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Welcome to Podcasting Tech, a podcast that equips busy

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entrepreneurs engaged in podcasting with proven and cost effective

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solutions for achieving a professional sound and appearance. I'm

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Matthew Passi, your host and a fifteen year veteran in the podcasting

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space. We'll help you cut through the noise and offer guidance on software and

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hardware that can elevate the quality of your show. Tune in weekly

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for insightful interviews with tech creators, behind the scenes studio tours, and

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strategies for podcasting success. Head to

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podcastingtech.com to subscribe to this show on YouTube or your favorite

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podcast platform, and join us on this exciting journey to unlock the full

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potential of your podcast. Taking out

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to Denver, Colorado, we are chatting with Lindsay McMahon. She's the cohost and

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CEO of the All Ears English and All Ears English

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podcast. Lindsay, thank you so much for joining us tonight. Yes. Thank you, Matthew. Thank

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you for having me here. Glad to be here. So let me

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start by asking, how did you kinda start your podcast journey? What

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led you into wanting to do a podcast that helps

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teach English communication around the world? Yeah. Well, it was 2013.

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It was very early days for podcasting when I started. Out there. Yes.

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More than ten years ago now. I had been teaching English around the world. I

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had lived in Japan. I had lived in South America. I had lived in New

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York City, just teaching to adults, to global professionals who

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wanted to improve their career opportunities and live abroad. And

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so I thought we needed a tool like this. I saw that classroom

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learning doesn't always work, especially the way it was being done around the world,

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and I thought that we could use technology. At the same time, podcasting was starting

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to become popular kind of on the fringes

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still, but I could see it was it was going somewhere. So the two kinda

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came together, and that's when we launched in 2013.

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Very cool. I'm curious. What is it that is being done in the

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classroom that you saw and you were like, there's a better

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way? Yeah. Well, you know, when I got hired to work in

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Japan, I worked for a conversation language school, and those types

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of schools cropped up due to the, practices that

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were happening in schools that students had been going through. Essentially, in

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Japan, you memorize the way you learn to read is by

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memorizing kanji. Right? You memorize 2,500

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kanji characters. So what I think was happening, and maybe still is, I'm

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not sure, I hope it's gotten better by now, is a memorization.

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Right? And I don't think languages are meant to be memorized. The reason

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you learn a language is for human connection. That's our entire philosophy at

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All Our English. And so it's taken in isolation. It's taken,

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like, doing math problems or memorizing Kanji

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characters. And there's not a lot of speaking in the classroom. There's not a lot

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of listening. It's mostly writing and reading. So students aren't

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ready. When they get to the, you know, business level, they're just not ready to

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perform in English and connect. So how did you look

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to improve upon that through the podcast? Yeah. What we did, our format is

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is still kind of different from what you see. There there's a lot of new

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podcasts lately that are great that have cropped up. But at the time, when we

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launched, we were one of the only, double hosted

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shows. So we always have two hosts. So that's what we do. That's one thing

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that's very important because students wanna learn conversational skills,

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and you're not gonna learn back and forth conversation, unfortunately, with one

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host as well. And so we give them we let them

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see two hosts coming back and forth with each other, the chemistry,

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the connection. How do I comment on what someone said? How do I tell a

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story? How do I interrupt politely, but in a realistic

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way? We give them a % real English, which is what they're looking for.

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We don't edit our show very much, to be honest. Why

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do you think that it has taken off from

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there? So you you started doing this in 2013. You have this

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background in teaching English around the globe. I imagine your co

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host also, you have a similar background teaching English to to folks all around the

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world. What was it that when you were starting to do

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your podcast that you thought maybe this will help? Maybe this

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will, you know, help us find some success or more importantly,

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this is gonna help our audience find success. What were some of those tactics

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and, you know, things you put in place early on? Okay. So in terms of

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tactics, one of the good early decisions we made was the

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color of our cover art. Couple things. The cover art is huge. When you first

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launch, that's all people have to go on, is what your podcast looks

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like. We decided to go with a bright color, and it's still we still use

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a bright yellow, and that's always helped us stand out. It's a very simple

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thing. If everyone starts using yellow, then no one will stand out anymore,

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but, you know, it pops right on the screen.

