Evan: Nathan and Destiny, thank you both for being here today.
Speaker:Destiny: Yeah, thanks for having me on.
Speaker:Nathan: Thanks so much for having us.
Speaker:Evan: Yes, yes. And as I was mentioning in the opening, we were talking about the
Speaker:Evan: 1996 film Twister and by extension the 2024 sequel, remake, something from this year, 2024.
Speaker:Evan: And I have back on the show, I have Destiny from Closet History.
Speaker:Evan: And I have Nathan, the host of Schizophrenic Reads.
Speaker:Evan: Do you want to maybe tell us about your podcast briefly before we talk about
Speaker:Evan: storms and weather and wind?
Speaker:Destiny: All right. Sure. Thank you. So, yeah, as Evan mentioned, I have a podcast.
Speaker:Destiny: It's called Closeted History.
Speaker:Destiny: And we talk about queer and trans history from a leftist perspective.
Speaker:Destiny: Perspective, just trying to, you know, build more awareness and share some of
Speaker:Destiny: our stories with the rest of the community.
Speaker:Nathan: And my podcast is called Schizophrenic Reads. It is just a nonfiction book podcast
Speaker:Nathan: where I talk to authors and readers of nonfiction books that I really like.
Speaker:Nathan: It's temporarily on hiatus, but there's a bunch of back catalog and it'll be
Speaker:Nathan: coming back someday, maybe at some point.
Speaker:Nathan: I'm still reading books, but just trying to find time to record.
Speaker:Nathan: And so I'm never going to stop talking about books. So eventually you'll see
Speaker:Nathan: more episodes in the feed.
Speaker:Evan: Yes. But you can also check out, you know, both of your your content aside,
Speaker:Evan: as you said, from from the podcast.
Speaker:Evan: And it's funny, I was just looking at your story about a book that I guess is
Speaker:Evan: from this year that you're about to start.
Speaker:Evan: And I'm like, oh, man, I have not heard of that book. And I just wrote it down.
Speaker:Evan: It was when the clock broke that you just posted about. I was like,
Speaker:Evan: oh, man, that sounds really awesome.
Speaker:Nathan: Yeah, it's about like conspiracy theories in the 1990s. And it's it's like it's
Speaker:Nathan: it's amazing so far. I've only been through the introduction,
Speaker:Nathan: but I'm already like completely fixed. I had to drop it to get on this call.
Speaker:Evan: That sounds like my exact kind of kind of thing.
Speaker:Evan: But for the purposes of this podcast, we'll be talking about the Twister movies, as I mentioned.
Speaker:Evan: And I thought as a, you know, fun joke to start, I was I like I don't usually do this.
Speaker:Evan: I was reading the tagline that IMDb give, which is different from the actual
Speaker:Evan: movie tagline, I think. and then whatever there was on the poster. And so...
Speaker:Evan: I actually rewatched it just before we came on the original from 1996.
Speaker:Evan: And it says that the tagline is two storm chasers on the brink of divorce must
Speaker:Evan: work together to create an advanced weather alert system by putting themselves
Speaker:Evan: in the crosshairs of extremely violent tornadoes, which I suppose is pretty accurate.
Speaker:Evan: And I'm curious if the studio hired you to write one for the sequel.
Speaker:Evan: I guess we'll call it a sequel. It is a sequel, but loosely based on the original
Speaker:Evan: with some nods. you know what would you uh what would you come up with and it
Speaker:Evan: could be a terrible version.
Speaker:Nathan: Well i think my tagline for the first movie if
Speaker:Nathan: i have to rewrite the tagline for the first movie i would just
Speaker:Nathan: simply ask does wind make you horny because
Speaker:Nathan: i think that's really like the essence of twister you
Speaker:Nathan: know the the the original movie but if i had
Speaker:Nathan: to um i had to do the tagline in
Speaker:Nathan: the same respect for twisters the the
Speaker:Nathan: new sequel I would probably ask you know a respectably are you horny for cowboys
Speaker:Nathan: because I think really this it goes beyond just like the phenomenon of wind
Speaker:Nathan: this is really a this is a southern epic story I think in some sense and cowboys are kind of the crux of,
Speaker:Nathan: the whole machinations of what's happening in that film so i think it changes
Speaker:Nathan: slightly but i think those are really that's really the heart of the issue of
Speaker:Nathan: of why we watch these movies i think horny.
Speaker:Destiny: Weather uh i don't know if i can top that um maybe for the first one just we've
Speaker:Destiny: got cows And then for the sequel, quote unquote,
Speaker:Destiny: what's the line that Tyler says?
Speaker:Destiny: You don't face your fears, you ride them.
Speaker:Evan: Yeah, I hadn't considered it as being like such a hard on the cowboy thing,
Speaker:Evan: but we'll definitely we'll talk about that.
Speaker:Evan: And I guess we'll also talk about whether it's actually a sequel or it's just
Speaker:Evan: kind of like, I don't know, like a reimagining in modern times.
Speaker:Evan: I guess it doesn't really make much difference.
Speaker:Evan: But I guess to start on the first movie, given it's been, let's see,
Speaker:Evan: 30 years. Is this the 30-year anniversary?
Speaker:Evan: I guess that was the way they did it, bringing out 30 years.
Speaker:Evan: Do you think the original... Let's forget about the CGI and some of the ridiculous
Speaker:Evan: goofs and things that turn and spin the wrong way.
Speaker:Evan: Do you think that the first one holds up as just a classic 90s disaster era film?
Speaker:Destiny: I mean, yeah, I think so. I'm as I already shared with both of you.
Speaker:Destiny: I'm very partial to the movie, but I think that it holds up.
Speaker:Destiny: I think that it has like a pretty solid story, really great side characters
Speaker:Destiny: that become part of the movie.
Speaker:Destiny: And it's just like a summer blockbuster disaster movie definitely represents its time as well.
Speaker:Destiny: So I feel like it holds up today.
Speaker:Nathan: I feel like it's almost aged better than you would kind of expect.
Speaker:Nathan: And we'll talk about some of the visual aspects of this movie, but it's grimy.
Speaker:Nathan: It's heartfelt. It's interesting. It's sexy.
Speaker:Nathan: It's got basically this often compelling character like moments throughout the
Speaker:Nathan: film that it never like lends itself to just being a disaster movie.
Speaker:Nathan: It's very much like a humor, human centered story.
Speaker:Nathan: And I think throughout it, you can like wildly cheer for the characters as much
Speaker:Nathan: as you can cheer for the like the storms to tear shit up.
Speaker:Nathan: So So I think it's just like a perfect summer blockbuster in some sense.
Speaker:Nathan: And yeah, I think it's one of those, you know, one of those 90s kind of movies
Speaker:Nathan: that I would still rewatch, you know, 10 years from now.
Speaker:Nathan: And it's definitely like in, I would say, kind of the pantheon of best disaster
Speaker:Nathan: movies of all time, because I think disaster movies, by and large,
Speaker:Nathan: have often been, you know, phenomenons of the moment, and then they are,
Speaker:Nathan: they are completely forgettable.
Speaker:Nathan: And so this one is just one that I think like has it stuck.
Speaker:Nathan: It stuck the landing in such a way that it's still watchable,
Speaker:Nathan: you know, almost 30 years later.
Speaker:Evan: Yeah, I don't think you can say that about like Armageddon or something like
Speaker:Evan: that. I'm not a Armageddon.
Speaker:Destiny: 2012.
Speaker:Evan: Yeah, like there was so many of those movies. I actually had forgotten that
Speaker:Evan: there was a made for TV movie by Fox called Tornadoes that was released the
Speaker:Evan: same year as Twister as, you know, some attempt to just, I don't know, run off of that.
Speaker:Evan: I couldn't find it online in my like two minutes of looking.
Speaker:Evan: I'm sure that exists somewhere.
Speaker:Evan: I don't remember watching, but I remember them promoting it. And yeah,
Speaker:Evan: I mean, I think that the talking about the first one being like kind of grimy and very,
Speaker:Evan: I don't know, it's like all of the scenes as you know, the it starts off like
Speaker:Evan: both films have kind of like the first similar opening in the sense of having the main character,
Speaker:Evan: you know, have a tragic event from their childhood of losing their case of Twister, her father,
Speaker:Evan: and then the case of Twister is like a bunch of her friends.
Speaker:Evan: And actually, this is a fact that I just learned that I have to share because it was crazy.
Speaker:Evan: So do you know who plays her as a child in the movie? I just learned this.
Speaker:Destiny: Alexa Vega?
Speaker:Evan: Alexa Vega, who is the, so you already know this. So she was in all the Spy
Speaker:Evan: Kid movies, but her father was a CIA informant.
Speaker:Destiny: Oh, shit.
Speaker:Evan: That was a little nugget that I learned today that I don't know.
Speaker:Evan: Not that it makes any, that makes no difference to this conversation other than
Speaker:Evan: I just thought that was an interesting fact.
Speaker:Destiny: I mean, that makes Spy Kids a little bit weirder.
Speaker:Evan: That would be a perfect nugget to bring up if I ever discuss Spy Kids,
Speaker:Evan: which I know the perfect person would.
Speaker:Destiny: You got to bring Thomas on for.
Speaker:Evan: Yeah, you're in my mind. He's the Spy Kid expert. But yeah, so I mean.
Speaker:Destiny: Yeah, they love that movie.
Speaker:Evan: But I think you're right, Nathan. And I think it's like very kind of,
Speaker:Evan: um, it feels like very much like trapped in that mid nineties kind of,
Speaker:Evan: uh, like nineties magic of summer blockbuster.
Speaker:Evan: Like the, the new one just didn't have that same feeling.
Speaker:Evan: It was like very polished and shiny.
Speaker:Evan: And I don't know, like everyone, no, no one is like sweating,
Speaker:Evan: you know, in the original, you see everyone kind of like the first instance
Speaker:Evan: when you see, um, what is the actor's name? I would, we were just talking about this earlier.
