1 00:00:00,001 --> 00:00:12,640 Hey everybody, welcome to Podcast Answers. The show where I help people start and grow 2 00:00:12,640 --> 00:00:18,620 their podcast answering all sorts of podcasting questions along the way. And we are doing 3 00:00:18,620 --> 00:00:27,360 it again. We are going to be talking tonight about the Rodecaster video. It is a 100% new 4 00:00:27,360 --> 00:00:33,300 device and so I'm answering all sorts of questions about that. To be fair, to be honest, I do 5 00:00:33,300 --> 00:00:38,520 not have one of these in my hand. I am using Ecamm to do my video now. But I will be talking 6 00:00:38,520 --> 00:00:44,960 about what is the Rodecaster video? Should you get one for your video productions and 7 00:00:44,960 --> 00:00:50,000 podcasting and things like that. So stick with me, we are going to be talking all about 8 00:00:50,000 --> 00:00:56,040 it. We're going to be talking all about how to do it, how to use it, what it is, what 9 00:00:56,040 --> 00:00:59,240 it is not and should you get one. 10 00:00:59,240 --> 00:01:05,320 So Rode released this device just last week. They announced it last week and it's available 11 00:01:05,320 --> 00:01:13,280 for purchase right now at B&H only. But it is... What is it? It's a video switcher, a 12 00:01:13,280 --> 00:01:19,860 hardware video switcher and kind of a Rodecaster combined. And so what do I mean by that? There's 13 00:01:19,860 --> 00:01:26,080 this... So a hardware video switcher, if you're not... I'm going to break it down super simple because 14 00:01:26,080 --> 00:01:31,540 you may or may not even know what a hardware video switcher is. And so I want to touch 15 00:01:31,540 --> 00:01:37,260 on what a hardware video switcher is first and then we will talk a little bit about what 16 00:01:37,260 --> 00:01:38,260 the Rodecaster is. 17 00:01:38,260 --> 00:01:44,820 So hardware video switchers are literally that. There are hardware that you can plug 18 00:01:44,820 --> 00:01:53,840 your cameras into. That may be a HDMI in, that may be a SDI in. It could be a lot of 19 00:01:53,840 --> 00:01:59,640 different things, but it's a separate video hardware that's specifically designed for 20 00:01:59,640 --> 00:02:01,560 video switching. 21 00:02:01,560 --> 00:02:07,240 And what it allows you to do is take all of your inputs and switch cameras. It's what 22 00:02:07,240 --> 00:02:13,040 you would do if you were live TV broadcasting. It's what you would do if you were creating 23 00:02:13,040 --> 00:02:20,520 video podcasts. That's what it is. So there's that. There's such thing as a video hardware 24 00:02:20,520 --> 00:02:25,640 switcher. And then there's a software video switcher. And that's what I'm using tonight 25 00:02:25,640 --> 00:02:27,040 with an Ecamm. 26 00:02:27,040 --> 00:02:31,880 So in Ecamm, I have several different scenes set up. I could bring my guests on if I had 27 00:02:31,880 --> 00:02:40,080 guests, I could have separate scenes and things like that. Now that's all done in software. 28 00:02:40,080 --> 00:02:49,800 And so my computer is not a dedicated video device. And so I have to have dongles and 29 00:02:49,800 --> 00:02:58,720 adapters and things to get my video into the hardware or into the computer. 30 00:02:58,720 --> 00:03:04,320 And so there's different advantages on both. So if you have a dedicated video hardware, 31 00:03:04,320 --> 00:03:09,920 that's what it's for. It's easy because that's all it does. Whereas with a computer, you 32 00:03:09,920 --> 00:03:14,280 could have something going wrong, you could have a different app taking up lots of memory, 33 00:03:14,280 --> 00:03:20,560 you could have lots of different things. And so what what road release was is so that they've 34 00:03:20,560 --> 00:03:25,720 had a for about a year now they've had another device called the streamer X. And essentially 35 00:03:25,720 --> 00:03:32,480 what that