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And we definitely got the word out. As soon as we launched, we announced it

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to our networks. We we weren't shy about saying, hey. We're launching a

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podcast. You know, sometimes people are a little shy about their work when they launch.

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They'll let me publish 10 episodes, and then I'll let people know about it if

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people like it. No. You just go go for it from the beginning. Friends and

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family. Right? They can share it with someone else. And we know that, you know,

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in terms of how you get more downloads, especially in

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Apple Podcast. You wanna get more followers, more people to follow your show, and this

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leads to more downloads. And the more you get in a short period of

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time, the more that will lead to. So it becomes like a positive

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snowball effect. We also put ourselves on the cover,

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and and this is not very revolutionary now, but at that time it was, especially

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in my industry. So at that time, not a lot of ESL

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teachers or EFL podcasts were actually putting their

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faces on the cover. It was much more of a trying

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to stay professional, staying behind the

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scenes. We actually didn't have this

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whole vibe of professionalism. We had more of a fun

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vibe to what we were doing. And so I guess the lesson for your

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listeners here is look at what people are doing in your industry and try

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to do something a little bit different. You know, what can you do? What is

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the standard of what people are doing and what might your audience want

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that could be slightly different, a different format, different way of presenting the cover

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art, a different yeah. Just a different way of conceiving of the

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show. I wonder why folks in your industry weren't putting themselves on the

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cover. I mean, for for those listening who who are wondering why is that so

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important, you know, for many people when they see actual faces,

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actual people on the cover, it makes the content more relatable, more

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personal, it makes them want to more engage with them. So, you

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know, understandably, putting you and your co host on the cover, you're real people now,

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someone who, you know, probably garners more interest than just

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the nameless, faceless, you know, podcast cover art.

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But I'm curious why you think others in your space weren't doing that, if that

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was a conscious choice or, like you said, just, revolutionary at the

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time. Yeah. I don't know. I think podcasting kinda came up from the

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tech world. Right? It was kind of a techie thing in the beginning.

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Maybe it was people that were just more comfortable with their voices, which

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is fine. It's their own style, their own personality.

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I think maybe people didn't seem see it as being as

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performative as we saw it as we see it now, as we saw it.

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Maybe they thought, I'm teaching English. I don't need to be a character.

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You know what I mean? I don't need to be a personality. And we see

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it as more we're personal we are our true personalities for the most part on

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the show. We share things from our lives, but I think a lot of

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teachers separate maybe their personal lives from

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the teaching, at least in the classroom. So maybe that was the thinking.

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I don't know. I mean, it's not that everyone was not doing that, but

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the majority weren't. And so I think that's a big way that we stood

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out. Alright. And, love the the

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use of yellow. Previous guest, Harry Duran, also on here talking about his show and

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the use of yellow and how he made that stand out now. That was a

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a big part of his brand. So certainly advice we've seen before, although,

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like you said, if everybody goes yellow, though, it won't be as, impactful.

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So don't just go yellow, but, you know, right, try to stand

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out is really the key. So looking at the All Ears English podcast, you are

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up to, it looks like, almost 2,300 episodes. Am I am

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I looking at that correct? Correct. Yeah. That's totally correct. I mean, we do five

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episodes a a week, and we've never missed an episode.

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We've been going since 2013. So if you do the math on that, we we

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bumped up from four to five just about a year ago. So

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How did you how do you keep that pacing,

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that stamina? Are you just recording every single day, or

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are you doing, you know, like, blocks of recording? Right? Recording a week or two

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weeks at a clip? Yeah. No. We definitely don't record every day. It's not

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easy. And you do have to you know, when you hire your team or when

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you recruit your cohost, however you wanna set up your your podcasting

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team, you need to make it clear that this is how we do it. So

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our team, my team, they know that we publish five days a week. It's

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nonnegotiable. It's not if we feel like it. It's not if we're

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inspired. There is a system that makes sure we get that done five

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days a week. And the way we do that is we do chunk

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and block off recording times each week. So I have, first

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of all, I have I've just had one person leave the team. So

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currently, we have four of us. There sorry. Three of

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us who are on three different podcasts. It's ideal to have four or

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five for for three podcasts so you have extra people,

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extra combinations. However, we've got three for three

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podcasts at this point, so we will be actually looking to hire a couple of

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new cohosts to join the team this spring, just kind of a side point.

