Stephanie Maas:

Okay, just so, you know, I am so hyped to talk

Stephanie Maas:

to you.

Topaz Adizes:

Definitely, let's do it, how you doing?

Stephanie Maas:

Oh, awesome. How are you?

Topaz Adizes:

Good, very happy to be here.

Stephanie Maas:

Yeah, we're happy to have you. I'm super

Stephanie Maas:

excited.

Topaz Adizes:

Where are you at? Are you in? Where are you at?

Topaz Adizes:

What is that behind you?

Stephanie Maas:

Nashville, Tennessee.

Topaz Adizes:

I left my heart in Nashville. My high school

Topaz Adizes:

girlfriend played soccer at Vanderbilt. Summer love

Topaz Adizes:

freshman year, went there. Broke my heart.

Stephanie Maas:

We're sorry.

Topaz Adizes:

That's my that's my memory of Vander... of

Topaz Adizes:

Nashville, Tennessee, which I hear is an amazing city.

Stephanie Maas:

Come back, bring your family. It's an incredible

Stephanie Maas:

town.

Topaz Adizes:

Super cool.

Stephanie Maas:

Okay, so I have so many questions. I have a

Stephanie Maas:

pretty decent human curiosity slash fascination with

Stephanie Maas:

psychology of humans, and one of my favorite ways to engage is

Stephanie Maas:

just asking questions. I'm just curious. That's going to be my

Stephanie Maas:

thing, my epitaph, I'm just curious. And your background

Stephanie Maas:

this phrase illuminating humanity. Where does that come

Stephanie Maas:

from? For you?

Topaz Adizes:

Yeah, good question. Um, what is humanity?

Topaz Adizes:

I ask that a lot, and I also ask if, if it's humanity I love, or

Topaz Adizes:

is it humans I love? Frankly, I'm not sure. I like humans, but

Topaz Adizes:

I love humanity. But what is humanity? I think humanity is

Topaz Adizes:

not something that's in us. I think it's what's between us,

Topaz Adizes:

it's that incredible conversation you have with a

Topaz Adizes:

stranger in the taxi that we used to have before we had

Topaz Adizes:

phones, or in the elevator on the plane flight, where you just

Topaz Adizes:

share about life, and you find this resonant connection with

Topaz Adizes:

someone or your shared reflection, even though you have

Topaz Adizes:

two disparate souls that will never meet again, and you have

Topaz Adizes:

that moment of like, ah, or you have a big fight with your best

Topaz Adizes:

friend or your partner or your sibling, and you go through it,

Topaz Adizes:

and then afterwards, you can look at each other in the eye,

Topaz Adizes:

and you just feel a sense of connection, of understanding,

Topaz Adizes:

right? Or you're on that sports team where you or a work team

Topaz Adizes:

where you have a common goal, and you work through the long

Topaz Adizes:

hours a night, or challenges and and you accomplish that goal.

Topaz Adizes:

You successfully do it together, and you look each other, you

Topaz Adizes:

have a high five, or you have that shared goal, and there's a

Topaz Adizes:

sense of like coherence with each other. For a moment, you

Topaz Adizes:

don't feel lonely. You've shared something, you've accomplished

Topaz Adizes:

something, you've gone through a test, you come out together and

Topaz Adizes:

you feel connected with someone that, to me, is humanity. So the

Topaz Adizes:

question is, how do you cultivate it? And that's what

Topaz Adizes:

I've been exploring for the last 11 years, and you're asking,

Topaz Adizes:

Where does it come from? Well, it comes from a deep wound.

Topaz Adizes:

Look, my kid, my parents got divorced when I was four, and I

Topaz Adizes:

was the oldest sibling. I have a siblings 15 months younger. And

Topaz Adizes:

you know, when you're four years old, you look up these parents

Topaz Adizes:

that you have, and they're not parents. They're gods. I mean,

Topaz Adizes:

when you're that young, your parents are incredible beings,

Topaz Adizes:

right? When the gods are going at war, you start going, what's

Topaz Adizes:

this about my parents? Great parents have great relationships

Topaz Adizes:

with them. Now. Them, getting divorced was a great thing for

Topaz Adizes:

them. And frankly, as painful as it was for me, it was good for

Topaz Adizes:

me too. Why? Because it created a hunger for connection and

Topaz Adizes:

intimacy. And so first, it started as a wound that turned

Topaz Adizes:

into a hunger that became a gift. You know, I went into

Topaz Adizes:

filmmaking as a young person, you know, my 20s and 30s, and I

Topaz Adizes:

found that the camera was a great bridge. It was a door

Topaz Adizes:

opener. It was entering in people's world, and I could

Topaz Adizes:

record them, I could talk to them, I could ask questions. And

Topaz Adizes:

so I've used that gift of filmmaking to create this

Topaz Adizes:

project called the and, and I think it's a wonderful archive

Topaz Adizes:

of human relationships, but that ultimately comes from a deep

Topaz Adizes:

wound as a child of witnessing divorce and seeing a lack of

Topaz Adizes:

connection.

Stephanie Maas:

So then, do you remember the first time you had

Stephanie Maas:

a consciousness, an awareness of, hey, this is real human

Stephanie Maas:

connection?

Topaz Adizes:

My first kiss, my first kiss, which was late in

Topaz Adizes:

life. I was 17. It was end of my junior year of high school, and

Topaz Adizes:

I remember intentionally. I know this is probably not what

Topaz Adizes:

anybody's expecting to hear on this podcast, but you asked the

Topaz Adizes:

question, and I remember, as a young person, I said, I don't

Topaz Adizes:

want to, I know I'm a very passionate person, and if I

Topaz Adizes:

start engaging like physically with someone kissing, I'm going

Topaz Adizes:

to be very emotionally passionate, and I'm going to

Topaz Adizes:

want to go far, so I need to wait until I'm mature enough to

Topaz Adizes:

do that. I don't want to do that when I'm 13 or 14. So I anyways,

Topaz Adizes:

end of junior year, and I remember looking the eyes of

Topaz Adizes:

this, you know, young woman who's in my class, who are both

Topaz Adizes:

juniors, and I just remember my heart exploding, looking into

Topaz Adizes:

her eyes. I saw the. Whole universe in her eyes, and I felt

Topaz Adizes:

the whole universe in my heart. And that's the moment when I

Topaz Adizes:

felt like connection. That's what I've been yearning for and

Topaz Adizes:

looking for, and that was, I guess, the first time I really

Topaz Adizes:

felt that.

Stephanie Maas:

So the physical connection was the kiss.

Topaz Adizes:

It's not the kiss, it's looking in the other person

Topaz Adizes:

in the eye and having this strong emotion for them. It

Topaz Adizes:

wasn't, you know, just the act of the kiss, the kiss was

Topaz Adizes:

followed that but it was looking into some other person's Deep

Topaz Adizes:

Black Onyx of the eye. You know, we often forget that if you look

Topaz Adizes:

at any animal and any human, regardless of what it is and

Topaz Adizes:

what color eye it is, at the center, it's always the same

Topaz Adizes:

color. It's a Black Onyx. And isn't that interesting? I mean,

Topaz Adizes:

I don't care if it's a snake, a shark or a human. The center is

Topaz Adizes:

a Black Onyx, and we look in the depth of a Black Onyx of another

Topaz Adizes:

human being. There's a journey there to be had.

Stephanie Maas:

So then we fast forward, and you go, Okay, I

Stephanie Maas:

want to spend a lot of my time in craft, seeking that, sharing

Stephanie Maas:

it with others.

Topaz Adizes:

Well, you know, it's funny, when you and I look

Topaz Adizes:

back, I can find this undercurrents of what shaped me,

Topaz Adizes:

what did life sculpt into me? What experience does it give me

Topaz Adizes:

such that I was in a position to receive this beautiful format

Topaz Adizes:

that then we're applying and sharing with the world? On the

Topaz Adizes:

top line, it's, you know, I was a filmmaker. I had films that

Topaz Adizes:

went to Sundance, and then I had a film at Cannes, and things

Topaz Adizes:

were not taking off. You know, I had films set up, and it was it.

Topaz Adizes:

But just I was my friends were doing really well. And even

Topaz Adizes:

though I had done really successfully, you know, two at

Topaz Adizes:

Sundance and one at Canada, which is the biggest film

Topaz Adizes:

festival in the world, it wasn't picking up. And by accident, I

Topaz Adizes:

put the film on Vimeo without a password, and it got picked up

Topaz Adizes:

as short of the week. And in one week, I had 400 500,000 views in

Topaz Adizes:

one week, and that was a big Hey, wait a second, what game Am

Topaz Adizes:

I playing? What game Am I playing? And I just want to

Topaz Adizes:

share with the audience, if you're going to take anything

Topaz Adizes:

away from this conversation, it's that we need to focus on

Topaz Adizes:

the questions we ask ourselves and our team members, not on the

Topaz Adizes:

answers. And so that question of, hey, what game Am I playing?