is, is it allows you to take a camera in and use it as a webcam and you can you 36 00:03:32,480 --> 00:03:34,560 can mute and you can do all sorts of stuff like that. 37 00:03:34,560 --> 00:03:42,720 It's a very simple, very simple capture card. And so what they've done is this year they've 38 00:03:42,720 --> 00:03:51,820 released the road caster video. And it is essentially a road caster streamer X on steroids 39 00:03:51,820 --> 00:03:56,320 plus kind of a road caster because so what it has, so this is just explaining the hardware 40 00:03:56,320 --> 00:03:57,320 here. 41 00:03:57,320 --> 00:04:04,600 It has six video inputs. And with those six video inputs, what it allows you to do is 42 00:04:04,600 --> 00:04:10,240 it allows you to it brought one up on screen here. So the six video inputs, so this is 43 00:04:10,240 --> 00:04:14,040 the hardware piece right here, but the six video inputs, what it allows you to do is 44 00:04:14,040 --> 00:04:22,040 it allows you to take six different cameras in and so that's four HDMI inputs. 45 00:04:22,040 --> 00:04:27,680 So if you have four different HDMI cameras, you can bring those in. And then it also has 46 00:04:27,680 --> 00:04:35,440 two USB C inputs for UBC video. And so what that allows you to do is bring some like your 47 00:04:35,440 --> 00:04:42,180 webcam or actually really just webcams in really. So you could have two webcams in and 48 00:04:42,180 --> 00:04:51,120 for HDMI inputs. And it allows a video in frame rate of 1920 by 1080. So no 4k. I've 49 00:04:51,120 --> 00:04:58,200 seen lots of people complain about the 4k not having 4k, things like that. Really, I 50 00:04:58,200 --> 00:05:03,920 don't think it's a big deal. It's 1080 P only but so video in frame rate is going to be 51 00:05:03,920 --> 00:05:16,200 10 at ADP 19 says 1920 by 1080. And then the frame frame rate is 23.97 2425 29.7 30 50 52 00:05:16,200 --> 00:05:23,840 9.94 and 60. And then it can do a video out frame rate of 1920 by 1080 at 24 frames per 53 00:05:23,840 --> 00:05:29,680 second 25 frames per second 30 frames per second 50 frames per second and 60 frames 54 00:05:29,680 --> 00:05:38,200 per second. And then it also has two HDMI out. So if you wanted to go to a TV, you could 55 00:05:38,200 --> 00:05:42,440 do that if you wanted to go to something like a video capture card somewhere else, you could 56 00:05:42,440 --> 00:05:50,200 do that. You can have one of your video outputs as the multi can or the multi view. Essentially, 57 00:05:50,200 --> 00:05:55,560 that'd be program preview. And then all of your separate inputs. So you can kind of see 58 00:05:55,560 --> 00:06:02,800 again, this is really meant for like doing video switching live. So more of like an event 59 00:06:02,800 --> 00:06:11,040 than something pre programmed. Now I say that but something in E cam allows you to E cam 60 00:06:11,040 --> 00:06:19,000 has essentially what they call like a it's a camera. It's called a camera switcher. So 61 00:06:19,000 --> 00:06:24,040 if you're if you're looking here at this, you see all of the different camera inputs 62 00:06:24,040 --> 00:06:29,120 here and you could switch between them and essentially do like a multi cam input if you 63 00:06:29,120 --> 00:06:35,480 really wanted to, but it's not necessarily designed to be set up like that for like, 64 00:06:35,480 --> 00:06:41,000 live production. But again, you can lots of people use it for live production. You can 65 00:06:41,000 --> 00:06:46,000 set up E cam pretty much the way you want to but this this video is not about E cam, 66 00:06:46,000 --> 00:06:51,760 right? This video is about the this video, this podcast episode is about the roadcast 67 00:06:51,760 --> 00:06:57,840 or video and what it is. So again, I said it had two HDMI out and then it also has USB 68 00:06:57,840 --> 00:07:02,840 out too. So that can show up as a webcam. So again, if you wanted