Speaker:Evan: Uh, Philip Seymour Hoffman, like he's just dressed in like grimy clothes.
Speaker:Evan: Like it fits his character perfectly his name's dusty like everything about
Speaker:Evan: the original is just um just perfect i love it i'm.
Speaker:Destiny: Glad that you agree.
Speaker:Evan: Yeah i mean i watched it maybe a few weeks ago when we first talked about doing
Speaker:Evan: the episode maybe it was right around when i saw the the new one and then i
Speaker:Evan: watched it earlier today i'm like man this is um i've also watched a bunch of
Speaker:Evan: bill paxton movies recently and i also just love bill paxton too such a good yeah that's.
Speaker:Destiny: Actually that's It's my Hollywood dad. My dad used to look like him whenever
Speaker:Destiny: he was younger and not overweight and going bald.
Speaker:Destiny: But yeah, he used to look just like Bill Paxton. So I used to call him my Hollywood dad.
Speaker:Evan: I don't know. I don't know if there's other things about the first one that...
Speaker:Evan: I mean, I guess we can talk about it in general.
Speaker:Evan: But one of the things I was thinking about too is the beginning of the film
Speaker:Evan: after the kind of the opening when you know it flashes to the
Speaker:Evan: modern moment and you have you know bill paxton's character
Speaker:Evan: you know going to see you know helen
Speaker:Evan: hunt did i say helen hunt that's not who i meant to say that's her
Speaker:Evan: helen hunt yeah i yeah helen hunt and that like goes to the tagline of like
Speaker:Evan: you know he needs to have her sign the divorce papers he's with his new you
Speaker:Evan: know his new uh fiance or whatever and like the music in the background i like
Speaker:Evan: i wish i had i didn't do any real research into the soundtrack other than who had written it.
Speaker:Evan: But it's like, it's I don't know, it's like very light rock sounding.
Speaker:Evan: I don't know, it just the score was really, was really awesome.
Speaker:Evan: And it fit perfectly with all like the slow kind of building of the movie.
Speaker:Evan: So maybe I'll stop talking and let you both talk about the original movie.
Speaker:Nathan: I think the soundtrack from both of these movies is something like that I have come to really enjoy.
Speaker:Nathan: I think the I think there's something about like the tonal shift between these two projects.
Speaker:Nathan: And there is more of kind of this like
Speaker:Nathan: ambiance that has set with the the original twister
Speaker:Nathan: movie that i think like lends itself to kind of the more horror
Speaker:Nathan: aspects of what this movie is because i think it is
Speaker:Nathan: it's certainly a blockbuster but i think it like probably blends into
Speaker:Nathan: the horror genre a little bit neater than the twisters sequel does however the
Speaker:Nathan: twister sequel very much falls in line with like the cowboy essence of it because
Speaker:Nathan: it is almost essentially the entire album is uh made for the movie songs from
Speaker:Nathan: like the up and comers of the new wave of country music.
Speaker:Nathan: And so it kind of puts this perfect, you know, tonal like shift into this pop
Speaker:Nathan: kind of country, like country rock, like festivity in some sense.
Speaker:Nathan: And so you have like the rodeo scenes, but you also have like quieter moments with ballads playing.
Speaker:Nathan: And so these soundtracks are very different and distinctly unique to each individual
Speaker:Nathan: movie, which I absolutely love.
Speaker:Nathan: And so I think for me, I've really fallen in love with the new wave of country music.
Speaker:Nathan: So I was ecstatic when we had some like, unique songs from Tyler Childers and
Speaker:Nathan: things like Charlie Crockett blasting at the very end of the movie.
Speaker:Nathan: And so that was something that just like, I think, amps the audience up where
Speaker:Nathan: in Twister, to the movie, the first movie, it's more about like setting you
Speaker:Nathan: kind of tonally back from the movie.
Speaker:Nathan: And so I think like, both serve their purpose, because I think these movies,
Speaker:Nathan: while being sequels, I think are much more of just like IP sequels.
Speaker:Nathan: And they're not really like, I think even I would call into question like the
Speaker:Nathan: idea of spiritual sequels, because I think they have like different kind of
Speaker:Nathan: tonal focuses of these projects.
Speaker:Destiny: Yeah, yeah, I really like the the score for the first one.
Speaker:Destiny: I think that it's like, almost like a character of
Speaker:Destiny: its own within the movie because it like it really does
Speaker:Destiny: help tell the story um and
Speaker:Destiny: van halen did some of the songs for the movie so you know you can obviously
Speaker:Destiny: see the the rock influence there with the second one the sequel that i i don't
Speaker:Destiny: even personally really like country all that much i i feel like i'm really picky
Speaker:Destiny: about the kind of country that i
Speaker:Destiny: like to listen to and like i enjoyed it it felt very um very like indicative
Speaker:Destiny: of like the the region and the message that like they were trying to send and
Speaker:Destiny: definitely with like the cowboy uh imagery i i thought that it was really well done as well i.
Speaker:Evan: Saw just now that it reached the number three on the country billboard charts
Speaker:Evan: the the um the album i guess or the soundtrack of the new one And the first
Speaker:Evan: one, the soundtrack from the original sold over, it went gold.
Speaker:Evan: It sold 500,000 copies, which that.
Speaker:Evan: Now it doesn't surprise me. I feel like in other episodes, Nathan,
Speaker:Evan: we've done, I think it was when we were talking about the original Twilight
Speaker:Evan: movie, we always end up getting into the soundtracks.
Speaker:Evan: I had also looked at the main song, the Van Halen track was recorded for this,
Speaker:Evan: which I didn't realize, I guess, that they were recording music in 1996.
Speaker:Evan: Maybe I don't remember when. I don't know my Van Halen history, I guess.
Speaker:Evan: But looking through the people on this, it has Van Halen, Lisa Loeb,
Speaker:Evan: Goo Goo Dolls, Shania Twain, Stevie Nicks.
Speaker:Evan: It has a lot of classic Soul Asylum.
Speaker:Evan: It has a lot of albums or bands you would expect to see.
Speaker:Evan: And it fits perfectly with everything that happens, like the songs that are
Speaker:Evan: playing when they're in their car driving and when they're in the town and everything. It's all perfect.
Speaker:Evan: And I think that actually brings me to a point that I was going to mention that
Speaker:Evan: you said, Nathan, is that it's not really a sequel.
Speaker:Evan: It's really just kind kind of going off of an IP, you know, and I think that's,
Speaker:Evan: I think we discussed this in one of our other episodes too.
Speaker:Evan: Maybe I don't remember which one, but just about how movies nowadays are either
Speaker:Evan: like a sequel or from an IP, their remakes, which I guess is,
Speaker:Evan: this is not a remake, you know, superhero movies.
Speaker:Evan: And then, you know, some other movies that kind of the, whatever is left after
Speaker:Evan: those three are completed.
Speaker:Evan: And I don't know, I don't, I didn't really like any of the little nods they
Speaker:Evan: tried to put for the original,
Speaker:Evan: twister in twisters and i didn't feel like calling it kind of just like its
Speaker:Evan: own separate movie about twisters i think it's a better way to do it than say
Speaker:Evan: it's a sequel because it's just not.
Speaker:Destiny: Well i think that like i was watching some behind the scenes stuff for the the
Speaker:Destiny: new movie and that's kind of the way that they're like pitching it is that it
Speaker:Destiny: is an entirely different movie that they've you know like given their nods by
Speaker:Destiny: adding in some of the easter eggs but that sorry i'm gonna let
Speaker:Destiny: that car go by but they said that
Speaker:Destiny: you know it is a separate movie and they have some of the easter eggs that you
Speaker:Destiny: know kind of nod to the first one but at least from my understanding is that
Speaker:Destiny: you know they're trying to pitch it as like a different movie which i guess
Speaker:Destiny: technically it does have a different title so it works but i don't know yeah.
Speaker:Evan: What will the third one be called because i hear they're already thinking of
Speaker:Evan: another one is it like twister sisters.
Speaker:Destiny: Are you serious yeah.
Speaker:Nathan: I'm sure it'll It'll be like Twister's Doomsday or something,
Speaker:Nathan: you know, it'll be a one word title with a one word subtitle is kind of what I guess.
Speaker:Nathan: But this is my like best case scenario for what the the genre of spiritual or IP sequels can be.
Speaker:Nathan: Honestly, not to say this is like a perfect movie, but this is not a movie that
Speaker:Nathan: is solely focused on being produced in order to cater to the crowd of people
Speaker:Nathan: wanting just Easter eggs.
Speaker:Nathan: Like there's a couple in there but they're minor and they're
Speaker:Nathan: like not huge parts of the plot you can go into
Speaker:Nathan: this movie without seeing the first it doesn't really matter so not
Speaker:Nathan: everything in this movie hinges on the success of the first one I think really
Speaker:Nathan: this is just like in economics simply put it's just like the fastest way they
Speaker:Nathan: could ensure that people would go watch this movie like they were just ensuring
Speaker:Nathan: their audience more than they were like doing anything in order to you know
Speaker:Nathan: control the audience expectations and and really
Speaker:Nathan: what you have is this is ultimately like whatever
Speaker:Nathan: plot lines that you would say are like similar in some
Speaker:Nathan: fashion are also basically just similar across the
Speaker:Nathan: disaster movie pantheon like i i think it's more so that a lot of these man
Speaker:Nathan: versus nature like lineages have kind of a similar storytelling method and so
Speaker:Nathan: there yeah there you can talk about the similarities all you want but i think
Speaker:Nathan: these are um i think tonally and also just like.