Topaz Adizes:

Because, until that point, I was playing the game of being a film

Topaz Adizes:

director, right? But then I just got half a million people,

Topaz Adizes:

400,000 people in one week to watch my film. Well, how much

Topaz Adizes:

time, money and energy would that take me to do that in this

Topaz Adizes:

other route? What game Am I playing? Am I playing the game

Topaz Adizes:

of film director? You know, modern day, popular culture

Topaz Adizes:

meditations, what I saw cinema as, or I want to play that game

Topaz Adizes:

of injecting ideas into the mainstream, of offering new

Topaz Adizes:

perspectives to the mainstream. And if that's the game I want to

Topaz Adizes:

play, don't play it in theaters. Play in the digital platforms,

Topaz Adizes:

because it spreads us much faster. It was 2011 Well, if we

Topaz Adizes:

move the digital field, what, what's worthwhile talking about,

Topaz Adizes:

what's personal to me, and at that time, I was living in

Topaz Adizes:

Brooklyn, New York, and I have a brother who's 16 years younger

Topaz Adizes:

than I, and we were both single, and I saw how we were both

Topaz Adizes:

dating completely differently because of our relationships to

Topaz Adizes:

technology. I remember one time I was writing a script, and I

Topaz Adizes:

was in Sun Valley, Idaho, and I would been dating a woman in New

Topaz Adizes:

York and and I sent her a text saying, Hey, thank you love or

Topaz Adizes:

something. And she goes Topaz. When you write love in your text

Topaz Adizes:

message, do you mean that, like an English person just saying

Topaz Adizes:

love is some kind of passing vernacular, or do you really

Topaz Adizes:

mean love? I said, Oh, wait, wait, wait, I gotta call this

Topaz Adizes:

person. So I called her up and we have a 45 minute talk. And at

Topaz Adizes:

the end of the talk, she said, You know what? Thank you so much

Topaz Adizes:

for calling me. Because in all the past relationships I've been

Topaz Adizes:

having last few years, every time we talk about something

Topaz Adizes:

intimate, it's over text. And I really appreciate you calling

Topaz Adizes:

me. And I remember thinking that's not what shocked me. What

Topaz Adizes:

shocked me was that she was only five years younger than I and

Topaz Adizes:

yet the generational gap was, of course, I'm going to call you

Topaz Adizes:

when I have a conversation. And yet in the people she was dating

Topaz Adizes:

five years younger, it was actually more normal to text.

Topaz Adizes:

And what I realized is, and that, along with my brother and

Topaz Adizes:

how he was dating differently than I was, was that, how is the

Topaz Adizes:

emotional experience of being human? How we relate to each

Topaz Adizes:

other? How do we articulate our emotions? How do we feel our

Topaz Adizes:

emotions changing in lieu of all this technology that's coming to

Topaz Adizes:

our lives? And that set me off on the journey of like, okay, I

Topaz Adizes:

want to explore that theme, because that's incredible. And

Topaz Adizes:

I'm going to do on the digital platforms. I'm going to inject

Topaz Adizes:

ideas in the mainstream, inject questions in the mainstream via

Topaz Adizes:

digital platforms, because that's the quickest way, most

Topaz Adizes:

engaging way to do it. But the subject I want to explore is the

Topaz Adizes:

emotional experience of being human. How is that shifting in

Topaz Adizes:

the landscape of all this technology that's coming up, and

Topaz Adizes:

thus launched the skin deep, which is an experience design

Topaz Adizes:

studio. And then under that, we have a bunch of different

Topaz Adizes:

experiences and products, of which the and is the most

Topaz Adizes:

famous, we have questions and card games and videos, and

Topaz Adizes:

that's that's where we're at today.