to bring that into 69 00:07:02,840 --> 00:07:10,080 something else, like E cam or like zoom or whatever, you could bring your production 70 00:07:10,080 --> 00:07:16,940 out of the roadcast or video into something else on your computer to actually send it 71 00:07:16,940 --> 00:07:21,400 out to the world, you know, whether that be straight streaming, YouTube, whatever. But 72 00:07:21,400 --> 00:07:28,380 it does allow you to do so. So it has a couple different things. You can you can record locally 73 00:07:28,380 --> 00:07:36,080 on the device with a thumb drive or something stand alone like that. So this would this 74 00:07:36,080 --> 00:07:40,320 would be something where you you go to your hard drive, you're recording it, you have 75 00:07:40,320 --> 00:07:46,640 a separate hard drive for it. Unlike the roadcaster Pro, the roadcaster to pro or the roadcaster 76 00:07:46,640 --> 00:07:54,800 duo, that output goes out onto an SD card. Now this roadcaster video does have an SD 77 00:07:54,800 --> 00:08:03,220 card slot on it. But that's not for your produced video files because video can get fairly large 78 00:08:03,220 --> 00:08:07,760 and so they don't you don't want to go out necessarily onto an SD card for that. But 79 00:08:07,760 --> 00:08:11,440 you can go to a thumb drive something that you can get a bigger, you know, terabyte, 80 00:08:11,440 --> 00:08:17,700 two terabyte storage and so you can do that. You can also go live directly to like an art 81 00:08:17,700 --> 00:08:24,840 TMP ingest. So YouTube, Facebook, rumble, Twitch, all any of those things that have 82 00:08:24,840 --> 00:08:30,820 an art TMP input on them where you can stream to them. You can stream right off of this 83 00:08:30,820 --> 00:08:35,360 roadcaster video, you can stream right to that so you can stream and record at the same 84 00:08:35,360 --> 00:08:41,600 time the SD card that's on it. I did mention it does have an SD card like the roadcaster 85 00:08:41,600 --> 00:08:46,520 pro and the roadcaster duo. The SD card on it though is for assets only. And by that 86 00:08:46,520 --> 00:08:54,000 I mean, overlays and backgrounds and things like that. So it also has this is where I 87 00:08:54,000 --> 00:09:00,040 was saying it kind of is like a roadcaster duo or roadcaster pro because it has two XLR 88 00:09:00,040 --> 00:09:05,380 is in and out. And those are the I don't want to even say XLR is there the Neutrix combo 89 00:09:05,380 --> 00:09:13,980 jacks. So you could do two XLR cables, you could do two quarter inch inputs, you could 90 00:09:13,980 --> 00:09:20,160 do XLR and a quarter inch input because it is their combo jacks. You can use use either 91 00:09:20,160 --> 00:09:25,140 ones. They have the same revolution preamps that the roadcaster pro does. And that's 92 00:09:25,140 --> 00:09:30,840 really cool because the road the revolution preamps are amazing guys. You can drive a 93 00:09:30,840 --> 00:09:35,620 SM7B off of it without the cloud lifter and things like that. So it's amazing because 94 00:09:35,620 --> 00:09:41,960 you can you can use those those inputs pretty easily and pretty universally. It has two 95 00:09:41,960 --> 00:09:45,660 headphone jacks on it. So again, if you're used to the roadcaster pro or the roadcaster 96 00:09:45,660 --> 00:09:51,120 duo, actually, let's go with the duo because it's more like a duo than a pro. It has two 97 00:09:51,120 --> 00:09:57,060 headphone headphone jacks on it. So again, if you are at a doing a podcast, a video podcast, 98 00:09:57,060 --> 00:10:01,720 you can plug right into that and listen to your headphones, you can have your other co 99 00:10:01,720 --> 00:10:07,980 hosts having headphones on and hear it. Then it also has to monitor out so or a monitor 100 00:10:07,980 --> 00:10:13,860 out so a stereo monitor out. So if you wanted to do something along the lines of monitoring 101 00:10:13,860 --> 00:10:18,960 your video, you had audio playing from it, you could you could have studio monitors there. 