Speaker:Nathan: Aesthetically these are very distinctly different movies and i
Speaker:Nathan: think a lot of us that are big movie fans are so sick
Speaker:Nathan: and tired of sequels we were just like
Speaker:Nathan: kind of fed up like maybe we went and saw i went and saw the wolverine uh deadpool
Speaker:Nathan: movie and i just i couldn't get myself to fucking care about it at all but twisters
Speaker:Nathan: you know it's a 30 year sequel but it was actually like fun and unique And they
Speaker:Nathan: told an interesting story with interesting characters that are like unique to this plot.
Speaker:Nathan: And so, yeah, I think as long as Hollywood is transfixed on needing IP,
Speaker:Nathan: this is how I would want them to use IP.
Speaker:Nathan: Like if you're going to use it, at least, you know, invent characters,
Speaker:Nathan: invent a story, invent situations that are not just pulled exactly thread by
Speaker:Nathan: thread from the original.
Speaker:Nathan: And luckily, I think that's what we got. And so I, I mean, at least in some
Speaker:Nathan: sense, I just appreciate it that they did try to be original,
Speaker:Nathan: because a lot of movies, a lot of sequels out there aren't even there's really almost no attempts.
Speaker:Nathan: It's like some things are almost shot for shot what they were 30 years ago.
Speaker:Nathan: And this is, you know, this is people at least making an attempt at reintroducing
Speaker:Nathan: the like disaster genre into, I think, a more serious thing,
Speaker:Nathan: because we had the Roland Emmerich movies of like the 2010s.
Speaker:Nathan: And those were just like schlock to the
Speaker:Nathan: extent that uh roland emmerich i don't know
Speaker:Nathan: is even directing anymore like i i can't tell you
Speaker:Nathan: the last thing he did and i think it's just because he made like
Speaker:Nathan: seven movies in a row that like fucking nobody cared about and so it's nice
Speaker:Nathan: to see um especially like the genre of climate fiction or climate change movies
Speaker:Nathan: uh which we can get into like the philosophy of that which i think you're gonna
Speaker:Nathan: have a point on but um i think we just need more of those. I think we need more nature stories.
Speaker:Nathan: And so I was fucking pumped to go to this. I had like the highest expectations possible.
Speaker:Nathan: And for the most part, like I walked away like, yeah, it was fucking cool.
Speaker:Nathan: Like movie of the summer. Like I was glad I saw it.
Speaker:Nathan: Encourage my friends to go see it because ultimately, like, you can have a lot
Speaker:Nathan: of interesting conversations about like, how we like conceptualize and talk
Speaker:Nathan: about climate change and nature and all that type of stuff. But you can also
Speaker:Nathan: just like enjoy this because it's a silly thing.
Speaker:Nathan: Kind of fun time with uh seeing some sexy people uh really try their hardest
Speaker:Nathan: not to get blown over in the wind
Speaker:Nathan: and i like that's that's good enough for me too as a as a moviegoer do.
Speaker:Evan: You think this the second one was going for a different audience
Speaker:Evan: being that it kind of had this more country tone to
Speaker:Evan: it than the original which i think was just you know
Speaker:Evan: summer blockbuster it made 500 million dollar 500 million dollars the first
Speaker:Evan: one the new one made 350 but still not you know it didn't make quite as much
Speaker:Evan: on the original budget but do you think it's like a different audience or you
Speaker:Evan: think they're still just going for anyone who will see summer blockbuster trying
Speaker:Evan: to bring that back i don't know i think like in a demographic.
Speaker:Nathan: Sense no it's kind of like the both of these and often summer movies are are
Speaker:Nathan: solely situated on the backs of like late teenagers and early 20 year olds like
Speaker:Nathan: that that's just like kind of the prime demographic for these types of movies
Speaker:Nathan: um but i think like Specifically,
Speaker:Nathan: this movie is speaking more to the interests of the teenagers.
Speaker:Nathan: So it's not just about retaining the audience that was built with Twister.
Speaker:Nathan: It's about telling the story that young 20-year-olds now and not the 50-year-olds
Speaker:Nathan: that would be that would have loved the first one.
Speaker:Nathan: It's about still finding that young audience for this one.
Speaker:Destiny: I think also that the director definitely had kind of a hand in that.
Speaker:Destiny: Lee isaac chung he also directed minari
Speaker:Destiny: um and so which i've never seen but i have heard really good things about and
Speaker:Destiny: the score is beautiful but i think that because that movie is also about oklahoma
Speaker:Destiny: as well right yeah so i think that like just in the way that he represented oklahoma both
Speaker:Destiny: in Minari and in this movie that like,
Speaker:Destiny: you know, it did kind of speak to, um,
Speaker:Destiny: to an audience that may not have
Speaker:Destiny: been necessarily like really targeted previously, if that makes sense.
Speaker:Nathan: When I think even by like putting the story like in Oklahoma and obviously tornado
Speaker:Nathan: alley, you can't really like tell your story really beyond the borders of that.
Speaker:Nathan: But it's a like, it's a movie that feels like it actually is shot there.
Speaker:Nathan: Like, and I know a lot of it was so, So but it's like one of those movies that
Speaker:Nathan: I mean, I think you watch a lot of big blockbusters and they're like,
Speaker:Nathan: we're in New York City and you're like, you're in nondescript city.
Speaker:Nathan: This city has no character.
Speaker:Nathan: You're on a soundstage or if you're
Speaker:Nathan: not on a soundstage, you're in fucking Toronto like we we know you are.
Speaker:Nathan: And this one was like, oh, this like especially the kind of the nature shots
Speaker:Nathan: of like the plains of Oklahoma.
Speaker:Nathan: And I think they used a lot of like Northwest Texas in it as well.
Speaker:Nathan: But it actually feels like they took the time to film on location.
Speaker:Nathan: And I know it's like silly and pedantic but that's like a high mark of blockbuster cinema.
Speaker:Evan: It never happens anymore.
Speaker:Nathan: Yeah, it never happens anymore. They're not on whatever the Disney plus people are using. They're like
Speaker:Nathan: your fucking tube thing or whatever and they're not green screening every fucking
Speaker:Nathan: shot in the movie like it's like oh they they spent some time literally outdoors
Speaker:Nathan: and it's like i gotta give them a hand for that because so many other movies
Speaker:Nathan: are are just ignoring the like the beautiful part of filmmaking i.
Speaker:Destiny: Think that that kind of like is a a nod to the first movie because there was
Speaker:Destiny: so much practical, like use of practical effects in the first movie.
Speaker:Destiny: And I really, really enjoyed the balance that they had in this movie,
Speaker:Destiny: because I was afraid that, you know, because of today's climate in Hollywood,
Speaker:Destiny: that it would they would rely too heavily on CGI.
Speaker:Destiny: But I was very pleasantly surprised that they did film a lot of it on location as well. Yeah.
Speaker:Evan: And part of that was, I think, I know that the director you mentioned,
Speaker:Evan: And the original movie was filmed mostly on location, even though they didn't
Speaker:Evan: want to because it was obviously cheaper to film it somewhere else.
Speaker:Evan: And that was the same thing.
Speaker:Evan: I think they filmed most of it just, you know, of it was doing all the driving
Speaker:Evan: scenes through over a dozen different, you know, towns in Oklahoma.
Speaker:Evan: Like, I have to also agree.
Speaker:Evan: I think you don't see that kind of thing anymore. Like everything is filmed
Speaker:Evan: in, you know, British Columbia or Georgia or, you know, in a studio.
Speaker:Evan: And to actually do it that way, I mean, it gives the movie more of a – you actually
Speaker:Evan: feel like you're in Oklahoma during the movie as opposed to it just being nonsense.
Speaker:Evan: And I wonder actually if the only parts that wasn't filmed on location were
Speaker:Evan: like the New York scenes at the beginning of the movie when they go to her –
Speaker:Evan: she's working at, I guess, NOAA in New York City.
Speaker:Evan: And I wonder if that was actually just filmed in a set or something.
Speaker:Evan: But the Oklahoma scenes all were pretty good. Good. And I actually,
Speaker:Evan: unlike you, Nathan, I went in with like really, really low expectations and
Speaker:Evan: they were actually, I would say they were exceeded because they were low, but I'd,
Speaker:Evan: would say like it's a fun movie and i think it's um you know that brings me
Speaker:Evan: back to you know 16 seeing a movie like this in the theater in the summer it
Speaker:Evan: was just just that's what i want to see in the summer i.
Speaker:Nathan: Also want to give like a little bit of a disclaimer because the trailer for
Speaker:Nathan: this movie i think is way way misleading because i think it makes it seem like a uh,
Speaker:Nathan: otherworldly disaster film like especially because they've got that line about
Speaker:Nathan: like the two tornadoes combining and you think it's going to become this like
Speaker:Nathan: thing that like is so far beyond the pale of reality.
Speaker:Nathan: And that's not to say it doesn't like break the barrier of reality at some points,
Speaker:Nathan: but it never gets into a point of like, we created an EF like 85 tornado.
Speaker:Nathan: No, it's like, no, it's still, it's still pretty like grounded in like what
Speaker:Nathan: could conceivably happen or probably like what will inevitably happen in our era of climate change.
Speaker:Nathan: So that was something I really appreciated because the trailer makes it seem like it's like,
Speaker:Nathan: yeah, they might take a rocket to space at some point it's like kind of like
Speaker:Nathan: tonally how they represented like the craziness of tornadoes and it's like no
Speaker:Nathan: it's actually like they did like a fairly decent job with the science and like it's.
Speaker:Evan: Not sharknado or something like that.
Speaker:Nathan: Yeah exactly.
Speaker:Destiny: The filmmakers actually they said that they
Speaker:Destiny: made adjustments to like you know the um the destruction that the tornadoes
Speaker:Destiny: would create the winds um that they made adjustments based on um like climate
Speaker:Destiny: change and how the environment has really changed and made these storms a lot stronger.
Speaker:Destiny: And that, you know, a lot of it was shot in Oklahoma, but Tornado Alley has
Speaker:Destiny: actually grown significantly in the last, you know, 30 years since the first movie was made.