Stephanie Maas:

So one of the things we hear a lot about is,

Stephanie Maas:

because of the age of technology that we're in, we're more

Stephanie Maas:

connected than we've ever been, and yet we're less connected

Stephanie Maas:

than we've ever been. So I can see two schools of thought on

Stephanie Maas:

this book, 12 questions for love, a guide to intimate

Stephanie Maas:

conversations and deeper relationships. I can see some

Stephanie Maas:

folks going, Oh, my God, I don't need to be. Told I'm a terrible

Stephanie Maas:

partner and I'm terrible at all these things. No, thank you. And

Stephanie Maas:

then, of course, I see a natural audience. They go, Oh my gosh.

Stephanie Maas:

I've been seeking these things show me and tell me how to do

Stephanie Maas:

this. For the naysayers, why is this worth their time?

Topaz Adizes:

Totally. Great question. Who do you know has

Topaz Adizes:

sat through and watched over 1200 pairs of people in

Topaz Adizes:

intimate, real, courageous conversations? Maybe a

Topaz Adizes:

therapist. But then who's asking the questions when you go to

Topaz Adizes:

couples therapy, therapist is who are the couples looking at

Topaz Adizes:

when they're talking about the answers? They're looking at the

Topaz Adizes:

therapist. They're not looking at each other. What we've done

Topaz Adizes:

and what my team and I have had the privilege and honor is for

Topaz Adizes:

the last 11 years in 10 countries, over 1200 pairs to

Topaz Adizes:

bring them into a room. And I'm not just talking about talking

Topaz Adizes:

about partners who are married or dating. I'm talking about

Topaz Adizes:

grandparents with their children, best friends, siblings

Topaz Adizes:

bring them. They sit down and for an hour and an hour and 20

Topaz Adizes:

minutes, they're facing each other, and the space is theirs.

Topaz Adizes:

We've laid down questions for them to ask each other, and they

Topaz Adizes:

go off and literally, we're just sitting there watching them.

Topaz Adizes:

I've been doing that for the last 11 years. That data set is

Topaz Adizes:

gigantic, so that, to me, has been a privilege, because I've

Topaz Adizes:

been able to witness, how do you create the space to have these

Topaz Adizes:

cathartic conversations? And that's something that we don't

Topaz Adizes:

get taught. We taught that by modeling our family or maybe our

Topaz Adizes:

friends group. And in the case of work, the companies you work

Topaz Adizes:

at, you model it, but you're not necessarily taught it, because

Topaz Adizes:

no one's tested it out over time so many times. And so that's

Topaz Adizes:

what's worthwhile in the book, is that look, here are 12

Topaz Adizes:

questions to have a cathartic conversation. But what's most

Topaz Adizes:

important is teaching you how is you need to create the space,

Topaz Adizes:

and two, how to construct great questions. These are tools that

Topaz Adizes:

you can bring into your toolkit, that you can apply to your

Topaz Adizes:

relationship with your friends, family and co workers, anyone in

Topaz Adizes:

your life.

Stephanie Maas:

So what I'm hearing you say, because I want

Stephanie Maas:

to be really intentional about this message getting out. This

Stephanie Maas:

isn't about, hey, how to be a better boyfriend or be a better

Stephanie Maas:

husband or spouse or whatever. This is about how to connect at

Stephanie Maas:

what I call a real level with another human, in a way that, if

Stephanie Maas:

I'm hearing you right, both parties walk away saying that

Stephanie Maas:

was a good use of my time, and with the hope of a deeper, more

Stephanie Maas:

meaningful connection to another human.

Topaz Adizes:

100%. Absolutely, part of creating this space is

Topaz Adizes:

that you need to come at it without An agenda. And what I

Topaz Adizes:

mean by agenda is not bullet points. What we're talking

Topaz Adizes:

about, I'm talking about agenda of where we're going to end up.

Topaz Adizes:

You have to come with an intention. But the point is, the

Topaz Adizes:

bottom line is, how do we create the space with well constructed

Topaz Adizes:

questions? What's the result? Is, I want to have a

Topaz Adizes:

conversation. We don't have a conversation where we're

Topaz Adizes:

exploring our relationship. Here's the formula. Esther

Topaz Adizes:

Perel, you know, the famous, uh, author and therapist in that

Topaz Adizes:

field, she says, look, the quality of your life is

Topaz Adizes:

commensurate to the quality of your relationships. All right,

Topaz Adizes:

if I buy that great well, then how do I have quality

Topaz Adizes:

relationships? One way to do it is have quality conversations.