102 00:10:18,960 --> 00:10:25,120 Now, the way that you control this thing is there's buttons on it. So if you're used to 103 00:10:25,120 --> 00:10:31,680 the ATEM line of things like ATEM Mini, Xtremix, ISO, whatever those things they look, they 104 00:10:31,680 --> 00:10:36,520 look similar. They're flat, it's a little panel and it has the buttons on it, it has 105 00:10:36,520 --> 00:10:43,320 two rows of buttons. And so what the buttons are handy for is the very bottom row of buttons 106 00:10:43,320 --> 00:10:48,200 is just a switch between your camera inputs. And so if you just want to do a straight shot, 107 00:10:48,200 --> 00:10:51,720 you know, between your cameras, you just want to switch between cameras, you can push those 108 00:10:51,720 --> 00:10:58,280 bottom buttons and it does a full frame full video camera switch. So it's just the whole 109 00:10:58,280 --> 00:11:05,060 the whole thing, it's just going to switch it straight up. And it's going to switch between 110 00:11:05,060 --> 00:11:09,880 those those those sources, it's going to switch between sources. Now the second row, the row 111 00:11:09,880 --> 00:11:16,240 that's on top is for scenes. And you can so you can set up scenes and this is where this 112 00:11:16,240 --> 00:11:22,200 device becomes really cool. Because if you're familiar with the ATEM line, you really can't 113 00:11:22,200 --> 00:11:28,120 do a whole lot with it. Really, it's just, it's just a big video switcher, but you can't 114 00:11:28,120 --> 00:11:34,040 do all the fancy things. It's more along the lines of like the ATEM line. Think of it more 115 00:11:34,040 --> 00:11:37,200 of a I don't want to say professional because I don't want to I don't want to set this apart 116 00:11:37,200 --> 00:11:42,880 between professional and non professional because they're both professional devices. 117 00:11:42,880 --> 00:11:47,700 But the ATEM is more for like where you're just going to do switching between scenes, 118 00:11:47,700 --> 00:11:52,480 you're not going to do any fancy graphics on it and things like that. The roadcaster 119 00:11:52,480 --> 00:11:59,960 video is 100% different, because you can build scenes on it. You can kind of have they have 120 00:11:59,960 --> 00:12:04,860 pre built templates in there. So you can say okay, camera A is big camera B is littler 121 00:12:04,860 --> 00:12:10,020 and then it has this background or you can build your own scenes, you can just add an 122 00:12:10,020 --> 00:12:16,140 input and put it there and place your cameras wherever you want them. You can load graphics 123 00:12:16,140 --> 00:12:21,680 off the back or off the SD card so that you can have your branded background on it like 124 00:12:21,680 --> 00:12:26,620 similar like what I'm doing in a cam if you're watching the video right now. I have a background 125 00:12:26,620 --> 00:12:32,280 and I have a lower third bug that's going on as his podcast answers. It's similar to 126 00:12:32,280 --> 00:12:37,720 that. Whereas you can bring that in in the roadcaster video. So you can't do that necessarily 127 00:12:37,720 --> 00:12:46,700 in the ATEM line of of video switchers, but you can in in this and so it's really easy. 128 00:12:46,700 --> 00:12:53,820 So if you've ever used anything like a roadcaster pro or anything else by road you've more than 129 00:12:53,820 --> 00:12:59,560 likely used road central road central is the app that they use to control all of their 130 00:12:59,560 --> 00:13:05,760 devices. So if you have the wireless pro mics, you can get the you can set a lot of settings, 131 00:13:05,760 --> 00:13:09,800 you can get the recordings off of it, things like that. Your roadcaster pro allows you 132 00:13:09,800 --> 00:13:15,500 to configure it, get your recordings off of it, things like that. This is the same thing. 