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However, yeah, we set up a system where I record twice a week

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with one cohost. We do about two and a half hours on a Wednesday

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morning, and then Thursday afternoon, I record two and a half hours with a second

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cohost. And that other cohost records two and a half hours

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with the fourth cohost on a sec a separate

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date. So that creates enough content for to keep us about a week

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or two ahead. When people need to go on vacation,

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we we record in advance, and we have a

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system. Our editor gets the files. Our VA

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puts the files in, you know, in the host, in megaphone.

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Everything is kind of systematized. So the only thing I really do

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is record the podcast and the WIFMs and the titles, and

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every the team does the rest for the most part.

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Gotcha. And I like that, like, round robin system where everybody has a little bit

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of a chance to work with everybody else on the show and kinda creates a

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little bit of variety. So having done this since 2013, I'm curious,

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what are some of the the new tools or the new tactics

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that have come along that you think have

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changed the game or that you have found to be most

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impactful in whether it's, you know, the sustainability

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of the show, right, being able to keep it going for as long as you

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have, or in the show's success. You talk about

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having, you know, almost 2,000,000 followers of your show in

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Apple Podcasts and whatnot with, you know, 4,000,000 downloads a

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month, nothing to, you know, nothing to shy away from.

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What do you think are some of the things that have helped you along the

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way, to reach those those levels? Yeah. I mean, so

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we do about 4,000,000 downloads a month. And on our other shows,

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the other shows are a little smaller. They do between

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205 downloads a month, I believe. And

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one Oh, so poultry not it's terrible. So

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one thing that we've done that we've started doing the last two years, and we

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saw I think we saw about 25% growth between

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2023 and 2024, not in downloads, by the way. It's

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important to note that in verified listeners. And that is the metric that the

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industry is is starting to actually look for and look at.

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And that's really important because downloads are not a great metric. It's

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currently the metric for advertising, and it's it's where the industry is, but we

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will move over time over to verified listeners. We've seen that kind of

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growth because we do a monthly we call it a

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relaunch. So we have three shows. Every month, we choose one

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show, and we relaunch it, quote, unquote. Just means we promote it. And what

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we do is we use the other shows. Right? So we do

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a feed drop on the other

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shows to drive to the show being promoted. Feed drops are the

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most effective thing we've seen. We don't track them

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anymore, but we tracked them for two years on Charitable, and they

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work really well, especially if there's a match with the audience. And,

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obviously, with us, it's a network around ESL and so different

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subcategories of ESL, but it makes sense. So if you have

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that kinda match and you do that, it act actually really works well.

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Very nice. What would you say were some of the other things that you have

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done to help grow the show? Or I I guess, like you

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said, it's less about growth and more just about, like, have found success with the

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show. Yeah. Well, I mean, dynamic ad insertion has been a huge

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surge forward for the entire industry.

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We migrated our show to megaphone. We started

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dynamically inserting ads and promos, by the way,

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promoting we're reminding people to hit follow, which is huge, huge,

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huge. Reminding people to check out that other podcast,

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right, which is a tool we utilize in our relaunch plan every month.

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So dynamic ad insertion is a big deal as well as monetizing the show

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with sponsors, which we started doing. We started doing it in 2014,

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and then we stopped doing it, and we came back to it in

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2021. And so I I think in terms of the

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industry at large, dynamically inserting your ads and your promos is

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a huge deal. I'm sure because of the the content that

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you talk about, you know, you get lots of people who, one,

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right, they see your success and they wanna ask you questions, but, two, you probably

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have folks who are going through your courses and thinking, well,

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now that I'm more comfortable with the language, now I wanna do something.

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Is there advice that you give out or there,

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you know, common questions that people are asking you about podcasting that you find

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yourself answering all the time? Yeah. For sure. So questions about launching

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and, you know, what should I do when I launch. One thing that we did

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that I I think still works, and we did this when we launched our most

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recent recent show, which was business English in 2022,

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is launched with a number of episodes already in your queue. Because if you think

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about it logically, you're probably a podcast listener. We're you know,

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makers of podcasts are also listeners of podcasts. Right? Hopefully.