Speaker:Destiny: And so I really love that they kind of like held true to that and showed weather accurately.
Speaker:Destiny: You know, the trailer does kind of like play it up a little bit,
Speaker:Destiny: but I think that increasing the destruction and showing the way that climate
Speaker:Destiny: change has impacted our storms was a really important point in the movie that I enjoyed.
Speaker:Evan: I guess that's a good time to talk. I didn't know that.
Speaker:Evan: That's interesting because one of the criticisms, I guess, like the online criticism,
Speaker:Evan: even for people who hadn't even seen the movie or just heard about it,
Speaker:Evan: was that there was no references at all in the film about climate change,
Speaker:Evan: about increasing of tornadoes because of climate change.
Speaker:Evan: None of those things were mentioned.
Speaker:Evan: But then in part, because that conversation happens and everyone's complaining
Speaker:Evan: that there's no mentions of climate change, it ends up bringing up the conversation
Speaker:Evan: of weather and climate change.
Speaker:Evan: So I guess you end up getting the conversation in some sense.
Speaker:Evan: But I don't know what you both make of the lack of doing that.
Speaker:Evan: And especially given what you said, at destiny of the director that the movie
Speaker:Evan: minari so apparently when he pitched the the sequel he,
Speaker:Evan: took scenes from the original Twister and his own movie, Minari,
Speaker:Evan: which apparently had like a tornado watch scene in Oklahoma.
Speaker:Evan: And that was like his pitch to get the movie made.
Speaker:Evan: And then I think Spielberg helped, you know, push it across the finish line.
Speaker:Evan: But that's, do you think that these studios just said like, you can't do this?
Speaker:Evan: Because it doesn't seem like it's the kind of thing that Lee Isaac Chung would
Speaker:Evan: avoid unless he just figured, I don't know. I don't know. What do you think?
Speaker:Nathan: Well, I think like one of the important points of this is like,
Speaker:Nathan: to me, I've had this same kind of feeling about Civil War and Twisters is both
Speaker:Nathan: like essentially these directors set out to make an a political movie.
Speaker:Nathan: And that's like what they've talked about in the press.
Speaker:Nathan: And it's just not possible. It's not a feasible endeavor to make a political
Speaker:Nathan: art, no matter how you frame it.
Speaker:Nathan: And in doing so you just make yourself
Speaker:Nathan: seem silly uh and and that's ultimately
Speaker:Nathan: i think where we found ourselves where i think the director
Speaker:Nathan: is being told by shareholders in the you know production companies of like this
Speaker:Nathan: isn't a political movie and whether the director like believes that or not and
Speaker:Nathan: whether you know the director of uh civil war believe that or not they they
Speaker:Nathan: have to go out and say like this is not political and you're like okay okay
Speaker:Nathan: i'm gonna going to watch the movie. Oh, it is political.
Speaker:Nathan: And there is a moment in Twisters where Daisy Edgar Jones's mom makes reference
Speaker:Nathan: to the fact that storms are getting bigger and they're coming more frequently.
Speaker:Nathan: So there is kind of like a subtle nod to the actual scientific nature of tornadoes.
Speaker:Nathan: But in every real sense, the bad guy of Twisters, to spoil it for people,
Speaker:Nathan: is private property ownership.
Speaker:Nathan: It's investment firms that are buying up damaged lands.
Speaker:Nathan: And if you know anything about what is happening in the climate landscape of
Speaker:Nathan: this country, that's literally also what is happening.
Speaker:Nathan: It takes a real life situation and buries it in some... They're not talking
Speaker:Nathan: about Maoist politics with land reclamation or anything like that.
Speaker:Nathan: But it really is very much situated on the realities of what these devastating
Speaker:Nathan: effects of climate change are doing.
Speaker:Nathan: And it's devastating people's equity by tearing up their home,
Speaker:Nathan: insurance companies dropping out of these regions, and then buying the land
Speaker:Nathan: for cheap, and then you're left with absolutely nothing.
Speaker:Nathan: And so sure, it doesn't have a YouTube video essay five minutes in where it
Speaker:Nathan: explains the politics of climate change. But if you just watch the movie...
Speaker:Nathan: It is political. It talks about the realities of climate change.
Speaker:Nathan: And I think also, I think what people want is this forward and very obvious
Speaker:Nathan: political message where I think if anyone actually does any research into climate change,
Speaker:Nathan: climate change is a subtle thing. It's a long-term thing.
Speaker:Nathan: It's a thing that spans over decades and decades, and it happens in the most
Speaker:Nathan: mundane and uninteresting ways.
Speaker:Nathan: And sometimes when you pair a disaster story with that, what you have is the
Speaker:Nathan: effects of climate change is just people losing their houses.
Speaker:Nathan: And that's as serious as it can get.
Speaker:Nathan: And those are the stories that I think are also important because those are the very human stories.
Speaker:Nathan: So I take a lot of offense to the like, it's not political, because I think
Speaker:Nathan: that's a lot of people's way of just shifting the conversation away from the
Speaker:Nathan: like, the really kind of boring ways that this is political.
Speaker:Evan: Oh, so I was just going to mention briefly is In talking about the villain of
Speaker:Evan: Twisters, Anthony Ramos' character, I believe his name is Javi in the movie,
Speaker:Evan: he's working for this company or this person who's the one buying up all the land.
Speaker:Evan: And the only point I was going to make is it's also very realistic in a sense
Speaker:Evan: of someone who's just trying to get by.
Speaker:Evan: This is a job he's able to get from this company, having served in the military,
Speaker:Evan: and this is what job he's able to get.
Speaker:Evan: And he's just kind of looking the other way because this is livelihood for him too.
Speaker:Evan: So I think it's very real in the sense that people will work for these companies
Speaker:Evan: because they have nothing else. They have no other option.
Speaker:Evan: Then the same thing goes with they're going to take advantage of these people.
Speaker:Evan: And I think one of the major upcoming issues and problems related to climate
Speaker:Evan: change is the loss of land where people can live in, especially in Asia and
Speaker:Evan: other places and islands.
Speaker:Evan: And there's going to be mass migration. People are going to lose their homes.
Speaker:Evan: So the fact that losing their homes is like the thing that they're taking advantage
Speaker:Evan: of is actually, as you said, it's like the perfect thing, but it's not like
Speaker:Evan: a sexy thing, you know, to talk about.
Speaker:Evan: It's not like a, I don't know, I can't think of a better, better thing, but yeah, that's all.
Speaker:Destiny: I think that the climate change aspects of the movie kind of speak for themselves.
Speaker:Destiny: That, like you said, Nathan, it doesn't necessarily have to be like an in-your-face kind of thing.
Speaker:Destiny: And I think that lots of really good political movies subvert these themes.
Speaker:Destiny: And that's what makes them fun to analyze and talk about on podcasts.
Speaker:Destiny: But visually, I think that,
Speaker:Destiny: It's being represented in the way that the storms are much more destructive
Speaker:Destiny: and the iconic line from the second movie of, we got twins.
Speaker:Destiny: The storms are bigger. They are destroying more square miles.
Speaker:Destiny: Like you know that like just from a
Speaker:Destiny: scientific perspective like they are larger and so
Speaker:Destiny: i think that it's well represented in the movie um and i i too share your sentiments
Speaker:Destiny: about um civil war that i i really don't think that there is a way to make uh
Speaker:Destiny: art not political and you know even even as we're talking about all of this,
Speaker:Destiny: that like, I think about our own intersections,
Speaker:Destiny: like as people and that it is now and is going to continue to be an issue.
Speaker:Destiny: And especially like you said, Evan, like for folks that are more on like islands
Speaker:Destiny: or in the global South that they're experiencing the brunt of that right now, unfortunately.
Speaker:Nathan: And I think with like the climate change thing, it's also, So there's like a
Speaker:Nathan: really subtle line in the movie where like the town has kind of been destroyed.
Speaker:Nathan: It's like the third town in the movie or whatever, but it's kind of been destroyed.
Speaker:Nathan: And someone just like kind of exclaims, like, I don't know how we build back
Speaker:Nathan: again. And that's what climate change does.
Speaker:Nathan: It's just like this repetitive action. And I mean, it's not the tsunami that takes out the house.
Speaker:Nathan: It's like the constant flooding that makes you have to leave the area.
Speaker:Nathan: And like, I think people want the disaster story to be just like this profound
Speaker:Nathan: act of nature. Instead, it's just these small...
Speaker:Nathan: Iterative things that continuously happen uh but
Speaker:Nathan: i also want to draw like a little bit of connection to i think uh
Speaker:Nathan: something that i loved about this movie and it's a really like
Speaker:Nathan: silly thing to love about this movie but about like how um how the material
Speaker:Nathan: lives of the characters are like hyper realistic in some sense like you have
Speaker:Nathan: daisy edgar jones who's just like this flourishing academic who then just gets
Speaker:Nathan: stuck in like an office space of like the national weather services And you're like,
Speaker:Nathan: oh, yeah, that's kind of like the kind of collectively it like culture subsumes you.
Speaker:Nathan: And then you have Javi, who's just like, he wants to do actual science and he
Speaker:Nathan: wants to do actual research.
Speaker:Nathan: But like, at the end of the day, he's got to take like whatever money he can get.
Speaker:Nathan: And then you have Tyler, the male protagonist, Glenn Powell's character,
Speaker:Nathan: who is making it as an actual storm chaser, but he's only doing so because he's
Speaker:Nathan: a fucking influencer and he's selling his whole essence.
Speaker:Nathan: He's selling himself as a brand. And what you have is this really interesting
Speaker:Nathan: thing where, you know, Kate or Daisy Edgar Jones's character doesn't like the
Speaker:Nathan: fact that he's a he's an influencer.
Speaker:Nathan: And then you realize, like, no, he's like he puts on a show for people,
Speaker:Nathan: which is like also what influencers do.