133 00:13:15,500 --> 00:13:23,900 So you plug it in and you turn the roadcaster central app on and it allows you to really 134 00:13:23,900 --> 00:13:28,880 configure this. And so to configure it, you go in there, you can build your scenes, you 135 00:13:28,880 --> 00:13:34,040 can you can do a lot of things now. You can you can I mentioned multi view earlier and 136 00:13:34,040 --> 00:13:37,560 you can set one of your outputs to be multi view, but you don't necessarily have to because 137 00:13:37,560 --> 00:13:43,240 if you have the road central app open, you can see the multi view right there. And so 138 00:13:43,240 --> 00:13:47,600 it's really cool because it allows you to kind of see your multi view on your computer. 139 00:13:47,600 --> 00:13:51,480 Again, you don't have to have a computer to run this thing. If you're taking this in the 140 00:13:51,480 --> 00:13:57,360 field and you have a monitor, you can just hook the monitor up, see the multi view. It's 141 00:13:57,360 --> 00:14:02,160 it's great for doing traveling shows and things like that. But you can if you don't have a 142 00:14:02,160 --> 00:14:07,520 separate monitor, you can hook it right up to your computer, open up road central and 143 00:14:07,520 --> 00:14:13,560 you see the multi view. You can adjust. Now, again, the downside of this is I say it's 144 00:14:13,560 --> 00:14:19,160 like a roadcaster duo, but it does not have the sliders and the faders on it like that 145 00:14:19,160 --> 00:14:25,160 does. So if you're a person who adjusts the volume a lot during the show, it's going to 146 00:14:25,160 --> 00:14:28,560 be a little bit harder for you to do this on the roadcaster video because it does not 147 00:14:28,560 --> 00:14:35,960 have any physical sliders on it. But it does have it you can do the menus, you can adjust 148 00:14:35,960 --> 00:14:39,160 the volume. But again, you're probably not going to be doing a lot of that during your 149 00:14:39,160 --> 00:14:44,240 broadcast. You're going to do your pre show check and make sure your levels are good. 150 00:14:44,240 --> 00:14:48,680 And then you're probably going to be forget it. But if you have the road central app and 151 00:14:48,680 --> 00:14:57,840 you open the road central app up, you will see road central and the multi view and you 152 00:14:57,840 --> 00:15:03,640 can adjust the sliders right on there. Now, one thing I didn't mention yet is so I mentioned 153 00:15:03,640 --> 00:15:11,960 it has two XLR inputs, but it also allows you to hook to wireless devices up. So this 154 00:15:11,960 --> 00:15:17,320 is the wire, just like the roadcaster pro, the roadcaster duo. If you have those, you 155 00:15:17,320 --> 00:15:23,440 can hook up the wireless me, the wireless go, the wireless pro, all of the newer generations 156 00:15:23,440 --> 00:15:29,880 of the road wireless mikes, the interview pro, those you can all hook up to this device 157 00:15:29,880 --> 00:15:38,400 wirelessly. So really, you could have four audio inputs because you could have two coming 158 00:15:38,400 --> 00:15:44,360 in from the combo jacks, so XLR or from recorder and check, but then you could also have two 159 00:15:44,360 --> 00:15:49,080 wireless mikes in on it too. So that's great, because if you wanted to do something like 160 00:15:49,080 --> 00:15:56,000 a interview show and you had your your host and your guests sitting at a table far away, 161 00:15:56,000 --> 00:16:02,200 they can use the wireless mikes and not have to be hooked directly into the video system. 