{"version":"1.2.0","chapters":[{"startTime":0,"endTime":42.944},{"startTime":42.944,"endTime":114.813,"title":"Welcome and Introduction"},{"startTime":114.813,"endTime":199.944,"title":"From South Africa to Hollywood: Losing (and Finding) Accents"},{"startTime":199.944,"endTime":255.533,"title":"Honoring Real-Life Stories on Screen"},{"startTime":255.533,"endTime":428.254,"title":"Working Actor vs. Celebrity   "},{"startTime":428.254,"endTime":504.944,"title":"From Broken Home to Salvation"},{"startTime":504.944,"endTime":541.944,"title":"Ministry Through Film"},{"startTime":541.944,"endTime":699.944,"title":"Faith films are Finally Getting Good"},{"startTime":699.944,"endTime":908.944,"title":"Why \"Faith-Based\" is Limiting"},{"startTime":908.944,"endTime":1100.944,"title":"What Makes a Great Director"},{"startTime":1100.944,"endTime":1287.613,"title":"Working with Dallas Jenkins"},{"startTime":1287.613,"endTime":1440.624,"title":"Hazel's Heart"},{"startTime":1440.624,"endTime":1501.574,"title":"Fatherhood, Redemption & Real American Stories"},{"startTime":1501.574,"endTime":1587.944,"title":"God-Ordained Projects: When the Story Finds You"},{"startTime":1587.944,"endTime":1752.944,"title":"Learning the Directors's Vision"},{"startTime":1752.944,"endTime":1817.944,"title":"How They Shot the Blizzard"},{"startTime":1817.944,"endTime":1889.544,"title":"Filming Horses Indoors"},{"startTime":1889.544,"endTime":2178.794,"title":"Distribution & Theatrical Reality"},{"startTime":2178.794,"endTime":2547.804,"title":"Advice for Filmmakers"},{"startTime":2547.804,"endTime":2903.665,"title":"Faith, Discernment and Spiritual Integrity"}]}