Speaker:Nathan: And so I think it's just like the beautiful portrayal of like people living
Speaker:Nathan: like actual economic lives within this universe.
Speaker:Nathan: And like, that's not that's not even something that I would say is a.
Speaker:Nathan: Super practical part about the first movie like they're all just kind of slightly
Speaker:Nathan: well-funded researchers and
Speaker:Nathan: you're like i don't were they in the 90s i don't i don't know for a fact.
Speaker:Evan: That's true.
Speaker:Nathan: But like i'm gonna guess it probably.
Speaker:Evan: Wasn't yeah that is that yeah that goes off of like the the part of javi and
Speaker:Evan: yeah the i thought was also interesting is uh glenn powell's character also
Speaker:Evan: you kind of when you when when daisy acre joe's kind of sees like peels back
Speaker:Evan: that they're actually helping the towns they're in.
Speaker:Evan: They're not just doing it simply to sell t-shirts.
Speaker:Evan: They're selling t-shirts so they can also inevitably give water and supplies to the towns.
Speaker:Evan: They actually do care and it shows that his persona might be different,
Speaker:Evan: which I don't know. You could probably... I don't know if that's the case with all influencers.
Speaker:Evan: Some of these influencers, that might just be... I know there's a show they're
Speaker:Evan: putting on, but in some sense, it could be they're also maybe not great people,
Speaker:Evan: but it does seem like he is, you know, actively trying to help his, uh, his community.
Speaker:Evan: And, and it's actually a good thing you mentioned the, the first move.
Speaker:Evan: I don't think we mentioned it that much, but one of the, I think the best parts
Speaker:Evan: about the first movie, one of the things I love is just the, the cast,
Speaker:Evan: which as you said, it's just like kind of a bunch of very nineties,
Speaker:Evan: early two thousands people that were in, you know, lots of things as small parts
Speaker:Evan: with the exception of maybe Philip Seymour Hoffman, who became a,
Speaker:Evan: you know, fairly big, big, big star,
Speaker:Evan: but it's all just a bunch of people who are friends that I think they mentioned
Speaker:Evan: at some point early on, like their grant money was going to run out, but it seems like they.
Speaker:Evan: Can do a lot with their grant money.
Speaker:Evan: You know, I don't know. They're, they've, they're filling up tanks of gas for,
Speaker:Evan: you know, RVs and cars and they're building this scientific,
Speaker:Evan: you know, the Dorothy container.
Speaker:Evan: I don't know. It seems that almost seems a little weird.
Speaker:Evan: More unrealistic than the uh the sequel which is for the sequel in quotes which
Speaker:Evan: i can't believe i'm saying but i think it's true.
Speaker:Destiny: Yeah before we move like onto the characters kim
Speaker:Destiny: i just want to say that like the villain in the
Speaker:Destiny: new one he looks like the guy
Speaker:Destiny: from fairly odd parents um dale
Speaker:Destiny: demodone like i laughed the entire time when every like scene that he was in
Speaker:Destiny: the movie and i i just wanted to clarify like for hobby is it his business or
Speaker:Destiny: like evan you said that like it was just like a job that he got i i thought
Speaker:Destiny: it was his business right was.
Speaker:Evan: It his business.
Speaker:Nathan: No he like he like works for someone because he remember he has to like go off
Speaker:Nathan: frequently to like make calls and like talk to the to the you know the boss
Speaker:Nathan: man but i think uh that that character might have been in the movie or it might
Speaker:Nathan: have been like an off-screen character but it's it's hobby is working for
Speaker:Nathan: someone hobby's just making a paycheck and this is the only way he can make
Speaker:Nathan: the paycheck doing the the stuff that he wants to do i.
Speaker:Evan: Think he meets him at one point like in a in a restaurant like he's sitting
Speaker:Evan: at a like a table with him and then that's when i maybe i'm making that up.
Speaker:Destiny: Yeah the dale dimadone guy yeah right so he.
Speaker:Evan: Does he does it a couple times.
Speaker:Destiny: Yeah so he like he's like the boss but that like i thought that hobby was the
Speaker:Destiny: one that like started the company because you You know, he was,
Speaker:Destiny: like, really ambitious.
Speaker:Destiny: He was able to, like...
Speaker:Destiny: You know get some shareholders like money from
Speaker:Destiny: the military and then he started the business which like
Speaker:Destiny: he's still being exploited don't get me wrong but that
Speaker:Destiny: yeah like i think that it shifts the dynamic a little
Speaker:Destiny: bit because he's like almost like petty bourgeoisie um and like kind of loses
Speaker:Destiny: his roots a little bit like because in the beginning of the movie he seems very
Speaker:Destiny: different from like the person that he's at least trying to personify later on in the movie yeah.
Speaker:Evan: It says that it says like his business partner is that guy scott it doesn't i don't remember his.
Speaker:Destiny: Oh fake jonas fake.
Speaker:Evan: Yeah fake jonas yeah.
Speaker:Nathan: Also that's not the character he's the next superman uh david cornstrat is superman yes.
Speaker:Evan: That's right so yeah the um.
Speaker:Destiny: Okay i just wanted to clarify like before we We got too much into it.
Speaker:Evan: No, but I agree with you. I mean, he's still being exploited.
Speaker:Evan: I don't think he realized when building this company or going into partnership
Speaker:Evan: that he's going to be doing this to essentially help a real estate mogul swindle
Speaker:Evan: people out of their land so they can build.
Speaker:Evan: He thinks he's doing it to help them in some way.
Speaker:Evan: And maybe he doesn't ask the right questions to really look into that.
Speaker:Evan: He's just like well you know i now have this business it's uh you know it's
Speaker:Evan: going well i'm going to accept that but yeah no i think that's a good it's a good.
Speaker:Destiny: Point the other guy doesn't give a fuck i don't know i just keep calling him
Speaker:Destiny: fake jonas the upcoming superman i can't remember what his name is in the movie
Speaker:Destiny: but yeah he he doesn't care like at all i i feel like i was
Speaker:Destiny: not cheering for him at any point in the movie um i was actually other than the fact that he had.
Speaker:Nathan: Like a big death scene in the in the final.
Speaker:Destiny: Part of.
Speaker:Nathan: The movie i really wanted that and we didn't get it and that was to me that
Speaker:Nathan: was more disappointing than not getting the kiss at the end of the movie.
Speaker:Destiny: Spoiler alert but everyone's talking about it.
Speaker:Nathan: It's just a big talking point.
Speaker:Destiny: Uh yeah it was kind of low-key disappointed that like they didn't do like an
Speaker:Destiny: homage to the first movie and like also have him die in the car and like get
Speaker:Destiny: into the blown into the tornado from the first one.
Speaker:Evan: Oh yeah. That would have been nice. Well, I actually forgot.
Speaker:Evan: I didn't, it's funny when I look at picture of him, like I can't now unsee like
Speaker:Evan: him as Clark Kent Superman.
Speaker:Evan: It's like, it's, he just looks like him. Then I also forgot he was in Pearl
Speaker:Evan: as one of the, um, he was the, the guy who worked at the movie theater in Pearl too.
Speaker:Destiny: So he just looks like a guy.
Speaker:Evan: He just looks like a guy.
Speaker:Destiny: Yeah. Yeah, it just looks like a guy like Jonas, like Clark Kent.
Speaker:Destiny: So we can go back to the characters of the first one.
Speaker:Evan: The cast. Yeah, speaking of like that, like Jonas, you know, he's...
Speaker:Evan: What is his name? Cary Elwes. Is that how you pronounce his last name?
Speaker:Destiny: I think so. Yeah. He's from the Princess Bride. Yep.
Speaker:Evan: Princess Bride, Robin Hood, Men in Tights, Saw series.
Speaker:Evan: But yeah, it has Bill Paxton. It has Jamie Girtz. He's like Bill Paxton's new fiance.
Speaker:Evan: And it has Lois Smith, who I think she was in, what, The Spider-Man,
Speaker:Evan: plus lots of movies, Fatal Attraction. And I can't think of any other movies now.
Speaker:Evan: Philip Seymour Hoffman had Alan Ruck from News Radio, Ferris Bueller's Day Off,
Speaker:Evan: all like all those not not newsreader i meant spin city um who else is in it zach reiner you.
Speaker:Nathan: Got jerry babies and uh patrick fishler
Speaker:Nathan: who are like kind of really big character actors in
Speaker:Nathan: the early 2000s as well that's kind of like the story
Speaker:Nathan: of this movie is outside of helen hunt and bill paxton who
Speaker:Nathan: have not had like long lasting careers i think
Speaker:Nathan: in some sense or like they're not like still part
Speaker:Nathan: part of like a huge zeitgeist but everyone else is like you
Speaker:Nathan: know your standard uh character actor from from that
Speaker:Nathan: time period so it's one of those things that like you compare and contrast these
Speaker:Nathan: two films i i think i probably like the cast of characters uh in the first movie
Speaker:Nathan: better because they're just a little bit more vivid and realized in some sense
Speaker:Nathan: however i think there's almost more
Speaker:Nathan: character arcs in the second movie, like there's more kind of involvement within
Speaker:Nathan: the characters themselves.
Speaker:Nathan: But in the in the first movie, there's just so much character chemistry between
Speaker:Nathan: the teams in between, especially Bill Paxton and Helen Hunt that they're just
Speaker:Nathan: the chemistry between them is wild.
Speaker:Nathan: So it's a really fun mixture of how you know, you differentiate between like
Speaker:Nathan: the two different casts because I mean, while they are going for slightly different
Speaker:Nathan: things in their productions.
Speaker:Nathan: It also is, it really speaks to like, I don't know, I think there's a lot more
Speaker:Nathan: ensemble, like big moments in blockbusters from the 90s.