162 00:16:02,200 --> 00:16:09,080 It's nice. Now, one other thing that is really kind of cool about this that I was a little 163 00:16:09,080 --> 00:16:13,440 bit like, OK, this is weird. I mean, I don't quite get it when they were announcing it, 164 00:16:13,440 --> 00:16:18,160 but I now the more that I think about it, the more I like it. So you can add a roadcaster 165 00:16:18,160 --> 00:16:27,060 pro or roadcaster duo and add extra inputs. So I mentioned that it has the two USB in. 166 00:16:27,060 --> 00:16:30,700 It allows you to do essentially the same thing as a roadcaster. You know how the roadcaster 167 00:16:30,700 --> 00:16:37,620 pro has the USB one and USB to this device essentially has the same thing on it. However, 168 00:16:37,620 --> 00:16:44,860 if you take one of your roadcaster pro roadcaster duo USB outputs, you can hook that into this 169 00:16:44,860 --> 00:16:53,100 video device. So then essentially you have. Four four XLR jacks on your if you have a 170 00:16:53,100 --> 00:16:59,100 roadcaster pro, you have those four inputs and then you have two inputs in the video. 171 00:16:59,100 --> 00:17:04,520 So you could actually do six XLR inputs if you wanted to. You would mix your audio from 172 00:17:04,520 --> 00:17:10,680 the four on the roadcaster pro. Bring that in as one channel into your video. And then 173 00:17:10,680 --> 00:17:16,940 you have two other channels of audio that you can bring in from the roadcaster video. 174 00:17:16,940 --> 00:17:23,180 So really, it's it's kind of an amazing device. Now, I say that, but there are caveats. There 175 00:17:23,180 --> 00:17:27,920 are there definitely are times that you would want to use this device and times that you 176 00:17:27,920 --> 00:17:35,960 would not want to use this device. And here's here's where I'm going with this. Right. Okay. 177 00:17:35,960 --> 00:17:42,260 Who is this for? It's for creators on the go. It makes it really easy if you have your 178 00:17:42,260 --> 00:17:49,860 camera and some some maybe more two cameras, you can plug it in. If you have two USB cameras, 179 00:17:49,860 --> 00:17:54,360 you can plug it in. And it would be really easy to kind of just go. Let's say you were 180 00:17:54,360 --> 00:18:02,540 going to a show floor, you're going to maybe work from your hotel room, something like 181 00:18:02,540 --> 00:18:06,740 that. It works great like this. It takes out the separate computer, having to have a separate 182 00:18:06,740 --> 00:18:11,460 computer, having to have, you know, capture cards, things like that, because if you have 183 00:18:11,460 --> 00:18:17,860 to capture cards, then you end up having to to lug around the capture cards and other 184 00:18:17,860 --> 00:18:22,400 things to get that to work and hope, you know, especially if you have if you're going mobile 185 00:18:22,400 --> 00:18:28,380 with this. So let's say you're using a cam. And again, I love cam and I'm all for cam 186 00:18:28,380 --> 00:18:34,580 and I wouldn't I wouldn't trade it for anything. But if I'm on the go, and I'm going to be 187 00:18:34,580 --> 00:18:42,240 recording, let's say, mobiley, or in a hotel room, I now have to take my MacBook, I have 188 00:18:42,240 --> 00:18:46,340 to take some sort of a capture card. And if I have more than one camera, so let's say 189 00:18:46,340 --> 00:18:53,400 I'm doing two or three cameras that aren't necessarily webcams. I now have to have two 190 00:18:53,400 --> 00:18:59,300 or three capture cards. But the thing to note is your Thunderbolt lanes can only handle 191 00:18:59,300 --> 00:19:04,380 so many of those input capture cards. And so a lot of times creators end up having to 192 00:19:04,380 --> 00:19:09,660 get some sort of a dock that can can handle all of that. So now if you're on the go, you 193 00:19:09,660 --> 00:19:16,180 have to take that dock with you and the capture cards, and you're going to hope it works. 194 00:19:16,180 --> 00:19:26,020 And, and, and whereas if you take the roadcast or video, you now have the ability to just 195 00:19:26,020 --> 00:19:35,460 take your, your cameras and your roadcast or video and you're good to go. It's also 196 00:19:35,460 --> 00:19:41,080 good for people that want to right now aren't using anything else like they're not using 197 00:19:41,080 --> 00:19:49,100 EKM, they're not using OBS, they're not using anything like that to do a better stream. 