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And you know that when you find a new show and it's just a trailer

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or it's just one episode, it's really disappointing. And you're much less likely

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to hit follow because you just don't know if you wanna hit follow and add

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that show to your your real estate in your in

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your queue because you don't know if you really like that show yet. So

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what we do is we launch with, you know, six to 10 episodes

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already in the queue for them to see if they like the show, and then

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we really push, please hit the follow button, hit the follow button to make

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sure you don't miss an episode of the show. I wonder

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too if, you know, for a while there, people would say you put

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three to six episodes in the queue, and that's because it triggers

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more downloads and therefore gains the algorithms and convinces people you're

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more successful. But I wonder too if when you launch with 10 shows, if it

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makes people feel like you've been around longer than you have. It kinda gives

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them, like, confidence that this is a show that is

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you know, it exists. It is, already

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established. It's obviously sustainable. They could do this much content. Do you

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you think any of that might play into the psyche as well? For sure. And

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you also hone your message. I mean, to be honest, that's my next tip, and

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this is why this matters. Frequency of publishing, there's there's a use for it in

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the sense of you'll figure out your voice. You're not gonna find your voice on

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episode one. Right? We found our our trademark,

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and it's more than a trademark. It is a it is a value. It is

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the reason we work on this show, and it is connection, not

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perfection. And we trademarked the phrase, but we also say it in every

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episode. Connection not perfection. And

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as it applies to language learning and also broadly life, and it works

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because everyone can relate to that. Everyone says, yeah. That feels right. I

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want connection. I'm I'm always torturing myself over trying to be

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perfect, and we just show them how to do it in language learning.

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So it's like a evolutionary thing. If you can find a

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a message that you really believe in, but you're not gonna find

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it on day one. You're gonna find it on episode 55, right, or episode

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a hundred two. So that's why there is something to be said for publishing more

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frequently, and you're just getting everything out, figuring out what you

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actually believe when it comes to your industry. What is your unique

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angle on your industry? You can't find that by sitting and

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thinking about it. You have to talk through it. At least that's the way

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I to I figure things out is by talking through things.

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I I am exactly the same way. Somebody will ask me a question and I'll

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be thinking around as I'm talking, I'm solving the the the

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problem, like, as I'm speaking. Must be a podcast. Nextion

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Not Perfection. You know, well yeah. I Nextion Not Perfection,

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I think, is great especially in in, you know, teaching folks language. Right?

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It's we communicate with so much more than just our words.

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And if you can build up a good connection with somebody, even

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if you don't have a perfect grasp of the language, you can communicate what it

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is you're trying to say and hopefully work through it and build a relationship and,

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you know, build that that that communication, that strength, that connection.

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So I think that's I love that phrase and, damn jealous that you

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trademarked it. We are chatting with Lindsey McMahon, CEO of All Ears English and the

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cohost of the All Ears English podcast. You can learn more about that at

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allearsenglish.com and a bunch of other spots which we'll have links

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to here in the show notes. Lindsay, before we let you go, we have a

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few questions I'd like to ask everybody in the show. Alright. One, since you've been

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in the space for so long and you've probably seen a ton of improvement, but

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I'm wondering, is there another spot in podcasting that you would like to

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see improved, whether it's from the creation,

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distribution, even the listening consumption discovery side? Is there one thing where you're

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like, god. I wish podcasting did this better. I

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think I would like to see and I think there are always,

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you know, new software tools cropping up, but around getting

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people introduced to each other, I think that's how we met on

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PodMatch. Right? So tools where you can I'm not sure if we met maybe we

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met on there. I'm not sure. But ways that you can meet other podcasters

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yeah. Because guest guest hosting or guesting rather, being a

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guest on another show really helps your show grow. That's one of the strategies

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that, I didn't mention, but it's really it's an important way that we

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grew. So more software and more websites cropping up to

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introduce so that people can be introduced to each other that might

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add mutual value to each other's shows. I'd like to see more of that.

