,740 Jaayne: there just make it sound more real. 66 00:03:40,920 --> 00:03:43,140 Jaayne: Less like you're reading a script, you know? 67 00:03:43,140 --> 00:03:46,540 Jamie: Like that balance. Yeah. Right. Sounding natural, but not like you're out of breath. 68 00:03:46,680 --> 00:03:51,180 Jaayne: Yeah, exactly. And they even suggested like instead of cutting breaths out completely, 69 00:03:51,520 --> 00:03:54,680 Jaayne: just lowering the volume of the really loud ones. 70 00:03:54,680 --> 00:03:59,140 Jamie: That's actually really smart. So, it's still there, it just doesn't like blow out your ears. 71 00:03:59,320 --> 00:04:02,000 Jaayne: Right, it's like subtle editing, not trying to make it perfect. 72 00:04:02,840 --> 00:04:05,820 Jaayne: Which actually, speaking of, that brings us to the last tip, 73 00:04:05,920 --> 00:04:08,540 Jaayne: which is about all these AI editing tools. Yeah. 74 00:04:08,700 --> 00:04:12,640 Jamie: Those are everywhere now. Yeah. So what's the AI editing warning? 75 00:04:13,120 --> 00:04:18,360 Jamie: I feel like there's got to be one. Lay it on me. What's the catch with AI editing? 76 00:04:18,620 --> 00:04:22,380 Jaayne: Well, it's not really a catch. More like a heads up, right? Those AI tools, 77 00:04:22,600 --> 00:04:26,440 Jaayne: they can be amazing, but they can go a little overboard sometimes. 78 00:04:26,860 --> 00:04:27,420 Jamie: Overboard how? 79 00:04:27,660 --> 00:04:30,400 Jaayne: It's like they get a little too excited about cleaning things up. 80 00:04:30,400 --> 00:04:34,360 Jaayne: and they might end up chopping out those breaths and pauses that actually make 81 00:04:34,360 --> 00:04:35,600 Jaayne: the conversation sound natural. 82 00:04:35,860 --> 00:04:38,740 Jamie: So it's like those grammar checkers, you know? Yeah. You just need a comma. 83 00:04:38,840 --> 00:04:40,180 Jamie: They want to rewrite the whole sentence. 84 00:04:40,380 --> 00:04:42,880 Jaayne: Totally. Like AI editing tools are great, but they're tools, 85 00:04:43,040 --> 00:04:46,860 Jaayne: right? You still need a human to listen and make sure it flows right, you know? 86 00:04:47,460 --> 00:04:49,860 Jamie: Yeah, make sure it doesn't sound like too processed. 87 00:04:50,200 --> 00:04:54,020 Jaayne: Right. It's like when you can tell someone's used those AI photo things to smooth 88 00:04:54,020 --> 00:04:55,880 Jaayne: out every little wrinkle on their face. 89 00:04:56,180 --> 00:04:57,060 Jamie: It's like too perfect. 90 00:04:57,280 --> 00:04:59,700 Jaayne: Exactly. And that kind of takes away from it, you know? 91 00:04:59,700 --> 00:05:04,080 Jamie: It's like we connect more with the real stuff, you know, like those little imperfections 92 00:05:04,080 --> 00:05:05,800 Jamie: that remind us we're all just human. 93 00:05:05,960 --> 00:05:09,420 Jaayne: Yeah, absolutely. And that's a big part of why podcasts are so cool. 94 00:05:09,540 --> 00:05:11,740 Jaayne: It's like you're just part of this conversation, right? 95 00:05:11,900 --> 00:05:14,800 Jaayne: And that goes away when it's all edited to death. Right. 96 00:05:14,840 --> 00:05:19,440 Jamie: Like we're programmed to think perfect is better, but sometimes those little 97 00:05:19,440 --> 00:05:21,600 Jamie: imperfections actually make it more interesting. 98 00:05:21,860 --> 00:05:26,000 Jaayne: Totally. So, like, next time you're listening to something, try to listen to the editing. 99 00:05:26,160 --> 00:05:26,720 Jamie: Oh, that's a good point. 100 00:05:26,720 --> 00:05:31,300 Jaayne: Like, notice those little breaths, those pauses, even the ums and ahs. 101 00:05:32,180 --> 00:05:34,940 Jaayne: Do they make it better or do they distract you? 102 00:05:35,140 --> 00:05:38,140 Jamie: That's such a great point. It's like anything, the more you pay attention, 103 00:05:38,280 --> 00:05:40,040 Jamie: the more you start to notice the little things. 104 00:05:40,080 --> 00:05:43,440 Jaayne: Yeah, exactly. And who knows? You might even catch those over-edited podcasts 105 00:05:43,440 --> 00:05:45,700 Jaayne: and be like, man, this thing needs to chill out a bit. 106 00:05:45,960 --> 00:05:50,380 Jamie: Totally. Well, I think that's a perfect place to wrap up our deep dive into 107 00:05:50,380 --> 00:05:51,600 Jamie: the world of podcast editing. 108 00:05:51,800 --> 00:05:52,220 Jaayne: I agree. 109 00:05:53,220 --> 00:05:56,120 Jamie: So, until next time, folks, remember... 110 00:05:57,200 --> 00:06:10,060 Music: Music