{"version":"1.2.0","chapters":[{"startTime":0,"endTime":46.706},{"startTime":46.706,"endTime":99.135,"title":"Welcome and Introducton"},{"startTime":99.135,"endTime":225.625,"title":"The Fairy Tale Funding Story"},{"startTime":225.625,"endTime":365.865,"title":"Intentional Design: Colors, Shapes, and Cultural Connection"},{"startTime":365.865,"endTime":491.734,"title":"Directing Animation vs. Live Action"},{"startTime":491.734,"endTime":668.625,"title":"The Power of Collaboration in Animation"},{"startTime":668.625,"endTime":954.084,"title":"Working With Non-Believing Crew Members"},{"startTime":954.084,"endTime":1087.725,"title":"The Business Reality of Christian Filmmaking"},{"startTime":1087.725,"endTime":1347.725,"title":" Ministry Goals and Self-Distribution"},{"startTime":1347.725,"endTime":1479.274,"title":"Balancing Money and Ministry"},{"startTime":1479.274,"endTime":1596.394,"title":"The Challenges of Theatrical Release Timing"},{"startTime":1596.394,"endTime":1646.244,"title":"Defining a Christian Filmmaker"},{"startTime":1646.244,"endTime":1739.544,"title":"Where to Watch Light of the World"}]}