Topaz Adizes:

We're blessed with the ability to communicate our ideas and

Topaz Adizes:

stories. What makes us so successful as humans. We can

Topaz Adizes:

communicate ideas and emotions, stories and beliefs and have

Topaz Adizes:

conversations, right? Okay, how do we have good conversations?

Topaz Adizes:

That's where I come in. So if you create the space and you ask

Topaz Adizes:

well constructed questions, you can have incredible

Topaz Adizes:

conversations. Guess what? If you have incredible

Topaz Adizes:

conversations, you have incredible relationships. If you

Topaz Adizes:

have incredible relationships, you'd have incredible life. Why?

Topaz Adizes:

Cuz your relationships reflect your experience of what it means

Topaz Adizes:

to be human and to be alive. That's the formula.

Stephanie Maas:

Okay, even at the end of the day, if you

Stephanie Maas:

ultimately don't share someone's opinion, you disagree with them,

Stephanie Maas:

you part ways and decide, hey, I don't want to be in a

Stephanie Maas:

relationship, whether it's work or whatever the case may be, I

Stephanie Maas:

think so much is doing it in a healthy way that even if

Stephanie Maas:

something ends both people go, Hey, that was still worth my

Stephanie Maas:

time. That was still meaningful like so with that, talk to me

Stephanie Maas:

about what are the things people do wrong when they are

Stephanie Maas:

attempting to create space? And what are some things to keep in

Stephanie Maas:

mind?

Topaz Adizes:

What things to keep in mind and what people do

Topaz Adizes:

wrong. You don't sleep in the kitchen and you don't cook in

Topaz Adizes:

the bedroom. You do certain things in certain spaces. So are

Topaz Adizes:

we articulating the rooms we're in, in the house of our

Topaz Adizes:

relationship, talking about work, right? What kind of

Topaz Adizes:

meeting are we having right now? Do we tell the people to do

Topaz Adizes:

that? Do we tell people what kind of meeting we're having?

Topaz Adizes:

We're doing a brain story meeting team. The reason you

Topaz Adizes:

tell them about the space you're in is that you're articulating

Topaz Adizes:

what is permissible, what's acceptable, what is what we were

Topaz Adizes:

suggesting. This is the behavior that we want. Ah, this is the

Topaz Adizes:

game we're playing in the kitchen. You know, you're

Topaz Adizes:

cooking, you're not going to sleep in the kitchen. And in the

Topaz Adizes:

bedroom, you're sleeping. You're not cooking in there. So the

Topaz Adizes:

expectations or permissions are clear in our relationships. Are

Topaz Adizes:

we doing the same? So the work world is like, Okay, if we call

Topaz Adizes:

a meeting, what kind of meeting is this? What's the phase we're

Topaz Adizes:

in now? Are we brainstorming? Because how many times are you

Topaz Adizes:

in a brainstorming meeting where everyone's brainstorming at the

Topaz Adizes:

end, there's no decisions made? People are upset. Wait, hold on,

Topaz Adizes:

this was a brainstorming meeting, so don't expect us to

Topaz Adizes:

end up with a decision or vice versa. It is a decision making

Topaz Adizes:

meeting. You're not interested in new ideas. We need to decide

Topaz Adizes:

who's doing what by when and how. Now people are like, wait.

Topaz Adizes:

They're never asking for ideas, and I know we got to be clear

Topaz Adizes:

about what kind of meeting this is, and that's part of the

Topaz Adizes:

space, so that's one thing too. Let's not confuse comfort and

Topaz Adizes:

safety, or let's not confuse discomfort with being unsafe.

Topaz Adizes:

Let's not confound them. Safety is imperative, but discomfort is

Topaz Adizes:

great. If I wanted to go bungee jumping, in theory, I should be

Topaz Adizes:

safe, because these guys have done it all the time. The rope

Topaz Adizes:

is tested. You know, I'm like, the 5000 person doing this, and

Topaz Adizes:

okay, so in theory, I'm safe because they've checked

Topaz Adizes:

everything. They know the bunch is good. But am I uncomfortable?

Topaz Adizes:

Absolutely I'm uncomfortable. But that doesn't mean I'm not

Topaz Adizes:

safe. Now, in your conversations at work or with relationships.