198 00:19:49,100 --> 00:19:53,300 Maybe they're using the ATEM because they have a couple capture cards. So this would 199 00:19:53,300 --> 00:19:59,260 be good for people using an ATEM and getting the HDMI in they're already using it, this 200 00:19:59,260 --> 00:20:04,540 is going to be better, because it's going to allow you to build scenes, it's going to 201 00:20:04,540 --> 00:20:13,720 allow you to go and have have all of this with you, but be able to, to build these scenes 202 00:20:13,720 --> 00:20:19,440 that look cool because they have graphics in them, they have animated overlays, they 203 00:20:19,440 --> 00:20:24,680 have, you know, super source, things like that. 204 00:20:24,680 --> 00:20:29,840 This is also for people want to get the video production off of their computer. Video production 205 00:20:29,840 --> 00:20:34,660 is really taxing on your computer guys, like I don't know if you know that but it takes 206 00:20:34,660 --> 00:20:42,480 a lot of processing power to do video on your computer. It's okay if you're doing one camera, 207 00:20:42,480 --> 00:20:48,040 but let's say you start to move in one camera and a guest or zoom or two cameras and I guess 208 00:20:48,040 --> 00:20:53,300 there's even more three cameras and and you start adding these things and your computer 209 00:20:53,300 --> 00:20:58,140 starts to blog down your computer, you need a higher power computer because it's going 210 00:20:58,140 --> 00:21:03,940 to take more to process this. So if you want to get this video off of your the video production 211 00:21:03,940 --> 00:21:09,540 off of your computer, you can easily do that with the roadcast or video, it separates that 212 00:21:09,540 --> 00:21:18,940 out. It separates out the the need to have the doing all the video on your computer. 213 00:21:18,940 --> 00:21:26,860 Who is this not for who is the roadcaster video not for people using software switchers, 214 00:21:26,860 --> 00:21:33,880 like E cam, so I'm using my software switcher. The reason I say that is because the roadcaster 215 00:21:33,880 --> 00:21:41,060 video is not going to produce discrete video inputs for all of your cameras, meaning E 216 00:21:41,060 --> 00:21:48,860 cam is only going to see one camera. And that one camera is going to be the output from 217 00:21:48,860 --> 00:21:54,380 your roadcaster video. So you can have your four video inputs coming into your roadcaster 218 00:21:54,380 --> 00:22:00,740 video. And you'll do all of your switching on and roadcaster video. But then E cam is 219 00:22:00,740 --> 00:22:07,220 only going to see that one output. And that's okay if that's how you want to do it. I mean, 220 00:22:07,220 --> 00:22:13,140 if you if you really don't want to have four separate capture cards, but you want to have 221 00:22:13,140 --> 00:22:17,720 the ease of doing graphic overlays and bringing in comments and the stuff that E cam is really 222 00:22:17,720 --> 00:22:25,020 good at, then you can do that. You could use the roadcaster video for it. But it's not 223 00:22:25,020 --> 00:22:29,540 if you're doing all of your switching in there. If you're hoping to build scenes in E cam 224 00:22:29,540 --> 00:22:35,400 that have a guest or two cameras or things like that, you won't be able to do that. You'll 225 00:22:35,400 --> 00:22:41,380 have to build those scenes in the roadcaster video and then just switch to him in the roadcaster 226 00:22:41,380 --> 00:22:51,980 video and not use them and bring them in via E cam. This is also not for people using three 227 00:22:51,980 --> 00:23:01,060 or more webcams. I in some of my productions have used use webcams as my inputs instead 228 00:23:01,060 --> 00:23:10,660 of DSLRs or mirrorless cameras or whatever. And in