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You can never have enough of that, to be honest.

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I couldn't agree more. And by the way, if you're curious about PodMatch, which

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is the platform that Lindsay and I were able to connect on, we'll have a

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link to it here in the show notes below. Check it out. Alex, who was

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a previous guest on the show, just put together a fantastic platform,

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continues to improve it all the time and well worth the time and investment

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there. You you kind of alluded to it, but my second question is, is there

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any particular tech on your wish list, like, something

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that's already out there that you you just haven't pulled the trigger on

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or something you're like, god, I wish somebody would make this so that I can

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do my job better, hardware, software, anything in between?

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Well, I don't if any of your listeners, use

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do video to go along with their podcast or if they do any

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filming on the side, if they sell courses, that kind of thing, I just

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bought a teleprompter, and it's called prompter. So I

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haven't taken it out of the box yet, but I have a feeling there's a

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major that this Elgato? Yeah. Elgato teleprompter. So I'm not

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gonna endorse it yet because I haven't used it, but I got a lot of

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good recommendations for it. So I am looking forward to using that. There

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is a problem that we have where we film a lot of, VSLs,

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video sales letters, a lot of intro videos because we sell courses as

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part of how we make money in our brand.

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And it's really cumbersome having your notes on

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a piece of paper that you have to get get up every, you know, five

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lines and then tape up a new piece of paper. And it's

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just it's just very slow. It's a slow process. So I'm looking

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forward to trying this teleprompter. I would also like

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some really, I would like more technology around rec recording

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like this. We've tried Riverside. We've tried SquadCast. They're all decent programs.

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We're on StreamYard right now, but I would just like to have more options.

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You know? You can never have too many options, like I said.

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That is very, very fair. And, yeah, I I I

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got that prompter. I love what it can do. I love its capabilities.

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What I'll say to anybody listening who's thinking about it, it works best if

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you have the right cameras for it, whether that's a really good DSLR

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camera with a lens or Elgato's actual webcam,

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right, they have plates that are built to make it work better. I've tried it

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with a few others that weren't a % compatible and what I got was a

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lot of glare on the screen and and not a great picture, but the the

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prompter itself worked great and whether you're using it to

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read text on the screen while looking directly into the camera or even just

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using it to interview someone where you can see them. You're doing a a an

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amazing job with eye contact on the camera, so I'd be curious about your

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setup later. But, you know, for a lot of folks like me, my camera's here,

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but, like, you're over here, and so it's I look a little shady,

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or shifty, so to speak, but, the prompter definitely can help, with

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those things. And, you know, we'll throw a link to that here in the show

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notes as well. And then, you know, like you said, people who create podcasts are

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also big listeners. Any shows on your playlist,

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like, you know, when a new episode drops, stop what you're doing, you're gonna

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listen to it, or you're never gonna let a new episode get by? Yeah. I

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mean, I like, Professor G. I've been listening to that

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lately. Scott Galloway publishes some interesting

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content. I also listen to, like, science, health, and

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nutrition podcast like Zoe. It's called z o e. It's

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a, I think, a British host. I listen to

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Vox. What is it? Today Explained. Not Vox. It's

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Today Explained. Yeah. And I also listen to the, you know, the

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journal and the daily. So I'm

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a major podcast listener for sure. But right now, I don't have a show that

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I'm incredibly passionate about. So I'm on the hunt for a new

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one. Very hooked hooked on, for sure. You hear that

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podcast? There's another listener, available to be, to be your,

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you know, huge fans. That's right. Made some good content here for Lindsay.

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Yep. Lindsay McMahon, CEO of All Ears English and the co host of

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the All Ears English podcast. Been doing it for over

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ten years. Amazing stuff. Keep up the great work, and thank you

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for joining us today. Well, thank you, Matthew. It's been great chatting with you today.

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I appreciate it. Thanks for joining us today on Podcasting

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Tech. There are links to all the hardware and software that help

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power our guest content and podcasting tech available in the show

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notes and on our website at podcastingtech.com. You

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can also subscribe to the show on your favorite platform, connect with us on social

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media, and even leave a rating and review while you're there. Thanks, and we'll

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see you next time on Podcasting Tech.