Topaz Adizes:

Are you safe? How do we create that safety? Well, part of it is

Topaz Adizes:

articulating, hey, what's the room we're in? What are the

Topaz Adizes:

rules? What are the boundaries here, what is expected? And then

Topaz Adizes:

to say, okay, in that space now we can ask these construct, well

Topaz Adizes:

constructed questions that put us in discomfort. And we can

Topaz Adizes:

actually be uncomfortable because we know we're safe, but

Topaz Adizes:

just because you're uncomfortable does not meet

Topaz Adizes:

You're not safe. And vice versa, just because you're still

Topaz Adizes:

comfortable does not actually mean you're safe. So making that

Topaz Adizes:

distinction is good, and not shying away from discomfort and

Topaz Adizes:

actually leaning into it, but making sure that the space is

Topaz Adizes:

created, that you feel safe and then you can ask questions in a

Topaz Adizes:

way that reinforce that safety or not, there's a lot of power

Topaz Adizes:

in the questions. And we're always so focused on the

Topaz Adizes:

answers, and we don't realize how, by shaping the question,

Topaz Adizes:

you are shaping the answer. This is huge. So let me just give a

Topaz Adizes:

very simple example. It's 738 o'clock, and you go to your kids

Topaz Adizes:

and you say, Hey, do you want to go to sleep? What do you think

Topaz Adizes:

the answer is? We all know it's no. You ask the question, do you

Topaz Adizes:

want to go to sleep? It's like, yes or no. I mean, okay, but if

Topaz Adizes:

you go and say, Hey kids, you want to sleep on the couch or in

Topaz Adizes:

the bed, you've already saved the answer. The answer is, bed

Topaz Adizes:

or the couch, the question has shaped the answer the options.

Topaz Adizes:

Oftentimes we're so good at finding answers, but oftentimes

Topaz Adizes:

we find the right answers to the wrong questions. Put more

Topaz Adizes:

emphasis on the questions. Why did this campaign fail? Why did

Topaz Adizes:

this candidate not work out? What about saying? Let me change

Topaz Adizes:

that question. What can we learn from this campaign that we could

Topaz Adizes:

take to the next what was the failure of this candidate that

Topaz Adizes:

started the company and didn't work out? What could we do to

Topaz Adizes:

improve to ensure that the next one doesn't have the same

Topaz Adizes:

failure? So you're asking questions that are giving you

Topaz Adizes:

answers that are constructive, that you can actually have

Topaz Adizes:

agency from, versus saying, why did this campaign not work? Oh,

Topaz Adizes:

here's 1000 reasons. Why not shift the question such that the

Topaz Adizes:

answers you get are going to be constructive to your life, to

Topaz Adizes:

your business? Let's just take a very simple question, because

Topaz Adizes:

power dynamics are really important in the workplace, and

Topaz Adizes:

you're trying to create a safe space where you can share your

Topaz Adizes:

opinion, but you also don't want to get fired or pissed off the

Topaz Adizes:

boss or the politics of the culture. So you're in a meeting.

Topaz Adizes:

It's a group of you, and whoever's running the meeting

Topaz Adizes:

with the parades, let's say they are, the executive who's running

Topaz Adizes:

the meeting has responsibility for some decisions, or the unit

Topaz Adizes:

leading the team, and they ask a question. First of all, the fact

Topaz Adizes:

that they're asking a question is already a power play, because

Topaz Adizes:

they get to ask the question, and everyone the team is going

Topaz Adizes:

wait, why are they asking that question? But here comes that

Topaz Adizes:

question. You're in the meeting, and the boss goes, Stephanie,

Topaz Adizes:

why did our marketing campaign fail? Why did the product fail,

Topaz Adizes:

or whatever? Why did the product succeed? That question shapes

Topaz Adizes:

that your answer is going to give an objective truth about

Topaz Adizes:

reality. It failed because this and this, and this, this, now

Topaz Adizes:

everyone else in the room is going, that's not why it failed.

Topaz Adizes:

No, wait, that doesn't wait, found and now we have some type

Topaz Adizes:

of conflict, because the question has actually invited

Topaz Adizes:

you to give an objective truth which everyone else has

Topaz Adizes:

different opinions about. If you just add the words, why do you

Topaz Adizes:

think, or why do you feel? You see how that preamps any kind of

Topaz Adizes:

conflict going forward, because this is your subjective opinion.