Speaker:Nathan: And, you know, in the like, in the like, our modern era, like the ensemble cast
Speaker:Nathan: are pretty much only reserved for animated movies and superhero movies,
Speaker:Nathan: you know, like, that's just not something that you get a whole lot of outside
Speaker:Nathan: of your two, like, starring roles in like a fucking Jurassic Park arc movie,
Speaker:Nathan: which has kind of been, you know, in some way, like redone with twisters.
Speaker:Destiny: That's so true. I didn't think about that, that like they are kind of exclusive
Speaker:Destiny: to hero movies and animated movies.
Speaker:Destiny: The crews were both, you know, very good in each movie. And I think in different ways.
Speaker:Evan: Yeah, like in the first one, you have so many people that are part of,
Speaker:Evan: you know, Helen Hunt's team, and they all seem to fit like a different,
Speaker:Evan: you know, they all have their their,
Speaker:Evan: i think you said did you say like they're kind of like fleshed out in a sense of they
Speaker:Evan: have personality like especially you know philip seymour
Speaker:Evan: hoffman is like his you know his very first scene where
Speaker:Evan: he's talking to uh the uh the doctor the new fiance and he's talking about like
Speaker:Evan: what the like the the suck zone it's just like it's just it's i mean it's very
Speaker:Evan: philip seymour hoffman early in his career and like they all have like their
Speaker:Evan: nice little parts to play and And the scene,
Speaker:Evan: like when they're at the Aunt Meg's apartment or house, you know,
Speaker:Evan: eating and making the giant steak.
Speaker:Evan: And that, you know, I was watching that. I'm like, man, I had dinner,
Speaker:Evan: but I could go for like a steak that's just like cooked in whatever they're
Speaker:Evan: making. I don't know what it was.
Speaker:Destiny: Meg, where'd you get all this beef? Oh, you see my cows out front?
Speaker:Nathan: I do think if we're going to get a star coming out of, you know,
Speaker:Nathan: like we did with Philip Seymour Hoffman out of Twister. If we're going to get
Speaker:Nathan: a star coming out of Twisters, I really hope it's the character of Dexter.
Speaker:Nathan: I think it's Tunde Ndimbeke, who was the scientist for the crew.
Speaker:Nathan: I thought he had a bunch of funny one liners and was just like a really,
Speaker:Nathan: I don't know, kind of weirdly energetic character for the second movie that
Speaker:Nathan: he was kind of like my star small performance art for that one.
Speaker:Nathan: So that's, that's my hope.
Speaker:Nathan: But yeah, I think Philip Seymour Hoffman, honestly, might be kind of the standout of,
Speaker:Nathan: or he's kind of the glue that holds the whole movie together,
Speaker:Nathan: because he's certainly a character that kind of instigates the chemistry kind
Speaker:Nathan: of re happening between Helen Hunt and Bill Paxton.
Speaker:Nathan: But he's also just this through line for this for the movie that you're just
Speaker:Nathan: like you want to hang out with this crew That's why you fall in love with these characters.
Speaker:Nathan: It's not just like oh, they've got some cool leading man and
Speaker:Nathan: taking charge and and you know helping people understand the science like no
Speaker:Nathan: it's just these guys seem like they'd fucking chill like i'd go storm watching with them.
Speaker:Destiny: They like genuinely seem like they're friends like the the dynamic between them
Speaker:Destiny: like it it seems like they've spent a lot of time together like you're fully
Speaker:Destiny: convinced that they've they've gone on you know storm chases with each other yeah.
Speaker:Evan: Yeah and i was gonna say about like to agree about the you know philips more
Speaker:Evan: often being the main person that kind of makes everything work.
Speaker:Evan: I mean, Bill Paxton has been in, especially in the 80s and then to the early
Speaker:Evan: 90s, he was in tons and tons of movies.
Speaker:Evan: But this is definitely... A lot of them were action movies and maybe thriller type thing.
Speaker:Evan: I guess this is kind of like a thriller action horror-ish kind of movie.
Speaker:Evan: But it's more like he's playing it more straight, I guess you could say.
Speaker:Evan: He's not making one-liners like he does in Aliens or like Predator 2.
Speaker:Evan: It's not that same kind of role. He's kind of like the straight laced guy.
Speaker:Evan: And so you needed Philip Seymour Hoffman to have some kind of like,
Speaker:Evan: not just comedic relief, but just to, I don't know, liven it up.
Speaker:Evan: And he's just, he was an incredible actor. I mean, I love Philip Seymour Hoffman,
Speaker:Evan: anything he ever did. Yeah.
Speaker:Destiny: He was one of the greats.
Speaker:Evan: Seriously.
Speaker:Destiny: I miss him so much. And yeah, he definitely makes like the whole movie.
Speaker:Destiny: But I do think I think that even like, you know, some of the smaller roles are
Speaker:Destiny: still good roles like Alan Ruck playing Rabbit.
Speaker:Destiny: He does a really great job. Like, you know, the even though there are smaller
Speaker:Destiny: roles, it feels like like each person.
Speaker:Destiny: Person has their part on the team and that they there's a lot of like synergy
Speaker:Destiny: and you know good dynamics between the group none.
Speaker:Evan: Of them mailed it in right like they're all like they were doing like they were
Speaker:Evan: doing a great job that's not a really good way to put it but they weren't just
Speaker:Evan: you know there just to kind of fill in a spot on the screen they were like they
Speaker:Evan: they played their part perfectly it.
Speaker:Nathan: Felt like each of them actually had like a character sheet too like there was
Speaker:Nathan: something about their character that made them like unique and not just like
Speaker:Nathan: you know a nondescript part of team you know there's there.
Speaker:Evan: Was something there yeah exactly.
Speaker:Destiny: Yeah and i think the first one for me like not only stands out as far as characters
Speaker:Destiny: are concerned but also the plot i think that like they followed a much simpler
Speaker:Destiny: plot and they were able to execute it a lot better than the fake sequel.
Speaker:Destiny: The fake sequel kind of seemed like it had a lot of different plot points that
Speaker:Destiny: weren't fully explained or given the attention that I think that it deserved,
Speaker:Destiny: especially the whole real estate option.
Speaker:Destiny: I think that the three of us, we know that there's not
Speaker:Destiny: going to be anything that comes out of hollywood that's you know
Speaker:Destiny: anti-capitalist or that is
Speaker:Destiny: going to read that way because you know hollywood
Speaker:Destiny: is what it is but that i think that some of the plot lines in the second one
Speaker:Destiny: got kind of lost um where isn't it whereas in the first one that like they stuck
Speaker:Destiny: to a much simpler plot and i
Speaker:Destiny: feel like they were able to to pull it off um Because you had the storms,
Speaker:Destiny: but then you're also telling the story of Joe and Bill and, you know,
Speaker:Destiny: as their relationship grows.
Speaker:Destiny: Changes and ultimately grows together.
Speaker:Evan: That's true i mean i the the second
Speaker:Evan: one definitely is more of a complex movie whereas
Speaker:Evan: a lot of those 90s you know action kind
Speaker:Evan: of movies and disaster ones
Speaker:Evan: like they're not they're not like you know reinventing i
Speaker:Evan: mean they're reinventing something but it's very straightforward and
Speaker:Evan: i think yeah i i could i agree i could agree with you
Speaker:Evan: about the real estate thing not being kind of realized as much
Speaker:Evan: as it could have been and some of the you know would it
Speaker:Evan: be nice to get more insight into like glenn powell's character
Speaker:Evan: you got a little bit about you know him but you kind
Speaker:Evan: of got more about daisy edgar jones and kind of her past because you know she
Speaker:Evan: opens the movie with that traumatic event losing her friends and then you know
Speaker:Evan: overcomes her fear to you know go drive out with this crazy rigged out truck
Speaker:Evan: that has like spikes in it like that was
Speaker:Evan: the coolest but also craziest truck that i guess could not exist or could it
Speaker:Evan: exist i don't know is that possible i also want.
Speaker:Nathan: To give a little bit of a shout out to glenn powell's character um because i've
Speaker:Nathan: seen a lot of uh online discourse about how glenn powell plays like the perfect
Speaker:Nathan: himbo which i think is like a misreading of the character of tyler in this movie like he is very
Speaker:Nathan: explicitly not a himbo.
Speaker:Nathan: And like, sure, he is hot.
Speaker:Nathan: But he is like, the whole kind of motion of his character is that he is like
Speaker:Nathan: misunderstood as a himbo. And that is not who he is.
Speaker:Nathan: Like he is actually a very smart and caring and thoughtful person,
Speaker:Nathan: where those are not like the typical attributes of a himbo.
Speaker:Nathan: And so it's like the unhemboification of his character is what makes him like,
Speaker:Nathan: endearing and lovable and also like where you want to have a sequel.
Speaker:Nathan: Like I think people are asking for a sequel to this movie because you're like,
Speaker:Nathan: oh, I would watch the continuation of these two characters' storyline.
Speaker:Nathan: Not specifically Javi. I think he's probably the most,
Speaker:Nathan: you know misused character and like all are
Speaker:Nathan: of the two movies but um tyler and
Speaker:Nathan: kate's chemistry is really good it's really fun there's an interesting story
Speaker:Nathan: that's happening between them but yeah i've just uh this is just a thing for
Speaker:Nathan: the haters that uh have like really been mad at me for calling people out for
Speaker:Nathan: calling tyler himbo because you're wrong and i want you to know that you are wrong yeah.
Speaker:Destiny: I don't think he's a himbo i like if anything i think that he He displays a
Speaker:Destiny: really healthy level of masculinity that like, like,
Speaker:Destiny: you know, typically in movies, like the the more masculine character is usually
Speaker:Destiny: someone that you're pitted against,
Speaker:Destiny: you know, they're the villain of the story.
Speaker:Destiny: And so it was really refreshing to get to see someone who is masculine,
Speaker:Destiny: but like you said, being vulnerable and is intelligent and overall became this
Speaker:Destiny: really great character.
Speaker:Destiny: So I think he did a great job too.