some cases, I have three cameras, I 229 00:23:10,660 --> 00:23:16,660 have a guest, I have a host and I co-host and I have a host. You can't do that with 230 00:23:16,660 --> 00:23:21,700 a roadcaster video. If you have three webcams, it's not going to work. They have two webcam 231 00:23:21,700 --> 00:23:29,300 inputs. This is also not for people wanting to bring in NDI video sources. So by that, 232 00:23:29,300 --> 00:23:38,580 I mean, if you're bringing in something from, for let's say, Pro presenter or NDI capture 233 00:23:38,580 --> 00:23:46,340 app on your computer. Currently, E cam works great. If I have Pro presenter on my computer 234 00:23:46,340 --> 00:23:50,980 or Pro presenter on another computer on the network, I can easily bring that video in 235 00:23:50,980 --> 00:23:57,380 that overlays in that whatever that's coming out of out of Pro presenter. I can bring that 236 00:23:57,380 --> 00:24:04,940 into my E cam. But with the roadcaster video that doesn't work. You cannot bring your your 237 00:24:04,940 --> 00:24:13,740 extra inputs in, in like that you could just get you can't it doesn't work. So is it for 238 00:24:13,740 --> 00:24:20,220 you? It could be Do you fit in there one of those scenarios, creators on the go, wanting 239 00:24:20,220 --> 00:24:25,820 to bring your higher level video getting your your production off of your computer, upping 240 00:24:25,820 --> 00:24:31,780 your game from the ATEM if you're already using the ATEM, then it's for you. If you're 241 00:24:31,780 --> 00:24:37,900 using software, such as like, like E cam, it's probably not for you. People using three 242 00:24:37,900 --> 00:24:43,740 or more video cams, webcams, it's not for you. People wanting to bring in NDI sources 243 00:24:43,740 --> 00:24:51,740 in, it's not for you. So there you have to decide, is the roadcaster video for you? It 244 00:24:51,740 --> 00:25:01,740 could be. Now one thing note is the roadcaster video currently costs $1,199 US dollars. And 245 00:25:01,740 --> 00:25:05,940 I know people are some people are blocking at the price of that because the ATEM is a 246 00:25:05,940 --> 00:25:12,180 lot cheaper. But the roadcaster video does a whole lot more. And when you start to step 247 00:25:12,180 --> 00:25:21,220 up your game and level up and become more professional, the hardware costs more. And 248 00:25:21,220 --> 00:25:25,340 that's supposed to you know, that's opposed to the now the good thing about that is it's 249 00:25:25,340 --> 00:25:34,100 a one time cost. You pay for it. That's all. E cam, that's $40 a month if you're getting 250 00:25:34,100 --> 00:25:44,380 the pro, that's $400 a year. But and it is reoccurring. But you also get what you pay 251 00:25:44,380 --> 00:25:50,420 for. You can do a lot more with E cam that you can't do with this roadcaster. So there's 252 00:25:50,420 --> 00:25:57,700 that toss up. Is it for you? It might be. Let me know what you think. Let me know is 253 00:25:57,700 --> 00:26:01,340 the roadcaster video something that you're gonna get? Is it something that you're going 254 00:26:01,340 --> 00:26:04,900 to add to your production? Or is it something that you're going to skip and you're going 255 00:26:04,900 --> 00:26:10,640 to say, "Nah, this isn't for me. This isn't for me." Let me know. I would love to know. 256 00:26:10,640 --> 00:26:18,680 So in the comments of this video, in the comments for this episode, go over to podcastanswers.com/contact. 257 00:26:18,680 --> 00:26:22,140 Let me know. Are you going to use this? Are you going to use this video? The roadcaster 258 00:26:22,140 --> 00:26:29,620 video? Are you going to pass on it? I, guys, I hope to see you soon. And let me know again. 259 00:26:29,620 --> 00:26:32,340 Like I said, let me know if you're going to use this. I would love to hear about it. 260 00:26:32,340 --> 00:26:34,500 Bye. 261 00:26:34,500 --> 00:26:36,560 you