Topaz Adizes:

I can't disagree with your subjective opinion. And by

Topaz Adizes:

asking that in the especially in the power dynamic space, it's

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like inviting you in to give your opinion. And this is

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inviting you step in in this way that's safe, because we can't

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really argue with your subjective experience. So you

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can say, from my point of view.dot.if, the boss says, Why

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did the product fail, your response can start just say,

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from my point of view, but a better question as a leader is

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to say, Why do you think, why do you feel that's her experience?

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That's her POV. Thank you for your POV. What's your POV?

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Jimmy, and from that, we're inviting different POVs to

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illuminate all the opportunities for challenge. And then we could

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discuss, from that, what do we think is objectively true or

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not, but just by adding Why do you think? Why do you feel, is

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already shaping an answer that's less confrontational, less

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conflict, and there's a lot of little semantic tools we can use

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in constructing questions to invite sharing while still

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keeping it safe, albeit uncomfortable.

Stephanie Maas:

These are things that are not often talked about

Stephanie Maas:

on leadership as it should be. I do think leadership is a

Stephanie Maas:

privilege, and a lot of what we've talked about through this

Stephanie Maas:

podcast is stepping into leadership is not what it was

Stephanie Maas:

back, probably when our parents were in business, it was

Stephanie Maas:

management. We're not doing that anymore.

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Which I think is really important for a leader.

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When you talk about leader, I love the fact you said it's a

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privilege. I think these days, I think if you. See leadership as

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a privilege and a responsibility. I think that's a

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wonderful way to see that, because you you do have the

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power dynamics. So how are you utilizing that to make a more

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coherent team? Why? So that we could be more successful

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together? Why? So that we can earn the financial income and

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resources by providing value to our clients, or whoever it is,

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to our market, such that we could support our the passions

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of ourselves and the well being of our family and the loved ones

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and our community. You know you could cut off a friend if you

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disagree, you could do that. Family members much more

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difficult. But co workers. Only way to cut someone off is one of

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you has to get fired. One of you has to quit. And so sometimes

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you really have to face conflict with the people you work with,

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because otherwise your livelihood is at stake. So the

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stakes of being able to work coherently together are even

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more important. And so the leadership, you say, privilege,

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I think that's a great way, and part of that is how to create

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the space and acknowledge the power dynamic in the room. We

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often don't do it, but by doing it, it's actually calling the

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elephant in the room, by articulating your intention, not

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your agenda. And the intention could be what I mean by that is

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not the bullet points. Agenda. I'm talking about agenda is

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where we end up. Oftentimes, you go to your team and you're like,

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you've already made a decision. You just want to convince

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everyone on your point of view, and everyone knows it, and

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there's a power dynamic. So they don't really want to push back.

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So they're just, we're just playing politics here. But

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instead, as a leader, if you really want to get their

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feedback, because they can see things that you can't. Maybe

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they could see the potential weaknesses or the benefits that

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you don't, or they can reinforce how good the idea is or not. How

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do you invite that is by stating your intention, which is like,

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hey, my intention in the meeting is like, I have an idea. Yes, I

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do. And yeah, I'd like to get there, but I know that I might

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be wrong, and I want to have a meeting now to explore it. So

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you're not saying I want to get here, and you, I have to

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convince you. You're saying that's my intention, is to get

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there. But I know I'm right. So my actual intention is to

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explore that possible answer and see if there's a better one. You

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see how that's much more inviting, because often we don't

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do that. We say the agenda is we're going to talk about this,

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this, this, this, and get to here. And in the back of your

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mind what I really mean, the intentions, we know where we're

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ending up, and the whole team knows that's where you're ending

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up, and maybe they don't want to end want to end up there, but

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they're not really going to push back. But if you suggest an

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intention and get the space open, then you can get more from

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your team, get more opinions, and then ultimately, you'll make

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the decision if you're the leader, right, but you'll do

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with much clearer viewpoint of where everyone's at. With more

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information.

Stephanie Maas:

Let me segueway and draw into your experience

Stephanie Maas:

over the last 11 years. So I would imagine there are some

Stephanie Maas:

folks that sat down and just couldn't wait to engage, and

Stephanie Maas:

they were just game players from the get go. Those are the easy

Stephanie Maas:

folks and fun folks to work with, because they're easy and

Stephanie Maas:

fun. What are just a couple of things? How do you get when

Stephanie Maas:

you're fighting that resistance? You know, as a leader, you're

Stephanie Maas:

doing, you're saying things, you're being thoughtful. But

Stephanie Maas:

human nature is there the skeptics. There are the negative

Stephanie Maas:

nancies. There are the uh huh. I know what they're doing here.