Speaker:Evan: You well there's also the idea that like
Speaker:Evan: i think there's like the stereotype of like oh you know attractive guy
Speaker:Evan: from the south like he's not a smart guy and
Speaker:Evan: he actually is extremely smart in
Speaker:Evan: this movie i mean you're not building this entire empire of
Speaker:Evan: the social media presence with hundreds of thousands of followers
Speaker:Evan: by being an idiot like that takes a lot of
Speaker:Evan: work to do that so yes he's an attractive
Speaker:Evan: uh person in the you know attractive but i don't think i i would agree with
Speaker:Evan: you nathan i don't think he is and i think his character does have depth like
Speaker:Evan: it could have had more maybe you know but that if they wanted to but i thought
Speaker:Evan: it was uh you know like you you do see like layers to him and you know if they
Speaker:Evan: made a sequel to this with the two of them again i would go see it i.
Speaker:Nathan: Do know um you had some questions uh specifically pertaining to the cgi because
Speaker:Nathan: i would love to get into that and.
Speaker:Evan: Uh i'll.
Speaker:Nathan: Let you ask your question but i i basically already have my pre-prepared answer
Speaker:Nathan: because i have a very strong opinion on uh outdated cgi.
Speaker:Evan: Well okay so yeah so the i guess
Speaker:Evan: the question i mean if you look at people online especially
Speaker:Evan: the first the first movie twister a lot of folks will say you know the cgi that
Speaker:Evan: they use and some of the like there's lots of like goofs like if you go to the
Speaker:Evan: imdb page and go to like the goof section there's like 40 or 50 things where
Speaker:Evan: something like a sign is blowing the wrong way and this and all these you know,
Speaker:Evan: these very specific things.
Speaker:Evan: But I guess just the question is like, do you think that the CGI from the original still...
Speaker:Evan: Like looks okay i know that there were some practical effects they used and
Speaker:Evan: those like i think hold up but what do you think generally about it.
Speaker:Nathan: I think it's great i think we need more movies that
Speaker:Nathan: look like this i think there's like a realness to
Speaker:Nathan: what is happening and sure if you want to hyper focus on the
Speaker:Nathan: goofs like you know maybe some of those things could have been corrected and
Speaker:Nathan: stuff like whatever i'm not really a stickler for goofs and movies like unless
Speaker:Nathan: it's like part of like an integral part of the movie but like um i think what
Speaker:Nathan: they did well in this This movie was specifically the lighting just made Twister a horror movie.
Speaker:Nathan: Like it very much is set at night where Twisters is mostly a daytime story.
Speaker:Nathan: And so it's like when you're watching everything happen, it's a lot less scary
Speaker:Nathan: than when you don't know what's going to happen.
Speaker:Nathan: And so a lot of that probably has to do with like the practicalness in which
Speaker:Nathan: like you have the technology to film these things.
Speaker:Nathan: And, you know, in the modern era, you can make a daytime tornado pretty easily.
Speaker:Nathan: I'm not saying it doesn't take a lot of like man hour to do those projects and
Speaker:Nathan: a lot of money to, you know, have those computers.
Speaker:Nathan: But Twister gets by on a really incredible aesthetic because it leaned into
Speaker:Nathan: the grittiness and it leaned into like the kind of unknown terror of Mother Nature.
Speaker:Nathan: And I think like both of those two things combine into a movie that,
Speaker:Nathan: you know, while being expensive, wasn't like ungodly, you know,
Speaker:Nathan: in its budget. And so it made a ton of money.
Speaker:Nathan: And that's like, ultimately, like what I hope for most what I hope for most
Speaker:Nathan: things, because I think we talked about like a lot of the blockbusters being
Speaker:Nathan: like heavily CGI focused.
Speaker:Nathan: And I think probably all three of us are like, yeah, we care more about intricate
Speaker:Nathan: stories with good characters and fun and interesting ways in which to tell a story.
Speaker:Nathan: And we care very little about, does the blue beam coming out of the sky look perfect?
Speaker:Nathan: I don't give a fuck. I genuinely don't care. And I have been slowly trying to
Speaker:Nathan: shift myself into like watching and finding myself being more entertained by
Speaker:Nathan: like Bollywood films and movies coming out of like South Korea and stuff because
Speaker:Nathan: it's like they really have a I think a concrete.
Speaker:Nathan: Answer towards the cgi thing and being like yeah like maybe we'll use it and
Speaker:Nathan: maybe we'll just like make a character jump 35 feet in the air for fun you're
Speaker:Nathan: like that's what i want like i don't i don't care anymore.
Speaker:Evan: Yeah i mean i think the cgi and the first one is pretty good especially when
Speaker:Evan: i think of some other movies from that era that or even i said this before this
Speaker:Evan: podcast a bunch of times there's lots of movies from the early 2000s or even
Speaker:Evan: like 2010 where it looks like absolute Absolute. It just looks really bad.
Speaker:Evan: You think of the Transformer movies where, I mean, part of this has to do with,
Speaker:Evan: I mean, this is also in the news
Speaker:Evan: now with James Gunn, since we're talking about the new Superman movie.
Speaker:Evan: He said they intentionally finished filming early to give the visual effects
Speaker:Evan: people a year to actually make the visual effects look good.
Speaker:Evan: And so a lot of that has to do with just making people, the visual effects people
Speaker:Evan: do a lot of hard work in a very short period of time.
Speaker:Evan: And so you get, you know, a lot of these movies with bad CGI,
Speaker:Evan: but I don't know, the Twister movie, it's just like, it's still, it looks cool.
Speaker:Evan: Like I was watching it and I'm like, never at one point did I think,
Speaker:Evan: man, like this is like, this looks really bad. Like I thought it all looked, you know.
Speaker:Nathan: Yeah, and it's not like an anti CGI movement. I mean, I really love the Avatar,
Speaker:Nathan: especially the sequel to Avatar, The Way of the Water, I thought was fabulous.
Speaker:Nathan: But it's like, yeah, I'm glad he took what fucking 10 years to make that movie
Speaker:Nathan: because you can actually like put in the time and dedication it takes to like
Speaker:Nathan: make something the visual medium that you want.
Speaker:Nathan: And I think that's a really beautiful thing. But I also think like working within
Speaker:Nathan: their limitations, Twister also makes itself a more longer lasting movie than
Speaker:Nathan: Twisters does because you have that horror element that is interesting to watch.
Speaker:Nathan: And also, like, I think puts more like emotion into the experience of watching the movie.
Speaker:Nathan: Like I watched this movie as a kid and it terrified me.
Speaker:Nathan: And I have rewatched it over the years and slowly become less scared of the
Speaker:Nathan: movie until like I watched it this summer. I was like, man, this is just a fucking fun time.
Speaker:Nathan: Like, I'm just so glad like I you get to like enjoy it. And you also get to
Speaker:Nathan: like perceive how you enjoyed it in the past. And I think like,
Speaker:Nathan: that's, that's like what a movie can do for you and should do for you,
Speaker:Nathan: it should change and meld over time.
Speaker:Nathan: And I think Twister is one of those, I think, honestly, probably,
Speaker:Nathan: you know, it's not I wouldn't say like favorite movies.
Speaker:Nathan: But as far as like, just throwing on a movie in the heat of the summer,
Speaker:Nathan: like I'm going to go to Twister more times.
Speaker:Nathan: And I'm going to go to like, a lot of other movies that I think are even better.
Speaker:Destiny: Yeah, I think the CGI definitely holds up in Twister.
Speaker:Destiny: I think the only scene that maybe it's a little bit questionable is the cow scene.
Speaker:Destiny: But like otherwise, because they relied so heavily on practical effects,
Speaker:Destiny: I think that that is part of why it has held up.
Speaker:Destiny: But, you know, just for that era, like the visual effects that they used were
Speaker:Destiny: revolutionary for that time. They were using technology that had never been used.
Speaker:Destiny: And I think that they were really smart about how much of it they used.
Speaker:Destiny: They didn't indulge too much, which can be a problem in today's climate of movies.
Speaker:Destiny: But Evan, I think that you did bring up a good point that, unfortunately,
Speaker:Destiny: a lot of visual effects artists are exploited and overworked and,
Speaker:Destiny: you know, not given enough time to put the time and the effort and the dedication
Speaker:Destiny: that it does take to do really good visual effects.
Speaker:Destiny: Um so you know i think
Speaker:Destiny: that like you said nathan i think that twister holds
Speaker:Destiny: up and will continue to hold up a little bit longer than twisters um i think
Speaker:Destiny: in their final cut they relied a little bit too heavily on cgi in the second
Speaker:Destiny: one from for me personally um and especially in comparison to the the first one.
Speaker:Evan: Yeah and the first one i was just looking the budget for the first one was
Speaker:Evan: it says 88 to 92 million and especially given you know i think they like put
Speaker:Evan: that to good use where you see movies now they get you know get 150 million
Speaker:Evan: dollar budgets or whatever and you know they've rushed through it it just doesn't
Speaker:Evan: look the same like they clearly were going,
Speaker:Evan: for something that they you know they achieve what their work they set out for
Speaker:Evan: and i actually saw a note in wikipedia it said that the cgi cow was built from
Speaker:Evan: a cgi zebra that they use in the the movie Jumanji from the year before,
Speaker:Evan: which a little note that I thought was interesting. But yeah, they-
Speaker:Destiny: The CPI in Jumanji is really bad. It does not hold up.
Speaker:Evan: No. The animals charging through in those scenes are like, yeah,
Speaker:Evan: it's very... I guess it's funny because you said that the cat was the one time
Speaker:Evan: where the movie didn't look as good and there it's because it's from Jumanji. Yeah.
Speaker:Evan: They had to do that. But yeah, I mean, I think, I don't think I had any more
Speaker:Evan: direct questions about either ones.
