{"version":"1.2.0","chapters":[{"startTime":0,"endTime":50,"title":"The Human Touch in Music"},{"startTime":50,"endTime":96,"title":"Introduction to Mark and His Journey"},{"startTime":96,"endTime":222,"title":"The Business of Music"},{"startTime":222,"endTime":287,"title":"Mark's Early Career and Band Success"},{"startTime":287,"endTime":442,"title":"Challenges and Transitions"},{"startTime":442,"endTime":534,"title":"Building Rent 13 Studios"},{"startTime":534,"endTime":627,"title":"Adapting to COVID and New Strategies"},{"startTime":627,"endTime":823,"title":"Fan Flowy and Automation"},{"startTime":823,"endTime":1252,"title":"The Importance of Owning Your Audience"},{"startTime":1252,"endTime":1431,"title":"Effective Music Release Strategies"},{"startTime":1431,"endTime":1459,"title":"Getting Added to Spotify Playlists"},{"startTime":1459,"endTime":1510,"title":"YouTube Advertising: Is It Worth It?"},{"startTime":1510,"endTime":1607,"title":"The Value of Real Fans vs. Optics Marketing"},{"startTime":1607,"endTime":1742,"title":"Collaborations and the Piggybacking Method"},{"startTime":1742,"endTime":1876,"title":"Building a Music Community"},{"startTime":1876,"endTime":2107,"title":"AI in Music Production"},{"startTime":2107,"endTime":2414,"title":"The Resurgence of Live Music"},{"startTime":2414,"endTime":2545,"title":"Future of Music Consumption and Community Engagement"},{"startTime":2545,"endTime":2589.257,"title":"Conclusion and Final Thoughts"}]}