Stephanie Maas:

I'm not going to let them manipulate me, and I'm going to

Stephanie Maas:

stay shut down and guarded. Anything that you can shed some

Stephanie Maas:

light on those to get through to those folks.

Topaz Adizes:

Okay, wow, this is a big one. So usually there's

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one person who's amped, and usually one that's reticent. You

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know one, usually it's one person who's dragged the other

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person over. And then there's an interesting dynamic that happens

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and shifts. If you want to have this conversation with someone

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in your life, you have to offer it as a gift, as an offering,

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not again. It's like you're not ending. You don't want to have

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an agenda that they're going to open up and cry and tell you

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they love you, but you have an intention of exploring it, and

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you have to be open to seeing where it goes. If your partner

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comes to you and asks you a complicated question, out of the

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blue, you're not wondering about the answer. You're wondering,

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Where is this coming from? And so you're you're not engaging

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with the heart, if you will. You're engaging with your mind

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to protect you, right? Because the mind is built to protect

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you, while the heart's built to connect you. So how do you

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connect to the heart? That's the question. So in the workplace,

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it's a little more challenging, right? Because, yeah, we want

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you to tell your opinions, but we're also protecting ourselves

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because our livelihoods and the power dynamics, because the

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leader, how do you create the space that invites conflict

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discomfort so that you can harness that conflict to make

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better decisions, find opportunities, but do it in a

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way that's constructive. It's all about creating the space and

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asking well constructed questions that reinforce that

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space right of safety, albeit discomfort. So look, in a

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relationship, you ask a question if your partner doesn't want to

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answer it, they don't have to answer it, nor should they, but

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you do have to ask every question you know, and you don't

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have to answer it. Maybe don't answer now, that's totally fine.

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You should, as a part, you should allow your partner to be

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who they are if they don't want to answer it. Now, that's fine.

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And if they don't emotionally articulate their emotions in the

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same way, I call it emotion articulation, in the same way

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that you do. You know you have to let go. You have to accept

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them for who they are, where they're at in the workplace, you

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bring an idea to the table. You do want people's input, right?

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You want everyone to participate, so you get that

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information in a time efficient manner, and you have to create a

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space where you're inviting maybe the introverts out, or the

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ones who you know need the memo before, so they can give time to

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understanding, so understanding who's in the room and how maybe

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some of them don't want to prep, because that's not their best

Topaz Adizes:

off the cuff. Yes, and other people, they need the memo

Topaz Adizes:

before to read, think about it over the weekend, and then when

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they come in, they have thoughts. We process think

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differently, which is an advantage, by the way, but it

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makes differences, which makes leadership more difficult. How

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do you create the space which are facilitating everyone to

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perform the best way they can, and the coherence of the team to

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do it in a way that's integrated so that we get we can find the

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magic between us. You can find the magic in the spaces between

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of the different points of view that we have. And so that has to

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do, again, with the space and creating a vibe. We're like, you

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don't have to perform a certain way, but I do want you to

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perform in your best way. That's huge, right? It's not like we

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don't want everyone being effusive and talking No, no, no,

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but I want you to fully show up as you, and I want them to fully

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show up as them, and we accept it, and we trust that we're all

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going to the same spot, the same goal, and we respect that we all

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have different points of views and ways of taking information

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in and then sharing and articulating that information,

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you create that kind of space, right? And those kind of and we

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facilitate that with Will the constructions that reinforce

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that and the behavior of how we listen to each other and

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respond. But as a leader, you gotta know, how can I create the

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space for each of my team members to really show up? I

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mean, I think if anything I've said here is helpful for people.

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I think the value offering is, yes, there's a book, and yes, we

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have, like, 15 editions of card games that you could use with

Topaz Adizes:

relationship but the newest one is called team building, and we

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have a team building deck that you can play with. We have that

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and a co worker's deck. The co workers is really focused on the

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organization and what you're doing together. Team Building is

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for any team and how we operate together. They can find it on

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our store, on Amazon.

Stephanie Maas:

This has been huge. Thank you so much.

Topaz Adizes:

Thank you. Thank you, Stephanie, my pleasure.