Speaker:Evan: I mean, we guess we talked about both generally, but I don't know if either
Speaker:Evan: had any last thoughts on the movies or if you had any last thoughts on sequels
Speaker:Evan: or any of these things or, you know, what they're going to call the sequel.
Speaker:Destiny: Did you want to talk about the Helen Hunt?
Speaker:Evan: Oh, yes. Equal part. That's, that's true. So I didn't get a chance to look beyond
Speaker:Evan: the article that was linked in the Wikipedia,
Speaker:Evan: but helen hunt did try and make a sequel i think for
Speaker:Evan: a while she had tried to like she couldn't even get
Speaker:Evan: them to agree to a meeting which is really kind of
Speaker:Evan: speaks to the fact that you know her i don't know if this is intentional like
Speaker:Evan: her career definitely didn't go that great after into the early 2000s but she
Speaker:Evan: wanted to make a movie that was a direct sequel that would have mostly black
Speaker:Evan: and brown people as the storm chasers instead of it being an all-white cast
Speaker:Evan: and they basically told her to fuck off well.
Speaker:Destiny: What i like saw from that was that like i heard parts of the interview and it
Speaker:Destiny: was basically like it was just performative she was like oh you know this is
Speaker:Destiny: in 2020 when it's all about dei but.
Speaker:Evan: Like not.
Speaker:Destiny: In a way that was genuine or like you.
Speaker:Evan: Know so she was saying it just to say it to get them to make it basically oh
Speaker:Evan: yeah i mean because like Like you said.
Speaker:Destiny: Her career was and is not really doing that well.
Speaker:Destiny: So, you know, she wanted to capitalize on that.
Speaker:Evan: Well, that's a bummer to hear that that's how she saw the sequel.
Speaker:Evan: I don't know what her politics are, but that's definitely...
Speaker:Destiny: I think it's obvious.
Speaker:Evan: Yeah, I was trying to say it gently.
Speaker:Nathan: I also just, I think I really, I come out of this really wanting the resurgence
Speaker:Nathan: of disaster movies. I think we found ourselves probably on this like precipice
Speaker:Nathan: in some sense of like the end of the superhero arc.
Speaker:Nathan: Era uh and and that's not to say like disney and
Speaker:Nathan: uh you know marvel and whatever they're
Speaker:Nathan: not gonna like stop making these movies like i don't mean that at
Speaker:Nathan: all but them holding the most like basically a grip on hollywood uh i think
Speaker:Nathan: is is maybe slipping a little bit especially with like the mcu movies of recent
Speaker:Nathan: being mostly bad um and i think people are clamoring for like big budget blockbusters because,
Speaker:Nathan: you know, like we want we still want something like within culture to talk about.
Speaker:Nathan: And so this is my like my personal pitch to to Hollywood has been to just like
Speaker:Nathan: bring back disaster movies and and not so much in like the sci fi genre,
Speaker:Nathan: which is like some of those like the moon falling apart things.
Speaker:Nathan: It's like, no, I would I would love a lot more survivalist stories
Speaker:Nathan: or natural disaster stories um i i
Speaker:Nathan: would even you know i would i would go see on opening weekend
Speaker:Nathan: if they redid um the day
Speaker:Nathan: after tomorrow like i i'd go see a sequel that's almost
Speaker:Nathan: a shot for shot remake of it because i think
Speaker:Nathan: these are just like these are the stories that i i personally care
Speaker:Nathan: about and then also i think break from uh
Speaker:Nathan: you know like the the exhaustion that i
Speaker:Nathan: have out of like major hollywood at this point i think there's a
Speaker:Nathan: lot of you know i'm never gonna stop repping like indie
Speaker:Nathan: films in general but um as far as like big
Speaker:Nathan: blockbusters go i i just i can't find myself caring about any more fast and
Speaker:Nathan: furious movies or jurassic park movies or marvel movies and that's not to say
Speaker:Nathan: i'll never see any of them but i just like i would rather spend my time talking
Speaker:Nathan: about twisters three than literally any other you know any other movie so.
Speaker:Evan: It basically just recreate you know i think in the 90s there must have been
Speaker:Evan: like six or eight disaster type movies.
Speaker:Evan: So, you know, I mean, it doesn't seem like that farfetched given that like the
Speaker:Evan: nostalgia to bring back so many of the 90s IP and kind of style movies and remakes
Speaker:Evan: and sequels. So I don't know, I could see it.
Speaker:Nathan: Also, just my last bit of advice to Hollywood.
Speaker:Nathan: I'm sorry, I keep doing this. But you need to make movies with good soundtracks.
Speaker:Nathan: Last time I was on the podcast, I was here to talk about Twilight.
Speaker:Nathan: And here again with Twisters, like a
Speaker:Nathan: soundtrack is an integral girl part of the movie experience
Speaker:Nathan: and it should be very intentional not
Speaker:Nathan: only through like the cinematic scores but also like what music
Speaker:Nathan: you're going to use and if you're going to get you know original music for it
Speaker:Nathan: but it truly does make a movie experience like like out of a five-star rating
Speaker:Nathan: it makes it two stars better if you have good and interesting music to go along
Speaker:Nathan: with the story because that's what a movie is it's not simply just a visual
Speaker:Nathan: medium and so i am really kind of,
Speaker:Nathan: uh blown away by the fact that you know
Speaker:Nathan: some of our biggest movies go back to like the marvel movies have just
Speaker:Nathan: like the most non-script soundtracks imaginable and so
Speaker:Nathan: it's like i really wish people would just put a focus on getting
Speaker:Nathan: like some good songs out there and if you want to fucking help some
Speaker:Nathan: music artists fucking pay them to write some good songs for this stuff because
Speaker:Nathan: it's ultimately like we want to see those we want to have that experience and
Speaker:Nathan: it seems like a lot of At least big budget movies don't seem to have any care
Speaker:Nathan: or concentration put into the soundtracks at all at this point.
Speaker:Evan: They probably are saying, if we're going to have something in this movie,
Speaker:Evan: this $150 million budget movie, we have to get big name artists.
Speaker:Evan: And they can't pay them then because they've already blown the budget on everything else.
Speaker:Evan: But yeah, get some small artists to do it. I'm sure they'd be happy to make
Speaker:Evan: a song for a movie than getting paid like 11 cents from Spotify residuals,
Speaker:Evan: you know, that they're basically getting now or even less now or God knows, you know, fuck Spotify.
Speaker:Evan: But anyway, yeah, no, you have any last thoughts, Destiny?
Speaker:Destiny: Well, about the soundtrack, yeah. I mean, you know, those are the things that
Speaker:Destiny: bring folks back to the movie,
Speaker:Destiny: you know, year after year that like, I can't tell you how many times I've rewatched
Speaker:Destiny: Twilight because I love the color palette and I love the soundtrack.
Speaker:Destiny: The movie sucks, but I enjoy revisiting it because of aspects that they really
Speaker:Destiny: thought about carefully in the filmmaking.
Speaker:Destiny: But in regards to Twister and Twisters, I would say that,
Speaker:Destiny: I was really afraid that they were going to fuck up my favorite movie,
Speaker:Destiny: and I was pleasantly surprised that they didn't.
Speaker:Destiny: I feel like there were just enough nods and Easter eggs to the first one that
Speaker:Destiny: they kind of like paid their homage to it,
Speaker:Destiny: but that it does almost stand out on its own.
Speaker:Destiny: You don't have to see the first one to to really be
Speaker:Destiny: able to enjoy it and that it is just a fun
Speaker:Destiny: summer blockbuster disaster movie um
Speaker:Destiny: with a great soundtrack with really great visual effects um and i i i think
Speaker:Destiny: that it it did really really well and i'm pleased with the way that the sequel
Speaker:Destiny: came out and the first one if you haven't seen it please please watch it because
Speaker:Destiny: it's probably one of my favorite movies ever.
Speaker:Destiny: It's in my top five on Letterboxd.
Speaker:Destiny: I love Twister. I could say the entire movie from memory. That's how many times I've seen it.
Speaker:Destiny: But it just draws me in every time because the characters, the movie,
Speaker:Destiny: the plot, there are so many really good and carefully calculated decisions about
Speaker:Destiny: the movie that really just make it a classic.
Speaker:Evan: Yeah. And I think of just in just the last note on the soundtrack and then we can we can go.
Speaker:Evan: But like the but I think of like movies that I've seen this year,
Speaker:Evan: like recent just from just recent from 2024 in the ones that were were better.
Speaker:Evan: As you said, Nathan, like two stars goes towards the soundtrack.
Speaker:Evan: I can remember them even better, even more.
Speaker:Evan: And I actually enjoyed them more because, you know, they had something compelling
Speaker:Evan: besides just, you know, like if it's a horror movie, like a jump scare,
Speaker:Evan: it actually had interesting sound behind it.
Speaker:Evan: And so I, you know, I, no reason for me to go on, but I would agree with that.
Speaker:Evan: And, um, yeah, Twister has an insanely good soundtrack.
Speaker:Evan: So if you haven't seen Twister, also see it doubling down on
Speaker:Evan: your destiny and then i think twisters is also worth your
Speaker:Evan: time if you enjoy the first one and haven't seen it yet i think it's uh
Speaker:Evan: worthy of a good you know before summer ends
Speaker:Evan: you should watch this uh summer blockbuster but
Speaker:Evan: that's all i got anyone else nothing no more
Speaker:Evan: no more well ip movies if they're if they're
Speaker:Evan: good and they're related to uh to twister so you can
Speaker:Evan: make twister three twister twister four twister five whatever but you've You've
Speaker:Evan: been listening to Nathan and destiny and you can listen to their podcasts on
Speaker:Evan: the links down below and you can listen to this podcast as well as theirs on
Speaker:Evan: the internet where you can find them all. And thank you both for being here today.
Speaker:Nathan: Thanks so much. Yeah.
Speaker:Destiny: Thank you.
Speaker:Evan: And we'll catch you next time.